In Sorcery in Salem, local author John Hardy Wright examines the witchcraft delusion that afflicted Salem Village and Salem Town in the winter of 1691-92. Twenty inhabitants lost their lives at that time; nineteen were hanged on Gallows Hill, and one elderly man, Giles Cory, by remaining mute as a personal protest to the proceedings of the court, was pressed to death under heavy weights. Once the prosecuting examinations began on March 1, 1692, local authorities were uncertain what course the following trials would take. Spectral evidence, in which the shape of a suspected witch tortured people, was a primary indication of guilt, as was the "touch test," in which a victim was released from the witch's power upon the laying on of hands. Not being able to correctly recite the Lord's Prayer was also damning.

Local prosecution associations were a method of controlling crime which was devised in the second half of the eighteenth century, fifty years before the introduction of police forces. They were a national phenomenon, and it is estimated that by the end of the 1700s around 4000 of them existed in England, but this book tells the story of one particular society: the Hathersage Association for the Prosecution of Felons and Other Offenders. Hathersage is a Peak District village which recently came top in a Country Living poll to determine the '20 best hidden gems in the UK'. The tourists who now visit the village in their thousands each year come as walkers, climbers, and cyclists. Its grimy history of wire and needle manufacturing is almost forgotten. In addition to telling the story of its ancient prosecution organisation, this book seeks to illuminate some of the less conspicuous aspects of Hathersage's social history by shining a light from the unusual direction of minor crime and antisocial behaviour. It also describes the lives of some of the residents of the village: minor gentry; industrialists; clergy; and farmers, in addition to the mill workers and labourers. With access to hand-written records going back to 1784 which had never been studied before, the author has drawn on contemporary newspaper articles and census returns to assemble a montage which depicts the life of the village, particularly during the 19th century. Many of these original records have been reproduced in order to offer reader an opportunity to interpret the old documents themselves. While striving for historical accuracy throughout, the author has produced a book which is both entertaining and informative. Any profits from the sale of this book will go to the Hathersage Association and will, in turn, be donated to the local charities which the Association supports. Those charities include Edale Mountain Rescue, the Air Ambulance, Helen's Trust, Bakewell & Eyam Community Transport, and Cardiac Risk in the Young.

Finally Fyreback settles into a proper job. Bringing rough justice to all who are oppressed in these troubled times, and the Law such as it is, has no legal jurisdiction. He learns a few extra skills on the way, diplomacy doesna t seem to be one of them, but be sure his Cleaver plays ita s part. Will this be the wind down to a stable married life and family. Again who can say, now possessing a Wife and Child with another to yet be born, peace and quiet will return to the Border with a new Monarch to rule both Scotland and England under one Crown, but that is still a few years ahead.

Local prosecution associations were a method of controlling crime which was devised in the second half of the eighteenth century, fifty years before the introduction of police forces. They were a national phenomenon, and it is estimated that by the end of the 1700s around 4000 of them existed in England, but this book tells the story of one particular society: the Hathersage Association for the Prosecution of Felons and Other Offenders. Hathersage is a Peak District village which recently came top in a Country Living poll to determine the '20 best hidden gems in the UK'. The tourists who now visit the village in their thousands each year come as walkers, climbers, and cyclists. Its grimy history of wire and needle manufacturing is almost forgotten. In addition to telling the story of its ancient prosecution organisation, this book seeks to illuminate some of the less conspicuous aspects of Hathersage's social history by shining a light from the unusual direction of minor crime and antisocial behaviour. It also describes the lives of some of the residents of the village: minor gentry; industrialists; clergy; and farmers, in addition to the mill workers and labourers. With access to hand-written records going back to 1784 which had never been studied before, the author has drawn on contemporary newspaper articles and census returns to assemble a montage which depicts the life of the village, particularly during the 19th century. Many of these original records have been reproduced in order to offer reader an opportunity to interpret the old documents themselves. While striving for historical accuracy throughout, the author has produced a book which is both entertaining and informative. Any profits from the sale of this book will go to the Hathersage Association and will, in turn, be donated to the local charities which the Association supports. Those charities include Edale Mountain Rescue, the Air Ambulance, Helen's Trust, Bakewell & Eyam Community Transport, and Cardiac Risk in the Young.

By day Percy Monkman (1892 to 1986) worked in the same Bradford bank for 40 years, ending up as chief cashier. Everything else about Percy was totally unconventional. By night, at weekends, on holidays he transformed himself into an entertainer, actor, artist and cartoonist whose work was regularly acclaimed by the public and held in great respect by colleagues. Percy was highly creative, talented and energetic, a man who achieved high standards in all his artistic activities. The eldest of five boys, he was born into a humble working-class family and attended school until he was nearly 14. After a couple of office jobs, at 16 he passed a banking examination and started to work at Becketts Bank (later acquired by the Westminster Bank). Unexpectedly, the First World War gave Percy an opportunity for a new life that he grasped firmly with both hands. He spent much of the war as a comedian in an entertainment troupe that ran concert party shows for soldiers just behind the front line. Back in civilian life he continued his entertainment career with great success throughout the interwar years. In the Second World War he was back at entertaining the troops, this time groups of returning servicemen across Yorkshire. In 1935 Percy joined the Bradford Civic Playhouse and became a fixture in the cast for over 20 years. Here, in one of the best amateur theatres in the country, he played in many diverse productions, usually in comic roles. Alongside entertaining and acting, Percy developed his third creative passion of watercolour painting. He took advantage of every opportunity to paint, usually landscapes of the Yorkshire Dales. When he retired from the bank in 1952, he was able to devote all his time to this passion, which he described as 'fanatic, dedicated and impulsive'. Largely self-taught, he believed strongly in being part of a community of like-minded painters so that he could learn from them. The Bradford Arts Club gave him this network for all his adult life. He exhibited widely and sold most of his paintings. When the mood took him, he was also a talented cartoonist whose works were sometimes published. A committed family man, Percy also built a large number of life-long friends, who were a fascinating mixture of people from all walks of life, with similar passions for entertaining, acting and painting, often eccentrics and sometimes very well connected in Bradford society. His most significant friendship was with JB Priestley, his exact contemporary and England's most famous man of letters in the 20th century. Percy's extraordinary life of achievement is a unique record of social history, reflecting life in 20th century Bradford. Sadly, this is now largely a lost world. This affectionate and comprehensive biography by his grandson, illustrated with over 90 images, is both a visual delight and a joy to read, including high quality reproductions of some of Percy's most famous paintings.

In May 2022 Bradford was awarded the honour of being UK City of Culture 2025. Bradford is one of the most fascinating places in the country. This history provides a unique reference of what Bradford has already achieved and how it can now build on that foundation. It grew in the 19th century from a small market town to one of the UK's largest cities. It built its new wealth on factory production of woollen goods, a classic case study of the Industrial Revolution. This book is no conventional narrative of Bradford's history. It celebrates each day in the year with some important story from 1212 to 2020 - the impact of a strong-minded or talented individual, a critical event of success or disaster, or an important moment in the development of the city, its buildings or its institutions. Bradford has experienced good and bad times, periods of growth, decline and regeneration, and several waves of immigration. Often rising above adversity and strife, many individuals have made outstanding contributions to the city and the nation. They feature businessmen such as Sir Titus Salt and Samuel Lister, who made large fortunes through hard work and innovation, and creative giants with international reputations such as JB Priestley and David Hockney. Many mill-owners became very wealthy, but many more workers suffered from poverty and ill-health. Not for nothing did Friedrich Engels describe Bradford as a 'stinking hole' or TS Eliot refer to silk hats on Bradford millionaires in his most famous poem. The stories cover a wide range of topics - industry, commerce, politics, arts, leisure, sport, education, health etc. They include social issues such as the extreme poverty and squalor in the 19th century and women's rights and multi-culturalism in the 20th. The accent, however, is on the positive - the unusual, the brave, the eccentric and the amazing. Never before have such stories about everyday life in and around Bradford across the centuries been brought together in one volume. Martin Greenwood has built a remarkable kaleidoscope of life in his home city from medieval times to the current day.

By day Percy Monkman (1892 to 1986) worked in the same Bradford bank for 40 years, ending up as chief cashier. Everything else about Percy was totally unconventional. By night, at weekends, on holidays he transformed himself into an entertainer, actor, artist and cartoonist whose work was regularly acclaimed by the public and held in great respect by colleagues. Percy was highly creative, talented and energetic, a man who achieved high standards in all his artistic activities. The eldest of five boys, he was born into a humble working-class family and attended school until he was nearly 14. After a couple of office jobs, at 16 he passed a banking examination and started to work at Becketts Bank (later acquired by the Westminster Bank). Unexpectedly, the First World War gave Percy an opportunity for a new life that he grasped firmly with both hands. He spent much of the war as a comedian in an entertainment troupe that ran concert party shows for soldiers just behind the front line. Back in civilian life he continued his entertainment career with great success throughout the interwar years. In the Second World War he was back at entertaining the troops, this time groups of returning servicemen across Yorkshire. In 1935 Percy joined the Bradford Civic Playhouse and became a fixture in the cast for over 20 years. Here, in one of the best amateur theatres in the country, he played in many diverse productions, usually in comic roles. Alongside entertaining and acting, Percy developed his third creative passion of watercolour painting. He took advantage of every opportunity to paint, usually landscapes of the Yorkshire Dales. When he retired from the bank in 1952, he was able to devote all his time to this passion, which he described as 'fanatic, dedicated and impulsive'. Largely self-taught, he believed strongly in being part of a community of like-minded painters so that he could learn from them. The Bradford Arts Club gave him this network for all his adult life. He exhibited widely and sold most of his paintings. When the mood took him, he was also a talented cartoonist whose works were sometimes published. A committed family man, Percy also built a large number of life-long friends, who were a fascinating mixture of people from all walks of life, with similar passions for entertaining, acting and painting, often eccentrics and sometimes very well connected in Bradford society. His most significant friendship was with JB Priestley, his exact contemporary and England's most famous man of letters in the 20th century. Percy's extraordinary life of achievement is a unique record of social history, reflecting life in 20th century Bradford. Sadly, this is now largely a lost world. This affectionate and comprehensive biography by his grandson, illustrated with over 90 images, is both a visual delight and a joy to read, including high quality reproductions of some of Percy's most famous paintings.

In May 2022 Bradford was awarded the honour of being UK City of Culture 2025. Bradford is one of the most fascinating places in the country. This history provides a unique reference of what Bradford has already achieved and how it can now build on that foundation. It grew in the 19th century from a small market town to one of the UK's largest cities. It built its new wealth on factory production of woollen goods, a classic case study of the Industrial Revolution. This book is no conventional narrative of Bradford's history. It celebrates each day in the year with some important story from 1212 to 2020 - the impact of a strong-minded or talented individual, a critical event of success or disaster, or an important moment in the development of the city, its buildings or its institutions. Bradford has experienced good and bad times, periods of growth, decline and regeneration, and several waves of immigration. Often rising above adversity and strife, many individuals have made outstanding contributions to the city and the nation. They feature businessmen such as Sir Titus Salt and Samuel Lister, who made large fortunes through hard work and innovation, and creative giants with international reputations such as JB Priestley and David Hockney. Many mill-owners became very wealthy, but many more workers suffered from poverty and ill-health. Not for nothing did Friedrich Engels describe Bradford as a 'stinking hole' or TS Eliot refer to silk hats on Bradford millionaires in his most famous poem. The stories cover a wide range of topics - industry, commerce, politics, arts, leisure, sport, education, health etc. They include social issues such as the extreme poverty and squalor in the 19th century and women's rights and multi-culturalism in the 20th. The accent, however, is on the positive - the unusual, the brave, the eccentric and the amazing. Never before have such stories about everyday life in and around Bradford across the centuries been brought together in one volume. Martin Greenwood has built a remarkable kaleidoscope of life in his home city from medieval times to the current day.

The year is 1973 and changes are afoot in Great Yarmouth and Brokencliff-on-Sea as the New Year comes in with bang! Return to a simpler time when family holidays at the seaside were still fun and electronic devices had never been heard of. The only sound that was heard was the gentle lapping of the waves, the gulls circling above, and the trot of the horse's hooves along the promenade and music from the funfairs.

This is a book that takes the reader on a detailed tour of many of the shores of Britain and Ireland and explains the reasons for their remarkably different scenery. Why, for example, do the rocky coastlines of Western Scotland and Ireland contrast so markedly with the sandy beaches of East Anglia? It describes how the complex coastline of North Wales evolved over some seven million years and also traces the ways in which the human impact has changed all our coastlines from prehistoric times to the present day. Crumbling cliffs, stark headlands, coral beaches, shingle spits, sand dunes and salt marshes - all are here, as are stories of Gaelic speakers, fisherman's tales, saints and shipwrecks. One of the book's most distinctive features tells how the author took part in one of the National Trust's most successful initiatives, termed Enterprise Neptune; how it was conceived and how it has led to the acquisition of more than 775 miles of shoreline to be conserved for the nation in perpetuity. The book also explores how famous artists, writers, poets and composers have been inspired by coastal scenery to produce some of their most important works. And what does the future hold? What changes can we expect along our shores? The concluding chapters examine the escalating threats resulting from increasing human occupation and development and from the impact of climate change. They outline some of the ways in which the National Trust is responding to these challenges and how it is planning to manage our coastal environment for many years to come.

A quest is never what you expect it to be.

Elizabeth Madeline Martin spends her days in a retirement home in Cape Town, watching the pigeons and squirrels on the branch of a tree outside her window. Bedridden, her memory fading, she can recall her early childhood spent in a small wood-and-iron house in Blackridge on the outskirts of Pietermaritzburg. Though she remembers the place in detail – dogs, a mango tree, a stream – she has no idea of where exactly it is. ‘My memory is full of blotches,’ she tells her daughter Julia, ‘like ink left about and knocked over.’

Julia resolves to find the Blackridge house: with her mother lonely and confused, would this, perhaps, bring some measure of closure? A journey begins that traverses family history, forgotten documents, old photographs, and the maps that stake out a country’s troubled past – maps whose boundaries nature remains determined to resist. Kind strangers, willing to assist in the search, lead to unexpected discoveries of ancestors and wars and lullabies. Folded into this quest are the tender conversations between a daughter and a mother who does not have long to live.

Taken as one, The Blackridge House is a meditation on belonging, of the stories we tell of home and family, of the precarious footprint of life.

A Collection of Oundle Families tells of their journey through the census years. Many had lived in Oundle since the 18th century and some even before. Several stories are individualised with newspaper reports which show the ups and downs in their lives. A great reference source for family historians.

Carved out of the wilderness in the 1680s, Springfield Township was formed as Quaker families seeking religious freedom settled the area. In a region roughly bounded by Darby Creek to the east and Crum Creek to the west, the early settlers shared forests with the native Lenni Lenape tribe. Just nine miles west of the port of Philadelphia, Springfield harnessed tumbling creeks with mills during the industrial revolution and provided the growing commonwealth with edge tools from Beatty Ax Works and fabric from Victoria Plush Mill. Builders used abundant stone quarries to construct grand homes, including that of the Pennsylvania Railroad's first chief engineer, J. Edgar Thomson, who laid out the famous Horseshoe Curve and Main Line to Pittsburgh. The construction of the Media Shortline Trolley helped Springfield grow, as did the Saxon Avenue Shops and unique developments such as Windsor Circle and Rolling Road. Springfield Township documents the area's transformation into a modern town rich with amenities and community organizations.