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Keith Moon was more than just rock's greatest drummer, he was a phenomenal character and an extravagant hell raiser who - in a final, uncharacteristic act of grace - actually did die before he got old. This new edition includes a newly written After word that consiers Moon's lasting legacy, the death of John Entwistle and The Who's ongoing career in the new millennium. In this astonishing biography, Tony Fletcher questions the myths, avoids the time-honoured anecdotes and talks afresh to those who where closest to Moon including Kim, his wife of eight years, and Linda, his sister and Annette Walter-Lax, his main girlfriend of the final years. Also interviewed are Oliver Reed, Larry Hagman, David Putnam, Alice Cooper, Dave Edmunds, Jeff Beck, John Entwistle and many others who worked and partied with him. In interviewing over 100 people who knew Moon, Fletcher reveals the truth behind the 'famous' stunts that never occured - and the more outrageous ones that did! He also uncovers astonishing details about Moon's outrageous extravagance which was financed by The Who's American success.
The National Book Award-winner Patti Smith updates her treasure box of a childhood memoir about "clear unspeakable joy" and "just the wish to know" with a radiant new afterword, written during the pandemic and reflecting on current times. This expanded paperback edition also includes new photographs by the author. A great book about becoming an artist, Woolgathering tells of a child finding herself as she learns the noble vocation of woolgathering, "a worthy calling that seemed a good job for me." She discovers-often at night, often in nature-the pleasures of rescuing "a fleeting thought." Woolgathering calls up our own memories, as the child "glimpses and gleans, piecing together a crazy quilt of truths." Smith shares the fierce, vital pleasures of stargazing and wandering. Her new Afterword, penned during the quarantine, opens new horizons in "the scarcely charted landscape of memory governed by clouds." Woolgathering celebrates the sacred nature of creation in Smith's singular language, acclaimed as "glorious" (NPR), "spellbinding" (Booklist), "rare and ferocious" (Salon), and "shockingly beautiful" (New York Magazine).
Willard A. Palmer updates this popular volume by turn-of-the-century British educator, Walter Carroll. The easiest keyboard works of J.S. Bach and others are presented primarily as Carroll edited them, with complete fingering, tempo, dynamic, and articulation markings. Improvements over Carroll's edition include wider line spacing and the restoration of Bach's ornaments that were previously omitted.
Ethical musicality addresses the crossroads between music and ethics, combining philosophical knowledge, theoretical reflection, and practical understanding. When tied together, music and ethics link profoundly, offering real-life perspectives that would otherwise be inaccessible to us. The first part elucidates music and ethics through some influential and selected scholars ranging from antiquity via modern philosophy to contemporary voices. In the second part, different roles and arenas are illustrated and explored through various music practices in real-life encounters for the musician, the music educator, the music therapist, the musicologist, the 'lay' musician, and the music researcher. The third part unfolds an ethical musicality focusing on the body, relationship, time, and space. Following these fundamental existentials, ethical musicality expands our lifeworld, including context, involvement, power, responsibility, sustainability, and hope. Such an ethical musicality meets us with a calling to humanity-offering hope of a 'good life'.
The Enjoyment of Music, Essential Listening Edition, weaves together a concise text and rich media resources in a compact and affordable package that gives students all they need for an enriched listening experience. The new Fourth Edition features enhanced pedagogy built around new listening objectives and Listening Challenge online activities, a revised repertory that includes popular teaching pieces and streamlined Listening Guides that make it easier for students to identify the important things to listen for in each selection.
This is the first dedicated study of the musical patronage of Roman baronial families in the sixteenth and early seventeenth centuries. Patronage - the support of a person or institution and their work by a patron - in Renaissance society was the basis of a complex network of familial and political relationships between clients and patrons, whose ideas, values, and norms of behavior were shared with the collective. Bringing to light new archival documentation, this book examines the intricate network of patronage interrelationships in Rome. Unlike other Italian cities where political control was monocentric and exercised by single rulers, sources of patronage in Rome comprised a multiplicity of courts and potential patrons, which included the pope, high prelates, nobles and foreign diplomats. Morucci uses archival records, and the correspondence of the Orsini and Colonna families in particular, to investigate the local activity and circulation of musicians and the cultivation of music within the broader civic network of Roman aristocratic families over the period. The author also shows that the familial union of the Medici and Orsini families established a bidirectional network for artistic exchange outside of the Eternal City, and that the Orsini-Colonna circle represented a musical bridge between Naples, Rome, and Florence.
The Breeze-Easy Series features instrumental methods for individual and group instruction, created by experienced teachers John Kinyon and Valentine Anzalone. It is designed to produce the best musicianship in the greatest number of students in limited teaching situations.
The Flex-Ability series is ideal for solos, duets, trios, quartets,
or any size ensembles, including woodwinds, brass, strings and
percussion. Players of various abilities, levels 1a3, can play
together. An optional play-along CD is available separately. The 11
aclassicala themes come from opera, symphony, piano and lute
compositions, but are arranged in rock, jazz, swing and other
contemporary styles. Here is a fun way to learn about these
classics. Composer biographies and program notes are included.
A collection of individual contest solos, gradually paced in increasing difficulty from elementary to intermediate levels. These solos can be used to augment regular method books, and as supplementary lesson material and contest solos for state and local contests. The 14 titles include: Ratama Cat and Wriskit.
What Else Can I Play? Flute Grade 4 makes learning more fun with carefully selected and arranged supplementary repertoire for today's young player. Each piece offers suggestions and guidelines to breathing, dynamics and tempo together with technical tips, performance notes and a simple piano accompaniment. Each book in the What Else Can I Play? series presents carefully graded pieces with a variety of musical styles ranging from classical and jazz through to showtunes and popular songs. This series will bring enthusiasm to learning your instrument and provide an entertaining alternative for those pupils who are working towards, or have recently completed exams.
The idea of a global history of music may be traced back to the Enlightenment, and today, the question of a conceptual framework for a history of music that pays due attention to global relationships in music is often raised. But how might a historical interpretation of those relationships proceed? How should it position, or justify, itself? What would 'Western music' look like in an account of music history that aspires to be truly global? The studies presented in this volume aim to promote post-European historical thinking. They are based on the idea that a global history of music cannot be one single, hegemonic history. They rather explore the paradigms and terminologies that might describe a history of many different voices. The chapters address historical practices and interpretations of music in different parts of the world, from Japan to Argentina and from Mexico to India. Many of these narratives are about relations between these cultures and the Western tradition; several also consider socio-political and historical circumstances that have affected music in the various regions. The book addresses aspects that Western musical historiography has tended to neglect even when looking at its own culture: performance, dance, nostalgia, topicality, enlightenment, the relationships between traditional, classical, and pop musics, and the regards croises between European, Asian, or Latin American interpretations of each other's musical traditions. These studies have been derived from the Balzan Musicology Project Towards a Global History of Music (2013-2016), which was funded by the International Balzan Foundation through the award of the Balzan Prize in Musicology to the editor, and designed by music historians and ethnomusicologists together. A global history of music may never be written in its entirety, but will rather be realised through interaction, practice, and discussion, in all parts of the world.
Juby Mayet was a force of life. Her autobiography takes us from life as a youngster growing up in Fietas, Johannesburg, through marriage, life as a ‘girl reporter’ for first The Golden City Post, then Drum magazine, and on through apartheid and her resistance to it. Written in her inimitable style, thumbing a nose always at convention or those in authority, it gives a unique insight into one of the only women writers at Drum – and one who could drink just as hard as Can Themba or Nat Nakasa.
Chosen from the four stylistic periods of piano repertoire and presented in their original form, the 100 pieces in this two-volume collection have been favorites of pianists throughout the years. To help in performance, the editors have realized ornaments and added editorial markings such as phrasing, expression marks, and dynamics where appropriate. This first volume contains 50 pieces by composers whose last names begin with the letters A-G. Titles: Tango in D Major, Op. 165, No. 2 (Isaac Alb?niz) * Invention No. 13 in A Minor, BWV 714 * Bear Dance (B?la Bart?k) * Moonlight Sonata in C-sharp Minor, Op 27, No. 2 (Ludwig van Beethoven) * Intermezzo in A Major, Op. 118, No. 2 (Johannes Brahms) * Nocturne in E-flat Major, Op. 9, No. 2 (Fr?d?ric Chopin) * Clair de lune (Claude Debussy) * Juba (R. Nathaniel Dett) * Spanish Dance, Op. 5, No. 5 (Enrique Granados) * Notturno, Op. 54, No. 4 (Edvard Grieg) * Scherzo in D Minor (Cornelius Gurlitt) * and more.
While carols provide the reason for the season, secular Christmas songs celebrate other holiday delights. Melody Bober shares some of her favorite popular Christmas songs in her signature style with lyrical melodies and lush harmonies. The pieces reflect memories of a fresh snowfall, glittering decorations, a visit from Santa, and other nostalgic moments. Titles: Have Yourself a Merry Little Christmas * (There's No Place Like) Home for the Holidays * It Must Have Been the Mistletoe * It's the Most Wonderful Time of the Year * Let It Snow! Let It Snow! Let It Snow! * Sleigh Ride * Winter Wonderland.
The intimate biography of the iconic DJ who was lost too soon. Like a firework against the night sky, the DJ and producer Tim Bergling exploded onto the music scene. A musical visionary who, through his sense for melodies, came to define the era when Swedish and European house music took over the world. But Tim Bergling was also an introverted and fragile young man who was forced to grow up at an inhumanly fast pace. After a series of emergencies resulting in hospital stays, he stopped touring in the summer of 2016. Barely two years later, he took his own life. Tim - The Biography of Avicii is written by the award-winning journalist Mans Mosesson, who was given unique access to Tim's own notes, as well as interviews with Tim's family, friends and colleagues in the music business. The book paints an honest picture of Tim and his search in life, not shying from the difficulties that he struggled with.
Written especially for Flute, Clarinet, Alto Sax, Tenor Sax,
Trumpet, Horn in F, and Trombone, the arrangements are completely
compatible with each other and can be played together or as solos.
Each book contains a carefully edited part that is appropriate for
the player and a fully orchestrated accompaniment CD. The included
CD has both the demonstration tracks featuring a live instrumental
performance, followed by the play-along tracks. All books are Level
2-3.
(Essential Elements for Band). (Essential Elements for Band and Essential Elements Interactive are fully compatible with Essential Elements 2000 ) Essential Elements for Band offers beginning students sound pedagogy and engaging music, all carefully paced to successfully start young players on their musical journey. EE features both familiar songs and specially designed exercises, created and arranged for the classroom in a unison-learning environment, as well as instrument-specific exercises to focus each student on the unique characteristics of their own instrument. EE provides both teachers and students with a wealth of materials to develop total musicianship, even at the beginning stages. Books 1 and 2 also include access to Essential Elements Interactive (EEi), the ultimate online music education resource - anywhere, anytime, and on any device. Go to www.essentialelementsinteractive.com to learn more Method features: * Enhanced Learning System * Optimum Reinforced Learning * Theory, History, Cross-Curriculum & Creativity * Daily Warm-ups & Rubank Studies * 12 Full Band Arrangements * Rhythm Studies Book also includes My EE Library* (www.myeelibrary.com) - Instant Stream/Download/CD-ROM* * Start-up video Learn the basics * Play-along mp3 tracks for all exercises Features a professional player on each individual instrument * Duets and trios Print and play parts with friends * Music listening library Hear great pieces for band * Internet access required for My EE Library (book includes instructions to order free opt. CD-ROM) |
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