This inspirational book features over 35 master jewelry designers, organized alphabetically. Hailing from Australia, Brazil, France, Greece, Hong Kong, India, Italy, Japan, Lebanon, Russia, Turkey, the UK and USA, they represent a wide variety of approaches, from Aida Bergsen's flora and fauna-inspired designs, including emerald- studded frogs and diamond- encrusted salamanders; through Anabela Chan's exquisitely detailed laser-cut brooches of white gold and platinum with iridescent diamonds and natural grey pearls; to Elie Top's yellow gold spheres that are a feat of mathematical precision and ingenuity. Red-carpet customers and fans include Beyonce, Gwyneth Paltrow, Salma Hayek, Madonna and Michelle Obama. Each designer is introduced with a biography that highlights their working practices and key sources of inspiration. Illustrations include sketches as well as images of glorious finished designs, all of which are unique and many of which are bespoke. Complete with an introduction, a useful glossary and notes of designers' websites (some work by appointment only), this is the perfect, curated resource for both aficionados and professionals who wish to view the craftsmanship of some of the most visionary practitioners working in the field of fine jewelry today

Bakelite jewelry was popular during The Depression because it was decorative, fun, and very affordable. Today, it is sought after and worn for the same reasons-except its affordability is rapidly changing. This book is designed to show off an extraordinary variety of this wonderfully colorful, always appealing, and sometimes startling jewelry, along with a sample of other objects through 420 color photos. It shows how to rate quality-good, better, best-and answers the many questions asked about Bakelite, from dealers' secrets to historical facts. The photos, the detailed information, and the indispensable price guide will provide beginner and connoisseur collector alike with all that is needed in the hunt for Bakelite.

The name Faberge has long been a byword for luxury. Combining an entrepreneurial vision for craftsmanship with innovative material sourcing and technical ability, Carl Faberge created an astonishing array of bespoke jewelled and enamelled objects at the end of the 19th and beginning of the 20th century. This beautifully illustrated book explores the history and legacy of the House of Faberge, from its origins in Russia - and its role in the glamorous world of the Romanovs - to global recognition. Much of the story is familiar, but less well known is the important part played by the London branch. Opened in 1903, and the only one outside Russia, it became a choice destination for Edwardian high society and an international clientele. Featuring over 120 pieces, from delicate flowers to Imperial Easter eggs, and with contributions from leading experts Faberge: Romance to Revolution celebrates the enduring fascination with this master craftsman's works.

The book is an illustrated collection of projects carried out in silver and gold reflecting the many interesting personal stories that combine people with a place of significance portrayed in miniature for a special event in their lives. This is the story of forty years of making architecturally-based silverware, from small domes and columns on stud earrings to larger bespoke presentation pieces. The author charts her development from student days to acquisitions by the Victoria & Albert Museum and the Boston Museum of Fine Arts amongst others. Her insights into how to render buildings such as the Pantheon in Rome, the Sydney Opera House or Oxford's Sheldonian Theatre into a brooch, a ring or a box make fascinating reading.

Goldsmiths' products examined, combining discussion of object with analysis of inscription and design, and literary and archaeological evidence for smiths and their work. Throughout the Anglo-Saxon period, goldsmiths produced work of a high standard in both design and craftsmanship, both for personal adornment, and to embellish bookbindings, reliquaries, vessels and weapons. Some works are well known, particularly the magnificent gold and garnet regalia from Sutton Hoo, but this represents only a fraction even of the surviving work, and much more has been lost. This book is the first to look at the goldsmiths' products through the eyes of both a specialist in the period and a practical craftsman, combining close examination of the surface and structure of the objects with analysis of inscriptions and evidence for design, and with literary and visualsources of evidence for smiths and their work. Archaeological and documentary evidence for workshops, tools and working processes is also assessed, and up-to-date technical information on materials and techniques is juxtaposed with new practical research to throw light on manufacturing and decorative processes, and, more widely, to give a fresh idea of the position of the goldsmith in his society. Dr ELIZABETH COATSWORTH is Senior Lecturer inthe Department of History of Art and Design, Manchester Metropolitan University; Dr MICHAEL PINDER is Senior Lecturer in the Department of Architecture, Landscape and 3DD, at the same university.

This is the definitive book about brass objects. Large sections are devoted to andirons, candlesticks, fireplace accessories, kettles and tobacco boxes. There are useful dating charts for andirons and candlesticks. Each of these sections is more complete than any previous volume, and could have been published as a separate book. Smaller sections include horse brasses, scientific and occupational instruments, and table wares. The development of artistic styles in brass are fully illustrated and explained in their historical context. The accompanying text explains the composition of brass, eighteenth century method of sand casting, and ways to identify old copies and fakes. A fascinating eighteenth century brass-makers catalog is reproduced in its entirety at the end of the book. Unusual brass items from many private collections, museums and antiques dealers are presented and compared. Very few of these items have ever been published before.

Discover the common treatments and imitations plus gemstone properties, sources and typical cuts of stones, including a guide on appraisal techniques.

Jewellers and designer goldsmiths, lapidaries and gem cutters, stone setters, gemologists, geologists, collectors and people who buy and sell jewellery at antique fairs and on the internet, this book is for anyone who has ever had a gemstone and wanted identification and information. Featuring a mix of gemstones and gem-set jewellery, it puts gems in context and contains historical context for those buying and selling antique and vintage gem-set jewellery, including details of the stones typically found in Georgian, Victorian, early 20th century settings.

Packed with fascinating gemological details and up-to-minute data on more than 70 of the most exquisite gemstones, and written by leading expert, Judith Crowe, learn the common pitfalls in identifying stones and clarify areas of confusion and misidentification.

Just as macrame homeware has been given a contemporary, stylish makeover in recent years, here, Isabella Strambio does the same with jewellery. Ideal for beginners, this book contains 20 contemporary jewellery and accessory projects, including necklaces, earrings, bracelets and headbands. Isabella is committed to working with sustainable materials, to ensure that these items can make you feel good, as well as look good. She gives advice on sizing and resizing the pieces to suit, and attaching jewellery findings, fastenings, beads and so on. As well as providing 20 wonderful designs, the book also covers the knots that are needed, making it ideal for beginners or people who are keen to give the craft a try and create some truly unique, truly sustainable jewellery pieces.

Rings and bangles are timeless jewellery pieces; from simple elegance to bold creations, they make stunning statements. This beautiful book explains traditional techniques with step-by-step guides, and gives inspiration through stunning examples from leading jewellers. Written by two award-winning designer makers, it encourages jewellers of all levels of experience to express themselves and make unique pieces of jewellery to be worn and treasured. This new book covers the design process, from initial observation to developing, selecting materials and finalizing an idea. Detailed instruction is given on more elaborate ways of making and decorating work, including casting, texturing, etching, granulation, inlay and keum-boo. There is also a guide to using gemstones with a range of settings. Written both for beginners wanting to make their first ring or bangle and for the more experienced looking for inspiration.

This book contains papers by archaeologists and numismatists from six countries concerned with different aspects of how silver was used in both Scandinavia and the wider Viking world during the 8th to 11th centuries AD. The volume brings together a combination of recent summaries and new work on silver and gold coinage, rings and bullion, which allow a better appreciation of the broader socioeconomic conditions of the Viking world. This is an indispensable source for all archaeologists, historians and numismatists involved in Viking Studies.

This comprehensive guide fills a critical void in the available literature regarding ancient finger rings comprised of base metals and low grade silver alloy. Increasingly, these modest relics of times past are being unearthed and sold through a growing assortment of worldwide venues. Unfortunately, the accompanying descriptions are often inaccurate and unreliable in the extreme. To date, the available reference material for researchers and collectors has been almost entirely restricted to the historic and "high end" pieces of the past, i.e., the gold and precious stones of royalty and the very wealthy. The public has had next to nothing with which to evaluate these common rings. This guide not only examines the physical structure of these pieces, but also the images and symbols which are such important elements of these ancient artifacts. As such, this book is an invaluable guide not only for merchants and collectors, but also researchers, students and educators regarding the types of ancient rings so conspicuously missing in the available literature.

Copper Art Jewelry presents twentieth century designs, especially by the masters Frank Rebajes of New York and Jerry Fells, known as Renoir of California. Popular when newly created in the 1950s, these designs are avidly sought after today. Copper jewelry by other artists and manufacturers are displayed as well, along with related silver and enamel jewelry and useful objects. Enthusiasm for copper items is expanding, and this is the reference that collectors, appraisers, and art dealers have been seeking. Twentieth century styling characterizes the abstract, free-form and whimsical designs in pins, bracelets, necklaces, sets, belts and useful objects which display the artful merits of copper. Over 300 color photographs show hundreds of examples, and the original art work, advertising, identifying marks and anecdotes round out this exhaustive new study. Much of the information about Rebajes and Renoir jewelry has not been available anywhere before.

This book discusses the current trends in luxury and jewelry and presents how to make these sustainable for a better future. In the age of sustainability, we increasingly see how designers and consumers begin to think beyond a product's look&feel and operation, and are especially concerned about what has happened during its manufacturing process and what will happen once its useful life comes to an end. Today, consumers value that every industrial product and process should be sustainable, beneficial for the people, the economy and the planet, and so is the case for jewelry.

Polishing and finishing is a highly skilled specialist craft; a professional finish will transform a piece of jewellery or silver into a work of art. Written by a leading polisher, this practical book explains the traditional techniques and shares the secrets of this often under-rated craft. Topics covered include: setting up a workshop, tools and compounds; finishing methods including satin finish and oxidizing; polishing bangles, rings and cutlery and there are finished photographs showcasing a range of exquisite work.

This exquisite book takes you to a jewelry Magical Kingdom of theatrical beauty, showcasing dazzling Juliana crystal jewelry made by William DeLizza and Harold Elster from 1947 to the 1990s. Over 375 color photographs display the largest collection of striking Juliana jewelry ever brought together, revealing many rare, highly sought after, and coveted pieces. Lavish designs have components of great quality: amazing art glass, incredible intaglios and cameos, mesmerizing margaritas, dramatic dangles, ravishing rivoli and rhinestones, and distinctive Juliana figural brooches. Information is provided on the makers, design elements, and construction techniques, with details to assist in identification. Captions are provided with a value guide. Useful information on techniques for the repair and restoration of the jewelry, storage and care, and specific terminology are included. This is an inspiring book for seasoned collectors and novices who are beginning the fantastic voyage into the world of Juliana jewelry.

For many women of Egypt, their jewelry is their bank-they wear their wealth in their gold. But jewelry in Egypt is also more than mere assets, and its design and manufacture reveal a great array of styles and a high degree of skill and artistry. In this lavishly illustrated book, Azza Fahmy, herself a world-renowned designer of jewelry based on traditional motifs, lays before us an Aladdin's cave of jewelry made in all corners of Egypt over the last one hundred years, collected through her extensive travels throughout the country. From the farms and villages of the Nile Valley and Delta, from the oases of the Western Desert and the mountains and wadis of Sinai and the Eastern Desert, from Nubia in the south, and from the crowded traditional neighborhoods of Cairo is displayed a cornucopia of gold and silver adornment-each area with its own distinctive favored style. Personal seals have been widely employed, and there is even jewelry for special occasions, such as the appeasement of malignant spirits, and for animals.In this completely redesigned edition of her bestselling book, in a new and elegant format, the author not only documents all these varieties and illustrates them with the finest examples, she also describes the techniques and skills involved in their production and the materials used, and recounts her own journey of learning as she apprenticed with the leading master jewelers to become the best known jeweler in Egypt, whose work is worn by world leaders, royalty, and connoisseurs of jewelry around the globe.

Diamonds tell stories that are captivating and timeless. On the one hand, they are just stones, pieces of pure carbon with optical properties that make them glitter and sparkle like stars. On the other, they are mystical entities hypnotically drawing the viewer into a time machine as it were, wherein a cinematic montage of their journey unfolds. Diamonds Across Time presents a sweeping overview of diamonds across time and space, featuring ten essays by world-renowned scholars in love the stone. Here, these authors present new discoveries; explore extraordinary collections; investigate histories, science, and trade; the nature of diamonds; legendary gems, jewellery collections, and great designers. Above all, they tell the human stories that underpin the adoration of diamonds. Diamonds Across Time is a richly illustrated publication with high-quality images of gems and jewels, archival documents, rare drawings, and fabulous photographs. The volume places diamonds in the context of the time in which they were discovered, and on the political, social, and cultural stage on which their histories were etched. In a rapidly changing world, diamonds are eternal. They were created by nature and grew in the womb of the earth. They tell stories, and they record history. With this book, diamonds will finally have their own storytellers. The book was compiled and edited by the World Diamond Museum's chief curator and world-renowned jewellery expert Dr. Usha R Balakrishnan. She and nine other distinguished authors wrote ten monographs written in the order in appearance: Introduction; The Nizam Diamond: Bala Koh-i-Noor, in the Sacred Trust of the Nizam of Hyderabad - Usha R. Balakrishnan; Diamonds of the French Crown Jewels: Between East and West - Francois Farges; A Concise History of Diamonds from Borneo - Derek J. Content; Indian Diamonds and the Portuguese Duriing the Rise of the Mughal Empire - Hugo Miguel Crespo; Two Large Diamonds from India - Jack Ogden The Romanov Diamonds: History of Splendour - Stefano Papi; The Londonderry Jewels, 1819-1959 - Diana Scarisbrick; Dress to Impress in Southeast Asia - Rene Brus; Powerful Women, Important Diamonds - Ruth Peltason; One in Ten Thousand: The Unique World of Coloured Diamonds - John M. King.

All of the beautiful American Indian jewelry shown in this book was actually for sale when the photographs were taken with the prices and ranges noted with each caption. Therefore, it will be useful to all enthusiasts of Indian arts, because it shows hundreds of pieces that are really available on today's marketplace. The 336 beautiful color photographs demonstrate the excellent craftsmanship in the jewelry and the text presents the variations of style to be exciting. Collectors, dealers, historians and travelers to the Southwest all will enjoy the concise and informative text and visual pleasure this book presents.

Goossens is one of the most prestigious names in haute couture jewelry of the last half century. Robert Goossens worked with Coco Chanel in the 1950s, cultivating an original style inspired by baroque and Byzantine art. He went on to design jewelry for the world s foremost fashion houses, pursuing notable collaborations with Balenciaga, Gres, and Yves Saint Laurent. As well as the emblematic rock crystal jewelry, baroque pearl brooches, and Byzantine cuffs famously associated with Chanel, Goossens designs combine real and faux gemstones, making fashion jewelry both precious and bold at once. Robert s son, Patrick, has reimagined many original Goossens styles for Dior, Alexander McQueen, and Louis Vuitton among others. Martine, his daughter, collaborates regularly with architect Peter Marino to decorate the interiors of the most famous couture houses in the world. The Goossens family upholds the meticulous standards of the house, now part of the stable of exceptional craft practitioners owned by Chanel s Paraffection subsidiary."

At last, an easy way to add gorgeous color to your metalwork without the use of a kiln! Armed with colored pencils and a few simple techniques, you can have the beautiful look of enameled jewelry in much less time. Copper is an affordable option for metalwork, and with the techniques in this book, you can add endless colorful designs to your necklaces, bracelets, earrings, and brooches. By following the illustrated instructions, you will be able to draw and color any design you like onto your jewelry with just a few easy-to-find tools. Give coloring a try on the 10 included projects, or branch out with your own ideas. Once you have mastered the basics, you will have opened a whole new realm of creative options for your jewelry designs.

Steampunk has captured the imagination of thousands who are searching for a unique style symbolic of a richly inspired, post-apocalyptic world drawn from the heavy machinery of the Victorian age. With clear instruction, step-by-step sequences, and over twenty-five projects, this practical book shows you how to access that world and make unique jewellery and accessories that will complete an outfit and transport you to another era, full of excitement, potential and extravagance.

This book is designed for the exhibition of the collection of Mr. Guy Ladriere, which will be presented by the School of Jewelery Arts from 12 May to the 1 October 2022, under the commission of Mr. Philippe Malgouyres, chief curator of heritage in the art department of the Louvre. Widely illustrated and documented, this book will constitute a genuine introductory manual to the art of glyptics, thanks to its chrono-thematic approach to the history of engraved stones in the West. The author reveals a whole world in miniature, fascinating kings and emperors as much as collectors and art lovers. With materials with subtle engraved effects, cameos (relief engraving) and intaglios (intaglio engraving) have come down to us as jewels or relics, thus following all the themes of the History of Art: mythologies, symbols, portraits, allegories, etc.

Antique silver objects made for specific uses often reside in curio cabinets but are little understood today. In the late 19th century, many unusual novelties were created for various purposes. In this new book, two experts of silver explain why and how they were used. Here are calling card receivers, cane handles, tussie mussies, perfumers, dresser sets, curling tongs, glove stretchers, ring trees, lorgnettes, skirt lifters...flasks, cigar cutters, mustache combs, watch stands...bodkins, sewing birds, hem gauges, needle cases, pin holders, spool knaves, thimbles...memo books, page turners, stamp boxes, bookmarks, paperweights, pen wipers, pounce pots...baby rattles, tongue cleaners, ear picks, medicine spoons...egg cups, muffineers, casters, and more. Now you can identify your curios and gain understanding of their uses.

In the 1960s and 1970s, a generation of young Americans rejected the promise of prosperity and the suburban dream embraced by their parents. Furious about the war in Vietnam, fighting for civil rights at home, and eagerly exploring the effects of psychedelic drugs, the delights of free love, and the mystical teachings of eastern religions, thousands followed the advice to "turn on, tune in, drop out," bringing about a counterculture in the process. For many American jewellers, these events and values found their way into the studio, as well as affecting how they lived, worked, and loved. Jewellers, like other studio craftspeople, rode the wave of popularity for the hand-made and authentic that was at the heart of the counterculture. In Flux is the story of how their jewellery contributed to the raucous, contradictory, and enthusiastic clamour for a new kind of society that made the 1960s and 1970s so extraordinary.