One of David Kikoski's strongest offerings, Inner Trust is a departure in that it focuses primarily on non-original material. Three of the ten tracks are by the pianist, but the rest are standards and jazz classics. Joined by Leon Parker on drums and fellow Roy Haynes sideman Ed Howard on bass, Kikoski reaches consistently grand heights of harmonic invention on burning numbers like "Softly, as in a Morning Sunrise" and John Coltrane's "Some Other Blues." "Winnie's Garden," a Kikoski-penned workout over the chord changes to "Sweet Georgia Brown," practically overflows with energy. And Thelonius Monk's "We See" swings with almost comic cleverness. On the softer side are "You Don't Know What Love Is," "Old Folks," and the unaccompanied "Once Upon a Summertime." "Two Lonely People," a little-known song composed by master pianist Bill Evans and once sung by Tony Bennett, is also noteworthy. Of the two remaining originals, "Mirical" is mannered, but the title track is one of Kikoski's finest achievements -- a simple, stately melody that serves as a launching pad for bold and impassioned improvisation. (A version for quintet can be heard on Roy Haynes's Praise.) ~ David R. Adler

A real treat, two superb Roulette recordings from the gifted Sarah Vaughan.

Sacha Distel is probably more famous internationally as a singer, and even an actor, than he is as a jazz guitarist. It was as a guitarist, however, that he made his first mark on the entertainment world. This all-instrumental compilation is a document of those beginnings, gathering 14 tracks that he recorded between late 1955 and late 1956 in a variety of settings. Just five of them were credited to Distel; the remaining nine cuts include one with the Lionel Hampton Paris All-Stars, a couple with the Bobby Jaspar All Stars, and five as co-leader of the John Lewis-Sacha Distel Quintette. The mere fact that by his early twenties he was already playing with the likes of Hampton and Lewis is an indication of how highly regarded his talents on guitar were regarded by the jazz world. While there's no indication that the world lost a future Wes Montgomery after Distel switched his focus to pop vocals, these tracks alone are enough to establish his credibility as an instrumentalist in the straight jazz scene. For the most part, they're respectable straight-ahead pieces in the cool-bop-influenced style, Distel taking smooth leads that show a debt to the work of Charlie Christian. Be aware that on some numbers, the focus isn't wholly on Distel, though this isn't such a bad thing if you're a general fan of jazz from the period, especially on the Lewis cuts, where Lewis' piano and contributions by esteemed sidemen such as drummers Kenny Clarke and Connie Kay are also prominent. Also be aware that there are no original Distel compositions on this compilation, which includes material by Lewis, Thelonious Monk, Billy Byers (who plays trombone on the tracks billed to Distel alone), Milt Jackson, and Michel Legrand, as well as standards like "All the Things You Are" (heard in two versions) and "Willow Weep for Me." ~ Richie Unterberger