In this landmark work on a subject too often dismissed as paranormal or disreputable, Jeffrey Meldrum gives us the first book on Sasquatch to be written by a scientist with impeccable academic credentials. He gives an objective look at the facts in a field mined with hoaxes and sensationalism. Meldrum reports on the work of a team of experts from a wide variety of fields who were assembled to examine the evidence for a large, yet undiscovered, North American primate. He reviews the long history of this mystery--which long predates the "Bigfoot" flap of the late fifties--and explains all the scientific pros and cons in a clear and accessible style, amplified by over 150 illustrations. Anyone who has pondered the mysteries of human evolution will be fascinated and eager to join Dr. Meldrum in drawing their own conclusion.

Devon has a long and rich folkloric heritage which has been extensively collected over many years. This book consolidates more than a century of research by eminent Devon folklorists into one valuable study and builds on the vital work that was undertaken by the Devonshire Association, providing insightful analysis of the subject matter and drawing comparisons with folklore traditions beyond the county. The first major work on Devon's folklore since Ralph Whitlock’s short book published by the Folklore Society in the 1970s, this volume brings the subject into the twenty-first century with consideration of internet memes and modern lore, demonstrating that ‘folklore’ does not equate to ‘old rural practice’. With chapters covering the history of Devon's folklore collecting, tales from the moors, the annual cycle, farming and the weather, the devil, fairies, hauntings, black dogs, witchcraft and modern lore, this will remain the standard work for many years to come.

Join the search to examine reports of unidentified and misplaced creatures-known as cryptids-throughout the Mountain State, from its earliest history to present day. Included are such famous unknowns as Bigfoot; Mothman, harbinger of disaster; giant birds and snakes unrecognized by modern science; anomalous huge human remains unearthed statewide since the 19th century; extinct cougars that refuse to die; animals alien to North America, including lions, tigers, black panthers, kangaroos, and piranha; the ferocious Dogman and woolly, horned Sheepsquatch; freshwater cephalopods; and other creatures that defy classification. Wherever you reside or visit in West Virginia, phantom cryptids have been seen near your location-terrifying witnesses, baffling investigators, and monsters sometimes leave evidence behind to mark their passing through our world. Happy hunting!

Monsters are culturally meaningful across the world. Starting from this key premise, this book tackles monsters in the context of social change. Writing in a time of violent upheaval, when technological innovation brings forth new monsters while others perish as part of the widespread extinctions that signify the Anthropocene, contributors argue that putting monsters at the center of social analysis opens up new perspectives on change and social transformation. Through a series of ethnographically grounded analyses they capture monsters that herald, drive, experience, enjoy, and suffer the transformations of the worlds they beleaguer. Topics examined include the evil skulking new roads in Ancient Greece, terror in post-socialist Laos's territorial cults, a horrific flying head that augurs catastrophe in the rain forest of Borneo, benign spirits that accompany people through the mist in Iceland, flesh-eating giants marching through neo-colonial central Australia, and ghosts lingering in Pacific villages in the aftermath of environmental disasters. By taking the proposition that monsters and the humans they haunt are intricately and intimately entangled seriously, this book offers unique, cross-cultural perspectives on how people perceive the world and their place within it. It also shows how these experiences of belonging are mediated by our relationships with the other-than-human.

The year's must-read YA fantasy - ancient djinn, an epic adventure, and one girl's courage to seek her own destiny ... Burn the flame. Seek the night. 'Highly relevant yet utterly original, I was utterly entranced by this world of jinn, peris and hot air balloons that ache for the skies.' LAUREN JAMES, author of THE QUIET AT THE END OF THE WORLD For Khadija, the only escape from her father's arranged betrothal is the sky. When she spots a rogue hot air balloon fighting against its ropes, she leaps at the chance for adventure. Khadija soon finds an unlikely ally in a poor glassmaker's apprentice, Jacob. But Jacob is a hari, and Khadija a Ghadaean. The hari are oppressed and restless - their infamous terrorist group, the Hareef, have a new fearsome leader. And the ruling Ghadaeans are brutal in their repression. Soon, a deadly revolution threatens their friendship and their world. The Hareef use forbidden magic, summoning jinn - wicked spirits made of fire - to enact their revenge, forcing Jacob and Khadija to choose what kind of a world they want to save ... A commercial, thrilling and uplifting fantasy adventure following sixteen-year-old Khadija, who flees her home in a stolen hot air balloon to escape an arranged marriage The debut novel from enthralling new talent, twenty-four-year-old Aneesa Marufu, which draws on the author's South Asian heritage Explores racism, misogyny and discrimination in a highly original fantasy universe Perfect for fans of Noughts + Crosses, We Hunt the Flame and Rebel of the Sands

Tabitha Plimtock lives in a house at the very edge of the world. She is a go-getter - that is, a dogsbody forced to go and get things - for her nasty relatives, Gower, Gristle, Bertha and Cousin Wilbur. One of Tabitha's endless chores involves descending the cliff face, via a net that hangs from the back of the house, to collect eggs, nuts and other things from the inhabitants of the wall. When rumours begin to circulate of monsters climbing from the base to gobble up unsuspecting wall-dwellers, Tabitha is worried for all her friends. Determined to save them, Tabitha seeks out the elusive and eccentric Dr Sherback. The doctor introduces her to a whole new world at the base - one that is dark, dangerous and absolutely thrilling - but not even Dr Sherback's vast knowledge can slow the terrible creatures climbing to the top of the wall. With a clever plan, and not a small amount of courage, can Tabitha stop the monsters and keeps the people she loves safe for good?

Discover the Science of (not so) Imaginary Creatures "The sheer depth of material covered in its pages is amazing"...." Fortean Times Magazine #1 Bestseller in the Occult and Unexplained Mysteries This is a book about monsters. From an early age we are taught that monsters do not exist. The reality is that monsters walk the earth today. Explore the world through its most unlikely creatures. Cryptozoology, the study of hidden, monstrous, and legendary animals, is truly the art of discovering the unknown. Richard Freeman, Zoological Director of Centre for Fortean Zoology, has explored the corners of the five continents on the search for creatures that many people believe are non-existent. In this book, he shares the exciting stories of his investigations of the Yeti, Mongolian Deathworm, Loch Ness Monster, Orang-Pendak, Ninki-Naka, and more. The line between myth and reality may be more narrow than you think. Cryptozoologists throughout the years have studied unknown species of reptiles, lake and sea creatures, apes, and hominins. The science and history of this field of study includes examples of creatures that were once thought to be mythological, but that have since been proven to exist. Our monsters and ourselves. The history of fabulous beasts and our searches for them is a history of the cultures of the world and the secrets we keep. If you're ready to begin your search for Sasquatch and learn to hunt monsters, Adventures in Cryptozoology is your guide. In these pages you'll find: Tales of mythical, extinct, and out-of-place creatures Hints about Bigfoot and other ape-men Tips for equipping your own cryptozoology adventure, including all the gear, field craft, and resources you'll need to record your findings You've read Cryptozoology A to Z, Expedition Unknown, or Chasing American Monsters? Then you'll want to read Adventures in Cryptozoology

Monstrous textuality emerges when Gothic narratives like Frankenstein reflect the monstrous in their narrative structure to create narratives of resistance, and allows writers to meta-narratively reflect their own poetics and textual production, and reclaim authority over their work under circumstances of systemic cultural oppression and Othering. This book traces the representation of other Others through Black feminist hauntology in Toni Morrison's Beloved (1987) and Love (2003); it explores fat freak embodiment as a feminist resistance strategy in Angela Carter's Nights at the Circus (1984) and Margaret Atwood's Lady Oracle (1976); and it reads Atwood's MaddAddam trilogy (2003-13) and Shelley Jackson's Patchwork Girl (1995) within a framework of critical posthumanist and cyborg theory. The result is a comprehensive argument about how these texts can be read within a framework of critical posthumanist questioning of knowledge production, and of epistemological exploration, beyond the exclusionary humanist paradigm.

'A NEW, ACTION-PACKED, ENCHANTINGLY FUN SERIES' Booklist From New York Times bestselling author Kevin Hearne comes the start of a hugely entertaining new series set in the world of the Iron Druid Chronicles - about an eccentric master of magic solving an uncanny mystery in Scotland . . . Al MacBharrais is both blessed and cursed. He is blessed with an extraordinary white moustache, an appreciation for craft cocktails - and a most unique magical talent. He can cast spells with magically enchanted ink and he uses his gifts to protect our world from rogue minions of various pantheons, especially the Fae. But he is also cursed. Anyone who hears his voice will begin to feel an inexplicable hatred for Al, so he can only communicate through the written word or speech apps. And his apprentices keep dying in peculiar freak accidents. As his personal life crumbles around him, he devotes his life to his work, all the while trying to crack the secret of his curse. But when his latest apprentice, Gordie, turns up dead in his Glasgow flat, Al discovers evidence that Gordie was living a secret life of crime. Now Al is forced to play detective - while avoiding actual detectives who are wondering why death seems to always follow Al. Investigating his apprentice's death will take him through Scotland's magical underworld, and he'll need the help of a mischievous hobgoblin if he's to survive. Packed to the brim with mystery, magic and mayhem, Ink & Sigil is perfect for fans of Rivers of London and Rotherweird. Praise for Ink & Sigil: 'You are in for a great treat. Ink and Sigil is great escape reading, and I loved every word' Charlaine Harris, New York Times bestselling author of the Sookie Stackhouse books 'Will transport you right in the Scottish realm of fey and fairies . . . The magic is both familiar and new, believable and extraordinary' Charlie Holmberg, author of The Paper Magician 'Vividly blends Kevin Hearne's unique take on urban fantasy with the grit of Scottish magic' Adam Christopher, author of Empire State 'Ink & Sigil is filled to the brim with the Hearne-anigans we've all grown to love. Fans of ribald humor, literary puns and the odd hobgoblin will be enchanted by this paranormal mystery' Jaye Wells, author of the Prospero's War series

In this remarkable volume, Dr. Jean-Paul Debenat, a professor of comparative literature (University of Nantes, France) with a flair for anthropology, takes us far beyond the realm of documented research on the Sasquatch / Bigfoot phenomenon. His extensive travels in North America, skilful investigations, and years of research on the 'wild man' throughout world history have resulted in this highly authoritative work. Dr Debenat's handling of the subject is both unique and exciting, as well as being highly factual. Rather than a simple presentation of facts and findings, we are taken to the very 'heart' of the matter with meaningful insights and knowledgeable interpretations - one experiences the full spectrum of learning, including emotion. Originally published in French, the work has been translated, modified, and enhanced for the English-speaking public. It is a classic work that will intrigue readers in all walks of life.

***A Best Book of the Year in HARPER'S BAZAAR, BBC, THE NEW YORKER, GLAMOUR, GAL-DEM and HUFFPOST*** 'Witty and thought-provoking' Stylist 'Blistering' Glamour 'Unusual, original and strikingly contemporary' Guardian 'Absolutely brilliant' Ruth Ozeki 'A gripping contemporary fable about embracing difference' The Times 'A wholly 21st century take on bloodsucking' Observer Lydia is hungry. She's always wanted to try sashimi and ramen, onigiri and udon - the food her Japanese father liked to eat - but the only thing she can digest is blood. Yet Lydia can't bring herself to prey on humans, and sourcing fresh pigs' blood in London - where she is living away from her Malaysian-British mother for the first time and trying to build a career as an artist - is much more difficult than she'd anticipated. If Lydia is to find a way to exist in the world, she must reconcile the conflicts within her - between her demon and human sides, her mixed ethnic heritage and her relationship with food, and, in turn, humans. Before any of this, however, she must eat. 'It's Kohda's exploration of Lydia's inner world, the pain and longing she feels as an outsider, that makes Woman, Eating such a delicious novel' New York Times Book Review 'A profound meditation on alienation and appetite, and what it means to be a young woman who experiences life at an acute level of intensity and awareness' LISA HARDING 'What Stoker did for the vampire at the end of the nineteenth century, Claire Kohda does for for it in our own era' TLS

The Compendium of Magical Beasts is a definitive field guide that explores the anatomy of mythology's most elusive creatures, compiling the findings of controversial early twentieth century cryptozoologist, feminist, and explorer Dr. Veronica Wigberht-Blackwater. Approaching the fantastic with a scientific eye, Dr. Veronica explains the history, habits, and biology of each creature's existence with equal attention to detail. Her research is accompanied by stunning scientific illustrations of each specimen's anatomy, providing a comprehensive view of creatures most often dismissed as pure fantasy. Combining biological fact with folklore, cultural studies, and history, this volume is crucial to science both fringe and mainstream. Locked in a dusty attic for almost a century, Dr. Wigberht-Blackwater's trailblazing work was recently discovered by writer Melissa Brinks, who spent months transcribing the journals she found. Brinks joined forces with artist Lily Seika Jones to digitize the doctor's amazingly detailed anatomical diagrams in order to share these revolutionary findings with the world for the first time. The Bestiary: Mermaid, Unicorn, Wild Man, Gnome, Werewolf, Troll, Fairy, Jackalope, Winged Horse, Centaur, Minotaur, Vampire, Dragon, Sea Monsters/Loch Ness/Kraken, Goblin, Sphinx, Phoenix, Harpy, Cyclops, Banshee, Incubus/Succubus, Nymph, Ghoul, Selkie, Kelpie

Michael Rugg is the curator of the Bigfoot Discovery Museum located in the Santa Cruz mountains of central California. Its purpose is to educate the public about the probability of bigfoot and the current best guesses as to its habits and its place in the natural world. Rugg has been collecting information and artefacts and studying unclassified bipedal primates since the early 1950s when the first photos of mysterious tracks on Mount Everest appeared in western newspapers.

Bigfoots ARE The Locals. They live here. They were here before we humans showed up on the continent and they will likely outlast us. This is a bigfoot book' yet it probes much deeper than a simple treatment of the hackneyed question of 'Does Bigfoot exist?'. This book delves into such questions as why bigfoots exist, why they behave as they do, and why they have not yet been, and may never be dragged into the spotlight of science and the media. And don't look to science' for answers, because science is currently unequipped to shed any light on this profound anthropological mystery.

Monsters. Real or imagined, literal or metaphorical, they have exerted a dread fascination on the human mind for many centuries. They attract and repel us, intrigue and terrify us, and in the process reveal something deeply important about the darker recesses of our collective psyche. Stephen Asma's On Monsters is a wide-ranging cultural and conceptual history of monsters-how they have evolved over time, what functions they have served for us, and what shapes they are likely to take in the future. Asma begins with a letter from Alexander the Great in 326 B.C. detailing an encounter in India with an "enormous beast-larger than an elephantthree ominous horns on its forehead." From there the monsters come fast and furious-Behemoth and Leviathan, Gog and Magog, the leopard-bear-lion beast of Revelation, Satan and his demons, Grendel and Frankenstein, circus freaks and headless children, right up to the serial killers and terrorists of today and the post-human cyborgs of tomorrow. Monsters embody our deepest anxieties and vulnerabilities, Asma argues, but they also symbolize the mysterious and incoherent territory just beyond the safe enclosures of rational thought. Exploring philosophical treatises, theological tracts, newspapers, pamphlets, films, scientific notebooks, and novels, Asma unpacks traditional monster stories for the clues they offer about the inner logic of an era's fears and fascinations. In doing so, he illuminates the many ways monsters have become repositories for those human qualities that must be repudiated, externalized, and defeated. Asma suggests that how we handle monsters reflects how we handle uncertainty, ambiguity, insecurity. And in a world that is daily becoming less secure and more ambiguous, he shows how we might learn to better live with monsters-and thereby avoid becoming one.

In his moon-shaped park filled with silver moonlight, The Dublin Vampire wakes to the same familiar sight. 'I've spent so many years in this creepy old tree, Is there a more spooktacular place to be?' He agrees with his bat that it's time to explore 'Let's go on an all-Ireland ghost bus tour!' A spooky bus tour around Ireland, with our favourite Dublin Vampire! He travels to well-known places all over the country, including St. Michan's church (where the mummies sleep!), Kilkenny Castle, the Hill of Tara (where the fairies dance and spraoi), and visits the giants at the causeway. But, when his travels are done, he decides that home is the most spooktacular place to be!

The moon has confounded scientists for many years. It does not obey the known rules of astrophysics and there is no theory of its origin that explains the known facts - in fact it should not really be there. When researching the ancient system of geometry and measurement used in the Stone Age that they discovered in their previous book, Civilization One, the authors discovered to their great surprise that the system also works perfectly on the Moon On further investigation, they found a consistent sequence of beautiful integer numbers when looking at every major aspect of the Moon - no pattern emerges for any other planet or moon in the solar system. For example, the Moon revolves at exactly one hundredth of the speed that the Earth turns on its axis; the Moon is exactly 400 times smaller than the Sun and is precisely 400 times closer to the Earth. They also discovered that the Moon possesses little or no heavy metals and has no core, in fact many specialists suspect that the Moon is hollow. If our Moon did not exist - nor would we. Experts are now agreed that higher life only developed on Earth because the Moon is exactly what it is and where it is When all of the facts are dispassionately reviewed, it becomes unreasonable to cling to the idea that the Moon is a natural object. The only question that remains is who built it? Thought-provoking - Daily Mail.

Now safely back at home, Ian and Lilli are free to return to normal life. Except there's a major problem: Ian keeps seeing the big bad boss dragon Atreus everywhere, and he can't tell whether it's real or in his imagination. So the internet is no longer an option. That's right. Ian, king of online gaming, is out on the soccer court instead. When Atreus shows up . . . everywhere, he knows he needs his sister. But he's legally obligated to never say Dra-er, the name of the game, so how is he supposed to ask for help? When Ian and Lilli finally sign back online, it's clear that Atreus has truly been released on the open web-and even worse, Ikumi has been kidnapped and imprisoned in a video game. It's back into virtual reality, but this time it's to Mech Ops, a futuristic world of zombies and evil robots-and the game's not even finished. Will Ian and Lilli have what it takes to jump through unfinished levels undetected? Or will they get booted . . . and even worse, are there do-overs in VR that isn't even built yet?

For over thirty years, two New York State brothers, Robert and Paul Bartholomew, have methodically researched, documented, and studied the Bigfoot question in both New York and the New England states.

HBO's hit series A GAME OF THRONES is based on George R.R. Martin's internationally bestselling series A SONG OF ICE AND FIRE, the greatest fantasy epic of the modern age. A DANCE WITH DRAGONS: DREAMS AND DUST is the first part of the fifth volume in the series. 'Characters so venomous they could eat the Borgias' Guardian Tyrion Lannister, having killed his father, and wrongfully accused of killing his nephew, King Joffrey, has escaped from King's Landing with a price on his head. Jon Snow has been elected Lord Commander of the Night's Watch. But Jon has enemies both inside and beyond the Wall. And in the east Daenerys Targaryen struggles to hold a city built on dreams and dust. The future of the Seven Kingdoms hangs in the balance. On all sides bitter conflicts are reigniting, played out by outlaws and priests, nobles and slaves. The tides of destiny will lead to the greatest dance of all.

A stunning illustrated edition of the magical bestseller - a perfect gift for Christmas! Winner of the Waterstones Children's Book Prize Winner of the British Book Awards Children's Book of the Year Shortlisted for the Branford Boase Award Shortlisted for the Jhalak Prize Beautiful, thrilling and magical, Sunday Times bestselling-author Kiran Millwood Hargrave's critically-acclaimed first novel is a modern classic. 'Absolutely loved it from start to finish' TOM FLETCHER 'I read it, I loved it' MALORIE BLACKMAN 'Kiran Millwood Hargrave creates a spellbinding world of magic, myth and adventure' EMMA CARROLL Forbidden to leave her island, Isabella dreams of the faraway lands her cartographer father once mapped. When her friend disappears, she volunteers to guide the search. The world beyond the walls is a monster-filled wasteland - and beneath the dry rivers and smoking mountains, a fire demon is stirring from its sleep. Soon, following her map, her heart and an ancient myth, Isabella discovers the true end of her journey: to save the island itself. A beautifully written, multi award-winning story of friendship, discovery, myths and magic for any age - perfect for fans of Philip Pullman, Frances Hardinge or Katherine Rundell A perfect gift for Christmas, illustrated in colour by Olia Muza, and featuring a bonus chapter From the author of Julia and the Shark, Leila and the Blue Fox and The Mercies, chosen for the Richard & Judy Book Club Set in an extensive and stunningly-imagined parallel world imbued with magical realism