Twenty-five beautiful songs from the World Church with an emphasis on Africa. Contents: GloriaSanto, santo santoSenhor tempiedade de nosHe came downStand firmHalle, halle, halleMay God draw nearThe Lord is my lightKyrie eleisonJesus Christ our living LordJesus saranamLet the world in concert singSara shristeImelaWa wa wa emimimoBlessed be GodAmen, Alleluia!Amen siakudumisaNdingen' endumisweniMayenziweMany and greatAgios o TheosKyrie eleisonYour kingdom comeJesu tawa pano

(Shawnee Press). Fanny J. Crosby (1820-1915) was one of the most prolific gospel writers of the 19th century, penning over 8,000 hymn texts. This collection features her most beloved and enduring hymns of faith, artfully arranged by Cindy Berry. From the gentle moments in Jesus Is Tenderly Calling to the stirring 4/4 treatment of To God Be the Glory, these stylish settings are essential for any church pianist's library Titles: All the Way My Savior Leads Me * Blessed Assurance (with "Praise Him Praise Him ") * I Am Thine, O Lord * Jesus Is Tenderly Calling * Near the Cross * Redeemed * Rescue the Perishing * Tell Me the Story of Jesus * To God Be the Glory.

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Music is central to any film, creating a tone for the movie that is just as vital as the visual and narrative components. In recent years, racial and gender diversity in film has exploded, and the making of musical scores has changed drastically.
"Hearing Film" offers the first critical examination of music in the films of the 1980s and 1990s and looks at the burgeoning role of compiled scores in the shaping of a film . In the first section, "A Woman Scored," Kassabian analyzes desire and agency in the music of such films as "Dangerous" "Liaisons, Desert Hearts, Bagdad Cafe, Dirty Dancing" and "Thelma and Louise." In "At the Twilight's Last Scoring," she looks at gender, race, sexuality and assimilation in the music of "The Hunt for Red October, Lethal Weapon 2" and "Indiana Jones and the Temple of Doom." And finally, in "Opening Scores," she considers how films such as "Dangerous Minds, The Substitute, Mississippi Masala" and "Corrina, Corrina" bring together several different entry points of identification through their scores.
Kassabian ensures that modern film criticism has a new chapter written through this book. Her important and long-overdue analysis is not to be ignored. Also includes 11 musical examples.

Merry Christmas Carols contains twenty of the best loved carols and Christmas songs, complete with all the lyrics For every piece words are printed under the tune, with the piano solo printed on the opposite page (without the lyrics).
The stylish - yet simple - piano arrangements will enable players of even modest ability to shine in performance; and they will be found equally effective as accompaniments to carol singing. Merry Christmas Carols will, in fact, give pianist the opportunity of making a real contribution to the enjoyment of the festive season.
Titles: Away In A Manger * Deck The Halls * Ding Dong Merrily On High * God Rest You Merry, Gentlemen * Good King Wenceslas * Hark The Herald Angels Sing * I Saw Three Ships * In Dulci Jubilo * Jingle Bells * O Come, All Ye Faithful * O Little Town Of Bethlehem * Once In Royal David's City * Rocking * See, Amid The Winter's Snow * Silent Night * The First Noel * The Holly And The Ivy * We Three Kings Of Orient Are * We Wish You A Merry Christmas * While Shepherds Watched.

Loaded with full-color photos from the many incredible scenes in the movies and printed on high quality antique paper stock, this new Dan Coates easy piano songbook is a must-have for any fan. Contains twelve major themes from the blockbuster trilogy. From The Fellowship of the Ring: The Prophecy * In Dreams * Concerning Hobbits * Many Meetings * The Black Rider. From The Two Towers: Gollum's Song * Rohan * Evenstar * Forth Eorlingas. From The Return of the King: Into the West * The Steward of Gondor * Minas Tirith.

The classic three volumes of Hebridean Folksongs, reissued simultaneously for the first time since their original publication (1969, 1977, 1981), contain 135 songs connected with the waulking of homespun tweed cloth in the Hebridean isles. Volume 1 is based on waulking songs collected by Donald MacCormick in South Uist in 1893. Volumes 2 and 3 are based on John Lorne Campbell's recordings of songs made between 1938 and 1965 in Barra, South Uist, Eriskay and Benbecula. The translations for all the songs in Volumes 2 and 3 and many of those in Volume 1 are by John Lorne Campbell, who also wrote detailed notes discussing the songs. Multiple versions of the same song are compared with each other and with versions drawn from unpublished manuscript sources. Francis Collinson's meticulous musical transcriptions of the songs, and musicological analyses, are invaluable. The songs are from the repertoires of some well-known singers of their generation, including Miss Annie Johnson, her brother Calum and Miss Mary Morrison, all of Barra, Mrs Neil Campbell of South Uist, and Miss Nan MacKinnon of Vatersay.

This much-loved book is a collection of over one hundred songs, some well known, some less known, collected over the years by experienced Waldorf teacher Brien Masters. They are graded for different ages from Class 3 (age 8) to Class 8 (age 14) and grouped into festivals and seasons. They include rounds and four-part songs, and musical notation for recorders and other instruments. This is a wonderful resource for Steiner-Waldorf class teachers, and any teacher or parent looking to introduce music to their classroom or home.

Choral Treatises and Singing Societies in the Romantic Age charts the interrelated beginning and development of choral methods and community choruses beginning in the early nineteenth century. Using more than one-hundred musical examples, illustrations, tables, and photographs to document this phenomenon, author David Friddle writes persuasively about this unusual tandem expansion. Beginning in 1781, with the establishment of the first secular singing group in Germany, Friddle shows how as more and more choral ensembles were founded throughout Germany, then Europe, Scandinavia, and North America, the need for singing treatises quickly became apparent. Music pedagogues Hans Georg Nageli, Michael Traugott Pfeiffer, and Johann Heinrich Pestalozzi invented the genre that became modern choral methods; initially these books were combinations of music fundamental primers, with frequent inclusion of choral works intended for performance. Eventually authors branched out into choral conducting textbooks, detailed instructions on how to found such a community-based organization, and eventually classroom music instruction. The author argues that one of the greatest legacies of this movement was the introduction of vocal music education into public schools, which led to greater musical literacy as well as the proliferation of volunteer choirs. All modern choral professionals can find the roots their career during this century.

A group of resourceful kids start "solution-seekers.com," a website where "cybervisitors" can get answers to questions that trouble them. But when one questioner asks the true meaning of Christmas, the kids seek to unravel the mystery by journeying back through the prophecies of the Old Testament. What they find is a series of "S" words that reveal a "spectacular story!" With creative characters, humorous dialogue and great music, The "S" Files is a children's Christmas musical your kids will love performing.

for women's chorus and piano. This cantata features sixteen highly-varied folk song settings, bound together in seasonal groupings to take the listener on an engaging journey through the year from Spring to Winter. The prologue implores us to 'sing and be merry', and many of the songs facilitate this with their charmingly light-hearted melodies and imaginative orchestral accompaniment. There are also darker moments, such as the haunting and heart-rending setting of 'The Unquiet Grave' in 'Autumn'. For this comprehensive new edition, the editor Graham Parlett has drawn on all available sources, providing an authoritative full score with critical commentary. This edition also makes available new materials for the version for string orchestra and piano, and a new vocal score.

The beginning bass singer, with his range and tessitura at the bottom end of the scale of voices, has unique difficulties finding suitable vocal music, which is often very frustrating for him and his teacher. As the young or beginning bass works and waits patiently for his voice to develop, appropriate vocal literature needs to be found which is within his present range and tessitura. To address this problem, this new book lists selected songs carefully chosen from the repertoire, with annotations. Some songs, given as an illustration or example of what is appropriate, are presented in their entirety. Each of these has its own background material complete with interesting biographical information and tips on interpretation. If the song is originally in a foreign language a suitable English version is given as well. In addition, the selected entries provide full access to suitable material; annotations include composer, title, range, tessitura, tempo, meter, difficulty, source, publisher, and pertinent comments. Also includes indexes by composer, title, and publisher.

Studies are an established part of every instrumentalist's training. They place technical problems in musical contexts, and can be invaluable aids to development. 76 Graded Studies for Flute brings together in two books a broad selection of repertoire in a variety of styles, from Camus to Telemann. Also included are a number of specially composed studies by Paul Harris that introduce aspects of 20th-century style and considerably extend the scope of the selection. It is a must-have resource for all students and teachers. 76 Studies for Flute Book One are arranged in order of increasing difficulty, according to a carefully planned technical progression from Grades 1-5 standard. **ABRSM selected piece (Flute 2018-2021): Hessian Dance.

First Published in 1997. Born in Dresden Germany, in 1748 Franz Seydelmann was an active music composer. He is principally known for his operas and church music, however he also wrote twenty-three sonatas, including seven solo harpischord sonatas, a Capriccio with variations and the Six Sonatas for Two Persons at Keyboard.

(Fake Book). This collection gathers more than 300 bluegrass favorites presented in the straightforward Real Book format favored by musicians: Alabama Jubilee * Ballad of Jed Clampett * Bill Cheatham * Blue Ridge Mountain Blues * Bury Me Beneath the Willow * Dixie Hoedown * Down to the River to Pray * Foggy Mountain Top * Highway 40 Blues * How Mountain Girls Can Love * I'm Goin' Back to Old Kentucky * John Henry * Keep on the Sunny Side * The Long Black Veil * My Rose of Old Kentucky * Old Train * Pretty Polly * Rocky Top * Sally Goodin * Shady Grove * Wabash Cannonball * Wayfaring Stranger * Wildwood Flower * The Wreck of the Old '97 * and hundreds more

(Instrumental Folio). 15 favorites from this Grammy award-winning singer-songwriter, including: Back to December * Change * Fearless * Fifteen * Love Story * Mine * Our Song * Picture to Burn * Should've Said No * Sparks Fly * Speak Now * Teardrops on My Guitar * Today Was a Fairytale * White Horse * You Belong with Me.

(Piano/Vocal/Guitar Artist Songbook). Adele's sophomore CD 21 has enjoyed enormous critical acclaim, with reviewers lauding this British, multi-Grammy-winner's vocal performance and introspective songwriting. The Hal Leonard songbook matches the CD, with piano/vocal/guitar arrangements of the smash hits "Rolling in the Deep" and "Someone like You," plus: Don't You Remember * He Won't Go * I'll Be Waiting * Lovesong * One and Only * Rumour Has It * Set Fire to the Rain * Take It All * Turning Tables.

In this compilation, first published in 1999, Ian Ledsham compiles an extensive catalogue of the Shaw-Hellier Collection, complete with diagrams regarding how we use text.

for SATB unaccompanied Setting a well-known Latin text from the Liber Usualis, Michael Austin Miller combines expressive harmony and flowing polyphony to create a gentle and touching anthem. The opening and closing sections develop the chant-like opening motif, enclosing an 'Alleluia' section comprising joyously interweaving lines.

for SATB (with divisions) and piano This dazzling work presents an exploration of light in its many forms and uses, from starlight and sunlight to electricity, photosynthesis, or guiding ships to safety. Both piano and voices are used pictorially, conjuring the beautifully descriptive images from Charles Bennett's text in a musical setting that contrasts moments of high energy and tranquility. Lightwaves is sure to capture the imagination and provide an illuminating take on this fascinating subject.