Make fun beaded boxes with a flowerpot theme! Give them as a great gift, with personalized label, or create an eye-catching display. Prizewinning beader Katie Dean shows you, in easy stages, how to make two shapes of lidded box, with your choice of simple flowers. Learn how to create more complex flowers, including using multi-holed and shaped seed beads. Discover how to change the size and proportions of your boxes and how to add different pattern designs/colourways. The techniques are made easy in this ebook (PDF format), with step-by-step instructions, detailed photos and comprehensive video demonstrations by Katie Dean. It's the next best thing to having the author standing by your side as you bead.

Originally published in 1949, this book contains a catalogue of the Islamic metalwork that was in the collection of the British Museum at the time of publication. The text is accompanied by a number of photographic reproductions of key pieces and line drawings of some of the intricate designs featured on the artefacts. Basil Gray, in the introduction, argues that 'metalwork provides the most continuous and best-documented material for the history of Islamic art', and as a record of one of the country's most important collections of such art this book will be of value to anyone with an interest in Islamic art.

In addition to his medical practice, lecturing and teaching at the London Hospital, and his publishing of several medical works, the Irish physician Archibald Billing (1791 1881) was also an amateur artist and antiquarian. This illustrated book on gemmology was first published in 1867. Beginning with the works of ancient Greece, for him the highest pinnacle of civilization, Billing discusses the use of engraved gems, putting cameos and intaglios in the context of contemporary monumental sculpture, and tracing the history of carving in miniature back to the seal-stones of the Egyptians and Assyrians. He also considers the types and qualities of mineral used in making jewellery, from semi-precious pebbles through to diamonds, and he describes the techniques of cutting precious stones. The work concludes with a translation of the autobiography of the Italian engraver Benedetto Pistrucci (1784 1855), who became chief medallist at the Royal Mint."

Originally published in 1933, this book presents a detailed description of the collections of silver, portraits and other paintings at King's College, Cambridge. A list of the early donors of silver is also provided. This book will be of value to anyone with an interest in King's College and its collections.

An inspiring selection of what is happening in the world of auteur jewellery right now, particularly with regard to brooches. Edited by Nicolas Estrada, New Brooches, now in paperback, focuses on brooches within an exploration of current innovative trends in contemporary jewelry. With a selection of over 400 jewelry artists' creations from all over the world, this inspirational volume is the most comprehensive compilation on this subject and an important step in Nicolas Estrada's exploration of current trends in contemporary jewellery. A must-have for any professional or student of jewelry or fashion design, this work shows the versatile and dynamic nature of brooches and the many and varied materials and forms that they involve. Needing only a pin to secure it to the wearer's garment, this ornament is essentially a jewelry artist's blank canvas that invites endless creativity and offers more freedom of expression than any other form of jewelry. The brooch has continued to evolve and be reinterpreted over time, and it is playing a critical role in the development of new jewelry as a platform for artistic expression. Following the success of Estrada's New Rings, New Earrings, New Necklaces, New Brooches represents a valuable contribution to this series.

John Donald, a British jeweller, designer and goldsmith, is regarded as one of the most innovative of the twentieth century. In over half a century he has been recognised as a pioneering and radical designer and craftsman with his work capturing the late twentieth century ideals of glamour and modernity. Part of a select group that revolutionised jewellery design in the 1960s and '70s, John went on to establish a successful business in London and Geneva as well as an international reputation. He is respected by art critics and his work attracted the patronage of HRH The late Princess Margaret, Countess ofSnowdon and Her late Majesty Queen Elizabeth the Queen Mother.His work is seen in the collections of the V&A Museum, the Schmuckmuseum in Pforzheim, The Royal Museum in Edinburgh and The Worshipful Company of Goldsmiths. His pieces are owned by various Royal Families as well as headsof industry and those fascinated by design.

This book contains over 100 fabulous step-by-step jewellery projects, including necklaces, pendants, bracelets, earrings, brooches, pins and hair-slides. It takes you from novice to expert, covering all aspects from bead purchase and storage to jewellery making and even display and selling. It features beads and components from worldwide sources in a dazzling variety of styles, colours, sizes and shapes. Easy-to-follow instructions cover a huge range of techniques from simple and traditional to modern and innovative. Extensive suppliers list ensures the reader has the pick of the best beads available.

Resin jewellery first started in the US around 6 years ago and has now become one of the fastest-growing trends in jewellery making. The technique is very simple - you simply mix the two-part resin together and pour into a bezel or pendant. Rings, pendants, brooches, cufflinks, hairpins and bracelets are all easy to make and look incredibly professional when done. In this inspiring book, well-known crafter Sara Naumann shows you just how easy and quick resin jewellery is to make, using minimal equipment and readily available products, and provides over 50 fabulous projects for you to try. You can add numerous items to the resin to achieve different effects. You can place paper in the bezels to act as a background to the resin - such as old book paper, map paper, scrapbook paper and photographs. Paper can also be painted, stencilled, or layered with washi tape before being coated with resin. Try sheet music for a vintage vibe, or origami papers for a fresh, contemporary look. In addition, you can also immerse various items in the resin before it cures, such as dried flowers and leaves, feathers, shells, beads and charms, or try adding glitter, coloured inks, nail polish and virtually anything else you can think of. The versatility of resin jewellery is awe-inspiring, providing papercrafters as well as jewellery-makers with all the skills and inspiration they need to design and make their own stunning pieces.

Alongside artistically experimental aspects of education, the ThinkingJewellery 'trademark' stands as a contextual leitmotif throughout the gemstones and jewellery study programme at Trier University/Idar-Oberstein campus. The aims of ThinkingJewellery comprise scientifically oriented research as well as discourse on the historical and societal interconnection of jewellery. Highlights are the ThinkingJewellery symposia, which are now accompanied by a series of periodicals. The new series discusses contributions to a contemporary theory of jewellery beyond disciplinary boundaries or typical categories. The texts envisioned for ThinkingJewellery 2 include 'On the Cultural History of the Gemstone', 'Goethe on Colour' and 'Cold Shine - Empty Glamour, on Jeff Koons's Celebration Series', which are based on lectures from the 2017 symposium.

How Many Is One encapsulates one of the fundamental questions at the core of art and design. This issue is highly pertinent to jewellery design as a language that seeks form through which to articulate ideas. The oeuvre of Deganit Stern Schocken (b. 1947) has delved into the socio-political question of place, creating works in which text is incorporated as an integral part of the object; in the process the artist has adhered to the classical language of jewellery while employing state-of-the-art technologies. The book explores the architectural-planning aspect in Stern Schocken's jewellery. While each object stands in its own right (like a building), it is also part of a system (the city). The trial-and-error process of casting and the notion of 'value' also play an important role in the artist's work, which alludes to local society and Israeli reality.

Containing an introductory essay on ancient gems, J. H. Middleton's work of 1892 catalogues the extensive and fascinating collection of engraved gems at Corpus Christi College, Cambridge. Middleton, who was a Professor of Fine Art and Director of the Fitzwilliam Museum, describes how the collection was acquired by the Reverend S. S. Lewis on his frequent visits to Italy, Greece and more distant Oriental countries. The catalogue demonstrates that the gems are more remarkable for their interesting subjects than for any exceptional beauty as works of art. The reader is shown how the gems represent important works of Greek sculpture, present examples of the work of Italian Renaissance artists, and illustrate myths and rituals of ancient times. The book will be of interest to students of glyptic art, and anyone interested in classical learning, the development of Christianity and the Renaissance of classical art.

The Swiss artist Otto Kunzli has revolutionised modern art jewellery. In the 45-odd years in which he has been addressing the topic of jewellery, Kunzli has carved out for himself a unique position of far-reaching international influence, not only as an artist and a pioneer but also as an author and mentor. Otto Kunzli's works are based on complex reflection, conceptual and visual imagination. The result: objects with a clear, minimalist appearance, captivatingly crafted to perfection and highly visible - jewellery that adorns and at the same time possesses an autonomous aesthetic status of its own. The publication presents for the first time Otto Kunzli's highly diverse oeuvre. It includes hundreds of jewellery objects as well as interdisciplinary conceptual works from the artist's various creative phases. An extraordinary artist's book designed in close collaboration with Otto Kunzli and Die Neue Sammlung - The International Design Museum Munich. Otto Kunzli was born in 1948 in Zurich, Switzerland. Since 1991 Kunzli has held the Chair of Art Jewellery at the Academy of Fine Arts in Munich - as the successor of Prof. Hermann Junger. Otto Kunzli's work is represented in numerous international museums and collections. Alongside numerous awards, in 2010 Otto Kunzli was awarded the Swiss Grand Prix Design, and in 2011 the Goldener Ehrenring der Gesellschaft fur Goldschmiedekunst, the golden ring of honour conferred by the German Association for Goldsmiths' Art.

Ages 6 to 12 yearsMake your very own bracelet!The BRAZILIAN BRACELET is the South American cousin of the traditional FRIENDSHIP BRACELET. When a friendship bracelet is tied on the wrist of a friend, that friend can make a wish. Then, the bracelet must remain on the friend's wrist until it falls off on its own. At that moment, the WISH comes true. Some believe that the charm will be broken if the bracelet is taken off before it falls off on its own.But you won't have to wait for your beautiful BRAZILIAN BRACELET to fall off. Complete with the SEED BEADS and RIBBON, it can easily be removed using the magnetic clasp!

Jewelry was worn by ancient Egyptians at every level of society and, like their modern descendants, they prized it for its aesthetic value, as a way to adorn and beautify the body. It was also a conspicuous signifier of wealth, status, and power. But jewelry in ancient Egypt served another fundamental purpose: its wearers saw it as a means to absorb positive magical and divine powers-to protect the living, and the dead, from the malignant forces of the unseen. The types of metals or stones used by craftsmen were magically important, as were the colors of the materials, and the exact positioning of all the elements in a design. Ancient Egyptian Jewelry: 50 Masterpieces of Art and Design draws on the exquisite collections in the archaeological museums of Cairo to tell the story of three thousand years of jewelry-making, from simple amulets to complex ritual jewelry to the spells that protected the king in life and assisted his journey to the Otherworld in death. Gold, silver, carnelian, turquoise, and lapis lazuli were just some of the precious materials used in many of the pieces, and this stunningly illustrated book beautifully showcases the colors and exceptional artistry and accomplishment that make ancient Egyptian jewelry so dazzling to this day.

This title features over 100 inspiring ways to make stunning pieces from all kinds of materials, with practical step-by-step projects. It contains over 100 ideas and easy-to-make projects, plus scores of tips and inspiration for creating many different types of hand-crafted jewellery. It features every kind of jewellery - from bangles, brooches and pins, to necklaces, rings, pendants and earrings - plus designs for buttons, badges, cufflinks, hair ornaments and trinket boxes. All techniques are shown in fully illustrated step-by-step format - clear, simple and easy to achieve, with stunning pictures of every finished piece. It covers a wide range of different crafting techniques using easily acquired equipment and material: including metal, wire, beads, ribbon, felt, silk, shells, mosaic, ceramics and paper. Jewellery always makes a very personal statement, and creating your own pieces is a wonderful way of saying even more about yourself and your taste. Better still, many of these ideas are so inexpensive, you can give yourself a new look quickly and easily. This book is designed to teach you everything you need to know about making jewellery, and covers all the materials, techniques and equipment you will need. Projects include bracelets and earrings, necklaces and brooches and even cufflinks and rings, and cover all kinds of crafting techniques. Throughout the book there is an emphasis on having fun while inspiring you to create a fabulous and individual look, with the minimum amount of expenditure.

This book teaches how to use drawing as means of expressing a jeweler's creative ideas. In jewelry, there are other ways of creating which do not stem directly from working in the studio. The most important of these is drawing, an extremely useful tool for jewelers due to its speed and adaptability. Mastering this tool can be a great resource that can help jewelers to progress easily and steadily with designing jewelry and presenting their ideas and projects. Drawing allows creative ideas to be clearly visualized; on paper, the form or proportions of the jewelry can be modified quickly and confidently, the structure of clasps and hinges can be studied. It can also be used to visualize how a design will look with a polished or matt finish or with other changes such as different materials. This manual can be read from cover to cover or consulted when facing challenges in real projects.

The Art & Times of Daniel Jocz presents the entrancing and challenging work of American jewellery artist and sculptor Daniel Jocz. There is a spontaneous quality to the work, yet it is always rich with meaning. His open spirit is fully embodied in the 2007 neckpiece series An American's Riff on the Millstone Ruff. Inspired by the extravagant scale of 17th-century Dutch ruffs at the Rijksmuseum in Amsterdam, he decided to update them with automobile paint. Jeannine Falino takes an in-depth look at the twists and turns of Jocz's long career, from his early geometric sculptures to the fashion-forward flocked Candy Wear collection, and from his ruminations on Marlene Dietrich in the form of necklaces featuring enamel smoked cigarettes to the wall reliefs he explores today. Wendy Steiner considers Jocz's place in the avant-garde through the lens of fashion and culture, while Patricia Harris and David Lyon explore his involvement in the rollicking Boston jewellery scene of the late 20th century.

Polyester resin is a liquid plastic that can be coloured with special pastes or used clear with objects embedded in it. It can easily be poured into moulds, allowing unusual shapes or multiple copies to be made. The versatility of resin makes it an ideal material for creating jewellery. In this book, Kathie Murphy discusses plastic - its history, what it is, how to store it, different types of resin and their uses, and the health and safety issues which are such an important consideration when working with resin. She illustrates her text with examples of pieces made by an international group of artists. The result is a practical book that will also encourage and inspire all those who would like to make jewellery in resin.

This in-depth look at the forces shaping contemporary jewelry in China includes works by 62 contemporary Chinese jewelry artists, presenting the arresting variety and energy that China offers the field. Cao, an internationally renowned artist residing both in the US and China, puts the work in context for the Western jewelry world by offering background, and exploring the contributions by acclaimed forces in jewelry design-including Norman Cherry, Anja Eichler, Mary Lee Hu, and Shannon Xin. Cao explains jewelry design's history and development in China during the periods from 1990 through 2020, including phases of Early Exploration (1990-1999), New Voice (2000-2007), Adaption and Communication (2008-2012), and Great Flux (2013-2020). With more than 350 photos of important works, learn how the contemporary artists of China are offering the world one-of-a-kind design styles as they absorb, shape, and reflect the inheritance and innovation of Chinese tradition.

Timepieces are the perfect distillation of Cartier's craft: At once bona fide jewels, the ultimate expression of style, and miracles of detail and precision, they are at the heart of all that the legendary house represents. Equal in beauty, value and design to Cartier's jewels, each timepiece is an object of unparalleled luxury and elegance, emblematic of the "Cartier style." Over 450 pieces, including the complete collection of "mystery clocks" whose hands seem to float in mid-air, are presented here, representing over 150 years of the finest horology. Each object is accompanied by its individual history and detailed technical specifications. Full-scale reproductions, including twelve gatefolds, are followed by an illustrated and comparative chronology, glossary of terms, and complete index.

Take your beadweaving designs to the next level! Explore an inspired approach to weaving beaded jewelry with Beadweaving Beyond the Basics. Experiment with color and shape with these 24 gorgeous designs from beadweaving teacher and Beadwork contributor Kassie Shaw. In addition to showcasing classic stitches, including Herringbone, Peyote and St. Petersburg, these designs incorporate Kassie's innovative variations on Right Angle Weave--Double Diamond Right Angle Weave, Faux Right Angle Weave and Layered Right Angle Weave. In-depth primers on these new approaches will get you started right away, and the tips for left-handed beaders makes sure everyone can try these designs with ease! Inside, you'll discover a full range of bead shapes such as seed beads, two-hole beads, bicone crystals, bugle beads and lentils, to get the shapes and effects you want, then try them in multiple colorways to create head-turning creations. With your new beadweaving skills, the possibilities are endless! Beadweaving Beyond the Basics is a whole new world of artistic expression!