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Books > Music
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Trouble Bored
(Hardcover)
Matthew Ryan Lowery; Cover design or artwork by Scott White
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R569
Discovery Miles 5 690
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Ships in 18 - 22 working days
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Dana Gillespie, the award-winning first lady of the Blues has
enjoyed an incredible life and career. Now, she has chronicled her
exploits, and as anyone who knows Dana would expect, it is
intelligent, insightful, outrageous, and funny. Detailing high
points, low points and everything in-between, the book covers,
amongst many other things, liaisons with David Bowie, Bob Dylan,
Keith Moon, and the cream of 1960's rock royalty; Recording with
Jimmy Page and Elton John; Performing as Mary Magdalene in the
original London production of Jesus Christ Superstar, and as the
Acid Queen in Tommy; Acting in films directed by Nicholas Roeg, Ken
Russell and Mai Zetterling; Performing Shakespeare with Sir John
Gielgud and Arthur Lowe; Topping the pop charts across Europe;
Performing to an audience of one million people in India; And... oh
yes... Being British junior waterski champion for 4 years!
Illustrated throughout with stunning images, this glossy biography tells the story of Taylor Swift's life and music.
The definitive biography of a global music icon. Includes coverage of The Tortured Poets Department and The Eras Tour Taylor Swift’s rise to mega stardom is the story of the century. Charming fans straight out the gate as a teen country music sensation, Swift has gone on to dominate the music industry as a pop titan. She is the first woman to have four albums in the Billboard chart’s Top Ten at the same time, is the recipient of fourteen Grammys and forty American Music Awards, and her recent Eras tour broke records to become the highest-grossing tour in history. A treasured celebrity who has triumphed in the face of haters and intrusive tabloid coverage, Taylor Swift uses her personal life as inspiration for her songwriting, delivering hit after hit, and selling out stadiums the world over. Her music continues to engage, evolve and encapsulate the hearts of fans all over the world. Taylor’s story is one of love and poetry.
Regurgitator’s second full-length album, Unit (1997), was
produced in a DIY warehouse studio at a time when this was unusual
for a major label band. The album went three times Platinum in
Australia and won five esteemed ARIA Awards in 1998, including
Album of the Year. The album’s success is indicative of a
particular point in time in popular music trends, when the world
was recovering from the impact of grunge and post-grunge bands.
Regurgitator’s subversive attitude toward pop music, punk
aesthetic, unique lyrical narratives and an ironic view on their
own creative product made their music potent in an alternative
market defying the prevailing music trends. Unit and Regurgitator
were the focus of divisive critical reviews, yet they continue to
rank highly as a quintessentially Australian band. This volume
situates the development of Unit amongst the DIY culture of a
politically charged Brisbane scene, and breaks down the album
through the lens of recording and songwriting processes. This book
outlines the impact of Regurgitator’s music locally and globally,
by discussing what made Unit a success at the peak of the
alternative music genre.
The turn of the millennium has heralded an outgrowth of culture
that demonstrates an awareness of the ephemeral nature of history
and the complexity underpinning the relationship between location
and the past. This has been especially apparent in the shifting
relationship between landscape, memory and sound in film,
television and other media. The result is growing interest in
soundtracks, as part of audiovisual culture, as well as an interest
in the spectral aspects of culture more generally. This collection
of essays focuses on audiovisual forms that foreground landscape,
sound and memory. The scope of inquiry emphasises the ghostly
qualities of a certain body of soundtracks, extending beyond merely
the idea of 'scary films' or 'haunted houses.' Rather, the notion
of sonic haunting is tied to ideas of trauma, anxiety or nostalgia
associated with spatial and temporal dislocation in contemporary
society. Touchstones for the approach are the concepts of
psychogeography and hauntology, pervasive and established critical
strategies that are interrogated and refined in relation to the
reification of the spectral within the soundtracks under
consideration here.
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