The Italian goldsmith of the "Paduan School" Giampaolo Babetto is famous for his jewellery - geometrically distinct shapes arranged into refined entities of extraordinary perfection and beauty. However, the artist's wide-ranging spectrum also includes furniture design, silverwork, sculptures, liturgical utensils, and architecture; even his design drawings possess an autonomous character and artistic value. In addition to Christian iconography, his sources of inspiration include the fresco cycles of Renaissance artist Jacopo da Pontormo but also echo Minimalism, Neoplasticism, Neoconstructivism, and "arte programmata/cinetica." The Entity of Being presents the first overarching survey of the virtuoso Babetto. The comprehensive catalogue section is complemented by four contributions that provide exciting insights into the work of this universal artist. Text in English, German and Italian.

6145 Learn to Create with Hemp, Cord, & Beads: Terrific jewelry designs to knot, bead, and wear, created by Katie Hac ker and Marty Hite for Hot Off The Press. Step-by-step photos and inst ructions make it easy for beginners to achieve great results the very first time.

Caroline Broadhead (b. 1950) is a highly versatile artist who started in jewellery in the late 1970s. Since then she has extended her practice from "wearable objects" and textile works to dance collaborations and installations in historic buildings. Broadhead's work is concerned with the boundaries of an individual and the interface of inside and outside, public and private, including a sense of territory and personal space, presence and absence and a balance between substance and image. It has explored outer extents of the body as seen through light, shadows, reflections and movement. Published to accompany the Exhibition at CODA Museum Apeldoorn (NL), 4 February - 15 April 2018 and the Exhibition at Lethaby Gallery, Central Saint Martins, London, 11 January - 2 February 2019.

Wiresmithing offers jewelry artists a new way to make beautiful jewelry that has a modern contemporary look. As artists we're always looking for new and interesting ways to produce jewelry. We have an adventurous spirit that prompts us to take risks and test out new designs everyday. This book is dedicated to creating new designs by combining new wire wrap techniques with basic metalsmithing skills.

The most comprehensive book of enameling and enameling techniques has been completely revised to bring you this essential new reference. The wonderful world of enameling-fusing glass to metal under high-temperature conditions-is diverse! Practically anything made from enamel-friendly metal can be enameled, from vases to jewellery to buttons to metal mesh and solid forms. In the first edition, published in 2002, Cohen explored this world as it was then, but so much knowledge has been gained in the last 17 years that it was definitely time for an update! Every chapter and project has been completely reviewed, revised, and updated; it's a whole new book, and one you will want in your reference library. The look and organization is updated, 15 years of experience has been added, about half the projects have changed, and two types of mini-projects to expand your learning experience are included. In addition, each project has a gallery of the work of other artists working in the same technique, to give a view of other ways a technique can look and be used. Classic techniques such as champleve, cloisonne, and plique-a-jour each have projects, as do newer approaches such as the use of graphite pencil and enameling on steel-21 project lessons in all. And you will find the extensive troubleshooting chapter indispensable.

The traditional Japanese art of cord braiding--known as kumihimo-- has been around for centuries. The technique, which uses a loom and several strands of silk thread, was once used to create the strong, slender cords that reinforced samurai warrior armor. Today, it is primarily used to make beautiful, color-drenched cords for jewelry and other decorative items. In "Twist, Turn, & Tie 50 Japanese Kumihimo Braids," readers will get everything they need to get started in this ancient craft, including a mini braiding loom They'll also find:

• An overview of tools and materials from looms to bobbins to glues to beads
• Step-by-step instructions for basic loom braiding, handling threads, beads, and more
• 50 gorgeous projects from simple beginner braids to complex beaded cords
• 400 full-color photographs for inspirations and instruction
  With details on kumihimo terminology, starting and finishing braids, and calculating thread and bead counts, this book is an ideal guide for new braiders.

This title features over 100 inspiring ways to make stunning pieces from all kinds of materials, with practical step-by-step projects. It contains over 100 ideas and easy-to-make projects, plus scores of tips and inspiration for creating many different types of hand-crafted jewellery. It features every kind of jewellery - from bangles, brooches and pins, to necklaces, rings, pendants and earrings - plus designs for buttons, badges, cufflinks, hair ornaments and trinket boxes. All techniques are shown in fully illustrated step-by-step format - clear, simple and easy to achieve, with stunning pictures of every finished piece. It covers a wide range of different crafting techniques using easily acquired equipment and material: including metal, wire, beads, ribbon, felt, silk, shells, mosaic, ceramics and paper. Jewellery always makes a very personal statement, and creating your own pieces is a wonderful way of saying even more about yourself and your taste. Better still, many of these ideas are so inexpensive, you can give yourself a new look quickly and easily. This book is designed to teach you everything you need to know about making jewellery, and covers all the materials, techniques and equipment you will need. Projects include bracelets and earrings, necklaces and brooches and even cufflinks and rings, and cover all kinds of crafting techniques. Throughout the book there is an emphasis on having fun while inspiring you to create a fabulous and individual look, with the minimum amount of expenditure.

This volume, the second catalogue of the Wyvern Collection, celebrates an outstanding group of medieval ivory carvings and small sculpture, the finest assemblage of its kind in private hands. The book has pieces from every period of the Middle Ages, including rare examples from the Early Christian era; spectacular panels from the workshops of tenth-century Constantinople; objects produced by the celebrated carvers active in south Italy in the eleventh and twelfth centuries; and several important pieces from the Romanesque period. At the heart of the collection is an outstanding group of Gothic ivories whose highlights include one of the most important secular medieval ivories discovered in recent years. The collection also features a number of small amber, hardstone, jet, wood and mother-of-pearl carvings. In addition to their virtuoso craftsmanship, many of these objects have illustrious histories as part of famous aristocratic or ecclesiastical collections. This is a precious opportunity to study these miniature masterpieces.

The intention of Reinhold Ziegler's jewellery objects is to move the attention of the wearer or onlooker from themselves onto something greater - a radical strategy within a field that is strongly occupied with emphasising the individuality of the wearer. Ziegler's art is influenced by the French philosopher Georges Bataille, who in his work Eroticism identifies a strong dilemma in humanity in which, on one hand, we want to fight for our individuality yet, at the same time, have a strong desire to be united with what he calls 'everything that is'. In this book, Ziegler deals with this topic from many angles - gravitation, vibration, meteorites, fossils, and general aspects of humanity such as tools (from the Stone Age), talismans, spirituality, and consciousness.

Ever since the 1970s the Austrian couple Heidi and Karl Bollmann have been assembling a highly respected collection of international art jewellery. In this survey exciting artistic approaches as well as trends and developments of the genre are brought before our very eyes with the aid of selected works. The illustrations of the objects are complemented by a series of portraits, for it is only when worn by man that the pieces unfold their performative potential - and a subtle dialogue with the individual develops. Moreover, each piece is accompanied by a definition by the collector or the person who is being portrayed as to what jewellery is or could be, thereby stimulating thought about the meaning of art jewellery for the individual as well as for society as a whole. A particular focus lies in the work of the Austrian Fritz Maierhofer, one of the most significant jewellery artists in the world.

Chunghi Choo (b. 1938 in South Korea) is a world-renowned metalsmith and jewellery artist who is best known for her works that incorporate such techniques as electroforming and electro-applique. Choo's artwork is represented in major museums around the world, including the Metropolitan Museum of Art (US), the Victoria and Albert Museum (UK) and the Musee des Arts decoratifs (FR). In addition, she is professor emeritus of the University of Iowa (US), where she established a metals programme, which she brought to international prominence during her more than thirty years of service. Many of her students have since become critically acclaimed artists in the fields of fine arts, jewellery, textiles, metalsmithing and sculpture. This volume reviews Choo's remarkable career, showing selected pieces from the last six decades of extraordinary craftsmanship that earned her status as Elected Fellow of the American Craft Council. Works by thirty former students reveal Choo's influence on a subsequent generation.

The best on subject-discusses tools, materials, processes for creating lovely pendants, rings, pins, buckles, more. 164 illus.

The volume, starting from the celebrated and fascinating Portrait of a Lady from the Poldi Pezzoli museum in Milan, one of the greatest masterpieces of Florentine portraiture from the latter half of the 15th century, investigates the art of the Pollaiolo brothers: Antonio, a goldsmith, painter and sculptor, and the most famous of the three; Piero, a painter; and Silvestro, who died young and was soon forgotten. Based on in- depth scientific analyses and research conducted on the methods of execution and materials used for the wide range of different works issued from the Pollaiolo brothers' workshop, the volume presents paintings, drawings, engravings, sculptures, bronzes, and objects of applied art.

Despite being one of the most influential - and indeed most eccentric - of the American modernist jewellers, Sam Kramer (1913-1964) has received little recognition. His expressive, organic work and surreal workshop, located on West 8th Street in New York's Greenwich Village, paved the way for other mid-twentieth century metalsmiths, and for many more working today. Sam Kramer: Jeweler on the Edge investigates Kramer as both a seminal artist and a cult personality. Through lavish colour photographs of rarely seen works as well as newly discovered archival material, the story of this unique individual is told against a backdrop of post-Second World War America, from the late 1940s to the early 1960s. Mirroring both the existential angst and quirky humour of the Beat Generation, Sam Kramer embodied the iconoclastic spirit of his era.

Jewelry designed by Ute Eitzenhofer is intrinsically complex and contradictory. Her designs range from playful, sensual, reassuring, to dark, angry, provocative and brutal. Intrinsic beauty and its value to society is a recurring theme of her work. The jewelry she creates is autonomous, it makes a statement; created not for an abstract display case, these are strong artifacts that become complete, that find some meaning, only when worn on the body. The narrative Eitzenhofer strives for is one of social criticism, her designs are perceived as opulent yet reflect a certain image or concept inherent in the modern world. She has consistently challenged and explored the themes of freedom, time, sensuality and worth in her work. This volume is a collection of designs that range from her earlier creative work to the last ten years; thought-provoking, imaginative and often extreme, this is jewelry as a social statement, rather than an accessory. Contents: Cornelie Holzach - A Walk; Wilhelm Lindemann- A Summon to Think for Yourself; Marjan Unger- Elegant but also Malicious. Text in English and German."

'Jewellery in all its guises has been a signifier of glamour in the pages of Vogue since the magazine's inception in 1916...the jewellery always commands the image - infinitely powerful and desirable, inventive and extraordinary.' - Alexandra Shulman 'This book sparkles with glamour and flamboyance.' - Daily Mail 'From simple strings of gleaming pearls to showstopping tiaras, this book is perfect for anyone with a true love of jewels.' - Conde Nast Traveller Illustrated with fabulous images from Vogue's archive, Vogue: The Jewellery is the ultimate book for fashion and jewellery lovers. From couture to costume jewellery, the brilliant pieces featured on the pages of British Vogue for more than a century have encapsulated the fashion zeitgeist of each new age for which they were created. Adorning princesses and rock chicks alike, the jewels shown in Vogue: The Jewellery reveal a dazzling array of styles and moods - from fairytale romance to Jazz-age glamour, sculptural modernism to timeless elegance. On every page sumptuous jewellery is the star of the show, nourishing dreams in us all. Carol Woolton has curated a collection of more than 300 fabulous images within five thematic chapters: Show-stoppers, Rock Chick, Minimalist, Exotic and Classic. From diamond-encrusted tiaras and intricate jet chokers to sculptural silver cuffs and simple strings of pearls, the book provides an evocative celebration of a century of jewellery, while showcasing British Vogue's best photographers including Norman Parkinson, David Bailey, Arthur Elgort, Corinne Day, Cecil Beaton and Tim Walker. Now available in a new format with a luxurious real cloth cover, at a more pocket-friendly price of GBP30, this is essential reading for fashionistas everywhere.

An inspirational, hands-on how-to guide for making and praying with beads, for people of all faiths and traditions. In stories and pictures, this book shows how people of all faith traditions use prayer beads as a spiritual tool and a means of expressing their creativity. Every major world religion has a tradition of praying with beads and all are explored here, including the history and use of beads and specific prayers. Describes in detail and with diagrams how to make sets of prayer beads for personal use.

Ruudt Peters (b. 1950) is a pioneering conceptual jewellery artist who challenges traditional definitions of adornment by pushing the boundaries of context, wearability, material and presentation. On the occasion of his retrospective exhibition he gives the first complete overview of his forty-four-year oeuvre. All series of his work are comprehensively presented in texts and photographs of objects and portraits. Many previously unpublished views of installations and exhibitions as well as numerous drawings and sketches enhance the review, all complemented by video clips that can be accessed via QR codes, which provide the reader with short movies featuring background information about Peters's work, and those who wear his pieces and the art of jewellery. The last chapter of the catalogue will be dedicated to Peter's latest, hitherto unpublished series. This book accompanies an exhibition, to be held at the CODA Museum, Apeldoorn (NL), 12.11.2017 - 28.1.2018; followed by venues in Huangzhou (CN), Tallinn (EE) and Vincenza (IT) (dates not yet confirmed).

Thai silver and Nielloware display exquisite craftmanship and design that rivals better-known genres of silver from Asia. However, there has to date been little written about this fascinating subject. Examining the history and scope of specified Thai silver and Nielloware production dating from the early 19th century to the present, as well as the various forms and designs utilised, long-term collector Paul Bromberg provides a single reference source for both newcomers and seasoned collectors alike.

Since 1965, the Association for Goldsmiths' Art and the German Goldsmiths' House Hanau have been organising the Silver Triennial International to promote contemporary silversmithing. The 20th competition demonstrates the variety of works at a high level: 121 silversmiths from 21 countries submitted hollow- and flatware or free-formed works. The focus is not only on technical and artistic aspects; a large number of the entries also have a socio-critical and contemporary historical background. An expert jury was again assembled this year: Dirk Allgaier, head of Arnoldsche Art Publishers, Stuttgart; Dr. Claudia Banz, curator for design at the Kunstgewerbemuseum Berlin; and JaKyung Shin, silversmith and assistant professor at Seoul National University, Korea, selected 67 impressive silver works. Text in English and German.

Simple form soaring to delicate compositions shapes the work of the Italian artist Giampaolo Babetto. Moderate in his use of proportion, he links cube and square, cylinder and circle, pyramid and triangle to achieve configurations of extraordinary beauty. His jewellery is celebrated - like all his work. His pieces clearly indicate that he belongs to the 'Paduan School'. There are echoes of Minimalism, Neo-Plasticism, Neo-Constructivism and arte programmata/cinetica. In this title, a wealth of colour illustrations shows the most beautiful pieces by Giampaolo Babetto and his immediate environment - the Euganean Hills south of Padua. Ellen Maurer Zilioli introduces his work, placing it in its art historical context.

Karl Fritsch (b. 1963), master of extravagant rings, returns with a publication that lures us deep into his world. Ruby Gold is a "no-frills" pared-back book, without pagination, without essays. Instead it comprises 81 rings from the past 20 years featuring embedded gemstones and such memorable slogans as "Fuck Off" and "Nudelsuppe" (Noodle Soup). The jewellery artist's unmatched mastery of material and expression is apparent in every single ring, and every piece possesses tremendous energy as a result of the delicate yet archaic handling of the precious metals: Karl Fritsch carves in silver, shapes in gold, sets rubies and zirconias as a child would decorate a cake - with self-confidence and with no regard for waste. In between the detailed illustrations, Fritsch brings the rings and fingers into ironic dialogues with each other: "Ring: I am art. / Finger: Oh come on..." And: "Ring: I am a ring. / Finger: You are unwearable." Text in English and German. Published to accompany an exhibition at Galerie Zink, Waldkirchen, Germany, 12 September - 20 December 2020.