Swimming with the Blowfish is the definitive account of the rise, fall and rebirth of the band that offered an irresistible alternative to the grunge music of the early '90s. Hootie & the Blowfish were formed in 1989 at the University of South Carolina. The quartet was distinguished by the soulful voice of Darius Rucker and powered by the author of this evocative autobiography, drummer and leading songwriter Jim 'Soni' Sonefeld. Their debut album, Cracked Rear View, became one of the best-selling in the history of rock music and the band went on to win two Grammy Awards, whilst playing some of the biggest venues in the world. Success saw them traveling the globe, but it came at a price. Swimming with the Blowfish, although primarily 'Soni' Sonefeld's personal story of despair and redemption, also shines a revealing light on this much-loved band's incredible tale.

The most widely used piano technique book ever written, The Virtuoso Pianist was designed to develop agility and strength in all the fingers as well as flexibility of the wrists. Exercises are sequenced so that in each successive exercise, the fingers are rested from the fatigue caused by the previous one. Translated from the original French, this Masterwork edition includes the complete Exercises 1-60 and is clearly engraved for easy reading. Hanon's original introduction is included. He recommends that a student have at least one year of experience before starting this book.
A General MIDI disk is available separately (Item #5715). The disk contains varied styles of accompaniments including pop, classical and jazz for Exercises 1-20.

The original edition of Beyond and Before extends an understanding of “progressive rock” by providing a fuller definition of what progressive rock is, was and can be. Called by Record Collector “the most accomplished critical overview yet” of progressive rock and one of their 2011 books of the year, Beyond and Before moves away from the limited consensus that prog rock is exclusively English in origin and that it was destroyed by the advent of punk in 1976. Instead, by tracing its multiple origins and complex transitions, it argues for the integration of jazz and folk into progressive rock and the extension of prog in Kate Bush, Radiohead, Porcupine Tree and many more. This 10-year anniversary revised edition continues to further unpack definitions of progressive rock and includes a brand new chapter focusing on post-conceptual trends in the 2010s through to the contemporary moment. The new edition discusses the complex creativity of progressive metal and folk in greater depth, as well as new fusions of genre that move across global cultures and that rework the extended form and mission of progressive rock, including in recent pop concept albums. All chapters are revised to keep the process of rethinking progressive rock alive and vibrant as a hybrid, open form.