Thirty years ago, few residents of Asian cities had ever been on a plane, much less outside their home countries. Today, flying, and flying abroad, is commonplace. How has this leap in cross-border mobility affected the design and use of such cities? And how is it accelerating broader socioeconomic and political changes in Asian societies? In Airport Urbanism, Max Hirsh undertakes an unprecedented study of airport infrastructure in five Asian cities-Bangkok, Hong Kong, Shenzhen, Kuala Lumpur, and Singapore. Through this lens he examines the exponential increase in international air traffic and its implications for the planning and design of the contemporary city. By investigating the low-cost, informal, and transborder transport systems used by new members of the flying public-such as migrant workers, retirees, and Asia's emerging middle class-he uncovers an architecture of incipient global mobility that has been inconspicuously inserted into places not typically associated with the infrastructure of international air travel. Drawing on material gathered in restricted zones of airports and border control facilities, Hirsh provides a fascinating, up-close view of the mechanics of cross-border mobility. Moreover, his personal experience of growing up and living on three continents inflects his analyses with unique insight into the practicalities of international migration and into the mindset of people on the move.

This book explores the public policy involved in memorialising and preserving the nation's historical sites. Topics discussed include: national monuments and the Antiquities Act; commemorative works in the District of Columbia; the establishment of national heritage areas to commemorate, conserve, and promote areas that include important natural, scenic, historic, cultural and recreational resources; establishing new units in the national park system and the significance of the different titles for individual units of the national park system and the advantages and disadvantages of system-wide recommendations to simplify park nomenclature.

This is a lively and engaging look at patriotism and collective memory.In ""Here, George Washington Was Born"", Seth C. Bruggeman examines the broader history of commemoration in the United States by focusing on the George Washington Birthplace National Monument in Virginia's Northern Neck, where contests of public memory have unfolded with particular vigor for nearly eighty years.Washington left the birthplace with his family at a young age and rarely returned. The house burned in 1779 and would likely have passed from memory but for George Washington Parke Custis, who erected a stone marker on the site in 1815, creating the first birthplace monument in America. Both Virginia and the U.S. War Department later commemorated the site, but neither matched the work of a Virginia ladies association that in 1923 resolved to build a replica of the home. The National Park Service permitted construction of the ""replica house"" until a shocking archeological discovery sparked protracted battles between the two organizations over the building's appearance, purpose, and claims to historical authenticity.Bruggeman sifts through years of correspondence, superintendent logs, and other park records to reconstruct delicate negotiations of power among a host of often unexpected claimants on Washington's memory. By paying close attention to costumes, furnishing, and other material culture, he reveals the centrality of race and gender in the construction of Washington's public memory and reminds us that national parks have not always welcomed all Americans. What's more, Bruggeman offers the story of Washington's birthplace as a cautionary tale about the perils and possibilities of public history by asking why we care about famous birthplaces at all.

A timely photographic exploration of the role of holocaust memorials in Germany. With helpful text, for use by educators and in exhibitions.

Last, largest, and most splendid of the early imperial forums, the Forum of Trajan (A.D. 112) was the acknowledged showplace of ancient Rome. Ammianus Marcellinus called the Forum "a construction unique under the heavens, as we believe, and admirable even in the unanimous opinion of the gods." Yet, despite its formidable ancient reputation, the Forum of Trajan has only once in the present century been the subject of a close study. This three-volume publication, the result of twenty-five years of labor, is the first comprehensive study ever undertaken. It includes a history of the site, an examination of all previous scholarship, a modern reconstruction of it in beautiful architectural renderings, and more.
The Forum suffered a harsh fate. Its buildings probably collapsed during the earthquake of A.D. 801; from the sixteenth through the eighteenth centuries, the site was quarried for its marble. In recent times, none of the modern archaeological excavations, from the first French investigations of 1811-14 through the great campaign mounted by the Fascist Government of Italy in 1928-34, has ever been properly published. Today some of the monuments--among them the three triumphal arches through which visitors entered the Forum and the West Colonnade and Hemicycle--are still buried more than sixteen feet below the level of modern streets. Others are now completely cleared.
After describing the Forum as a whole--its construction, history, use in antiquity, destruction, and excavations--Packer focuses on the buildings, the essential architectural texts for all further study. He discusses the largest building in the Forum, the law court known in antiquity as the Basilica Ulpia.Illustrations document the most important architectural elements and the present state of the site. Restored plans, sections, and elevations in both color and black and white depict Packer's reconstructions as well as those of previous scholars. Four exterior and interior views of the principal buildings, restored in color, provide lively visual impressions of the spatial effects and detailing. For scholarly consultation, a catalogue raisonne of the major surviving fragments, twelve appendices that discuss technical problems involved in the reconstructions, and microfiche with 416 illustrations are included.
Volume I features 157 illustrations, including significant general photographs of the site, historical photographs of the excavations of 1928-34, new photographs of architectural fragments, and eleven full-color reconstructions of the excavated buildings. Volume II contains most of the remainder of the 859 illustrations, among them new photographs of the site and reproductions of drawings made by scholars and architects of the nineteenth and twentieth centuries. A folder attached to the back cover houses the microfiche. The Portfolio volume holds thirty-five drawings, twenty-four in black and white that include a plan made after the excavations of 1928-34 and a new site map prepared in 1986-87, and eleven three-color technical reconstructions of the excavated buildings.
PRODUCTION: Meticulous care has been taken with the design and production of these volumes, only 1,000 sets of which will be made. The text of this book is printed on 90-pound sheets of Mohawk Superfine specially milled for this project. This paper is not only acid-free, but also alum- and rosin-free, with a pHlevel above 7.5 and an alkaline buffer that will neutralize any acidity that might develop in handling or storage. Accelerated aging tests indicate permanence in excess of 300 years. The Portfolio illustrations are printed on 60-pound St. Lawrence Matte, also an acid-free sheet. The binding features Iris, a 100 percent solvent-free rayon cloth made from natural fibers, with a neutral pH. It is applied over binder's board of .098 thickness with a neutral pH. The title page display type is taken from the letterpress proofs of Jan van Krimpen's Romulus, designed for the Monotype Company in 1936. The main text of Volumes I and II is set in Granjon. Chapter initials are from an alphabet designed by Gianfrancesco Cresci in 1569 for "Il perfetto scrittore" and based on the lettering from the Column of Trajan. The interior of the Portfolio box is constructed of binder's board of .080 thickness with a neutral pH, covered with French Paper Company "Parchtone" material, the same paper as that used for the endpapers of Volumes I and II.

With nearly 600 years of history, involving plots, intrigue and paranormal activity, it is surprising that no one has ever before written the definitive history of the Rye House in Hertfordshire. The Rye House - An Investigative History aims to do just that. Through meticulous research, Phil Holland has written this fascinating account, taking the reader from the House's fifteenth-century origins, through to Tudor times when Catherine Parr spent part of her childhood there; to the Rye House Plot of 1683 - a plan to assassinate King Charles II and the Duke of York; to the widely reported paranormal activity and apparitions; and finally to the present day. The Gatehouse is all that now remains of the fifteenth-century brick-built fortified manor. It is a Grade I listed building and a Scheduled Ancient Monument and as such is protected by law. The Moated Enclosure is considered to be one of the finest examples of the period in Hertfordshire. It is hoped that this book will enthuse people about the Gatehouse and the history of the Rye House, and that they in turn will come to treasure the building and recognise its importance as a piece of our country's history.

At the height of her career, Bell journeyed into the heart of the Middle East retracing the steps of the ancient rulers who left tangible markers of their presence in the form of castles, palaces, mosques, tombs and temples. Among the many sites she visited were Ephesus, Binbirkilise and Carchemish in modern-day Turkey as well as Ukhaidir, Babylon and Najaf within the borders of modern Iraq. Lisa Cooper here explores Bell's achievements, emphasizing the tenacious, inquisitive side of her extraordinary personality, the breadth of her knowledge and her overall contribution to the archaeology of the Middle East. Featuring many of Bell's own photographs, this is a unique portrait of a remarkable life.

When Charles Henry Cooper (1808 66) undertook to revise the text of the 1841 Memorials of Cambridge, illustrated by the engraver John Le Keux (1783 1846), he was under the impression that 'only a slight amount of labour' would be imposed on him. However, this three-volume work was altered and modified so extensively that it may be considered as entirely re-written. Containing over 250 photographs, engravings and etchings, Volumes 1 and 2 of the work are a comprehensive guide to the Cambridge colleges, while Volume 3 is almost entirely concerned with the history of other landmarks throughout the city, such as the Fitzwilliam Museum, the Guildhall and the Botanic Garden. It was published in 1860, just six years before Cooper's death, and stands as a detailed and fully illustrated guide to Cambridge at that time. It is particularly valuable for its record of buildings altered or no longer in existence.

This book is the first authoritative volume in English on Yasukuni, the controversial Shinto shrine in the heart of Tokyo, dedicated to the Japanese war dead. Twelve convicted and two suspected Class A war criminals are enshrined at Yasukuni, while the shrine's museum narrates an account of Japan's actions in the Second World War that is best described as revisionist. Visits to the shrine by cabinet members often set off protests at home and abroad, especially in China, Korea and Taiwan, and Yasukuni remains a source of considerable mistrust between the Chinese and Japanese governments. Despite the controversy, the former Prime Minister Junichiro Koizumi made annual visits from 2001-6. The distinctive feature of this volume is that it sets out neither to commend Yasukuni nor to condemn it; it seeks, rather, to present authoritative yet divergent views, thereby allowing the contributors to render more complex an issue which, in the media at least, has long been portrayed in starkly simplistic terms. It accommodates chapters by leading pro-Yasukuni and anti-Yasukuni Japanese intellectuals; it carries multiple Chinese perspectives; and there are also contributions from Western commmentators who offer their own insights on the shrine and its place in post war Japanese diplomacy, ideology and history.

We live in an age of omnipresent and calculated images; what opportunity have photographers to approach a historically charged prestigious building without the risk of being instrumentalized? Is it possible that photographs and artistic work in an empty building can say more than that the building is temporarily no longer used for its original purpose? In a cooperation project of the University of Applied Arts Vienna with the Directorate of the Austrian Parliament, students of the Department of Applied Photography and Time-Based Media had the opportunity to investigate the historic building at the Ring shortly after parliament had moved out, and to find answers to these questions.

Following the successful pilot project on "Silesia," with which the tradition-steeped series established by Georg Dehio dedicated itself for the first time to the art monuments in Poland today, the next three-volume edition is now being published. It includes the historical region of "Lesser Poland" in southeastern Poland, with the areas around Krakow, Kielce / Sandomierz, Lublin, and Przemysl / Rzeszow. The useful travel companion provides detailed information on all the important monuments of this fascinating region, with a look at German-Polish history. The accompanying texts, which present the development of the region from the Middle Ages to the present, are supplemented by an index of artists, city maps, layouts and numerous overview maps.

George Washington was an affluent slave owner who believed that republicanism and social hierarchy were vital to the young country's survival. And yet, he remains largely free of the "elitist" label affixed to his contemporaries, as Washington evolved in public memory during the nineteenth century into a man of the common people, the father of democracy. This memory, we learn in The Property of the Nation, was a deliberately constructed image, shaped and reshaped over time, generally in service of one cause or another. Matthew R. Costello traces this process through the story of Washington's tomb, whose history and popularity reflect the building of a memory of America's first president-of, by, and for the American people. Washington's resting place at his beloved Mount Vernon estate was at times as contested as his iconic image; and in Costello's telling, the many attempts to move the first president's bodily remains offer greater insight to the issue of memory and hero worship in early America. While describing the efforts of politicians, business owners, artists, and storytellers to define, influence, and profit from the memory of Washington at Mount Vernon, this book's main focus is the memory-making process that took place among American citizens. As public access to the tomb increased over time, more and more ordinary Americans were drawn to Mount Vernon, and their participation in this nationalistic ritual helped further democratize Washington in the popular imagination. Shifting our attention from official days of commemoration and publicly orchestrated events to spontaneous visits by citizens, Costello's book clearly demonstrates in compelling detail how the memory of George Washington slowly but surely became The Property of the Nation.

Im Fruhjahr 1797 erwarb der Schriftsteller Christoph Martin Wieland (1733-1813) das Gut Ossmannstedt, das er bis April 1803 mit seiner grossen Familie bewohnte und bewirtschaftete. Hier entstand sein letzter grosser Roman, "Aristipp und einige seiner Zeitgenossen". Wieland empfing hier zahlreiche Besucher, neben Goethe, dem Ehepaar Herder und der Herzogin Anna Amalia, die aus dem nahen Weimar kamen, seine Jugendliebe Sophie von La Roche mit ihrer Enkelin Sophie Brentano, die Schriftsteller Jean Paul, Heinrich von Kleist, Johann Gottfried Seume und viele mehr. Der Band erzahlt die Geschichte von Haus und Park des Wielandguts Ossmannstedt und folgt der Ausstellung im Wieland-Museum, die in Leben und Werk von Christoph Martin Wieland einfuhrt und seine Bedeutung fur die deutsche Literatur zeigt.

Olympic sports facilities are places that get a great amount of attention for a short period of time. Moreover, media attention has rapidly increased in recent years, which reinforces the effect of temporary use even more. But what happens to the elaborately planned and expensive sports venues in the aftermath of the games? Photographer Bruno Helbling followed the fate of six venues with his camera: Athens (1896, 2004), Berlin (1936), Sarajevo (1998), Torino (2006), Beijing (2008), and Sochi (2014). His images are neither judgmental nor disavowing: He offers the viewer an objective yet aesthetically captivating look at what now awaits visitors to the respective sites. The variety of possible subsequent uses shown here - whether planned or unplanned - is both insightful and educational. At the same time, it demonstrates the effectiveness of architecture in an environment that is beyond the reaches of planning control. A book that is both poetic and inspiring. Exhibition and Reading 1 September 2016 Vernissage OLYMPIC REALITIES at Architekturforum Zurich starting 7pm to 10pm. 15 September 2016 Reading with Pr. Dr. Martin Muller. Reading from his Sochi Essay 7pm. Exhibition until 7th of October at Architekturforum. Brauerstr. 16, 8004 Zurich, Switzerland. Information and opening hours: www.af-z.ch More information on the book Video