Istanbul is home to a multimillion dollar transnational music industry, which every year produces thousands of digital music recordings, including widely distributed film and television show soundtracks. Today, this centralized industry is responding to a growing global demand for Turkish, Kurdish, and other Anatolian ethnic language productions, and every year, many of its top-selling records incorporate elaborately orchestrated arrangements of rural folksongs. What accounts for the continuing demand for traditional music in local and diasporic markets? How is tradition produced in twenty-first century digital recording studios, and is there a "digital aesthetics" to contemporary recordings of traditional music? In Digital Traditions: Arrangement and Labor in Istanbul's Recording Studio Culture, author Eliot Bates answers these questions and more with a case study into the contemporary practices of recording traditional music in Istanbul. Bates provides an ethnography of Turkish recording studios, of arrangers and engineers, studio musicianship and digital audio workstation kinesthetics. Digital Traditions investigates the moments when tradition is arranged, and how arrangement is simultaneously a set of technological capabilities, limitations and choices: a form of musical practice that desocializes the ensemble and generates an extended network of social relations, resulting in aesthetic art objects that come to be associated with a range of affective and symbolic meanings. Rich with visual analysis and drawing on Science & Technology Studies theories and methods, Digital Tradition sets a new standard for the study of recorded music. Scholars and general readers of ethnomusicology, Middle Eastern studies, folklore and science and technology studies are sure to find Digital Traditions an essential addition to their library.

"Faith comes by hearing, and hearing by the word of God." Romans 10:17 Practically every church in the free world utilizes a sound system of some size or form, but an alarmingly small amount of churches actually have trained personnel who can acceptably operate the system and allow the congregation to simply focus on Jesus. The Sound Guide is designed to cut to the chase and get right into the foundational elements that every sound person must know. With an easy-to-understand approach, this book de-mystifies and brings clarity to the essentials of the Audio Ministry. Whether you are new to running sound, or have been at it for years, The Sound Guide is a must-read...your pastor, worship team, and congregation will be very happy you did

The Fundamentals of Sound Science teaches the principles of the physics of sound, as well as basic principles of physics, by linking them to music and musical instruments. The book begins by asking students to question the meaning of sound itself. What is sound? How far and how fast does it travel? By asking students to think about sound in this way, the material is able to connect our daily experience of sound to principles of physics such as distance, velocity, scalars, and vectors. Through the next six chapters students learn about harmonic motion, waves, the sources and physical properties of sound, and measurements of loudness. The second half of the book uses music as the vehicle for a deeper exploration of sound. Students study some basic musicianship, including articulation, intervals, and harmonic series. These concepts become the springboard for an examination of the Fourier Analysis of Simplest Sound Spectra, which encompasses steady tones, periodic waves of arbitrary form, square, triangular, and sawtooth waves, and modulated tones. Different families of instruments are discussed in depth: percussion, strings, flutes and recorders, woodwinds, and finally the human voice. The book concludes with a chapter on room acoustics, which covers the precedence effect and reverberations. Each chapter is filled with detailed explanations, and numerous examples are used to enhance student understanding. Study questions are included to encourage critical thinking, and prepare students for tests. Chapter summaries aid retention by reviewing terms and relations. By finding the common ground between physics and music, The Fundamentals of Sound Science strengthens understanding of both, revealing that many principles of the physical world are a part of our common, taken for granted, daily experience. All we have to do is listen. The Fundamentals of Sound Science can be used for introductory courses in physics, including those at the high school level. The accessibility of the material makes the book appropriate for non-majors at the university level, and students can achieve mastery of the content without a background in mathematics, making the book ideal for general education courses.

First published in French in 1998, revised in 2010, and appearing here in English for the first time, Michel Chion's Sound addresses the philosophical, interpretive, and practical questions that inform our encounters with sound. Chion considers how cultural institutions privilege some sounds above others and how spurious distinctions between noise and sound guide the ways we hear and value certain sounds. He critiques the tenacious tendency to understand sounds in relation to their sources and advocates "acousmatic" listening-listening without visual access to a sound's cause-to disentangle ourselves from auditory habits and prejudices. Yet sound can no more be reduced to mere perceptual phenomena than encapsulated in the sciences of acoustics and physiology. As Chion reminds us and explores in depth, a wide range of linguistic, sensory, cultural, institutional, and media- and technologically-specific factors interact with and shape sonic experiences. Interrogating these interactions, Chion stimulates us to think about how we might open our ears to new sounds, become more nuanced and informed listeners, and more fully understand the links between how we hear and what we do.

"Logic Pro X - How it Works" from the GEM series (Graphically Enhanced Manuals) explains Apple's popular music production application "Logic Pro" with rich illustrations and diagrams that are not found in any other manual. This nnn pages letter size book presents this software application in great detail with that easy to understand, visual approach.- What are Graphically Enhanced Manuals (GEM)? They're a new type of manual with a visual approach that helps you UNDERSTAND a program, not just LEARN it. No need to read through 500 of pages of dry text explanations. Rich graphics and diagrams help you to get that "aha" effect and make it easy to comprehend difficult concepts. The Graphically Enhanced Manuals help you master a program much faster with a much deeper understanding of concepts, features and workflows in a very intuitive way that is easy to understand.

"An Excursion In Soul" takes a historical look at the Soul Music Era that ended in the Nineteen Eighties. The book focuses on a small independent record company and the political, economical and social issues that existed at that time. This era include music greats like Aretha Franklin, Micheal Jackson, Al Green, Otis Redding and Isaac Hayes. It is a true and very exciting account of an era in American music history.

The music industry is a fast moving field with new technology and methodological advances combining to catalyse innovations all the time. 'Innovation in Music 2013' was an international conference exploring this topic, held in December 2013 in York, UK. The event covered specific and cross-disciplinary aspects of the music industry including music creation, technology, production and business, sound engineering, mastering, post production and sound design, games music and cross-disciplinary themes. This volume contains a technical keynote speech delivered by former Metropolis Studios Mastering Engineer and now Technical Manager at Guilde Productions, Crispin Murray, accompanied by 20 articles developed from presentations delivered at the conference and peer reviewed. Read this book to get an excellent overview of the latest leading-edge developments occurring in the music industry.

(Music Pro Guide Books & DVDs). On his top-rated YouTube show, Pensado's Place, first-call mixing engineer Dave Pensado (Beyonce, Christina Aguilera, Kelly Clarkson, Mariah Carey, Elton John, Michael Jackson, and more ) discusses a never-ending stream of important music and audio recording topics. While sharing the importance of relentless perseverance and tenacity in the pursuit of success in the world of recording studios and music producers, The Pensado Papers is also a story of incredible, almost unbelievable redemption. See from behind the scenes, the journey that Dave Pensado has shared with his manager and best friend, Herb Trawick, all the way from death's door to platinum records to Internet sensation In this book you'll discover unique insights into the engineering regime of a recording genius, a creative philosophy that results in achievement and success, examples of Dave and Herb's powerful and inspirational friendship, amazing teachings from guests on Pensado's Place, and above all, fun This is an incredible collection of techniques, tips, and truths about audio recording presented on a platform of trust, perseverance, behind-the-scenes insights, and humor. While retaining technical insights and educational value, Maureen Droney editor and long-time friend to Dave and Herb has skillfully captured the likeability, wisdom, and charm that millions of viewers have grown to love about this incredible duo. These are The Pensado Papers .

This book is a standard guide with numerous code examples of practical applications. It will help you advance your skills in creating sophisticated visualizations while working with audio-visual systems. This book is ideal for digital artists and sound artists who are familiar with SuperCollider and who wish to expand their technical and practical knowledge of mapping and visualization. It is assumed that you already have some experience with the SuperCollider programming language and are familiar with the fundamental audio synthesis techniques.

Listeners have enjoyed classical music recordings for more than a century, yet important issues about recorded performances have been little explored. What is the relationship between performance and recording? How are modern audiences affected by the trends set in motion by the recording era? What is the impact of recordings on the lives of musicians? In this wide-ranging book, Robert Philip extends the scope of his earlier pioneering book, Early Recordings and Musical Style: Changing Tastes in Instrumental Performance 1900-1950. Philip here considers the interaction between music-making and recording throughout the entire twentieth century. The author compares the lives of musicians and audiences in the years before recordings with those of today. He examines such diverse and sometimes contentious topics as changing attitudes toward freedom of expression, the authority of recordings made by or approved by composers, the globalization of performing styles, and the rise of the period instrument movement. Philip concludes with a thought-provoking discussion of the future of classical music performance.

With Computational Thinking in Sound, veteran educators Gena R. Greher and Jesse M. Heines provide the first book ever written for music fundamentals educators which is devoted specifically to music, sound, and technology. The authors demonstrate how the range of mental tools in computer science - for example, analytical thought, system design, and problem design and solution - can be fruitfully applied to music education, including examples of successful student work. While technology instruction in music education has traditionally focused on teaching how computers and software work to produce music, Greher and Heines offer context: a clear understanding of how music technology can be structured around a set of learning challenges and tasks of the type common in computer science classrooms. Using a learner-centered approach that emphasizes project-based experiences, the book provides music educators with multiple strategies to explore, create, and solve problems with music and technology in equal parts. It also provides examples of hands-on activities which encourage students, alone and in interdisciplinary groups, to explore the basic principles that underlie today's music technology and which expose them to current multimedia development tools.

"GarageBand X - How it Works" from the GEM series (Graphically Enhanced Manuals) explains Apple's popular music production application "GarageBand" with rich illustrations and diagrams that are not found in any other manual (this is the only manual available). This 321 pages letter size book presents this software application in great detail with that easy to understand, visual approach.- What are Graphically Enhanced Manuals (GEM)? They're a new type of manual with a visual approach that helps you UNDERSTAND a program, not just LEARN it. No need to read through 500 of pages of dry text explanations. Rich graphics and diagrams help you to get that "aha" effect and make it easy to comprehend difficult concepts. The Graphically Enhanced Manuals help you master a program much faster with a much deeper understanding of concepts, features and workflows in a very intuitive way that is easy to understand.

John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP? In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.