The music business is a multifaceted, transnational industry that operates within complex and rapidly changing political, economic, cultural and technological contexts. The mode and manner of how music is created, obtained, consumed and exploited is evolving rapidly. It is based on relationships that can be both complimentary and at times confrontational, and around roles that interact, overlap and sometimes merge, reflecting the competing and coinciding interests of creative artists and music industry professionals. It falls to music law and legal practice to provide the underpinning framework to enable these complex relationships to flourish, to provide a means to resolve disputes, and to facilitate commerce in a challenging and dynamic business environment. The Present and Future of Music Law presents thirteen case studies written by experts in their fields, examining a range of key topics at the points where music law and the post-digital music industry intersect, offering a timely exploration of the current landscape and insights into the future shape of the interface between music business and music law.

This book is part of Alfred's Harry Potter Instrumental Solos series arranged for Violin, Viola, and Cello. All string instrument arrangements are fully compatible and can be successfully performed as ensembles or solos. Each book includes piano accompaniments, a removable string part, and a fully orchestrated accompaniment MP3 CD, which features each song as a live performance demo track followed by a play-along track. Titles: Double Trouble * Family Portrait * Farewell to Dobby * Fawkes the Phoenix * Fireworks * Harry in Winter * Harry's Wondrous World * Hedwig's Theme * Hogwarts' Hymn * Hogwarts' March * Leaving Hogwarts * Lily's Theme * Obliviate * Statues * A Window to the Past * Wizard Wheezes
Due to level considerations regarding keys and instrument ranges, the string instrument arrangements are not compatible with the wind instrument arrangements in this series. This title is available in SmartMusic.

Pianists of all ages and abilities will enjoy brightening the season with these great arrangements by acclaimed arranger Dan Coates. In this collection, 40 of the world's most beloved Christmas songs are made fun and easy to play, while retaining a full and impressive sound. Titles: Away in a Manger * Believe (from The Polar Express) * Blue Christmas * The Christmas Waltz * Deck the Hall * Fel?z Navidad * The First No?l * Frosty the Snowman * God Rest Ye Merry, Gentlemen * Good King Wenceslas * Grandma Got Run Over by a Reindeer * Happy Xmas (War Is Over) * Hark The Herald Angels Sing * Have Yourself a Merry Little Christmas * I'll Be Home for Christmas * It Came Upon the Midnight Clear * It's the Most Wonderful Time of the Year * Jingle Bell Rock * Jingle Bells * Joy to the World * Let It Snow Let It Snow Let It Snow * The Little Drummer Boy * Nuttin' for Christmas * O Christmas Tree (O Tannenbaum) * O Come, All Ye Faithful * O Come, O Come, Emmanuel * O Holy Night * O Little Town of Bethlehem * Rockin' Around the Christmas Tree * Rudolph, the Red-Nosed Reindeer * Santa Baby * Santa Claus Is Comin' to Town * Silent Night * Sleigh Ride * The Twelve Days of Christmas * Ukranian Bell Carol * Up on the Housetop * We Wish You a Merry Christmas * Winter Wonderland * You're a Mean One, Mr. Grinch.

Shortlisted for the 2021 Prime Minister's Literary Award for Australian History. Representing Australian Aboriginal Music and Dance 1930-1970 offers a rethinking of recent Australian music history. In this open access book, Amanda Harris presents accounts of Aboriginal music and dance by Aboriginal performers on public stages. Harris also historicizes the practices of non-Indigenous art music composers evoking Aboriginal music in their works, placing this in the context of emerging cultural institutions and policy frameworks. Centralizing auditory worlds and audio-visual evidence, Harris shows the direct relationship between the limits on Aboriginal people's mobility and non-Indigenous representations of Aboriginal culture. This book seeks to listen to Aboriginal accounts of disruption and continuation of Aboriginal cultural practices and features contributions from Aboriginal scholars Shannon Foster, Tiriki Onus and Nardi Simpson as personal interpretations of their family and community histories. Contextualizing recent music and dance practices in broader histories of policy, settler colonial structures, and postcolonizing efforts, the book offers a new lens on the development of Australian musical cultures. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 license on bloomsburycollections.com. Open access was funded by Australian Research Council.