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Books > Arts & Architecture > Music > Musical scores, lyrics & libretti
for SATB and piano or orchestra This uplifting Christmas carol
demonstrates Rutter's gift for writing engaging and memorable
tunes. The melody weaves between different voices and scorings,
while the piano part complements the vocal lines with rich,
luscious harmonies. An accessible and enjoyable option for mixed
choirs. Orchestral material is available on hire.
This easy step-by-step method emphasizes correct playing habits and
note reading through interval recognition. Lesson Book 4 concepts
include: tarantellas; eighth note triplets; arpeggiated chords;
first and second inversion triads in C; triads in all positions;
major scales in parallel motion; two-part writing; seventh chords
and inversions of seventh chords; E harmonic minor scale in
contrary motion; primary chords in E minor; sixteenth notes; dotted
eighth notes; primary chords in B-flat Major and G Minor;
repeated-note warm-ups; and harmonic minor scales in parallel
motion.
For reinforcement of each principle as it is introduced,
supplementary material is carefully coordinated, page for page, at
each level of instruction. Coordinating supplemental books for
Level 4 include: Classic Themes * Duet * Ear Training * Merry
Christmas * Musical Concepts * Recital * Repertoire * Sight Reading
* Technic * Theory and Top Hits! Solo, Christmas and Duet books.
Pianoworks Collection 2 is a fabulous anthology compiled especially
for the older beginner pianist. The collection is packed full of
favourite pieces from a variety of genres, including 'Jupiter' from
Holst's The Planets, jazz standard Take Five, and a beautiful new
arrangement of 'Scarborough Fair'. The pieces are ideal both for
concert performance and to reinforce the techniques introduced in
Pianoworks Book 2.
for TTBarBB and percussion
This is a powerful setting of a darkly vivid poem by Edwin Brock,
which explores the theme of the futility of war. Scored for male
voices, with jumpy rhythms and chromatic harmonies, the music is
vigorous, exciting, and menacing.
Mary Cohen's Scaley Monsters is a comprehensive guide to scale
practice, aimed at young violinists of Grades 1-2 standard. Each
scale/arpeggio is accompanied by Dinosaur Footprint Map, indicating
finger patterns, with lots of handy tips including standard
rhythmic variants. Each scale also has a special solo piece in the
same key, using the scale and arpeggio patterns, so that young
players can understand the importance of scale practice, and how it
relates to successful performance. Delightfully illustrated with
dinosaur cartoons, Scaley Monsters is guaranteed to liven up
practice routines.
Commissioned by the King's Singers in celebration of their 40th
birthday, this work has unusual forces and a comparatively complex
nature. Using two texts by Henry Vaughan and John Gillespie Magee,
the work charts a journey from a free tempo reflective beginning to
a rousing ending, celebratory in tone. The work was first performed
by the King's Singers & King's College Choir at King's College
Chapel, Cambridge, 1 May 2008.
One of Chilcott's earliest choral compositions, The Modern Man I
Sing is a setting of three poems by Walt Whitman. Initially written
for the Gustavus Choir, the leading Lutheran choir in Minnesota, it
was toured around the US in 1991 by the Gustavus Choir, conducted
by Karle Ericksonit. It has also recently been recorded by the BBC
Singers, released on CD by Signum Classics (SIGCD100). The vocal
score is presented handwritten by the composer.
Eva Cassidy had a diverse reprtoire of jazz blues folk and pop
music. She remained virtually unknown in her lifetime but has been
afforded great critical and popular acclaim following the
posthumous release of her vocal recordings. The Eva Cassidy
Songbook collects some of her most famous and best-loved
arrangements for guitar and voice, containing tablature, standard
notation, chords and lyrics, so that you are able to reproduce some
of her best works.
This exciting series by the authors of Fiddle Time, Viola Time, and
Cello Time provides great ensemble material for all string groups,
whatever their size. String Time Joggers is a must-have for all
those looking for imaginative and enjoyable ensemble repertoire.
The teacher's pack includes full score, piano score, notes on the
pieces, and CD with full performances and backings for all pieces.
This book contains nine pieces from ABRSM's Grade 5 Piano syllabus
for 2023 & 2024, three pieces chosen from each of Lists A, B
and C - ideal for both Practical and Performance Grade exams. The
pieces have been carefully selected to offer an attractive and
varied range of styles, creating a collection that provides an
excellent source of repertoire to suit every performer.The book
also contains helpful footnotes and, for those preparing for exams,
useful syllabus information. A version of this book with audio
download is also available.
for SATB unaccompanied or with guitar This is an elegant and
accessible SATB arrangement of the beautiful 'Con amores, la mi
madre' by the Spanish Renaissance composer Juan de Anchieta.
Underpinned by a flowing guitar accompaniment (optional),
Chilcott's arrangement is rhythmically interesting and melodious,
and the text may be sung in either Spanish or English. An ideal
concert work for choirs looking for something a little different.
Best day of my life is the matching artist approved songbook to Tom
Odell's fifth studio album, released 28th October 2022. The album
is intentionally minimalistic, with just Tom's voice and piano. He
says: "One year ago, almost exactly to the day, I set myself the
challenge to write and record an entire album using only my voice
and my piano with absolutely nothing else. I found myself digging
deeper than I ever have before both with my words and piano
playing. I am so proud of the way this record has turned out and I
really cannot wait for you all to hear it." Featuring an
introduction from Tom himself, these songs are transcribed for
piano and voice, with guitar chords and match the original
recordings.
This book gives an account of the individual works of one of the
greatest composers. The first volume of a two-volume study of the
music of J. S. Bach covers the earlier part of his composing
career, 1695-1717. By studying the music chronologically a coherent
picture of the composer's creative development emerges, drawing
together all the strands of the individual repertoires (e.g. the
cantatas, the organ music, the keyboard music). The volume is
divided into two parts, covering the early works and the mature
Weimar compositions respectively. Each part deals with four
categories of composition in turn: large-scale keyboard works;
preludes, fantasias, and fugues; organ chorales; and cantatas.
Within each category, the discussion is prefaced by a list of the
works to be considered, together with details of their original
titles, catalogue numbers, and earliest sources. The study is thus
usable as a handbook on Bach's works as well as a connected study
of his creative development. As indicated by the subtitle Music to
Delight the Spirit,, borrowed from Bach's own title-pages, Richard
Jones draws attention to another important aspect of the book: not
only is it a study of style and technique but a work of criticism,
an analytical evaluation of Bach's music and an appreciation of its
extraordinary qualities. It also takes account of the remarkable
advances in Bach scholarship that have been made over the last 50
years, including the many studies that have appeared relating to
various aspects of Bach's early music, such as the varied
influences to which he was subjected and the problematic issues of
dating and authenticity that arise. In doing so, it attempts to
build up a coherent picture of his development as a creative
artist, helping us to understand what distinguishes Bach's mature
music from his early works and from the music of his predecessors
and contemporaries. Hence we learn why it is that his later works
are instantly recognizable as 'Bachian'.
for SATB choir, unaccompanied and with piano Nine classic Chilcott
songs including original pieces and arrangements of traditional
material. The varied nature of the collection highlights Chilcott's
prodigious gifts. Some of the pieces are published here for the
first time. Orchestral arrangements for Ar Hyd y Nos (fl, ob, hn,
hp, str), O Danny boy (2.2.2.2-2.0.0.0-hp-str), and The Skye Boat
Song (2.2.2.2-0.0.3.1-hp-str) are available on hire.
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