Encore Violin is the official collection of best-loved ABRSM violin exam pieces, selected from syllabuses of the past few decades. Violinists will find an appealing mix of repertoire, while teachers can be confident that the perfect balance of content has been selected at every level. Book 2 features 18 popular pieces at Grades 3 and 4. Have fun exploring modern favourites and timeless classics, like Grieg's In the Hall of the Mountain King or Purcell's Rondeau from Abdelazar. Footnotes provide background information, a summary of the key skills that each piece develops, and new ideas for exploring the music. Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams

A new edition of the hugely successful musical by Steven Levenson, Benj Pasek and Justin Paul, published alongside its West End premiere and featuring exclusive content. A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he's always wanted: a chance to belong. Both deeply personal and profoundly contemporary, Dear Evan Hansen is a groundbreaking musical about truth, fiction, and the price we're willing to pay for the possibility to connect. The production opened in Washington DC in 2015, off-Broadway in 2016, and on Broadway later that year, before winning six Tony Awards including Best Musical, Best Book and Best Score, and the Grammy Award for Best Musical Theater Album. This official West End edition is published alongside the production's transfer to London's Noel Coward Theatre in 2019. It features the complete book and lyrics of the show, plus exclusive bonus content and colour photographs of the West End production. 'Dear Evan Hansen lodges in your head long after you've seen it or heard it or read it. It feels like a pure expression from young writers at a crossroad of coming to terms with who they are and what they want to say about the world' James Lapine, from his Foreword

Dear Future Historians: Lyrics and exegesis of Rou Reynolds for the music of Enter Shikari 2006-2019 charts the lyrical creativity of the hardcore rock-metal band, through their five hugely successful albums. Bringing together the popular 2017 limited hardback edition Dear Future Historians and 2018 limited paperback The Spark, this updated and expanded edition is essential for any Enter Shikari fan. Enter Shikari have created a wealth of heavily politicised music over the course of fifteen years and five albums. They have become one of the most influential British rock bands of their generation through their belief that their music can inspire change. This book features front-man Rou Reynolds' own song interpretations and social commentary alongside all of their lyrics to date, and is printed in full colour throughout, with album artwork, posters and exclusive photos.

An invaluable resource for students, Improve your scales! Violin Grade 3 covers all the keys and ranges required for the Associated Board syllabus, helping you pick up valuable extra marks in exams. Paul Harris's brilliant series of workbooks contains not only the complete scales and arpeggios for the ABRSM Grade 3 but also uses finger fitness exercises, scale and arpeggio studies, key pieces and simple improvisations to help you play scales and arpeggios with real confidence.

This 4th edition is the ultimate collection of 600 pop/rock hits in one amazing book! Includes: Adia * Against All Odds (Take a Look at Me Now) * Ain't No Mountain High Enough * All Shook Up * Amazed * Angel * Another One Bites the Dust * At the Hop * Breathe * California Girls * Can You Feel the Love Tonight * Can't Help Falling in Love * Come Sail Away * December 1963 (Oh What a Night) * Don't Cry Out Loud * Don't Know Much * Dust in the Wind * Earth Angel * Every Breath You Take * Fast Car * Great Balls of Fire * A Groovy Kind of Love * Hero * Hey Jude * How Sweet It Is (To Be Loved by You) * Imagine * Iris * Layla * The Loco-Motion * Love Will Keep Us Together * Maggie May * Me and Bobby McGee * Memory * Mission: Impossible Theme * My Heart Will Go On * Oh, Pretty Woman * On Broadway * The Power of Love * Raindrops Keep Fallin' on My Head * The River of Dreams * Save the Best for Last * Sea of Love * The Shoop Shoop Song (It's in His Kiss) * Something * Spinning Wheel * Stand by Me * Stayin' Alive * Surfin' U.S.A. * Tears in Heaven * True Colors * The Twist * The Way We Were * We've Only Just Begun * What a Wonderful World * What's Going On * When I Fall in Love * Wild Thing * Wooly Bully * Yesterday * You've Got a Friend * You've Lost That Lovin' Feelin' * and many hundreds more!

(Music Sales America). This pack is made up of books 1 and 2, plus selections from the performance book. Since it first appeared in the 1930s, the concise, clear content of the best-selling A Tune a Day series has revolutionized music making in the classroom and the home. Now, for the first time, C. Paul Herfurth's original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The A New Tune a Day books have the same logical, gentle pace and keen attention to detail, but with a host of innovations: the inclusion of an audio CD, with actual performances and backing tracks, will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. This book contains: Advice on equipment; Instructions for an effective embouchure and a comfortable posture; Explanatory section on reading music; Easy-to-follow lessons on clear, uncluttered pages; Audio CDs with virtuoso performance, backing tracks, and audio examples; Great music including duets, rounds, and ensemble pieces; Tests to check progress and comprehension; Useful pull-out chart giving all fingerings; A selection of repertoire at the back; and more!

The most comprehensive single-volume blues publication ever, with songs spanning the entire history of the genre. Every major blues artist is well-represented, including Howlin' Wolf, Robert Johnson, B.B. King, Billie Holiday, Leadbelly, Alberta Hunter, Willie Dixon, Muddy Waters, Stevie Ray Vaughan, Eric Clapton, Jimmy Witherspoon, Bessie Smith, Sonny Boy Williamson, and scores of others. Features very easy-to-read engravings of 400 fantastic songs, including: All Your Love (I Miss Loving) * Angel Eyes * Baby Please Don't Go * Basin Street Blues * Beale Street Blues * Bell Bottom Blues * Black Coffee * Crossroads * Do You Know What It Means to Miss New Orleans * Everyday (I Have the Blues) * Fine and Mellow * Folsom Prison Blues * A Good Man Is Hard to Find * Hellhound on My Trail * (I) Can't Afford to Do It * I Gotta Right to Sing the Blues * Ice Cream Man * Lady Sings the Blues * Lover Man (Oh, Where Can You Be?) * Lucille * Mean Woman Blues * My First Wife Left Me * Nine Below Zero * Oh! Darling * Road Runner * Royal Garden Blues * St. Louis Blues * Steamroller Blues * Stormy Weather * Sweet Home Chicago * Tain't Nobody's Biz-ness If I Do * The Thrill Is Gone * Worried Man Blues * hundreds more!

Venetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a 'double life' as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his famous, and famously controversial, overhaul of the practices of comic theatre, could not but push the limits of the standing tradition to open a new chapter in opera history. Goldoni became one of the first to give shape to the dramma giocoso per musica, an innovative, realistic, and enduring new genre with intimate connections to prose comedy that met with overwhelming international success, becoming the foundation for the works of future generations, including W. A. Mozart and his Italian librettist Lorenzo da Ponte. Perhaps because of his stature and influence as a comic playwright, Goldoni has rarely been considered as an innovator in the musical sphere. This study aims to shed new light on his primary role in the evolution of Classical opera, and on the legacy of his innovations in the European musical tradition.

An outrageously fun musical set in an all-girls school in the 60s, from the team behind Bad Girls: The Musical. It's 1963 and the Dame Dorothea Dosserdale School for Girls has a proud tradition of fostering free spirits from all walks of life. So it's a crushing blow when the new headmistress turns out to be a tyrant with strict Victorian values - and top of her hit list are the two sixth-formers accused of 'Unnatural Behaviour' in the Art Room... Brimming with catchy tunes and witty lyrics, Crush is a hilarious pastiche of Girls' School stories - a blend of Malory Towers and St Trinian's - with added hockey sticks and 'lashings of jolly good fun' Coventry Telegraph. Crush was first performed on tour in the UK in 2015.

A complete collection of all three Acoustic Guitar Method books in one volume!

Learn how to play guitar with the only beginning method based on traditional American music that teaches you authentic techniques and songs. Beginning with a few basic chords and strums, you'll start right in learning real music drawn from blues, folk, country and bluegrass traditions. You'll learn how to find notes on the fingerboard, expand your collection of chords by learning songs in various keys, and learn different kinds of picking patterns.

When you're done with this method series, you'll know dozens of the tunes that form the backbone of American music, using a variety of flatpicking and fingerpicking techniques.

Songs include:

• Bury Me Beneath the Willow
• Delia
• Frankie and Johnny
• The Girl I Left Behind Me
• House of the Rising Sun
• Ida Red
• In the Pines
• Little Sadie
• Man of Constant Sorrow
• Sally Goodin
• Scarborough Fair
• Will the Circle Be Unbroken?
  and many more.

All audio tracks are available for download as instructed in the book!

This study of Bob Dylan's art employs a performance studies lens, exploring the distinctive ways he brings words and music to life on recordings, onstage, and onscreen. Chapters focus on the relationship of Dylan's recorded performances to the historical bardic role, to the American popular song tradition, and to rock music culture. His uses of both stage and studio to shape his performances are explored, as are his forays into cinema. Special consideration is given to his vocal performances and to his use of particular personae as a performer. The full scope of Dylan's body of work to date is situated in terms of the influences that have shaped his performances and the ways these performances have shaped contemporary popular music.

Purcell's Dido and Aeneas stands as the greatest operatic achievement of seventeenth-century England, and yet, despite its global renown, it remains cloaked in mystery. The date and place of its first performance cannot be fixed with precision, and the absolute accuracy of the surviving scores, which date from almost 100 years after the work was written, cannot be assumed. In this thirtieth-anniversary new edition of her book, Ellen Harris closely examines the many theories that have been proposed for the opera's origin and chronology, considering the opera both as political allegory and as a positive exemplar for young women. Her study explores the work's historical position in the Restoration theater, revealing its roots in seventeenth-century English theatrical and musical traditions, and carefully evaluates the surviving sources for the various readings they offer-of line designations in the text (who sings what), the vocal ranges of the soloists, the use of dance and chorus, and overall layout. It goes on to provide substantive analysis of Purcell's musical declamation and use of ground bass. In tracing the performance history of Dido and Aeneas, Harris presents an in-depth examination of the adaptations made by the Academy of Ancient Music at the end of the eighteenth century based on the surviving manuscripts. She then follows the growing interest in the creation of an "authentic" version in the nineteenth and early twentieth centuries through published editions and performance reviews, and considers the opera as an important factor in the so-called English Musical Renaissance. To a significant degree, the continuing fascination with Purcell's Dido and Aeneas rests on its apparent mutability, and Harris shows this has been inherent in the opera effectively from its origin.

24 tunes selected from the recording Renaissance Muse for non-pedal and pedal harp. Complete with introduction and historical notes.