With the rise of post-truth and fake news, a thorough examination of authenticity has never been so relevant. This book explores the geography of authenticity, investigating a wide variety of places used by tourists. Not only does it assess what might be described as the more traditional objects for examination - places such as the city, the countryside and the coast - it also includes chapters on art and place, hipster places, gentrification, heritage sites, film locations, photographed places and eventful places. Using a wide-angled lens on places reveals linkages and possibilities, enabling the book to skate across the surface of the geography of authenticity, locating the magically real heritage site, the poignant replica, the authenticated theme park, the unmasked carnival. In focusing on authentic and inauthentic places, this text provides a useful contribution to the understanding of how places are changing, how they are perceived, and how authenticity is embodied and performed within them. Authentic and Inauthentic Places in Tourism is an insightful study and an essential read for those involved in the study of geography, tourism, urban studies, culture and heritage.

Peter Harrop offers a reappraisal of mummers' plays, which have long been regarded as a form of 'folk' or 'traditional' drama, somehow separate from the mainstream of British theatre. This fresh view of folk and tradition explores how mummers' plays emerged in an 18th century theatrical environment of popular spouting clubs and private theatricals, yet quickly transformed into 'traditionary' drama with echoes of an ancient past. Harrop suggests that by the late 19th century the plays had been appropriated by antiquarians and folklorists, leaving mummer's plays as a strangely separate and categorised form. This book considers how that happened, and the ways in which these late 19th century ideas were absorbed into the mummers' plays, providing a new lease of life for them in the 20th and 21st centuries. Ideal for anyone with a specialised interest in this unique form, Mummers' Plays Revisited spans recent work in theatre history, performance studies and folklore to offer a comprehensive and engaging study.

Author Biography:
Pierre Lemonnier is a research director at the Centre National de la Recherche Scientifique. His research team is the Centre de Recherche et de Documentation sur l'Océanie, in Marseille.

1. This book explores the diversity of Africa's cultural heritage, analyses how and why this heritage has been managed and considers the factors that continue to influence management strategies and systems throughout the African continent. 2. This book includes contributions from a cast of prominent scholars and heritage professionals working across Africa. 3. This book examines the ideological influence of independence movements on the African continent's management and remembering of heritage. 4. This will be essential reading for those engaged in the study of museums and heritage, development, archaeology, anthropology, history and African studies. It will also be of interest to heritage and museum professionals who wish to learn more about the issues of decolonisation of heritage.

The Burlington Fine Arts Club was founded in London in 1866 as a gentlemen's club with a singular remit - to exhibit members' art collections. Exhibitions were proposed, organized, and furnished by a group of prominent members of British society who included aristocrats, artists, bankers, politicians, and museum curators. Exhibitions at their grand house in Mayfair brought many private collections and collectors to light, using members' social connections to draw upon the finest and most diverse objects available. Through their unique mode of presentation, which brought museum-style display and interpretation to a grand domestic-style gallery space, they also brought two forms of curatorial and art historical practice together in one unusual setting, enabling an unrestricted form of connoisseurship, where new categories of art were defined and old ones expanded. The history of this remarkable group of people has yet to be presented and is explored here for the first time. Through a framework of exhibition themes ranging from Florentine painting to Ancient Egyptian art, a study of lenders, objects, and their interpretation paints a picture of private collecting activities, connoisseurship, and art world practice that is surprisingly diverse and interconnected.

First published in 1999, this volume examines antiquarianism which had its roots in Renaissance thought and was a popular intellectual and cultural pursuit throughout the eighteenth and nineteenth centuries. The antiquarian work of collecting, compiling and presenting material which exposed the past was seminal to the formation of social and national identities. These essays evaluate the cultural and poltical implications of antiquarianism in the period 1700-1850. The volume also considers how the antiquarians laid the foundations of later museum culture and the discipline of history. With a preface by Stephen Bann and introduced by Martin Myrone and Lucy Peltz, Producing the Past has contributions from Stephen Bending, Alexandrina Buchanan, Susan A. Crane, David Haycock, Maria Grazia Lolla, Heather MacLennan, Martin Myrone, Lucy Peltz, Annegret Pelz, Sam Smiles and Johann Reusch.

This up-to-date detailed A-Z street map includes more than 900 streets in and around Salisbury. This street map includes the following: Postcode districts, one-way streets and car parks Places of interest On the reverse side there is a handy index to streets, places of interest, place and area names, park and ride sites, national rail stations, hospitals and hospices Detailed coverage of an area extending from Stratford sub Castle in the north to Salisbury District Hospital in the south, and from Laverstock in the east to Wilton Park in the west. The perfect reference map for finding your way around Salisbury.

"The British Museum A-Z Companion" provides an entertaining and informative introduction to the objects in the collections of the British Museum, from Achaemenid silver to Ziwiye treasure, Alexander the Great to Jean-Antoine Watteau, through Greek vases, Japanese pottery, Nebuchadnezzar, Quezalcoatl, and the Seven Wonders of the Ancient World.
This companion includes more than three hundred entries, with each chosen object or theme fully described and illustrated in colour; most entries also include suggestions for further reading on the subject. "The British Museum A-Z Companion" is also comprehensively indexed and cross-referenced, making it a useful research tool for all those interested in what has often been called "the world's greatest museum of mankind's history."

Title first published in 2003. What happened to art in Britain when the balance began to shift from public to private subsidy following the IMF crisis in 1976? In this polemical book, Neil Mulholland charts the political and cultural shifts in art in Britain from the mid-1970's to the end of the twentieth century. His account covers the key trends and artists of this extraordinarily diverse period, including critical postmodernism, feminism, neoconservatism, object sculpture, the new image, Brit Art, and Scottish neoconceptualism, and traces the development of critical thinking from the opinions of critics such as Richard Cork, John Roberts and Matthew Collings to tabloid press art scandals. The Cultural Devolution offers a broad critical and historical framework within which to understand public debate on the merits of young British artists such as Damien Hirst while looking beyond such celebrities to re-discover the wealth and range of work produced. Essential reading for anyone interested in contemporary art in Britain.

With a growing interest in ethnicity, there has also been an increasing interest in the study of material culture, as a means of explicating traditional and popular culture. Moreover, the decades leading up to the Columbian Quincentenary have been marked by the establishment of new Italian American museums, cultural centers, and archival collections. This timely publication, the fourth in Greenwood's series of Material Culture Directories, complements existing Italian American and Italian Canadian bibliographies and guides to collections by focusing on material culture and photographic collections, historic sites, and festivals. Following an introductory overview, chapter 1 provides information on objects, photographics images, and, in a few cases, oral histories held by museums and other repositories in the United States and Canada. Chapter 2 lists churches, houses, commercial buildings, wineries, monuments, a few towns and neighborhoods, and other sites associated with Italian American history. Entries range from Manhattan's Casa Italiana to the Italian Rock ovens in Washington State. Chapter 3 covers over 100 religious feasts and secular festivals in which material culture or foodways play an important part in the lives of Italian Americans. Each chapter is arranged alphabetically by geographic location. The work concludes with a selected bibliography and name and subject indexes.

Heritage tourism is a global multi-million-dollar phenomenon, influencing national, regional and local cultural identities. Hong Kong finds itself at the confluence of several post-colonial economic, political and social developments and with this comes a greater awareness of the need for more meaningful cultural and heritage tourism products, especially in the form of revitalised heritage attractions. Taking a qualitative approach and using semi-structured in-depth interviews with practitioners and stakeholders in the field, this study explores the role of interpretation in heritage revitalisation projects for tourism in Hong Kong. It seeks to examine why the interpretive element of these projects so often gets diminished during the course of implementation and outlines five propositions that may inform it going forward. Ultimately, the findings of this study suggest that, as issues of local identity become ever more important in Hong Kong, the role of interpretation in the development of its heritage tourism products needs to be holistic, integrated and consistent across public, private and non-governmental sectors. Developing a framework of understanding to identify the contextual issues of interpretation and commodification, this book will be useful to students and scholars of tourism, heritage studies and Asian studies more generally.

Learn the histories and behind-closed-door chronicles of 69 monuments in Savannah, Georgia. These shrines commemorate the Southern city's people and events, celebrating sculptors and heroes, Savannah's contributions to America's wars, and its economic and innovative legacy. Discover various ethnic groups who have contributed to the city's history through monuments such as the Jewish Burial Ground Marker, where people still lay pebbles to honor those who have passed before them. Stories are shared in an accessible, conversational, and engaging manner, with attention to historical detail, and are accompanied by more than 180 images. Use the included tour maps to enhance these accounts as you wander the beautiful squares, parks, and boulevards of Savannah and appreciate the "coastal empire" in a way you never have before.

-- Though only 110 miles long, Georgia's coast is a wealth of historic beauty
-- Georgia is a unique combination of wartorn history and genteel character
-- Stories of Civil War soldiers, pioneers and settlers, Native Americans, seafarers and pirates (including Blackbeard), and even a ghost or two
-- St. Simons Lighthouse, one of America's oldest continuously working lighthouses and home to the ghost of keeper Frederick Osborne, whose footsteps can be heard in the tower at night
-- Jekyll Island Club, a posh retreat established in 1886 by some of the wealthiest families in America, including the Astors, Rockefellers, and Vanderbilts
-- Fort King George was called the Invalid Regiment because many of its soldiers were either sickly or victims of foreign campaigns
-- Each site is illustrated with a full-color painting
-- A great gift for lighthouse or art enthusiasts

Trauma, Cultural Complexes, and Transformation: Folk Narratives and Present Realities contributes to our understanding of how culturally traumatic events affect present day realities, and suggests the potential for healing by combining theories on psychological trauma, cultural complexes, and transformations. It draws on insight from a range of disciplines, including Jungian psychology, literary criticism, folkloristics, neurosciences, quantum physics, and social studies. Evija Volfa Vestergaard maps folk narratives of human encounters with extra-human entities as communications of cultural traumas suffered by tellers who are embedded in particular historical and geographical settings, focusing on the little-explored globally emerging cultures of Latvia and South Africa, alongside the United States of America. These cultural narratives form a bridge to a discourse on the social, political, and economic issues faced by these countries and the world at large. Vestergaard outlines the parallels between dreams and visions of individuals essential in healing, and the mythological legend genre serving the same function for groups and cultures, demonstrating that the aim of these open-ended communications is not only to reveal hidden truth, but also to stir our imagination about potentialities. Healing of traumas demands a world of global relatedness based on nurturing kinship, and such a transformation begins with imagining. Trauma, Cultural Complexes, and Transformation represents essential reading for academics and students of Jungian and post-Jungian studies, folklore, psychology, cultural studies and anthropology, as well as Jungian analysts and psychotherapists.

'Chemical Principles of Textile Conservation' provides must-have knowledge for conservators who do not always have a scientific background. This vital book brings together from many sources the material science necessary to understand the properties, deterioration and investigation of textile artefacts. It also aids understanding of the chemical processes during various treatments, such as: cleaning; humidification; drying; disinfestation; disinfection; and the use of adhesives and consolidants in conservation of historical textiles. Textile conservators will now have ready access to the necessary knowledge to understand the chemistry of the objects they are asked to treat and to make informed decisions about how to preserve textiles. The combination of a chemist and a conservator provides the perfect authorial team. It ensures a unique dual function of the text which provides textile conservators with vital chemical knowledge and gives scientists an understanding of textile conservation necessary to direct their research. The many practical examples and case studies illustrate the utility of the relatively large chemical introduction and the essential chemical information which is included. The case studies, many illustrated in colour, range from the treatment of the Ghandis' clothes, high-altitude flying suits and a Mary Quant raincoat, to the Hungarian Coronation Mantle.

'This is a useful addition to the library for anyone who is dealing with enquirers considering a career in the field and it also provides some food for thought for any mid-career professional wishing to consider current trends.' - Tak tent, Scottish Museums Council Newsletter

Focusing on aspects of the functioning of technology, and by looking at instruments and at instrumental performance, this book addresses the epistemological questions arising from examining the technological bases to geographical exploration and knowledge claims. Questions of geography and exploration and technology are addressed in historical and contemporary context and in different geographical locations and intellectual cultures. The collection brings together scholars in the history of geographical exploration, historians of science, historians of technology and, importantly, experts with curatorial responsibilities for, and museological expertise in, major instrument collections. Ranging in their focus from studies of astronomical practice to seismography, meteorological instruments and rockets, from radar to the hand-held barometer, the chapters of this book examine the ways in which instruments and questions of technology - too often overlooked hitherto - offer insight into the connections between geography and exploration.

'Global' knowledge was constructed, communicated and contested during the long nineteenth century in numerous ways and places. This book focuses on the life-geographies, material practices and varied contributions to knowledge, be they medical or botanical, cartographic or cultural, of actors whose lives crisscrossed an increasingly connected world. Integrating detailed archival research with broader thematic and conceptual reflection, the individual case studies use local specificity to shed light on global structures and processes, revealing the latter to be lived and experienced phenomena rather than abstract historiographical categories. This volume makes an original and compelling contribution to a growing body of scholarship on the global history of knowledge. Given its wide geographic, disciplinary and thematic range this book will appeal to a broad readership including historical geographers and specialists in history of science and medicine, imperial history, museum studies, and book history.

The Victorian era is famous for the collecting, hording, and displaying of things; for the mass production and consumption of things; for the invention, distribution and sale of things; for those who had things, and those who did not. For many people, the Victorian period is intrinsically associated with paraphernalia. This collection of essays explores the Victorians through their materiality, and asks how objects were part of being Victorian; which objects defined them, represented them, were uniquely theirs; and how reading the Victorians, through their possessions, can deepen our understanding of Victorian culture. Miscellaneous and often auxiliary, paraphernalia becomes the 'disjecta' of everyday life, deemed neither valuable enough for museums nor symbolic enough for purely literary study. This interdisciplinary collection looks at the historical, cultural and literary debris that makes up the background of Victorian life: Valentine's cards, fish tanks, sugar plums, china ornaments, hair ribbons, dresses and more. Contributors also, however, consider how we use Victorian objects to construct the Victorian today; museum spaces, the relation of Victorian text to object, and our reading - or gazing at - Victorian advertisements out of context on searchable online databases. Responding to thing theory and modern scholarship on Victorian material culture, this book addresses five key concerns of Victorian materiality: collecting; defining class in the home; objects becoming things; objects to texts; objects in circulation through print culture.

Investigating how people and places are connected into the creative economy, this volume takes a holistic view of the intersections between community, policy and practice and how they are co-constituted. The role of the creative economy and broader cultural policy within community development is problematised and, in a significant addition to work in this area, the concept of 'place' forms a key cross cutting theme. It brings together case studies from the European Union across urban, rural and coastal areas, along with examples from the developing world, to explore tensions in universal and regionally-specific issues. Empirically-based and theoretically-informed, this collection is of particular interest to academics, postgraduates, policy makers and practitioners within geography, urban and regional studies, cultural policy and the cultural/creative industries.

This volume brings together a range of essays that offer a new perspective on the dynamic history of the museum as a cultural institution in South Asia. It traces the museum from its origin as a tool of colonialism and adoption as a vehicle of sovereignty in the nationalist period, till its role in the present, as it reflects the fissured identities of the post-colonial period.

Amongst recent contemporary art and museological publications, there have been relatively few which direct attention to the distinct contributions that twentieth and twenty-first century artists have made to gallery and museum interpretation practices. There are fewer still that recognise the pedagogic potential of interventionist artworks in galleries and museums. This book fills that gap and demonstrates how artists have been making curious but, none-the-less, useful contributions to museum education and curation for some time. Claire Robins investigates in depth the phenomenon of artists' interventions in museums and examines their pedagogic implications. She also brings to light and seeks to resolve many of the contradictions surrounding artists' interventions, where on the one hand contemporary artists have been accused of alienating audiences and, on the other, appear to have played a significant role in orchestrating positive developments to the way that learning is defined and configured in museums. She examines the disruptive and parodic strategies that artists have employed, and argues for that they can be understood as part of a move to re-establish the museum as a discursive forum. This valuable book will be essential reading for students and scholars of museum studies, as well as art and cultural studies.

This book explores the lived experience of cultural entrepreneurship examining the challenges associated with cultural labour including the insecurities of managing precarious working conditions. Drawing on interviews conducted with cultural workers, Cultural Entrepreneurship focuses on how individuals articulate their experience of entrepreneurship in the cultural and creative industries. Noting the importance of place, the local cultural milieu is examined as a means of situating entrepreneurial practices through cultural and enterprise policies, local networks, and significant relationships. Within this framework, the cultural entrepreneurs' stories reveal means of subverting or re-interpreting identities and the possibility for 'rethinking cultural entrepreneurship.' Aimed at researchers, academics and students investigating cultural entrepreneurship, cultural policy and cultural labour, Cultural Entrepreneurship will additionally be of value to creative industry consultants, cultural policymakers, and those setting up creative enterprises. Researchers from fields such as geography, investigating different aspects of the cultural industries in relation to cultural policy and place, will also find this book to be a useful contribution.

Heritage projects in the Arabian Peninsula are developing rapidly. Museums and heritage sites are symbols of shifting national identities, and a way of placing the Arabian Peninsula states on the international map. Global, i.e. Western, heritage standards and practices have been utilised for the rapid injection of heritage expertise in museum development and site management and for international recognition. The use of Western heritage models in the Arabian Peninsula inspires two key areas for research which this book examines: the obscuring of indigenous concepts and practices of heritage and expressions of cultural identity; and the tensions between local/community concepts of heritage and identity and the new national identities being constructed through museums and heritage sites at a state level.