As audiences are increasingly no longer solely listeners but also active producer-consumers, and as video games and other interactive systems increasingly permeate our daily lives, understanding interactivity and its impact on the audience has never been more important. A collection of newly commissioned chapters on interactivity in music and sound edited by preeminent scholars in the field, this book marks the beginning of a journey into understanding the ways in which we interact with sound, and offers a new set of analytical tools for the growing field of interactive audio. What does it mean to interact with sound? How does interactivity alter our experience as creators and listeners? What makes interactive audio different from non-interactive audio? Where does interacting with audio fit into our understanding of sound and music? What does the future hold for interactive media when it comes to our musical and sonic experiences? And how do we begin to approach interactive audio from a theoretical perspective? The Oxford Handbook of Interactive Audio answers these questions by exploring the full range of interactive audio in video games, performance, education, environmental design, toys, and artistic practice. Examining these questions from a range of approaches - technological, emotional, psychological, and physical - the book provides a thorough overview of the fascinating experience of interactive sound.

The Music Business Has Completely Changed.
It's Time You Take Control Of It With The Book That Will Show You How.
Music's Legends Show You How To...
* Write Your Best Song with Pop Songwriting Superstar Diane Warren
* Record and Mix Your Best Sounding Record with Bob Clearmountain
* Master a Hit Record with Bob Ludwig
* The Must Read "Real Inside Story" of the Music Business Told by Steve Lukather
* Get the Sound You've Always Wanted with Bob Bradshaw
* Plus tons of killer business, marketing and PR strategies that can help you today
The Reviews...
From ASCAP
What if you could talk one-on-one with some of the greatest names in music today, like Grammy winning ASCAP songwriter Diane Warren, Grammy winning artist/legendary guitarist/founding member of "Toto" Steve Lukather, the famed record engineer and producer Bob Clearmountain, and mastering engineer to the stars Bob Ludwig and others, and they gave you their much sought-after advice on how to make music just like the biggest and best music stars.
In How To Make It In The New Music Business, Robert Wolff not only gives you this information from his interviews with these music legends, but reveals to you the technology and equipment that the "real music artists and producers" use to make their hit records and shows you how to use it to make hit sounding major record label quality music and records anywhere.
Think of this book as your "Music Road Map" that will take you from where you are to where you want to be, simply by following its step-by-step plan.
Far too many songwriters and musicians spend years and years of their lives becoming great at their craft, but rarely, do many of them know how the real world music game is played, or how to create a hugely successful career and do it all on their own terms. With this book, those days are over.
From Readers...
"Having received significant interest from DreamWorks, Hollywood and Maverick all within the last three months, I have fast come to the realization of which you have categorically confirmed for me in your book. Thank you for an extremely interesting read." --Mike C.
"The book is a bible for those just starting in the music industry, and a revelation for people that have been in the business for a long time." --Crystal (MusicContracts101.com)
"What is needed in order to succeed in todays music industry. Well written and inspiring it is a very enjoyable read for anyone just starting out in the business or veterans who wish to touch up on all aspects of the industry. I enjoyed the inspiring words from Bob Clearmountain and Bob Ludwig." --Brian T.
"Recently I was looking for a book to learn more about the music business, contracts, marketing, new ways of distribution, etc. I encountered this book and decided to get a sample into my Kindle and read the first chapter. After that I bought it and kept reading. The book is divided into different lessons, which are organized in a logical manner analogous to the way you go into starting a business, producing and album and selling it. The book covers a lot of material and it is written in a very friendly way, easy to understand. If you are interested in music and music business you will definitely find some sound advice and a lot of inspiration in this book. It opened my mind in many ways." --J.P. Mantilla

The only manual for Logic Remote, covering all the features of this companion app for the new "Logic Pro X." "Logic Remote (iPad) - How it Works" from the GEM series (Graphically Enhanced Manuals) explains Apple's brand new iPad app "Logic Remote" with rich illustrations and diagrams that are not found in any other manual or even in Apple's own documentation. This 68 pages letter size book presents this software application in great detail with that easy to understand, visual approach. This book is in fact the only comprehensive manual for this app.
What are Graphically Enhanced Manuals (GEM)?
They're a new type of manual with a visual approach that helps you UNDERSTAND a program, not just LEARN it. No need to read through 500 of pages of dry text explanations. Rich graphics and diagrams help you to get that "aha" effect and make it easy to comprehend difficult concepts. The Graphically Enhanced Manuals help you master a program much faster with a much deeper understanding of concepts

Movies have never been the same since MTV. While the classic symphonic film score promised direct insight into a character's mind, the expanded role of popular music has made more ambiguous the question of when, if ever, we are allowed to see or share a character's emotions. As a result, the potential for irony and ambiguity has multiplied exponentially, and characterization and narrative capacities have fragmented. At the most basic level, this new aesthetic has required filmgoers to renegotiate some of their most basic instinctual connections with the human voice and with any sense of a filmmaking self. Music videos widened the creative vocabulary of filmmaking: they increased speeds of event in cinema and deflecting filmmakers from narrative, characterization, and storytelling toward a concentration on situation, feeling, mood, and time. Popular Music and the New Auteur charts the impact of music videos on seven visionary directors: Martin Scorsese, Sofia Coppola, David Lynch, Wong Kar-Wai, the Coen brothers, Quentin Tarantino, and Wes Anderson. Ashby and his contributors define these filmmakers' relation to the soundtrack as their key authorial gesture. These filmmakers demonstrate a fresh kind of cinematic musicality by writing against music rather than against script, and allowing pop songs a determining role in narrative and imagery. Featuring important new theoretical work by some of the most stimulating and provocative writers in the area today, Popular Music and the New Auteur will be required reading for all who study film music and sound. It will also be particularly relevant for readers in popular music studies, and its intervention in the ongoing debate on auteurism will make it necessary reading in film studies.

Frederick Charles Judd (1914-1992) was a pioneer of British electronic music, composing and recording at his home studio. 'Electronic Music and Musique Concrete', originally published in 1961, was one of the earliest books to introduce to a popular audience a form of music then in its infancy. From the late 1950s into the 1960s Judd toured Britain giving lectures and demonstrations of techniques and equipment, often in the company of his friend and fellow innovator Daphne Oram. Judd's biggest commercial success as a musician came in 1963 with Space Patrol, the first British TV series to feature an all-electronic score. A second book by Judd, 'Electronics In Music' (1972), is also published by Foruli Classics.

I wrote this book in order to build a bridge between Indian and Western music. Indian music isn't always written down in a way that all can understand it, and my goal is to enable the wishes of all musicians who want to play Indian music on their instruments. As always with Indian music, though, the notes on the page are just a guide, and all stylistic improvisation is welcome and advised. I have chosen some of the most melodious, recent Bollywood songs hoping that different age groups can relate to the songs. Tracks for each song, customized to the arrangement that I felt sounded best when I played it on alto saxophone, are available for purchase separately on a CD. The notes in this book are provided in three different keys (Bb, C and Eb) so that a variety of instrumentalists can play these songs. Bb instruments commonly include clarinet, tenor saxophone, soprano saxophone, trumpet, Bb cornet and euphonium. Instruments in C include flute, oboe, piccolo, piano, trombone and all string instruments. The most common Eb instruments are alto saxophone and baritone saxophone.

You'll never listen to music the same way again Producer, audio engineer, and author Bobby Owsinski takes you deep inside 20 of the biggest modern rock and country hits of the 21st century. Using a technique refined after years of listening to songs under the microscope of the studio, each song analysis by Bobby describes exactly how the song was constructed and why it was a hit, examining in detail the song form, the arrangement, the sound, and the production. This is a valuable must-have for everyone who loves music, musicians learning about arrangements, producers wanting to learn how hits are constructed, audio engineers analyzing the sounds of the hits, songwriters looking inside a hit's secrets, and fans who love facts and trivia their favorite artist. Every song analysis has numerous "Listen to" moments pointing out small but significant changes in the arrangement or sound that you might not have noticed before. Plus you'll get all the song facts never found all in one place like release date, songwriters, recording studio information, number of units sold and chart position.

Includes: Beautiful Day (U2) * Best of You (Foo Fighters) * Blood Pressure (Mutemath) * The Cave (Mumford & Sons) * Clocks (Coldplay) * In the End (Linkin Park) * Just a Kiss (Lady Antebellum) * Moves Like Jagger (Maroon 5) * Pumped Up Kicks (Foster the People) * Rolling in the Deep (Adele) * Rope (Foo Fighters) * Seven Nation Army (The White Stripes) * Since U Been Gone (Kelly Clarkson) * Soak Up the Sun (Sheryl Crow) * Somebody That I Used to Know (Gotye feat. Kimbra) * Tighten Up (The Black Keys) * Under Cover of Darkness (The Strokes) * Wake Me Up When September Ends (Green Day) * What Hurts the Most (Rascal Flatts) * Uprising (Muse).

"GarageBand 11 - How it Works" from the GEM series (Graphically Enhanced Manuals) explains Apple's popular music production application "GarageBand" with rich illustrations and diagrams that are not found in any other manual. This 161 pages letter size book presents this software application in great detail with that easy to understand, visual approach.- What are Graphically Enhanced Manuals (GEM)? They're a new type of manual with a visual approach that helps you UNDERSTAND a program, not just LEARN it. No need to read through 500 of pages of dry text explanations. Rich graphics and diagrams help you to get that "aha" effect and make it easy to comprehend difficult concepts. The Graphically Enhanced Manuals help you master a program much faster with a much deeper understanding of concepts, features and workflows in a very intuitive way that is easy to understand.

In Chasing Sound, Susan Schmidt Horning traces the cultural and technological evolution of recording studios in the United States from the first practical devices to the modern multi-track studios of the analog era. Charting the technical development of studio equipment, the professionalization of recording engineers, and the growing collaboration between artists and technicians, she shows how the earliest efforts to capture the sound of live performances eventually resulted in a trend toward studio creations that extended beyond live shows, ultimately reversing the historic relationship between live and recorded sound. Schmidt Horning draws from a wealth of original oral interviews with major labels and independent recording engineers, producers, arrangers, and musicians, as well as memoirs, technical journals, popular accounts, and sound recordings. Recording engineers and producers, she finds, influenced technological and musical change as they sought to improve the sound of records. By investigating the complex relationship between sound engineering and popular music, she reveals the increasing reliance on technological intervention in the creation as well as in the reception of music. The recording studio, she argues, is at the center of musical culture in the twentieth century.

NEW MEDIA THEORY SERIES EDITOR: BYRON HAWK MICS, CAMERAS, SYMBOLIC ACTION: AUDIO-VISUAL RHETORIC FOR WRITING TEACHERS addresses the current technological challenges and opportunities of writing teachers through a conceptualization of writing and reading that could not have been imagined by many writing teachers at the turn of the twenty-first century. While MICS, CAMERAS, SYMBOLIC ACTION looks forward to emerging writing technologies, it finds its theoretical foundations by looking back to Kenneth Burke's concept of symbolic action. MICS, CAMERAS, SYMBOLIC ACTION situates its pedagogy for engaging the multidimensional rhetoric of audio-visual writing to help new and experienced writing teachers select, create, and engage productive models for designing audio-visual writing assignments and curricula. MICS, CAMERAS, SYMBOLIC ACTION draws upon Erika Lindemann and her pioneering work in A Rhetoric for Writing Teachers, as well as the educational theory of John Dewey, the multiliteracy theory of Stuart Selber, and the design philosophy of Robin Williams. Rather than look to the creation and critique of audio-visual texts as the goal of its pedagogy, MICS, CAMERAS, SYMBOLIC ACTION looks for ways to use the creation and critique of audio-visual texts as a means for realizing a variety of learning goals for writing students. Bump HALBRITTER establishes not only the theoretical foundation for that work but also discusses, in depth, the material demands of working with audio-visual assets that writing teachers have not typically been trained to use: microphones, video cameras, and an array of other peripheral technologies for collecting, storing, and exchanging audio-visual information. BUMP HALBRITTER is Associate Professor of Rhetoric and Writing at Michigan State University and is Editor of CCC ONLINE. His work on aural rhetoric and audio-visual writing pedagogy has appeared in KAIROS, ENCULTURATION, COMPUTERS AND COMPOSITION, COLLEGE ENGLISH, and in the edited collection, DIGITAL TOOLS. Halbritter and Julie Lindquist are co-PIs of the long-term research project LiteracyCorps Michigan, a multi-phase research project that uses digital video to investigate and document the literate lives of college students. "The voice and style are one of the Mics, Cameras, Symbolic Action's great strengths, as they render the subject approachable and readable to those who might not yet consider themselves a part of rhetoric and composition culture. Halbritter makes a compelling argument for why we should become engaged in the (symbolic) action of multimedia composing." - ERIN KARPER

The only full featured manual for GarageBand for the iPad (not just a quick start guide). - "GarageBand for iPad - How it Works" from the GEM series (Graphically Enhanced Manuals) explains Apple's popular music production application "GarageBand for iPad" with rich illustrations and diagrams that are not found in any other manual. This 117 pages letter size book presents this software application in great detail with that easy to understand, visual approach. This book is in fact the only comprehensive manual for the iPad version of GarageBand. It covers all the features of the apps plus getting into great details about iCloud and iTunes File Sharing.- What are Graphically Enhanced Manuals (GEM)? They're a new type of manual with a visual approach that helps you UNDERSTAND a program, not just LEARN it. No need to read through 500 of pages of dry text explanations. Rich graphics and diagrams help you to get that "aha" effect and make it easy to comprehend difficult concepts. The Graphically Enhanced Manuals help you master a program much faster with a much deeper understanding of concepts, features and workflows in a very intuitive way that is easy to understand.

The Professor Lecture Series is a collection of presentations that David K. Ewen, M.Ed. has used to teach workshop seminars in New York and all 6 New England States. In book form, the series serve as an introduction to digital media production, distribution, and marketing.

Recording is central to the musical lives of contemporary powwow singers yet, until now, their aesthetic practices when recording have been virtually ignored in the study of Native American expressive cultures. Recording Culture is an exploration of the Aboriginal music industry and the powwow social world that supports it. For twelve years, Christopher A. Scales attended powwows-large intertribal gatherings of Native American singer-drummers, dancers, and spectators-across the northern Plains. For part of that time, he worked as a sound engineer for Arbor Records, a large Aboriginal music label based in Winnipeg, Canada. Drawing on his ethnographic research at powwow grounds and in recording studios, Scales examines the ways that powwow drum groups have utilized recording technology in the late twentieth and early twenty-first centuries, the unique aesthetic principles of recorded powwow music, and the relationships between drum groups and the Native music labels and recording studios. Turning to "competition powwows," popular weekend-long singing and dancing contests, Scales analyzes their role in shaping the repertoire and aesthetics of drum groups in and out of the recording studio. He argues that the rise of competition powwows has been critical to the development of the powwow recording industry. Recording Culture includes a CD featuring powwow music composed by Gabriel Desrosiers and performed by the Northern Wind Singers.

Even if you haven't used GarageBand for iPhone before, chances are you've heard a lot about it. When this iOS version of Apple's popular GarageBand for Mac application debuted in 2011, rave reviews began rolling in, and Apple has improved its performance and added features since then. If you've ever used GarageBand for Mac, you'll find yourself quite comfortable here -- the two apps have a lot in common. If you haven't, don't worry -- we cover everything you'll need to know in this guide. But, either way, prepare yourself for a unique experience. That's because of the unique touch interface of the iPhone. Apple's GarageBand for iPhone app features several great software instruments that you can play just by touching the screen. This makes the experience of playing a guitar, for instance, or a drum set very natural for anyone who's ever played a musical instrument, and much more fun Let Minute Help show you how

You've heard of publish or perish. For years this has been the mantra of the academic world. Now it is also true of entrepreneurs. It is a fact Your market is looking for information and the fact is that if you don't give it to them, your competitors are going to and then they'll get there first. This book is a powerful tool that helps you do that. Before buying products, the public wants information. Information is important and as a writer, coach, consultant, entrepreneur, business owner, Internet Marketer, you need to be providing your market with information before your competitors do. When a consumer goes into the grocery store, they read the labels; they want to know what food they're consuming. When they purchase any electronic device, any appliance, clothes, shoes, any item, they want to read about that item so they know what they are purchasing. And the same is true of your business. This book demonstrates ways in which you can provide information to your market with little or no effort in a fast, efficient way.

Even if you haven't used GarageBand for iPad before, chances are you've heard a lot about it. When this iOS version of Apple's popular GarageBand for Mac application debuted in 2011, rave reviews began rolling in, and Apple has improved its performance and added features since then. If you've ever used GarageBand for Mac, you'll find yourself quite comfortable here -- the two apps have a lot in common. If you haven't, don't worry -- we cover everything you'll need to know in this guide. But, either way, prepare yourself for a unique experience. That's because of the unique touch interface of the iPad. Apple's GarageBand for iPhone app features several great software instruments that you can play just by touching the screen. This makes the experience of playing a guitar, for instance, or a drum set very natural for anyone who's ever played a musical instrument, and much more fun Let Minute Help show you how

"Get Your Groove on the Move" is a book that will provide the reader with a detailed overview of both the theoretical and practical aspects of modern music production. It provides a thorough non-specialist introduction to this vast field of expertise in a manner which is neither simplistic nor overly technical. In this book you will learn how to: Produce your own music Understand the process that goes into making an album Learn about all the different aspects of modern music production Get a grasp of the theoretical basics of sound and hearing. Understand the nature of computer music production Learn about electronic musical instruments Learn about the components that make up a recording studio Learn about recording, mixing and mastering an album Gain knowledge on how to promote an album. This book is essential reading for anyone interested in building a career in the music industry, whether you aspire to being a musician, a producer or a sound engineer. Selected Quote's on the book "I can say that it provides a very useful overview of the practical and theoretical aspects of contemporary music technology, in terms which are readily understandable to the average student. " "This book could comfortably form the core of a Music Technology syllabus for schools and universities. " Marc Duby, Ph.D. Professor of Musicology at University of South Africa "This book is well written and articulated in such a way that its contents could be easily understood, absorbed and the information imparted could be applied by any student who wishes to pursue a career in music technology at tertiary level." "I strongly recommend and endorse a book such as this. It would be extremely beneficial if adopted as a text book at institutions with music technology programmes." Professor Hotep Idris Galeta University of Fort Hare, South Africa

In Max/MSP/Jitter for Music, expert author and music technologist V. J. Manzo provides a user-friendly introduction to a powerful programming language that can be used to write custom software for musical interaction. Through clear, step-by-step instructions illustrated with numerous examples of working systems, the book equips you with everything you need to know in order to design and complete meaningful music projects. The book also discusses ways to interact with software beyond the mouse and keyboard through use of camera tracking, pitch tracking, video game controllers, sensors, mobile devices, and more.
This book will be of special value for everyone who teaches music at any level, from classroom instructors to ensemble directors to private studio instructors. Whether you want to create simple exercises for beginning performers or more complex programs for aspiring composers, this book will show you how to write customized software that can complement and even inspire your instructional objectives.
No specialist foreknowledge is required to use this book to enliven your experience with music technology. Even musicians with no prior programming skills can learn to supplement their lessons with interactive instructional tools, to develop adaptive instruments to aid in composition and performance activities, and to create measurement tools with which to conduct research.
This book allows you to:
-Learn how to design meaningful projects for composition, performance, music therapy, instruction, and research
-Understand powerful software through this accessible introduction, written for beginners
-Follow along through step-by-step tutorials
-Grasp the principles by downloading the extensive software examples from the companion website
This book is ideal for:
-Music educators at all levels looking to integrate software in instruction
-Musicians interested in how software can improve their practice and performance
-Music composers with an interest in designing interactive music
-Music therapists looking to tailor programs to the needs of specific groups or individuals
And all who are interested in music technology.
Visit the companion website at www.oup.com/us/maxmspjitter http: //www.oup.com/us/maxmspjitter

This thesis provides an examination of Disc Jockey (DJ) technology, technique, and aesthetics. The history of popular dance music is explored in an attempt to demonstrate the role that technology has played in the development and future of the DJ aesthetic. Criteria for evaluating and producing Disc Jockey Music Technology is pursued in order to define the fundamentals of dance music and the essence of an authentic DJ performance.

This is a concise and insightful piece of popular music scholarship, analyzing the creative processes behind some very familiar hit singles from the 1960s. "Hits and Misses" examines a selection of songs and recordings through the lens of textual criticism and delineates the creative process as it unfolds from the initial conception of a song to the final mix presented on disc. The book takes as its subject top 40 singles released between 1963 and 1971 in the USA, Britain, and Canada, and considers the songs themselves and their transformation in the studio. Robert Toft studies the methods by which recordists (songwriters, arrangers, band members, producers, and engineers) impart their ideas to audiences. The first part of the book concentrates on songs and examines lyrics and the strategies songwriters employ to develop a story, as well as the music that enhances the telling of those stories. The second part of the book investigates the sonic surface of recordings and considers how recordists fashion musical material into effective musical discourse. "Hits and Misses" will be an invaluable text for all those who are studying the sound, craft, and context of pop music.

When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. "78 Blues: Folksongs and Phonographs in the American South" covers a revolution in artist performance and audience perception through close examination of hundreds of key "hillbilly" and "race" records released between the 1920s and World War II.

In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and R&B, honky-tonk and western swing, gospel, soul, and rock 'n' roll. These old-time records preserve the work of some of America's greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry.

When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions. How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means.

Audio recordings are the calling card with which musicians share and promote their work so a knowledge of recording techniques and technologies is essential to the 21st century musician. Recording On a Budget provides a comprehensive introduction to the recording arts from a budget-conscious perspective. Written by a professional musician and educator, this book is ideal for musicians, educators, music students, songwriters and hobbyists.
A central theme of the book is that it is possible to make quality recordings with a modest selection of recording tools. Chapters cover the selection and use of all of the components of a project studio including microphones, mixer, computer, digital audio workstation software, and signal processors. Additional chapters provide a solid foundation in acoustics, audio recording, podcasting, mixing and mastering. The final chapter of the book features do-it-yourself projects that can be completed with a modest selection of tools.
Most musicians have developed their ears to a high level so a special focus is placed on the development of recording technique through experimentation and the application of critical listening skills. The book is supported by an online resource of nearly 250 audio excerpts detailing all of the primary topics of the book.
Recording on a Budget is ideal for:

. Musicians who are interested in recording a quality CD or demo
. Choir, orchestra, and band directors who want to record vocal or instrumental ensemble
. Student performers and composers who wish to record a performance or produce their own music
. Bands interested in recording live concerts or recording an album in a home studio
. Videographers interested in recording location sound, voice-overs or music
. Songwriters who wish to produce a quality demo
. Podcasters
and ALL who want to make quality recordings without spending fortunes on equipment.
Readers will learn
. to cut budget corners without sacrificing audio quality
. to choose the right microphone for the job (and where to place it)
. to assemble an equipment rack, mixing desk, and speakers stand
. to avoid common mistakes
. And to be creative and have fun with recording technology
Visit the companion website at www.oup.com/us/recordingonabudget for free selection of sample recordings "