Die FAK-sangbundel se eerste verskyning in 1937 was ’n belangrike kulturele gebeurtenis. Sedertdien was dit so wyd in aanvraag dat dit vier uitgawes en vyf herdrukke beleef het. In latere uitgawes is liedere wat nie veel aftrek gekry het nie weggelaat en gewildes wat vroeer ontbreek het, opgeneem. Tans word dit beskou as die mees omvattende bundel Afrikaanse lirieke met bladmusiek en dit dien as verwysingswerk vir ’n groot aantal kulturele organisasies, koormeesters en skole. Dit is voorsien van ’n register volgens liedere se titels en eerste reels sowel as ’n rubriekindeling, waaronder vaderlandsliedere, natuurlirieke, liefdes-, kleuter- en slaapliedjies en gewyde liedere. Bekende Afrikaans digters en komponiste se talente word hier saamgevoeg, sowel as sensitief vertaalde Afrikaanse weergawes van wereldwye gunstelinge.

Covers of Gold is the third ground-breaking book about collectible sheet music by Marion Short. Exciting new categories covered in this book include baseball music, the evolution of fashion, the Big Band era, and the elusive sheet music cover illustrators. These subjects and more are accompanied by over 550 full color photographs of the actual music, encompassing the approximate time span of 1900 to 1940. Covers of Gold follows the success of Marion Short's first two books, The Gold in Your Piano Bench and More Gold in Your Piano Bench also available from Schiffer Publishing.

The 'Pump Boys' sell high octane on Highway 57 in Grand Ole Opry country and the 'Dinettes', Prudie and Rhetta Cupp, run the Double Cupp diner next door. Together they fashion an evening of country western songs that received unanimous raves on and off Broadway. With heartbreak and hilarity, they perform on guitars, piano, bass and, yes, kitchen utensils.

Smallwood's Piano Tutor starts by introducing beginner players to the very basics of musical theory: measures, names of notes, clefs, time, etc. The player is then guided through elementary daily exercises and eventually introduced to major and minor scales with complimentary short pieces which makes use of the appropriate scale progression. This tutor also includes a very useful dictionary of musical terms.

Music-Dance explores the identity of choreomusical work, its complex authorship and its modes of reception as well as the cognitive processes involved in the reception of dance performance. Scholars of dance and music analyse the ways in which a musical score changes its prescriptive status when it becomes part of a choreographic project, the encounter between sound and motion on stage, and the intersection of listening and seeing. As well as being of interest to musicologists and choreologists considering issues such as notation, multimedia and the analysis of performance, this volume will appeal to scholars interested in applied research in the fields of cognition and neuroscience. The line-up of authors comprises representative figures of today's choreomusicology, dance historians, scholars of twentieth-century composition and specialists in cognitive science and performance studies. Among the topics covered are multimedia and the analysis of performance; the notational practice of choreographers and the parallel attempts of composers to find a graphic representation for musical gestures; and the experience of dance as a paradigm for a multimodal perception, which is investigated in terms of how the association of sound and movement triggers emotions and specific forms of cognition.

for SATB with keyboard Setting a 15th century text, this popular carol on the birth of Jesus is flowing and expressive. It has been recorded by the Cambridge Singers (directed by John Rutter) on the Collegium CD Christmas Night (COLCD 106). Full scores and parts for John Rutters accompaniment for string orchestra are available on sale.

Truly powerful vocal performance in musical theater is more than just the sum of good vocal tone and correct notes. As experienced teacher, director, and performer Mark Ross Clark lays out in The Broadway Song, powerful performance communicates the central function of a song within the context of the surrounding narrative, or the "truth" of a song. Because unstaged performances of a song, such as auditions, are key to the success of all aspiring singers, Clark provides here the essential practical manual that will help performers choose the right pieces for their vocal abilities and identify the key truths of them. Clark begins by walking readers conceptually through how a song's truth is based in contexts: what show is a song from? Which character sings it? When in the show does it occur? Answering these questions will lead readers to more convincing performances that are grounded in the text, music, character, context, and larger environment (setting, time frame, and circumstances). The Broadway Song provides a comprehensive guide to the formal characteristics of key Broadway songs on a song-by-song basis, including main voice type, secondary voice qualities (such as soprano-lyric or alto-comic), range and tessitura, as well as larger contextual materials about the source - from the musical's background, information about the character singing, and synoptic narrative information for the song - that provide the performer a way into the character. Clark moreover brings his wide-ranging and extensive experience as a director, performer, and teacher to bear in his performance notes on the individual pieces. Additionally, he includes excerpts from short interviews with artists that provide insight into the song from the perspective of those who first created (or re-created) it. The interviews, conducted with composers, lyricists, performers, and - in one case - book collaborators, are snapshots into the creative process, and act as conduits to further study of the selected songs.

for SATB unaccompanied, with opt. organ introduction Despite being composed for the grand event that was the Coronation of Queen Elizabeth II in 1953, this motet is tender and reflective. Setting text from Psalm 34: 8, the composer opens the piece with the quiet beauty of an unaccompanied treble/soprano solo. After this the lower voices are gently introduced in an imitative texture, in which the simplicity of the rhythms and melodic lines creates a sense of peace and stillness. The motet is particularly suited to performance during communion, having being performed at this point in the coronation service. A version for SSA choir is also available.

Set of parts for the orchestral accompaniment of John Rutter's arrangement of Joy to the World. The carol is of the Christmas collection Joy to the World; this set of parts is compatible with both. Please note that this accompaniment is not compatible with the version of the carol in the O holy night collection.

This book contains nine pieces from ABRSM's Grade 1 Piano syllabus for 2023 & 2024, three pieces chosen from each of Lists A, B and C - ideal for both Practical and Performance Grade exams. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer.The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. A version of this book with audio download is also available.

A sequential sight-singing curriculum for all choirs. Each of the six units (containing four lessons each) clearly introduces new music reading concepts, reinforces those concepts with several rhythm and pitch exercises, motivates students with helpful hints and challenge exercises, and concludes with fun-filled review games and "Evaluating Your Performance" questions. The helpful "Getting Ready" pages (which precede each unit) are filled with music fundamentals, and for choirs who have never read music before, an optional "Before We Begin" chapter opens the book. And it's all neatly laid out in a 96-page octavo sized publication; a perfect fit for your students, and their folders. From whole notes to sixteenth-note patterns, seconds to sevenths, key signatures, dynamics, articulations, and tempo markings; it's all here, and it's all logically ordered to insure student success! Spend just a few minutes a day with this book and your choir, too, will learn to "Sing at First Sight!"

The Best of Eva Cassidy features four pages of color photographs, and a heartwarming introduction written by her father. Titles are: Ain't No Sunshine * At Last * Autumn Leaves * Blue Skies * Blues in the Night * Dark End of the Street * Easy Street Dream * Fields of Gold * How Can I Keep from Singing? * Kathy's Song * Need Your Love So Bad * Over the Rainbow * People Get Ready * Songbird * They Call It Stormy Monday * Time After Time * Way Beyond the Blue * What a Wonderful World.

(Music Sales America). Born to Die is the acclaimed breakthrough album by American singer-songwriter Lana Del Rey. This matching folio songbook features all the songs from the Paradise Edition of the album. All the songs are arranged for piano, voice and guitar with full lyrics and guitar chord boxes. Songs include: American * Blue Velvet * Born to Die * Carmen * Dark Paradise * Diet Mountain Dew * Gods and Monsters * Lucky Ones * National Anthem * Off to the Races * Ride * Summertime Sadness * Video Games * and more.

Premiering in 1975 and the hit of the 1997 Broadway season in a production that originated at City Center's Encore! series, Chicago won six Tony Awards including Best Revival and later the Academy Award as Best Picture of the Year. In roaring twenties Chicago, chorine Roxie Hart murders a faithless lover and convinces her hapless husband Amos to take the rap...until he finds out he's been duped and turns on Roxie. Convicted and sent to death row, Roxie and another "Merry Murderess" Velma