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Books > Music
Alfred's Basic Adult All-in-One Course is designed for use with an
instructor for the beginning student looking for a truly complete
piano course. It is a greatly expanded version of Alfred's Basic
Adult Piano Course that will include lesson, theory, technic and
additional repertoire in a convenient, "all-in-one" format. This
comprehensive course features written assignments that reinforce
each lesson's concepts, a smooth, logical progression between each
lesson, a thorough explanation of chord theory and playing styles,
and outstanding extra songs, including folk, classical, and
contemporary selections. At the completion of this course, the
student will have learned to play some of the most popular music
ever written and will have gained a good understanding of basic
musical concepts and styles. The CD has accompaniments to support
the student's playing of the exercises and songs found in the Level
2 book. Titles: Alexander's Ragtime Band * Arkansas Traveler *
Ballin' the Jack * The Battle Hymn of the Republic * Black Forest
Polka * Black is the Color of My True Love's Hair * Bourlesq *
Brahms Lullaby * Bridal Chorus from "Lohengrin" * Calypso Carnival
* Canon in D (Pachelbel) * Chorale * Circus March * Danny Boy *
Dark Eyes * Deep River * Divertimento in D * Down in the Valley *
Etude (Chopin) * Farewell to Thee (Aloha Oe) * Fascination *
Festive Dance * For He's a Jolly Good Fellow * Frankie and Johnnie
* Guantanamera * Hava Nagila * He's Got the Whole World in His
Hands * The Hokey-Pokey * The House of the Rising Sun * Hungarian
Rhapsody No. 2 * Introduction and Dance * La Bamba * La Donna E
Mobile * La Raspa * Light and Blue * Loch Lomond * Lonesome Road *
Love's Greeting * The Magic Piper * The Marriage of Figaro *
Mexican Hat Dance * Morning Has Broken * Musetta's Waltz * Night
Song * Nobody Knows the Trouble I've Seen * Olympic Procession *
Overture from "Raymond" * Plaisir D'Amour * Polyvetsian Dances *
Pomp and Circumstance No. 1 * The Riddle * Rock-a My
An illuminating study of the life and work of Gyoergy Ligeti, one
of the best-loved and most original composers of our time. For 50
years Gyoergy Ligeti has pursued a boldly independent and
uncompromising course, yet his music is widely loved and admired.
Ever since Stanley Kubrick's (unsanctioned) use of his music on the
soundtrack of 2001: A Space Odyssey, interest in Ligeti has
extended far beyond the classical domain. He is the only living
composer whose complete output, including juvenilia, is being
systematically issued on CD. Published to coincide with the
composer's eightieth birthday, Richard Steinitz's compelling new
book is both an illuminating study of the music and its associative
ideas - drawn from literature, theatre, the visual arts, fractal
mathematics, ethnic cultures and other maverick composers - and of
Ligeti the man. Ligeti has confided in Steinitz a mass of
previously unknown biographical information. The result is an
astonishing account of his early upbringing in Romania, of his
terrifying yet surreal experiences in the war, and of his
difficulties attempting to forge an identity as a young composer
under repressive censorship in Communist Hungary, before his
dramatic escape to the West in 1956. The story continues via
Ligeti's association with the Western avant-garde and his
increasingly masterful sequence of highly individual compositions,
which Steinitz brings vividly to life through informative
commentaries as well as through the composer's own words.
A new, updated edition of Christopher Sandford's classic biography
of the band, The Rolling Stones is a gripping account of the band's
remarkable 60 years at the top of the rock industry. In 1962 Mick
Jagger was a bright, well-scrubbed boy (planning a career in the
civil service), while Keith Richards was learning how to smoke and
to swivel a six-shooter. Add the mercurial Brian Jones (who'd been
effectively run out of Cheltenham for theft, multiple impregnations
and playing blues guitar), the wryly opinionated Bill Wyman and
drummer Charlie Watts, and the potential was obvious. During the
1960s and 70s the Rolling Stones were the polarising figures in
Britain, admired in some quarters for their flamboyance, creativity
and salacious lifestyles, and reviled elsewhere for the same
reasons. Confidently expected never to reach 30, the band is now
celebrating 60 years together with a European tour, Sixty, to mark
the occasion. Of the original line-up, only Jagger and Richards
remain, along with 'new boy' Ronnie Wood, who joined the band in
1975. In The Rolling Stones, Christopher Sandford tells the human
drama at the centre of the Rolling Stones story. Sandford has
carried out interviews with those close to the Stones, family
members (including Mick's parents), the group's fans and
contemporaries - even examined their previously unreleased FBI
files. Like no other book before The Rolling Stones makes sense of
the rich brew of clever invention and opportunism, of talent, good
fortune, insecurity, self-destructiveness, and of drugs, sex and
other excess, that made the Stones who they are.
Owning the Masters provides the first in-depth history of sound
recording copyright. It is this form of intellectual property that
underpins the workings of the recording industry. Rather than being
focused on the manufacture of goods, this industry is centred on
the creation, exploitation and protection of rights. The
development and control of these rights has not been
straightforward. This book explores the lobbying activities of
record companies: the principal creators, owners and defenders of
sound recording copyright. It addresses the counter-activity of
recording artists, in particular those who have fought against the
legislative and contractual practices of record companies to claim
these master rights for themselves. In addition, this book looks at
the activities of the listening public, large numbers of whom have
been labelled 'pirates' for trespassing on these rights. The public
has played its own part in shaping copyright legislation. This is
an essential subject for an understanding of the economic, artistic
and political value of recorded sound.
The romantic musical comedy-drama film La La Land is the winner of
six Oscars, seven Golden Globes and five BAFTAs. This
artist-approved selection of 10 songs from the Oscar-winning music
by Justin Hurwitz, Benj Pasek and Justin Paul has been expertly
arranged for intermediate solo piano, including the Oscar winning
City of Stars.
This beautifully presented coffee table book includes a 50,000 word
narrative by Mike Scott telling the full story of the Waterboys
seven-piece band and the making of their album Room To Roam.
Covering an 18-month period between Spring 1989 to Summer 1990, The
Magnificent Seven includes a vast collection of previously unseen
photos of the band on the road, recording at Spiddal House in the
West of Ireland, as well as maps, lyrics, manuscripts, and other
archival memorabilia.
Punk rock and hip-hop. Disco and salsa. The loft jazz scene and the
downtown composers known as Minimalists. In the mid-1970s, New York
City was a laboratory where all the major styles of modern music
were reinvented--block by block, by musicians who knew, admired,
and borrowed from one another. Crime was everywhere, the government
was broke, and the infrastructure was collapsing. But rent was
cheap, and the possibilities for musical exploration were
limitless."Love Goes to Buildings on Fire "is the first book to
tell the full story of the era's music scenes and the phenomenal
and surprising ways they intersected. From New Year's Day 1973 to
New Year's Eve 1977, the book moves panoramically from post-Dylan
Greenwich Village, to the arson-scarred South Bronx barrios where
salsa and hip-hop were created, to the lower Manhattan lofts where
jazz and classical music were reimagined, to ramshackle clubs like
CBGB and the Gallery, where rock and dance music were hot-wired for
a new generation.
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