To develop a successful jewellery line, designers have to be more than just creative artists - they have to understand the ins and outs of running a craft business. Emilie Shapiro's detailed guide explores the many facets of creating a quality handmade collection that people will buy, including where to sell your work, how to do small-scale production, how to carry out market research and publicity, how to price and present your pieces for greatest effect and so much more. It's the perfect primer for budding jewellery entrepreneurs.

Make professional-looking metal jewellery and accessories without investing in silversmithing tools, equipment and training, with this essential guide to working with precious metal clay. Metal clay is a magical material: real metal in clay form that can be modelled and then fired to turn it into pure metal. It has taken the crafting world by storm in the past 20 years and its versatility and accessibility means it is used by professional jewellery makers and hobbyists alike. Metal clay is available in many different types - silver, copper, bronze and even steel. It can be sculpted, modelled, moulded, rolled into sheets, cut into shapes, woven, braided and carved to produce an endless array of forms and effects. Equipment needed is minimal and you will probably have most of the simple tools in your home already. This book concentrates on silver clay which is the easiest kind to use because it can be fired without a kiln. After drying the clay, it is fired using either a small blow torch, a gas hob, or camping gas and in five minutes or less the clay becomes pure 999 silver that can be hallmarked. This book will show you how to master all the basic techniques of working with metal clay while later chapters cover more advanced techniques. Twenty gorgeous projects are shown in detail with clear step-by-step photographs. There are pendants, necklaces, earrings, bracelets, charms, brooches, beads, cufflinks and rings and many of the projects give alternative ideas for developing your skills. Embellishment techniques are shown in detail from setting stones and gilding to enamelling with resin, adding inlay, engraving, and oxidising for luscious colours. Whatever your skill level and whatever your craft style you will find this a rich and inspiring guide with tried-and-tested techniques explained in detail, as well as the cutting edge of metal clay creativity and materials. A few projects that need kiln firing are given at the end of the book to show what can be achieved if you decide to go further with this fabulous material. Author Sue Heaser is a prolific crafter who has written over 18 books on the subjects of jewellery making, polymer clay, metal clay and miniatures. Her expert guidance will give even the beginner the confidence and the inspiration to start a love affair with metal clay and all its creative possibilities.

"Stuart Devlin was probably the most original and creative goldsmith and silversmith of his time, and one of the greats of all time. His originality of design marked him out as a master craftsman and his prolific output was a tribute to the width of his imagination." - Foreword by His Royal Highness The Duke of Edinburgh. This book gives an idea of Stuart Devlin's extraordinary creativity, his skill, and the beauty of his work. It comprises over 500 pages with hundreds of images of Devlin's gold, silver and coins as well as his jewellery, sculpture and furniture. Many collectors will recognise pieces that they originally commissioned or have bought. Also shown are numerous sketches and working drawings. The short sections of text include concise captions and reviews from primary sources. Although it has been impossible to encompass everything ever designed or produced by Devlin, the book highlights how remarkable it is that this wealth of ideas was conceived by just one man. Stuart Devlin was a pioneer goldsmith who rejected the anonymity of corporate design during the 1960s. He adapted old techniques and devised many new ones. His commissions included those for the Royal Households, cathedrals, the armed forces, sporting bodies and universities, as well as abundant private commissions. He was also a coin and medal designer. Australian born, recognition came to Devlin after designing the Australian decimal coinage in 1963. He went on to design coins for more than 30 countries.

A dark romanticism pervades The Art of Forgotten Things. Necklaces and bracelets using one-of-a-kind components hint at fragments of stories that exist only in the imagination, evoking a half-remembered, mysterious past. Each piece tells a story, if only one could find the key. Melanie shows how to create delicate beaded frames, clasps, nets, and components with seed beads and combine them with mixed-media elements for jewelry with an evocative look and feel. An extensive techniques section includes instructions for flat and tubular peyote, right-angle weave, bead netting, bead embroidery, and picot edges and fringes; basic jewelry techniques such as wire wrapping; mixed-media techniques such as foiling; and additional embellishment. The author discusses various types of beads used in the projects, from tiny seed beads to crystals, pressed glass, pearls, and more, as well as other materials, tools, and "treasures" that make each creation unique. Detailed step-by-step instructions are provided for each project and most also feature variations in which the project is dramatically altered by adding or changing elements. There is also an emphasis on using readily available materials and items a person might already have in their collection, along with directions for locating more unusual or vintage items.

The discovery of silver cannot be pinpointed; humans have mined it far back into antiquity. Our fascination with this malleable metal and the beautiful works of art that can be shaped from it continues to this day. This book brings together two expansive collections of silver objects, the 'Lion' collection and the 'Hamme' collection. The 'Lion' collection provides a broad overview of beautiful silver objects made by a great variety of British contemporary silversmiths. It is divided between holloware, caddy spoons and napkin rings. Part of the collection revolves around the theme of lions, because the lion image bears a resemblance to the collector's family history. The Hamme collection is a spectacular array of 'hero' pieces and commissions that demonstrate some of the best of each silversmith's work. With more than 500 images, Contemporary British Silver Designers shares some of the finest work crafted by 21st-century silversmiths. Interviews with numerous modern silversmiths - Jane Short, Kevin Grey, Miriam Hanid, Nan Nan Liu, Phil Jordan, Ray Walton, Rod Kelly, Tamar de Vries Winter, Wayne Meeten, Yusuke Yamamoto, Zoe Watts, Fred Rich, Michael Lloyd and Wally Gilbert - offer insight into the silversmiths' process and inspirations. Brief biographies are also included on numerous other silversmiths whose work is featured in this book: Phil Barnes, James Dougall, Ryan McClean, Stuart Jenkins, Martin Baker, Martin Keane, Sarah Wilson, Don Porritt, Martyn Pugh, Maureen Edgar, Alistair McCallum, Colette Bishop, Adi Toch, Malcolm Appleby, Adrian Hope, Jen Ricketts, Cara Murphy, Graham Stewart, , Kathryn Hinton, Brett Payne, Clive Burr, Rauni Higson, Angus McFadyen, Kyosun Jung, Karina Gill, Stella Campion, Angela Cork, Abigail Brown, Jessica Jue, Ndidi Ekubia, Elizabeth Auriol Peers and Katie Watson, among others.

Over the years J. Steele has worked with some of the best gems God's earth has to offer. He has now put this guide book together for all to use. This is a simple informative guide book. Buying colour gems is a challenge. Written for both consumers and professionals, it is easy to read, has colour photographs and gives practical pointers on how to decipher the differences. Whether you are interested in jade, opal, ruby, topaz, spinel, garnet, tourmaline or some other coloured gem, you will find this guide to be a fascinating and valuable resource.

The collectible appeal of Mexican metal art can be attributed to artistic quality, variety, and large production volume. In addition to jewelry, it includes wearable art, table art, and wall art, with something for everyone. See Mexican jewelry and metal art made with copper, brass, alpaca, and silver. From glass mosaics on brass to silver jewelry inlaid with crushed stone, to metal combinations such as metales casados, the variety in color, texture, and form is wonderful. While other books have made significant contributions to raising awareness of Mexico-designed silver jewelry, little has been written about other metal objects, often made by the very same designers, such as Salvador Teran, Los Castillos, Miguel Martinez, Miguel Pineda, Estele Popowski, and Bernice Goodspeed. Additional names found on illustrated brass and mixed-metal items include Maya, ToA+/-o, Cecilia, Caballo, and Victoria. Detailed captions with value ranges accompany 1000+ color photographs. Includes a bibliography, index, illustrated glossary, and illustrated hallmarks.

Originally developed for parachute suspension lines during World War II, durable lightweight paracord has even been used by Space Shuttle astronauts to repair the Hubble Space Telescope. You can weave and braid this versatile cord in an array of fashion colours to create attractive and useful accessories. Parachute Cord Craft ties everything together, with 22 clever projects and step-by-step instructions for making fashionable bracelets and necklaces, belts, lanyards, dog collars, key fobs and more. Discover the knots you need to know, get practical advice on tools and materials, learn the right way to melt and fuse the cut ends of your cord, and experiment with jewellery findings.

Glass in Jewelry enables glass and jewelry lovers alike to enjoy the obvious glamour of such jewelry and for the first time to understand and appreciate the hidden brilliance of these little treasures in glass. Illustrated with over 400 full color photographs of examples, the text explains the origins of filigree and alabaster glass, the lovely variety of bead types, artificial gems, glass cameos and incrustations, millefiori, mosaic and aventurine jewelry, and even applications in modern jewelry designs.

With beautiful illustrations and step-by-step instructions, this how-to book includes all the techniques involved in crafting metal jewelry, including:

--Cutting and filing

--Cold connections

--Soldering

--Texturing

--Forging and forming

--Setting stones

--Applying specialty finishes

The book's clear organization provides easy access to information with straightforward directions and hundreds of full-color photos. You'll also find easy projects for trying the techniques, as well as a stunning gallery of metal jewelry pieces by experienced designers. Find beautiful jewelry examples and gain skills and inspiration with "The Complete Photo Guide to Making Metal Jewelry"

This concise guide has all the information you need to successfully makeyour ownjewelry using knotting techniques. Clear, step-by-step, fully illustrated instructions show you exactly how to knot between beads and attach various types of clasps and finishes. The book also explains how to evaluate, select, and care for pearls and gemstones; how to select findings and tools; the pros and cons of silk versus nylon stringing material; and more."

"...Modern British Jewellery Designers 1960-1980: A Collector's Guide, is an ode to an extraordinary period in British jewelry history."- Phyllis Schiller, Rapaport "This book, in my opinion, fills a significant gap in the literature providing a good starting point for anyone thinking of collecting jewellery from the 1960s and 1970s, and for anyone interested in jewellery from that era." -Elizabeth Passmore, Scottish Gemmological Association n the 1960s, British jewellery underwent a revolution. Natural, uncut stones exploded into vogue and a 1961 exhibition at the Goldsmith's Hall kickstarted the nation's new obsession with gold. The women who shopped at Quant's Bazaar and Hulaniki's Biba no longer just received jewellery as gifts. They placed their own orders, exploring Grima's drizzled gold and Flockinger's fused metallic experimentations; John Donald's textured gold cubes and the House of Munsteiner's curious new gem cuts. This was an era of innovation - captured here through insights into the work of 25 major jewellers and sumptuous pictures of their work. This book introduces the most influential British designers, jewellers, goldsmiths and silversmiths of 1960-1980. Tracing the evolution of style across these decades, Modern British Jewellery Designers reveals the designers' inspirations and the identifying signatures of their work. Accompanied by new photography showing each designer's creations, this is the perfect introduction for anyone with an interest in collecting, or learning more about this transformative period in British jewellery design.

Whether it's diamond-encrusted grills, oversized "truck" style chains, bust-down Rolex and Patek Philippe watches or a Tiffany necklace, jewelry is a cornerstone of hip-hop culture. Glittering, blinged-out jewels are the shining statement of a collective identity: unapologetic, charismatic, and street savvy. Spanning the history of hip-hop jewelry, from the 1980s to today, Ice Cold: A Hip-Hop Jewelry History is a stunning compilation of storytelling and visuals. Hundreds of extraordinary images of every major hip-hop artist on record celebrate how "Ice" has become a proclamation of identity and self-expression. Starting with Run-DMC's gold Adidas pendants and Eric B. & Rakim's ostentatious dookie rope chains and Mercedes medallions, the jewelry then transforms from street style into a booming design culture. The hip-hop tradition of "show up and show out" reaches new heights with artists like Pharrell Williams, Jay-Z, Gucci Mane, and Cardi B, whose over-the-top pieces integrate unique pop culture references, unconventional materials, and enduring collaborations with artists like Takashi Murakami. Author Vikki Tobak reveals - in great detail - the work of pioneering jewelers such as Tito Caicedo of Manny's, Eddie Plein, and Jacob the Jeweler as well as newer artisans such as Avianne & Co., Ben Baller/IF & Co., Greg Yuna, Johnny Dang, Eliantte, and many more. Ice Cold is a treasure trove of dazzling, inspirational style, featuring the work of leading photographers, including Wolfgang Tillmans, Janette Beckman, Jamel Shabazz, Timothy White, Gillian Laub, David LaChapelle, Danny Clinch, Chris Buck, Mike Miller, Phil Knott, Raven B. Varona, Al Pereira, Albert Watson and many more. A foreword by hip-hop superstar Slick Rick and essays by A$AP Ferg, LL COOL J, Kevin "Coach K' Lee and Pierre "P" Thomas of Quality Control Music take us on personal journeys into their jewelry universe. Ice Cold goes beyond the ostentatious bling to reveal a transformative story that is loud and proud.

Friendship knows no bounds, and now that the internet has connected us with a host of on-line friends, the desire for trading and sharing tokens such as friendship bracelets has become more popular than ever. Learn over two dozen braiding techniques and how to use the popular braiding wheel in this easy book.

From the Preface When I first went to Africa in the 1960s, I was bowled over by African art. What really got under my skin were the bangles, principally the bronze bangles from West and Central Africa. They were tactile, weighty and full of design and form. Later, when I lived in Ghana and Togo, I built up my own collection of bangles. In recent years this collection was seen by past and present curators of the British Museum and I was encouraged to work up the expertise to comment on and possibly help classify the Museum's collection of African bangles. They recognised that they have thousands of these bangles lying mostly untouched and unloved because they could not be given a story, a context, a meaning. They were so enthusiastic and helpful that I secured introductions to many major museums around the world, to study their substantial and interesting collections. Museums in Europe and on the East and West Coasts of the United States gave me access to the rich material they had accumulated. I had the rare privilege of spending days in their storerooms in the course of which I could see and compare many thousands of bangles. The curators who accompanied me in the inspection of their bangles were aware that these beautiful artefacts had lain undisturbed because they could not be explained or set in a wider context. The bangles were attractive but seldom came with a meaningful provenance. To their great credit, these highly-qualified specialists would listen enthusiastically as my wife and I noted bangles which we had encountered elsewhere. Seeing all these bangles and thus, over time, gradually building up a picture of their types, uses and probable areas of origin, I began to realise that I was looking at a decorative culture which was self-generated, wholly unlike the decorative cultures of the rest of the world. It was unique. Astonishingly, it was to be found in almost every inhabited part of the vast semi-continental area of sub-Saharan Africa. Gold and silver were of little consequence. Copper was their "precious metal". The style - instantly recognisable - was chunky, solid, weighty. Rarity was not a concern; the Eurasians' "precious stones" were unknown. Rings had no great meaning. It was bangles that were the standard means of conveying status, attraction and readiness for marriage. Most importantly, as I read the stories of explorers and the later accounts of African life in the 19th and 20th centuries while I worked through the museums' storerooms, it became clear to me, that for centuries, the bangle had been the one and only defining material culture shared by all Africans south of the Sahara. At last, an overall picture was emerging and there was now a chance of describing it before it was too late. The bangle culture that had unified Africans, through which and in which they had lived much of their lives, was fading fast. In their heartland of West and Central Africa the tactile bronze bangles that everyone wore in the 19th century - and which I saw occasionally in northern Ghana in the 1980s - were now encountered more in museums than on the bodies of inhabitants of those regions. This book will follow the art-historical practice of using "bronze" to describe all forms of copper alloys, including brass, when the composition is not directly relevant and retain "copper" for occasions when the pure metal is being discussed. "Bangle" will be used as the generic term for all forms of jewellery applied to the human body. This bangle culture is still an unselfconscious part of daily life in a few isolated African tribes and used quite naturally to send messages. But, in a few decades, this bangle culture will survive only in less traditional forms and only in limited areas in East and Southern Africa. At its height, it was an admirable system of great importance to social intercourse, replete with significance, great beauty and craftsmanship. It deserves to be recorded and I will try to do this in this book. I will set out why this bangle culture was so different from anything else in the world; the skill with which the bangles were made; and how the bangle culture spread throughout all Africa south of the Sahara; I will have to admit that the industrial world and its products have led to the Eurasian hierarchy of gold and silver overtaking bronze in Africa and, indeed, eliminating it as a "precious metal". But I will end on a note of hope, that there are indications that the sense of solidity of form and the respect for copper that was evident in classical African bangles may still live on among African Americans.

Georgian Dublin is synonymous with a period of unprecedented expansion in the market for luxury goods. At a time when new commodities, novel technologies and fashionable imports seduced elite society, silver enjoyed an established association with gentility and prestige. Earlier studies have focused predominantly on the issue of style. This book considers the demand for silver goods in Georgian Ireland from the perspectives of makers, retailers and consumers. It discusses the practical and symbolic uses of silverware, interpreted through contemporary guild accounts, inventories, trade ephemera and culinary manuscripts. For the first time the activities of Dublin's goldsmiths and their customers are considered in the context of the British Isles, acknowledging Dublin's 'second city' status in relation to London. How did the availability of new products like English porcelain and Sheffield Plate affect the demand for silver in Dublin, and how did silver imports from London affect the Dublin trade? To what extent do the practices of Dublin goldsmiths mirror their North American counterparts seeking to infer associations with the fashionable metropolis of London? Drawing on an extensive range of documentary and object evidence this wide-ranging analysis considers the context in which silver goods were made, used, valued and displayed in Georgian Ireland.

This newly revised 4th edition edition displays a wide variety of Southwest Indian-made jewelry which features the many different colors and types of turquoise, depending on their origins. The turquoise mines in Arizona, Colorado, Nevada, and New Mexico are discussed with characteristics of the turquoise found there. Beautiful color photographs show hundreds of examples of Southwest Indian jewelry, dating back over a hundred years and up to the present, with innovative designs. Men's, as well as women's, jewelry is shown to display the many colors and textures of turquoise in belts, bracelets, bolo ties, necklaces, and special pieces of particular beauty. The price guide has been newly revised. *Hundreds of examles of Southwest Indian jewelry are shown *Features turquoise mines in Arizona, Colorado, Nevada, and New Mexico *Newlry revised prices

This book features 30 main projects, each with extra projects to complete a set or to complement the main design. It offers wealth of advice on tools, materials and techniques, making it perfect for beginners. Featuring projects from a range of jewelry designers, with clear steps illustrated in 450 photographs. The art of handcrafted stringing and linking jewelry is a fun and accessible way to create a range of stunning pieces from the comfort of your home. In this comprehensive guide, there are 30 main projects, each with extra projects to complete a set or to complement the main design, plus there is a wealth of advice on tools, materials and techniques, making it the perfect book for beginners. Featuring projects from a range of jewelry designers, there is bound to be something to suit everyone. Step-by-step instructions, clear step photography and handy tips throughout will ensure confidence grows until you're happy to make alterations to suit, or to design your own masterpiece from scratch!

This new study presents striking parallels in both ethnic (non-European) and folk (European) traditional costumes and ornaments made with silver and glass. African ornaments include Zulu beads, Maghreb necklaces, the Oba's crown, and Massai headpieces. European ornaments extend from the Baltic to the Alps and from Russia, Hungary, and the Ottoman Empire. Asian jewelry comes from the Fertile Crescent, the Silk Route, and the foothills of the Himalaya. Each example exquisitely displays a common sense of beauty among many distant peoples.

Hattie Carnegies life story surpasses that of Cinderella in that it is true. Born in 1886, she went from being a destitute Macys messenger girl who owned three blouses and one skirt to controlling, at its high point, a ten-million-dollar empire. Her five companies included custom and ready-to-wear clothing, hats, perfume, and fabulous costume jewelry. For decades, her personal taste and fashion sense influenced the styles worn by countless American women. Today, Hattie Carnegies jewelry is what has lasted, and this groundbreaking book showcases the full range of designs -- from glamorous rhinestone bracelets to exotic Oriental pins. Over 480 stunning color photos illustrate earrings, necklaces, sets, pins, and bracelets produced from the 1920s to the 1970s. Historical background, jewelry marks and signatures, current values, and collector tips are all included. Many have heard the name Hattie Carnegie, but until now her story has remained a silent secret. With this engaging book, collectors can finally enjoy a look at Hattie Carnegies fascinating life as well as the beautiful jewelry that serves as her legacy.

The most prolific 20th century and contemporary Zuni jewelers established themselves by adhering to the same basic models and traditions set by their parents, grandparents, and great-grandparents. Using silver and mosaic inlay pins, bracelets, bolo ties and other ornaments, these artisans have created many successful motifs taken from the animal kingdom, including horses and cows, insects such as butterflies and dragonflies, wild animals like deer and antelope, birds of all shapes and sizes, and humans. All of these are featured in the author's fourth book in his series on Zuni jewelry. Read sixty-five biographies of Zuni jewelry-making individuals and families, with interesting facts about their extraordinary backgrounds and explanations of their design styles and methods. Nearly 300 color photos display subtle variations that indicate a particular master's work. Detailed notes on each image include design specifics and prices.

Fashionable, fun and downright addictive to make, these DIY crochet jewellery accessories rock! This kit contains 2 crochet hooks, 3 colours of crochet thread, a yarn needle, and a book of step-by-step instructions and full-colour photographs that show you how to create 5 pretty jewellery designs: A Bobble Necklace, Colorful Cuff Bracelet, Lacy Metallic Ring, Chic Chevron Necklace and "Diamond" Earrings. Stitch them for yourself or as gifts for your friends, but whatever you do, plan on having fun with Crochet Jewelry.

Decorative knotting has long been used as a way to make bracelets - and now you can use this technique with parachute cord, also known as paracord. Paracord was first used in World War II and is now used as a general-purpose utility cord, but it has also been adopted by crafters, such as Linda Peterson. Available in a wide range of colours, including some with an attractive metallic effect, it's perfect for knotting and braiding to make durable yet pretty items. The projects here include jewellery, but also accessories - among them a belt, mobile phone pouch and watch. You can even make dog collars! Linda teaches you how to get started with paracord crafting by outlining the basic techniques - step-by-step photography explains macrame and other decorative knots. Then move onto three chapters of fabulous projects: Knotty Designs, with simple ideas for necklaces, bracelets and earrings, to become familiar with the techniques; For the Guys, showcasing more masculine (but unisex) designs; and Mixing It Up, where you can combine paracord with other materials such as beads and fabric.

Many of the most beautiful costume jewelry pieces made since the 1940s are presented with full color photographs. In chapters arranged chronologically, the jewelry reflects the changing retail market and manufacturing changes in materials, techniques, and colors. An introduction was written by Lawrence Feldman of Fior in London. The effects of popular heroes and competition are seen to have shaped the costume jewelry industry.\nThe jewelry of such well-known manufacturers as Boucher, Coro, Christian Dior, Grosse, Jomaz, Kramer of New York, Mitchell Maer, Trifari, and many others are displayed with newly revised prices.\nThe book portrays the affordable opulence and sheer beauty of costume jewelry.