This is the statistical story of almost twenty years in the late twentieth century of solid gig-going; a life spent listening and interacting to live music, the story made human by anecdotes arising from the gigs. This epoch includes the most thrilling of musical times, the post-punk era of 1978 to mid 1980s - a period of energy, adventure, originality and innovation, coupled with a growing political/social awareness. The protagonist, however, did so much more besides during these near twenty years, and brief snippets of other events in his life are inserted accordingly. 2011 finds him still happily pursuing this path through life!

Isaac Odeniran is a Businessman, Author and Gospel Recording Artist. He is the founder and Director of Abundant Life Housing Association, Abundant Life Housing and Property Services Limited, Zoe Gospel Promotions Limited and Abundant Life Recording and Entertainment Company Limited (Zoe Records).

Pianists of all ages and abilities will enjoy brightening the season with these great arrangements by acclaimed arranger Dan Coates. In this collection, 40 of the world's most beloved Christmas songs are made fun and easy to play, while retaining a full and impressive sound. Titles: Away in a Manger * Believe (from The Polar Express) * Blue Christmas * The Christmas Waltz * Deck the Hall * Fel?z Navidad * The First No?l * Frosty the Snowman * God Rest Ye Merry, Gentlemen * Good King Wenceslas * Grandma Got Run Over by a Reindeer * Happy Xmas (War Is Over) * Hark The Herald Angels Sing * Have Yourself a Merry Little Christmas * I'll Be Home for Christmas * It Came Upon the Midnight Clear * It's the Most Wonderful Time of the Year * Jingle Bell Rock * Jingle Bells * Joy to the World * Let It Snow Let It Snow Let It Snow * The Little Drummer Boy * Nuttin' for Christmas * O Christmas Tree (O Tannenbaum) * O Come, All Ye Faithful * O Come, O Come, Emmanuel * O Holy Night * O Little Town of Bethlehem * Rockin' Around the Christmas Tree * Rudolph, the Red-Nosed Reindeer * Santa Baby * Santa Claus Is Comin' to Town * Silent Night * Sleigh Ride * The Twelve Days of Christmas * Ukranian Bell Carol * Up on the Housetop * We Wish You a Merry Christmas * Winter Wonderland * You're a Mean One, Mr. Grinch.

What is the difference between an echo and a reverberation? How do you calculate the best note to whistle in a toilet?Where do you best place microphones for that perfect recording? In this fascinating little book, musician Steve Marshall explores the subject of acoustics. From decibels to dolphins, stereo to surround, this book will appeal to singers, musicians, architects, biologists, and anyone who ever wanted to know more about the wonderful world of sound.

Having spent many years teaching and inspiring others, Rachel M Davis has fulfilled one of her ambitions as a professional musician, with the worldwide release of her first CD of moving and original solo piano music called 'Dreamcatcher'. Recorded on a Steinway piano under studio conditions Rachel has produced an incredibly beautiful sound. Working with a team of recording specialists, the production is truly world class and has been described as 'The type of music that makes you wish you kept up those piano lessons...' The CD and the book of sheet music will be of enormous interest to a broad section of classical and popular music lovers with a style reminiscent of Enya (Orinoco Flo) Andrew Lloyd-Webber (Phantom of the Opera), Einaudi, and John Barry(Dances with Wolves). You can listen to samples of all 10 tracks at www.rachelmdavis.co.uk where you can also find links to buy the CD and sheet music or download the tracks from digital music sites like iTunes or Amazon.

Recognized for over 50 years as the best-paced and most comprehensive guitar method available, Alfred's Basic Guitar Method has introduced over 3 million beginners to the joy of playing guitar. This updated and expanded edition features a new layout, making it easier to read and quicker to learn. Now included are blues, country, folk, jazz, and rock music styles, plus more pop songs! New DVDs with iPod-compatible video have been added for the visual learner, and correlating theory, chord, and pop books ensure that youall get everything you need from one complete method. Learning to play has never been easier or more fun than with Alfredas Basic Guitar Methodathe first and best choice for todayas beginning guitar students.
Book 1 covers how to hold your guitar, tuning your guitar, basics of reading music, notes on all six strings, chords, scales and songs, bass-chord accompaniments, duets, photos and diagrams, and use with acoustic or electric guitars. Songs include * Singina in the Rain * Take Me Home Country Roads * Over the Rainbow * Annieas Song * When the Saints Go Marching In.

In The Music Goes Round and Around Basil Tschaikov (known to his friends and colleagues as Nick) chronicles from many different perspective how during his lifetime the many technological developments and changes in society have affected the music profession, music industry, music loving audiences and music itself. During his unusually wide-ranging career of more than 60 years as a performer, teacher, administrator and for many years a negotiator on behalf of musicians in most branches of the profession, he describes these changes as seen from the inside by a musician who has recorder his observations in the way that a location photographer would aim to capture the diverse elements of life around him or her.

Why is it that well-prepared, talented, hardworking, and intelligent performers find their performance and self-esteem undermined by the fear of memory slips, technique failures, and public humiliation? In Managing Stage Fright: A Guide for Musicians and Music Teachers, author Julie Jaffee Nagel unravels these mysteries, taking the reader on an intensive backstage tour of the anxious performer's emotions to explain why stage fright happens and what performers can do to increase their comfort in the glare of the spotlight. Examining the topic from her interdisciplinary educational, theoretical, clinical, and personal perspectives, Nagel uses the music teacher/student relationship as a model for understanding the performance anxiety that affects musicians and non-musicians alike. Shedding new light on how the performer's emotional life is connected to every other facet of their life, Managing Stage Fright encourages a deeper understanding of anxiety when performing. The guide offers strategies for achieving performance confidence, emphasizing the relevance of mental health in teaching and performing. Through the practices of self-awareness outlined in the book, Nagel demonstrates that it is possible and desirable for teachers to assist students in developing the coping skills and attitudes that will allow them to not feel overwhelmed and powerless when they experience strong anxiety. Each chapter contains insights that help teachers recognize the symptoms-obvious, subtle, and puzzling-of the emotional grip of stage fright, while offering practical guidelines that empower teachers to empower their students. The psychological concepts offered, when added to pedagogical techniques, are invaluable in music performance and in a variety of life situations since, after all, music lessons are life lessons.

The Musical Experience proposes a new concept - musical experience - as the most effective framework for navigating the shifting terrain of educational policy as it is applied to music education. Other books that deal with music education reform often concentrate on non-musical topics at the expense of music listening, performance, and composition, or concentrate on only one of these at the expense of the others. This book, however, works with musical experience as a comprehensive framework for all aspects of music education. The editors and their contributors define musical experience as being characterized by the depth of affective and emotional responses that music engenders, and illustrate that its breadth is embodied in the infinite variety of meanings - both personal and communal - that music evokes. The essays map out the primary forms of musical engagement (performing, listening, improvising, composing, etc.) as activities which play a key role in classroom teaching. The chapters also address the cultural dimensions of musical experience, which call for consideration of time, place, beliefs, and values placed upon musical activities, works, and genres. The book discusses how music teachers can most effectively rely on means of musical communication to lead students toward the development and refinement of musical skills, understandings, and expression in educational settings. As a whole, the book expands upon the dimensions of musical experience and provides, from the forefront of the field, an integrated yet panoramic view of the educational processes involved in music teaching and learning.

360 chords, organised as a chord per page, this is a flexible, comprehensive solution for anyone learning or playing the guitar at any level. This no-nonsense, easy to carry, wiro book will fit into a gig bag, flight case or hand bag with the minimum of fuss. Revised and updated version, replaces ISBN-13 9781844513925

"So, I've written a book.

Having entertained the idea for years, and even offered a few questionable opportunities (‘It’s a piece of cake! Just do four hours of interviews, find someone else to write it, put your face on the cover, and voila!’), I have decided to write these stories just as I have always done, in my own hand. The joy that I have felt from chronicling these tales is not unlike listening back to a song that I’ve recorded and can’t wait to share with the world, or reading a primitive journal entry from a stained notebook, or even hearing my voice bounce between the Kiss posters on my wall as a child. This certainly doesn’t mean that I’m quitting my day job, but it does give me a place to shed a little light on what it’s like to be a kid from Springfield, Virginia, walking through life while living out the crazy dreams I had as young musician.

From hitting the road with Scream at 18 years old, to my time in Nirvana and the Foo Fighters, jamming with Iggy Pop or playing at the Academy Awards or dancing with AC/DC and the Preservation Hall Jazz Band, drumming for Tom Petty or meeting Sir Paul McCartney at Royal Albert Hall, bedtime stories with Joan Jett or a chance meeting with Little Richard, to flying halfway around the world for one epic night with my daughters… the list goes on.

I look forward to focusing the lens through which I see these memories a little sharper for you with much excitement." - Dave Grohl

Bob Marley is the unchallenged king of reggae and one of music's great iconic figures. Rita Marley was not just his wife and the mother of four of his children but his backing singer and friend, life-long companion and soul mate. They met in Trenchtown when he was 19 and she was 18, and she was very much part of his musical career, selling his early recordings from their house in the days before Island Records signed up the Wailers. She shared the hard times and the dangers - when Bob was wounded in a gunfight before the Peace Concert, Rita was shot in the head and left for dead. Their marriage was not always easy but Rita was the woman Bob returned to no matter where music and other women might take him, the woman who held him when he died at the age of 35. Today she sees herself as the guardian of his legacy. Full of new insights, No Woman No Cry is a unique biography of Marley by someone who understands what it meant to grow up in poverty in Jamaica, to battle racism and prejudice. It is also a moving and inspiring story of a marriage that survived both poverty and then the strains of global celebrity.

Musicians in the 16th century had a vastly different understanding of the structure and performance of music than today's performers. In order to transform inexpressively notated music into passionate declamation, Renaissance singers treated scores freely, and it was expected that each would personalize the music through various modifications, which included ornamentation. Their role was one of musical re-creation rather than of simple interpretation-the score represented a blueprint, not a master plan, upon which they as performer built the music. As is now commonly recognized, this flexible approach to scores changed over the centuries; the notation on the page itself became an ostensible musical Urtext and performers began following it much more closely, their sole purpose being to reproduce what was thought to be the composer's intentions. Yet in recent years, scholars and performers are once again freeing themselves from the written page-but the tools for doing so have long been out of reach. With Passionate Voice gives these tools to modern singers of Renaissance music, enabling them to learn and master the art of "re-creative singing." Providing a much-needed historically-informed perspective, author Robert Toft discusses the music of composers ranging from Marchetto Cara to John Dowland in the context of late Renaissance rhetoric, modal theory (and its antecedents in language), and performance traditions. Focusing on period practice in England and Italy, the two countries which produced the music of greatest interest to today's performers, Toft reconstructs the style of sung delivery through contemporary treatises on music, rhetoric and oratory. Toft remains faithful to the ways these principles were explained in the period, and thus breathes new life into this vital art form. With Passionate Voice is sure to be essential for vocalists, teachers and coaches of early music repertoire.