Speedball’s Speedy-Carve Blocks are designed for relief printmaking. They have a soft, putty-like surface which is easier to cut than traditional linoleum, and are designed for use with lino-cutting tools. As they are flexible, Speedy-Carve Blocks can be used to print onto flat or curved surfaces.As in lino-cutting, the desired design is cut in reverse into the surface of the block with gouges or knives. Water-soluble or oil-based ink is then transferred to the raised, uncut areas of the block using a roller/brayer. The design can be printed onto paper or fabric, in a press or by hand. The blocks are Latex-free.Dimensions: 23 x 30 cm Thickness: 0.6 cm

This print medium by Schmincke is made from a mixture of stand oil, linseed oil and dammar resin. Designed for use with Mussini Oils, it will make oil and resin-oil colors suitable for relief or intaglio printmaking. It should be added to the oil color to a ratio of 1:1 and mixed in thoroughly.

Please make sure to store this print medium in a cool, dry place. Close immediately after use. Clean tools and plates immediately after use with turpentine or a suitable substitute.

Speedball’s Speedy-Carve Blocks are designed for relief printmaking. They have a soft, putty-like surface which is easier to cut than traditional linoleum, and are designed for use with lino-cutting tools. As they are flexible, Speedy-Carve Blocks can be used to print onto flat or curved surfaces.As in lino-cutting, the desired design is cut in reverse into the surface of the block with gouges or knives. Water-soluble or oil-based ink is then transferred to the raised, uncut areas of the block using a roller/brayer. The design can be printed onto paper or fabric, in a press or by hand. The blocks are Latex-free.Dimensions: 15x30.5 cm Thickness: 0.6 cm

pdf=SDS_Cranfield_Printmaker_Wax_Drier.pdf Cranfield Printmaker Wax Drier Safety Data Sheet.

Gamblin Tack Reducer is a transparent gel made from a very light drying oil. It is added to oil-based inks to lessen their tack. Used in small amounts its transparency will not reduce the intensity of your ink's colour. It can be used in the same way as an easy-wipe compound.

Speedball’s Speedy-Carve Blocks are designed for relief printmaking. They have a soft, putty-like surface which is easier to cut than traditional linoleum, and are designed for use with lino-cutting tools. As they are flexible, Speedy-Carve Blocks can be used to print onto flat or curved surfaces.As in lino-cutting, the desired design is cut in reverse into the surface of the block with gouges or knives. Water-soluble or oil-based ink is then transferred to the raised, uncut areas of the block using a roller/brayer. The design can be printed onto paper or fabric, in a press or by hand. The blocks are Latex-free.Dimensions: 10x15 cmThickness: 0.6 cm

Add a little Caligo Wiping Compound to Caligo Safe Wash Etching Ink (or any oil-based etching ink) if you want to make wiping a little easier.

Also useful as a tack reducer for Caligo Safe Wash Relief Ink (or any oil-based relief ink).

Improves ink transfer on difficult papers.

Add a little Caligo Wiping Compound to Caligo Safe Wash Etching Ink (or any oil-based etching ink) if you want to make wiping a little easier.

Also useful as a tack reducer for Caligo Safe Wash Relief Ink (or any oil-based relief ink).

Improves ink transfer on difficult papers.

Daler-Rowney Adigraf Block Printing Mediums are the perfect complement to the block printing range. The mediums are designed to help with your block printing needs.

Adigraf Acrylic Block Printing Medium turns acrylic paint into block and lino printing ink. This Block Printing Medium is designed to be mixed with System3 paints on 1.5 parts medium to 1 part paint ratio. We do not advise mixing this medium with Adigraf Water Soluble Inks.

Adigraf Accessories are a perfect starting point for artists looking to experiment with lino printing. The range covers all accessories and mediums needed for any entry level artists. The mediums allow Daler Rowney Georgian oils and System 3 acrylics to be used within lino printing, to give a wide base of colours for experimenting printers.