Die FAK-sangbundel se eerste verskyning in 1937 was ’n belangrike kulturele gebeurtenis. Sedertdien was dit so wyd in aanvraag dat dit vier uitgawes en vyf herdrukke beleef het. In latere uitgawes is liedere wat nie veel aftrek gekry het nie weggelaat en gewildes wat vroeer ontbreek het, opgeneem. Tans word dit beskou as die mees omvattende bundel Afrikaanse lirieke met bladmusiek en dit dien as verwysingswerk vir ’n groot aantal kulturele organisasies, koormeesters en skole. Dit is voorsien van ’n register volgens liedere se titels en eerste reels sowel as ’n rubriekindeling, waaronder vaderlandsliedere, natuurlirieke, liefdes-, kleuter- en slaapliedjies en gewyde liedere. Bekende Afrikaans digters en komponiste se talente word hier saamgevoeg, sowel as sensitief vertaalde Afrikaanse weergawes van wereldwye gunstelinge.

Covers of Gold is the third ground-breaking book about collectible sheet music by Marion Short. Exciting new categories covered in this book include baseball music, the evolution of fashion, the Big Band era, and the elusive sheet music cover illustrators. These subjects and more are accompanied by over 550 full color photographs of the actual music, encompassing the approximate time span of 1900 to 1940. Covers of Gold follows the success of Marion Short's first two books, The Gold in Your Piano Bench and More Gold in Your Piano Bench also available from Schiffer Publishing.

Music-Dance explores the identity of choreomusical work, its complex authorship and its modes of reception as well as the cognitive processes involved in the reception of dance performance. Scholars of dance and music analyse the ways in which a musical score changes its prescriptive status when it becomes part of a choreographic project, the encounter between sound and motion on stage, and the intersection of listening and seeing. As well as being of interest to musicologists and choreologists considering issues such as notation, multimedia and the analysis of performance, this volume will appeal to scholars interested in applied research in the fields of cognition and neuroscience. The line-up of authors comprises representative figures of today's choreomusicology, dance historians, scholars of twentieth-century composition and specialists in cognitive science and performance studies. Among the topics covered are multimedia and the analysis of performance; the notational practice of choreographers and the parallel attempts of composers to find a graphic representation for musical gestures; and the experience of dance as a paradigm for a multimodal perception, which is investigated in terms of how the association of sound and movement triggers emotions and specific forms of cognition.

for SATB with keyboard Setting a 15th century text, this popular carol on the birth of Jesus is flowing and expressive. It has been recorded by the Cambridge Singers (directed by John Rutter) on the Collegium CD Christmas Night (COLCD 106). Full scores and parts for John Rutters accompaniment for string orchestra are available on sale.

Truly powerful vocal performance in musical theater is more than just the sum of good vocal tone and correct notes. As experienced teacher, director, and performer Mark Ross Clark lays out in The Broadway Song, powerful performance communicates the central function of a song within the context of the surrounding narrative, or the "truth" of a song. Because unstaged performances of a song, such as auditions, are key to the success of all aspiring singers, Clark provides here the essential practical manual that will help performers choose the right pieces for their vocal abilities and identify the key truths of them. Clark begins by walking readers conceptually through how a song's truth is based in contexts: what show is a song from? Which character sings it? When in the show does it occur? Answering these questions will lead readers to more convincing performances that are grounded in the text, music, character, context, and larger environment (setting, time frame, and circumstances). The Broadway Song provides a comprehensive guide to the formal characteristics of key Broadway songs on a song-by-song basis, including main voice type, secondary voice qualities (such as soprano-lyric or alto-comic), range and tessitura, as well as larger contextual materials about the source - from the musical's background, information about the character singing, and synoptic narrative information for the song - that provide the performer a way into the character. Clark moreover brings his wide-ranging and extensive experience as a director, performer, and teacher to bear in his performance notes on the individual pieces. Additionally, he includes excerpts from short interviews with artists that provide insight into the song from the perspective of those who first created (or re-created) it. The interviews, conducted with composers, lyricists, performers, and - in one case - book collaborators, are snapshots into the creative process, and act as conduits to further study of the selected songs.

for SATB unaccompanied, with opt. organ introduction Despite being composed for the grand event that was the Coronation of Queen Elizabeth II in 1953, this motet is tender and reflective. Setting text from Psalm 34: 8, the composer opens the piece with the quiet beauty of an unaccompanied treble/soprano solo. After this the lower voices are gently introduced in an imitative texture, in which the simplicity of the rhythms and melodic lines creates a sense of peace and stillness. The motet is particularly suited to performance during communion, having being performed at this point in the coronation service. A version for SSA choir is also available.

Set of parts for the orchestral accompaniment of John Rutter's arrangement of Joy to the World. The carol is of the Christmas collection Joy to the World; this set of parts is compatible with both. Please note that this accompaniment is not compatible with the version of the carol in the O holy night collection.

This book contains nine pieces from ABRSM's Grade 1 Piano syllabus for 2023 & 2024, three pieces chosen from each of Lists A, B and C - ideal for both Practical and Performance Grade exams. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer.The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. A version of this book with audio download is also available.

Dip into this stockingful of easy Christmas music for violin! Unwrap a traditional carol, dance to the 'Skaters' Waltz' and a 'Christmas Calypso', and pull a cracker full of solos and duets. With words to sing along, chords for guitar or keyboard, and a fantastic play-along CD, Fiddle Time Christmas is the perfect gift for any young violinist.

A sequential sight-singing curriculum for all choirs. Each of the six units (containing four lessons each) clearly introduces new music reading concepts, reinforces those concepts with several rhythm and pitch exercises, motivates students with helpful hints and challenge exercises, and concludes with fun-filled review games and "Evaluating Your Performance" questions. The helpful "Getting Ready" pages (which precede each unit) are filled with music fundamentals, and for choirs who have never read music before, an optional "Before We Begin" chapter opens the book. And it's all neatly laid out in a 96-page octavo sized publication; a perfect fit for your students, and their folders. From whole notes to sixteenth-note patterns, seconds to sevenths, key signatures, dynamics, articulations, and tempo markings; it's all here, and it's all logically ordered to insure student success! Spend just a few minutes a day with this book and your choir, too, will learn to "Sing at First Sight!"

Alfred's Basic Prep Course, Levels A through F, was written to answer a demand for a course of piano study designed specifically for students who are five years old and up. This course offers a careful introduction of fundamentals, music that fits comfortably under the young student's normal hand span, plus constant reinforcement, all leading to results beyond those generated by other piano methods. After Lesson Book B, the student may progress to Prep Course, Lesson Book C or choose to go directly into the faster paced Level 1B of Alfred's Basic Piano Library. The complete Prep Course consists of six books (Levels A through F).

for SATB (with divisions) and piano or organ The third movement of McDowall's powerful Da Vinci Requiem, I obey thee, O Lord is a compelling pairing of the 'Lacrimosa' text from the Latin Missa pro defunctis with extracts from the Notebooks of Leonardo da Vinci, and has a poignant, tender simplicity. The composer has reworked the keyboard part from the parent work to facilitate performance by piano or organ.

for SATB with organ or piano introduction This motet sets a text from John Bunyan's The Pilgrim's Progress, in which Mr Valiant-for-Truth poignantly meditates on the subject of his own approaching death. The work concludes with the protagonist passing into heaven with the choir emulating 'the trumpets [sounding] for him on the other side'. Over a decade later in 1951, Vaughan Williams's operatic adaptation of The Pillgrim's Progress was performed for the first time, reflecting his continued fondness for Bunyan's tale.

Musicians, conductors, students, and researchers can now have a list of conductor-related holdings and where to find them right at their fingertips. The Directory of Conductors' Archives in American Institutions lists the components and the locations of papers owned and collected by conductors in the United States. Papers found from many places across America are brought together and listed in this single volume. Collections from historical societies, orchestra archives, American libraries, and private collections are all included to help the researcher or music lover locate materials that are difficult to find in standard sources. Author Henry Bloch has carefully compiled the entries in the book, listing all aspects of the collections, including full scores and parts; correspondence, scrapbooks, and business papers; still and moving visual images; and sound recordings. Separated in to two parts, Part I lists conductors alphabetically, citing all the details of their collections, while Part II is organized alphabetically by state and institution. Some entries include a notes section, which lists additional materials or an archive's accessibility to researchers. All pertinent location and contact information, including curators, is also included. Cultural institutions and individuals alike will greatly benefit from this invaluable reference tool.