When a Chickamauga Battlefield ranger was asked where to find the Texas monument, his quick reply was "Go to where the fighting was fiercest." While that spontaneous response accurately underscored the legendary battlefield zeal of the Texas forces in virtually every major Civil War battle, it likely did little to answer the visitor's question.
In this book, the authors will inform visitors to many Civil War battlefields about the heroic role played by the Texans at key sites and why the State of Texas has, over the years, seen fit to officially commemorate the valor of the hard-fighting men of Texas with impressive monuments.
With the sesquicentennial observance of America's Civil War already underway, however, Texas has chosen to pay little attention to Texans' contribution to the Confederate cause. Regardless of the scant official recognition being afforded this seminal event, the facts remain that there was a Civil War and that Texans were very often at the hot center of its battles--"Where the fighting was the fiercest."
Students of American history, as well as visitors and those planning to visit the eighteen battlefield monuments described in this book, will learn how Texas forces fared in the fighting. Time must never be allowed to erase the memories of those sacrifices and those battle-bloodied accomplishments on the field of honor. This book will ensure that present and future generations will always remember the monumental significance of the story of Texas in the Civil War.

An Historic Resource Study of Fort Hunt Park

This Historic Structures Report is being prepared in order to document the existing conditions and provide guidance for the maintenance and preservation of the Fort Barry Balloon Hangar and the adjacent Motor Vehicle Sheds.

This Abbreviated Fort Point Historic Structure Report, produced by the Golden Gate National Recreation Area, National Park Service, provides new information regarding the building's military and physical history. The document contains a comprehensive collection of historic photographs, contemporary images and floor plans that can be used as tools for future interpretation and building rehabilitation.

This historic structure report is part of the ongoing effort to provide comprehensive documentation for the historic structures and landscapes of National Park Service units in the Southeast Region. The report details a summary of the treatment recommended to preserve the Bodie Island Lighthouse and provide a safe and enjoyable visitor experience.

For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book. The pictorial narrative of the Boer pioneers who conquered South Africa's interior during the 'Great Trek' (1835-52) represents a crucial period of South Africa's past. Conceptualising the frieze both reflected on and contributed to the country's socio-political debates in the 1930s and 1940s when it was made. The book considers the active role the Monument played in the rise of Afrikaner nationalism and the development of apartheid, as well as its place in post-apartheid heritage. The frieze is unique in that it provides rare evidence of the complex processes followed in creating a major monument. Based on unpublished documents, drawings and models, these processes are unfolded step by step, from the earliest discussions of the purpose and content of the frieze, through all the stages of its design, to its shipping to post-war Italy to be copied into marble from Monte Altissimo, up to its final installation in the Monument. The book examines how visual representation transforms historical memory in what it chooses to recount, and the forms in which it is depicted. The second volume expands on the first, by investigating each of the twenty-seven scenes of the frieze in depth, providing new insights into not only the frieze, but also South Africa's history. Francois van Schalkwyk of African Minds, co-publisher with De Gruyter writes: From Memory to Marble is an open access monograph in the true sense of the word. Both volumes of the digital version of the book are available in full and free of charge from the date of publication. This approach to publishing democratises access to the latest scholarly publications across the globe. At the same time, a book such as From Memory to Marble, with its unique and exquisite photographs of the frieze as well as its wealth of reproduced archival materials, demands reception of a more traditional kind, that is, on the printed page. For this reason, the book is likewise available in print as two separate volumes. The printed and digital books should not be seen as separate incarnations; each brings its own advantages, working together to extend the reach and utility of From Memory to Marble to a range of interested readers.

The powerful story of the rebuilding of the World Trade Center, featuring dozens of never-before-seen color photos by the official site photographer. In late 2014, One World Trade Center-or the Freedom Tower-opened for business. It took nearly ten years, cost roughly four billion dollars, and required the sweat, strength, and stamina of hundreds of construction workers, digging deep below the earth's surface and dangling high in the air. It suffered setbacks that would've most likely scuttled any other project, including the ousting of a famed architect, the relocation of the building's footprints due to security reasons, and the internecine feuding of various politicians and governing bodies. And yet however over budget and over deadline, it ultimately got built, and today it serves as a 1,776-foot reminder of what America is capable of when we put aside our differences and pull together for a common cause. No writer followed the building of the Freedom Tower more closely than Esquire's Scott Raab. Between 2005 and 2015, Raab published a landmark ten-part series about the construction. He shadowed both the suits in their boardrooms and the hardhats in their earthmoving equipment, and chronicled it all in exquisite prose. While familiar names abound-Andrew Cuomo, Chris Christie, Mike Bloomberg and Larry Silverstein, the real estate developer who only a few weeks before 9/11 signed a ninety-nine-year, $3.2 billion lease on the World Trade Center-just as memorable are the not-so-famous. People such as Bryan Lyons, a Yonkers-born engineer who lost his firefighter brother on 9/11 and served as a superintendent on the rebuilding effort. And Charlie Wolf, whose wife was killed in the North Tower and who, in one of the series' most powerful scenes, weeps on a policeman's shoulder after delivering her hairbrush and toothbrush for DNA samples. Once More to the Sky collects all ten original pieces along with a new epilogue from Raab about what's happened in the years since the Freedom Tower was completed, and why it remains such an important symbol. The four-color book also features dozens of photos-many never-before-seen-and a prologue from photographer Joe Woolhead, the official site photographer for the World Trade Center's rebuilding. Publishing to coincide with the twentieth anniversary of 9/11, it is a moving tribute to American resolve and ingenuity.

Black Plaques are not to be found proudly mounted on a wall - and for good reason. What with their commemoration of a brutal execution outside Westminster Abbey, the selling of sex toys in St James's Park and an intruder at Buckingham Palace with Royal undergarments stuffed down his trousers, this is not sort of historical subject matter that authorities choose to grace a building's facade or depict on a visitor information board. In fact, many might hope that such indecorous and inconvenient episodes remain quietly overlooked. But this book jogs such artful lapses of memory and at more than one hundred locations across London, Black Plaques lift the carefully placed rug to discover an unsightly, but strangely beckoning, stain.

Installed at Plymouth, Massachusetts, in 1921 to commemorate the tercentenary of the landing of the Pilgrims, Cyrus Dallin's statue Massasoit was intended to memorialize the Pokanoket Massasoit (leader) as a welcoming diplomat and participant in the mythical first Thanksgiving. But after the statue's unveiling, Massasoit began to move and proliferate in ways one would not expect of generally stationary monuments tethered to place. The plaster model was donated to the artist's home state of Utah and prominently displayed in the state capitol; half a century later, it was caught up in a surprising case of fraud in the fine arts market. Versions of the statue now stand on Brigham Young University's campus; at an urban intersection in Kansas City, Missouri; and in countless homes around the world in the form of souvenir statuettes. As Lisa Blee and Jean M. O'Brien show in this thought-provoking book, the surprising story of this monumental statue reveals much about the process of creating, commodifying, and reinforcing the historical memory of Indigenous people. Dallin's statue, set alongside the historical memory of the actual Massasoit and his mythic collaboration with the Pilgrims, shows otherwise hidden dimensions of American memorial culture: an elasticity of historical imagination, a tight-knit relationship between consumption and commemoration, and the twin impulses to sanitize and grapple with the meaning of settler-colonialism.

When Greyfriars Graveyard opened in Edinburgh in the sixteenth century, built on the site of a Franciscan monastery on the edge of the Old Town below the castle, it became Edinburgh's most important burial site. Over the centuries many of Edinburgh's leading figures have been buried at Greyfriars, alongside many more ordinary folk, and it is home to a spectacular collection of post-Reformation monuments. In this book local historian Charlotte Golledge takes the reader on a tour around Greyfriars Graveyard to reveal the history of the cemetery, from when James I granted the land as a monastery to the present day. She explores the huge variety of its monuments and gravestones and explains the symbolism behind the stones and carvings and how the styles changed over the years. Through this she paints a remarkable picture of life and death in Edinburgh over the centuries, which will appeal to both residents and visitors to the Scottish capital.

The first survey of the many redesigned and imitation historical landmarks and objects that dot the globe "John Darlington shows . . . it is not just written history that is malleable; it is also history on the ground, heritage in brick and stone, wood and metal."-Simon Jenkins, Times Literary Supplement What happens when the past-or, more specifically, a piece of cultural heritage-is fabricated? From 50 replica Eiffel Towers located around the world to Saddam Hussein's reconstructions of ancient cities, examples of forged heritage are widespread. Some are easy to dismiss as blatant frauds (the Piltdown Man), while others adhere to honest copying or respectful homage (the Parthenon in Nashville, Tennessee). This compelling book examines copies of historic buildings, faux archaeological sites, and other false artifacts, using them to explore the ethics and consequences of reconstructing the past; it also tackles the issues involved with faithful, "above-board" re-creations of ancient landmarks. John Darlington probes questions of historical authenticity, seeking the lessons that lurk when history is twisted to tell an untrue story. Amplified by stunning images, the narrative underscores how the issue of duplicating heritage is both intriguing and incredibly complex, especially in the twenty-first century-as communication and technology flourish, so too do our opportunities to be deceived.

A landmark illustrated history of rural church monuments - the forgotten national treasures of England and Wales Deep in the countryside, away from metropolitan abbeys and cathedrals, thousands of funerary monuments are hidden in parish churches. These artworks - medieval brasses and elegant marble effigies, stone tomb chests and grand mausoleums - are of great historical and cultural significance, but have, due to their relative inaccessibility, faded from accounts of our art history. Over twenty-five years, C. B. Newham FSA has visited and photographed more than eight thousand rural churches, cataloguing the monumental sculptures encountered on his quest. In Country Church Monuments, he presents 365 of the very best, each accompanied by detailed photographs, biographies of both the deceased and their sculptors and a wealth of contextual material. Many of these works commemorate famous historical figures, from scheming Tudor courtier Richard Rich to Victorian prime minister William Ewart Gladstone. But more moving are the countless others - minor aristocrats, small-time industrialists, much-loved mothers, fathers and children - who, if not for their memorials, would wholly be lost to time. As Newham blows the dust off these artworks and breathes life into the stories they tell, a new aesthetic history of rural England and Wales emerges. Country Church Monuments is a poignant record of the art we make at the borders of life and death, of our ceaseless human striving for eternity.

Even though the Anglo-Boer War of 1899-1902 ended more than 110 years ago, no extensive study on the sites of remembrance of this war that covers the country as a whole and is based on methodological research has thus far been published.

This book is aimed at filling that void. This is a study of commemorative sites with a difference. The text guides the reader in two ways simultaneously. In the first place it provides information on the vast number (more than 1 200) and wide range of Anglo-Boer War places of remembrance in South Africa. These include monuments, memorials such as plaques and tablets, historical sites such as battlefields and concentration camp locations, buildings that have a specific connection with the war, statues, busts and bas-relief sculptures, historical paintings, museum collections and, of course, since it has to do with a war, cemeteries and graves.

Secondly, the book places all the sites that are included in their historical context. To simply indicate the approximate location of a war site, without providing a proper indication on how the site fits into the broad history of the event that it commemorates, is of limited value. For that reason the places of remembrance are introduced to the reader against the background of the history which they mirror. This means in effect that the reader acquires, together with information on the places of remembrance, a concise history of the war as a whole. As a result the book will not only be useful to readers who travel to the sites, but also to readers and users who are not actually travelling (virtual tourists).

Following on an introduction on the nature and scope of the commemorative places of the Anglo-Boer War, the sites are introduced in a thematic-chronological manner. The book is based on extensive research and field work. The author himself visited and photographed more than 90% of the sites that are included. A large number of sources were consulted to ensure the correctness of the information that is provided.

Even though the book is research-based, and will be useful to both scholars on the war and the general public, ideological issues are not discussed. The focus is on the physical places of remembrance as such. The book is written from a neutral point of departure – it is neither pro-Briton nor pro-Boer. Approximately 60% of the places of remembrance that are included in the book commemorate the British forces and 40% the Republican forces.