Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled 'pirates' for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound.

This easy step-by-step method emphasizes correct playing habits and note reading through interval recognition. Lesson Book 1B begins by reviewing the concepts taught in Lesson Book 1A, then introduces new concepts such as incomplete measures, tempo markings, eighth notes and rests, using the damper pedal, half steps and whole steps. It also introduces the major scale through the concept of tetrachords.

The first scholarly discussion on the band, Pearl Jam and Philosophy examines both the songs (music and lyrics) and the activities (live performances, political commitments) of one of the most celebrated and charismatic rock bands of the last 30 years. The book investigates the philosophical aspects of their music at various levels: existential, spiritual, ethical, political, metaphysical and aesthetic. This philosophical interpretation is also dependent on the application of textual and poetic analysis: the interdisciplinary volume puts philosophical aspects of the band's lyrics in close dialogue with 19th- and 20th-century European and American poetry. Through this widespread philosophical examination, the book further looks into the band's immense popularity and commercial success, their deeply loyal fanbase and genuine sense of community surrounding their music, and the pivotal place the band holds within popular music and contemporary culture.

Midge Ure is one of the most successful musicians of his generation, selling more than 20 million albums over the last five decades. During the 1970s he played in various rock and pop bands around Scotland before moving to London to join ex-Sex Pistol Glen Matlock's Rich Kids, later playing guitar for Thin Lizzy, forming Visage and joining Ultravox. In the 1980s he had phenomenal worldwide success with Ultravox and as a solo artist. He also co-wrote one of the best-selling singles of all time, Band Aid's 'Do They Know It's Christmas'. He co-founded the Band Aid charity and is still involved with it today. This book is a stunning collection of photographs taken by Midge on his travels between 1980 and 1985. Travelling with a Canon A-1 camera, he documented his work in the recording studio, on tour with Ultravox, behind the scenes whilst directing promotional videos (for Ultravox and other artists such as Phil Lynott, Fun Boy Three, Bananarama) and holidays in far-flung places and road trips. This is a fascinating travelogue of a working musician. All photographs have been carefully scanned and retouched from the original negative to show the images in their glorious best, and every element of this book has been produced to the highest specification. Midge is still active today writing and recording music, touring around the world as well as presenting TV and Radio programs.

“Sy bly nog steeds ná 50 jaar in die vermaaklikheidsbedryf ’n nooi soos Min!” – André H. van Dyk

In hierdie pragboek word foto’s en memento’s uit Min Shaw se persoonlike fotoalbums en plakboeke opgeneem. Min se herinneringe aan haar kinderdae, haar transformasie van onderwyseres tot sang- en filmster, en die mense wat haar op haar pad na sukses gehelp het, word in haar eie woorde weergegee. Min deel verder snaakse staaltjies uit haar verlede, skoonheidsgeheime en interessante “Min-feite”. Sy vertel hoe haar geloof haar positief en plat op die aarde hou. Boodskappe aan Min van bekendes soos Corlea Botha, Franz Marx, Lance James en Leon van Nierop word ook ingesluit.

For more than thirty years Francesco Lotoro, an Italian pianist and composer has been on an odyssey to recover music written by the inmates of Adolf Hitler's concentration camps and the gulags of Stalin's Soviet Union. Between 1933, the year of the opening of the Dachau Lager in Germany, to Stalin's death in 1953 when thousands of Soviet prisoners were released, Lotoro pieces together the human stories of survivors whose only salvation was their love of music. Across three decades of relentless investigation, his findings as captured in Lost Music of the Holocaust are extraordinary and historically important. Lotoro unearthed over eight thousand unpublished works of music, ten thousand documents (microfilms, diaries, notebooks, and recordings on phonographic recordings), as well as locating and interviewing many survivors who in a previous life had been trained musicians and composers. Be it a symphony, an opera, a simple folk song or even a gypsy melody, Lotor has travelled the globe to track them down. Many pieces were hastily scribbled down ow whatever the composer could find: food wrappings, a vegetable sack and even a train ticket stub. To avoid discover by camp guards, Lotoro even discovered forgotten pieces of code inmates had invented to hide their real meaning - music. In many cases, the composers would be murdered in the gas chambers or worked to death, not knowing whether their music would be heard by the world. Until now. Their stories and their music adds colour and humanity to the horrors of the Holocaust and of Stalin's oppressive rule. It is a journey into music and history that reveals a new way of telling the darkest chapters of the twentieth century whilst shining a light on the beauty that could still be created amidst the horrors endured.

Traces the life and career of the great Czech composer, examines the influence of Bohemian music on Dvorak's works, and assesses his contributions to modern music.