Sonic Rupture applies a practitioner-led approach to urban soundscape design, which foregrounds the importance of creative encounters in global cities. This presents an alternative to those urban soundscape design approaches concerned with managing the negative health impacts of noise. Instead, urban noise is considered to be a creative material and cultural expression that can be reshaped with citywide networks of sonic installations. By applying affect theory the urban is imagined as an unfolding of the Affective Earth, and noise as its homogenous (and homogenizing) voice. It is argued that noise is an expressive material with which sonic practitioners can interface, to increase the creative possibilities of urban life. At the heart of this argument is the question of relationships: how do we augment and diversify those interconnections that weave together the imaginative life and the expressions of the land? The book details seven sound installations completed by the author as part of a creative practice research process, in which the sonic rupture model was discovered. The sonic rupture model, which aims to diversify human experiences and urban environments, encapsulates five soundscape design approaches and ten practitioner intentions. Multiple works of international practitioners are explored in relation to the discussed approaches. Sonic Rupture provides the domains of sound art, music, creative practice, urban design, architecture and environmental philosophy with a unique perspective for understanding those affective forces, which shape urban life. The book also provides a range of practical and conceptual tools for urban soundscape design that can be applied by the sonic practitioner.

Originally published in 1921, this book was written in an attempt to, 'give the serious teacher and student the practical benefit of the knowledge acquired during a lifetime's playing the violin, including mechanical means and technical procedure as well as the ideas and ideals of art'. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. Contents Include: How I Studied the Violin - How to Hold the Violin - How to Practise - Tone Production - Hints on Bowing - Left hand Technique - Double Stops The Trill - Ornaments - Harmonics - Nuance, The Soul of Interpretation - Style - The Nerves and Violin Playing - The Violin Repertory of Yesterday and To-Day - Practical Repertory Hints

'With disarming candour and courage, Martha tells us of finding her own voice and peace as a working artist and mother. Her story is made more unique because of the remarkably gifted musical family she was born into' EMMYLOU HARRIS Born into music royalty, daughter of Kate McGarrigle and Loudon Wainwright III and sister to singer Rufus Wainwright, Martha grew up in a world filled with incomparable folk legends. With the same emotional honesty that has come to define her music Martha describes her tumultuous public-facing journey from awkward, earnest and ultimately rebellious daughter, through her intense competition and ultimate alliance with her brother, Rufus, to the heartbreaking loss of their mother and finally discovering her voice as an artist. With candour and grace she writes of becoming a mother herself and making peace with her past struggles with Kate and her younger self. Ultimately, this book offers a thoughtful and deeply personal look into the extraordinary life of one of the most talented singer-songwriters in music today.