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Books > Humanities > History > History of specific subjects > Local history
There once may have been 250,000 miles of stone walls in America's
Northeast, stretching farther than the distance to the moon. They
took three billion man-hours to build. And even though most are
crumbling today, they contain a magnificent scientific and cultural
story--about the geothermal forces that formed their stones, the
tectonic movements that brought them to the surface, the glacial
tide that broke them apart, the earth that held them for so long,
and about the humans who built them.
Stone walls tell nothing less than the story of how New England was
formed, and in Robert Thorson's hands they live and breathe. "The
stone wall is the key that links the natural history and human
history of New England," Thorson writes. Millions of years ago, New
England's stones belonged to ancient mountains thrust up by
prehistoric collisions between continents. During the Ice Age,
pieces were cleaved off by glaciers and deposited--often hundreds
of miles away--when the glaciers melted. Buried again over
centuries by forest and soil buildup, the stones gradually worked
their way back to the surface, only to become impediments to the
farmers cultivating the land in the eighteenth century, who piled
them into "linear landfills," a place to hold the stones. Usually
the biggest investment on a farm, often exceeding that of the land
and buildings combined, stone walls became a defining element of
the Northeast's landscape, and a symbol of the shift to an
agricultural economy.
Stone walls layer time like Russian dolls, their smallest elements
reflecting the longest spans, and Thorson urges us to study them,
for each stone has its own story. Linking geological history to the
early American experience, "Stone by Stone" presents a fascinating
picture of the land the Pilgrims settled, allowing us to see and
understand it with new eyes.
"A remarkable act of personal history: brave, revelatory and
unflinchingly honest" WILLIAM BOYD "There is no-one writing in
English like this: engaged humanity achieving a hard-won wisdom"
DAVID MILLS, The Times Lord of All the Dead is a courageous journey
into Javier Cercas' family history and that of a country collapsing
from a fratricidal war. The author revisits Ibahernando, his
parents' village in southern Spain, to research the life of Manuel
Mena. This ancestor, dearly loved by Cercas' mother, died in combat
at the age of nineteen during the battle of the Ebro, the bloodiest
episode in Spain's history. Who was Manuel Mena? A fascist hero
whose memory is an embarrassment to the author, or a young idealist
who happened to fight on the wrong side? And how should we judge
him, as grandchildren and great-grandchildren of that generation,
interpreting history from our supposed omniscience and the
misleading perspective of a present full of automatic answers, that
fails to consider the particularities of each personal and family
drama? Wartime epics, heroism and death are some of the underlying
themes of this unclassifiable novel that combines road trips,
personal confessions, war stories and historical scholarship,
finally becoming an incomparable tribute to the author's mother and
the incurable scars of an entire generation.
Slavery in the United States is once again a topic of contention as
politicians and interest groups argue about and explore the
possibility of reparations. The subject is clearly not exhausted,
and a state-by-state approach fills a critical reference niche.
This book is the first comparative summary of the southern slave
states from Colonial times to Reconstruction. The history of
slavery in each state is a story based on the unique events in that
jurisdiction, and is a chronicle of the relationships and
interactions between its blacks and whites. Each state chapter
explores: The genesis and growth of slavery The economics of
slavery The life of free and enslaved blacks The legal codes that
defined the institution and affected both whites and blacks The
black experience during the Civil War The freedmen's struggle
during Emancipation and Reconstruction The commonalities and
differences can be seen from state to state, and students and other
interested readers will find fascinating accounts from ex-slaves
that flesh out the fuller picture of slavery state- and
country-wide. Included are timelines per state, photos, numerous
tables for comparison, and appendixes on the numbers of
slaveholders by state in 1860; dates of admission, secession, and
readmission; and economic statistics. A bibliography and index
complete the volume.
An original history of six generations of an African American
family living in Washington, DC Between Freedom and Equality begins
with the life of Capt. George Pointer, an enslaved African who
purchased his freedom in 1793 while working for George Washington's
Potomac Company. It follows the lives of six generations of his
descendants as they lived and worked on the banks of the Potomac,
in the port of Georgetown, and in a rural corner of the nation's
capital. By tracing the story of one family and their experiences,
Between Freedom and Equality offers a moving and inspiring look at
the challenges that free African Americans have faced in
Washington, DC, since the district's founding. The story begins
with an 1829 letter from Pointer that is preserved today in the
National Archives. Inspired by Pointer's letter, authors Barbara
Boyle Torrey and Clara Myrick Green began researching this
remarkable man who was a boat captain and supervisory engineer for
the Potomac canal system. What they discovered about the lives of
Pointer and his family provides unique insight across two centuries
of Washington, DC, history. The Pointer family faced many
challenges-the fragility of freedom in a slaveholding society,
racism, wars, floods, and epidemics-but their refuge was the small
farm they purchased in what is now Chevy Chase. However, in the
early twentieth century, the DC government used eminent domain to
force the sale of their farm and replaced it with an all-white
school. Between Freedom and Equality grants Pointer and his
descendants their long-overdue place in American history. This book
includes a foreword by historian Maurice Jackson exploring the
significance of the Pointer family's unique history in the capital.
In another very personal foreword, James Fisher, an
eighth-generation descendant of George Pointer, shares his complex
emotions when he learned about his ancestors. Also featured in this
important history is a facsimile and transcription of George
Pointer's original letter and a family tree. Royalties from the
sale of the book will go to Historic Chevy Chase DC (HCCDC), which
has established a fund for promoting the legacy of George Pointer
and his descendants.
A history of Niagara Falls through the myriad of collectibles that
have been produced over the years since the falls were first seen
by early explorers of the American continent.
Have you ever wondered what it would be like to be given your own
remote islands? Thirty years ago it happened to Adam Nicolson. Aged
21, Nicolson inherited the Shiants, three lonely Hebridean islands
set in a dangerous sea off the Isle of Lewis. With only a stone
bothy for accommodation and half a million puffins for company, he
found himself in charge of one of the most beautiful places on
earth. The story of the Shiants is a story of birds and boats,
hermits and fishermen, witchcraft and catastrophe, and Nicolson
expertly weaves these elements into his own tale of seclusion on
the Shiants to create a stirring celebration of island life.
An insightful exploration of the impact of urban change on Black
culture, identity, and language Across the United States, cities
are changing. Gentrification is transforming urban landscapes,
often pushing local Black populations to the margins. As a result,
communities with rich histories and strong identities grapple with
essential questions. What does it mean to be from a place in flux?
What does it mean to be a specific kind of person from that place?
What does gentrification mean for the fabric of a community? In The
Black Side of the River, sociolinguist Jessi Grieser draws on ten
years of interviews with dozens of residents of Anacostia, a
historically Black neighborhood in Washington, DC, to explore these
ideas through the lens of language use. Grieser finds that
residents use certain speech features to create connections among
racial, place, and class identities; reject negative
characterizations of place from those outside the community; and
negotiate ideas of belonging. In a neighborhood undergoing
substantial class gentrification while remaining decisively Black,
Grieser finds that Anacostians use language to assert a positive,
hopeful place identity that is inextricably intertwined with their
racial one. Grieser's work is a call to center Black lived
experiences in urban research, confront the racial effects of urban
change, and preserve the rich culture and community in historic
Black neighborhoods, in Washington, DC, and beyond.
The practice of ceremony offers ways to build relationships between
the land and its beings, reflecting change while drawing upon deep
relationships going back millennia. Ceremony may involve intricate
and spectacular regalia but may also involve simple tools, such as
a plastic bucket for harvesting huckleberries or a river rock that
holds heat for sweat. The Art of Ceremony provides a contemporary
and historical overview of the nine federally recognized tribes in
Oregon, through rich conversations with tribal representatives who
convey their commitments to ceremonial practices and the
inseparable need to renew language, art, ecological systems,
kinship relations, and political and legal sovereignty. Vivid
photographs illuminate the ties between land and people at the
heart of such practice, and each chapter features specific
ceremonies chosen by tribal co-collaborators, such as the Siletz
Nee Dosh (Feather Dance), the huckleberry gathering of the Cow
Creek Umpqua, and the Klamath Return of C'waam (sucker fish)
Ceremony. Part of a larger global story of Indigenous rights and
cultural resurgence in the twenty-first century, The Art of
Ceremony celebrates the power of Indigenous renewal, sustainable
connection to the land, and the ethics of responsibility and
reciprocity between the earth and all its inhabitants.
In 1852 Hannah Rebecca Crowell married sea captain William
Burgess and set sail. Within three years, Rebecca Burgess had
crossed the equator eleven times and learned to navigate a vessel.
In 1856, 22-year-old Rebecca saved the ship "Challenger" as her
husband lay dying from dysentery. The widow returned to her
family's home in Sandwich, Massachusetts, where she refused all
marriage proposals and died wealthy in 1917.
This is the way Burgess recorded her story in her prodigious
journals and registers, which she donated to the local historical
society upon her death, but there is no other evidence that this
dramatic event occurred exactly this way. In The Captain's Widow of
Sandwich, Megan Taylor Shockley examines how Burgess constructed
her own legend and how the town of Sandwich embraced that history
as its own. Through careful analysis of myriad primary sources,
Shockley also addresses how Burgess dealt with the conflicting
gender roles of her life, reconciling her traditionally masculine
adventures at sea and her independent lifestyle with the accepted
ideals of the period's "Victorian woman."
Compelling, moving and unexpected portraits of London's poor from a
rising star British historian - the Dickensian city brought to real
and vivid life. Until now, our view of bustling late Georgian and
Victorian London has been filtered through its great chroniclers,
who did not themselves come from poverty - Dickens, Mayhew, Gustave
Dore. Their visions were dazzling in their way, censorious, often
theatrical. Now, for the first time, this innovative social history
brilliantly - and radically - shows us the city's most compelling
period (1780-1870) at street level. From beggars and thieves to
musicians and missionaries, porters and hawkers to sex workers and
street criers, Jensen unites a breadth of original research and
first-hand accounts and testimonies to tell their stories in their
own words. What emerges is a buzzing, cosmopolitan world of the
working classes, diverse in gender, ethnicity, origin, ability and
occupation - a world that challenges and fascinates us still.
A heart-warming historical novel about surviving against the odds
and finding a family, from top 10 bestseller Lindsey Hutchinson.In
two rundown houses, at the side of a barren heath, live six
children with no family but each other. Abandoned or orphaned,
every day is a fight to find food and keep warm. But they are
determined to stay free of the clutches of the workhouse and the
horrors that would face them if they were ever torn apart. Dora
Parsons lives with her mother Mary and her evil grandmother Edith.
Edith's house may be comfortable and warm, and food is plentiful,
but every day Dora suffers at the hands of her spiteful gran.
Desperate to protect her child, Mary longs to run away but she has
no money to keep them alive and nowhere else to call home. When
fate intervenes and Mary and Dora meet the children, events are set
in train that will change all their lives forever. But will the
friends find peace and comfort at last, or does the chill of the
winter signal the most desperate ending of all... The top 10
best-seller is back with a heart-breaking, page-turning story of
survival, friendship and what it means to be a family. Perfect for
fans of Catherine Cookson, Val Wood and Lyn Andrews. Praise for
Lindsey Hutchinson: 'A great story with a great mix of characters,
well written and keeps you hooked with each page turn!' Sarah
Davies, NetGalley 'A wonderful read ... The author writes so well,
it's a really hard novel to put down!' Grace Smith, NetGalley.
'Make sure to read this book where you won't be disturbed because
once it gets going, you won't want to put it down' Andrea Ruiz,
NetGalley 'A very poignant, feel-good-factor novel' Shelia Easson,
NetGalley 'Excellent story!' Stephanie Collins, NetGalley 'The
story will linger in your mind long after you finish it' The Avid
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