This delicate, spring-like poem, by poet Kevin Crossley-Holland, is an affectionate salutation to a newborn babe. The poet tells that the parents couldn't decide on a name for their baby, and that instead of imposing an inappropriate name on her, they will welcome her into the garden of the world and wait for her to 'declare' herself. After a hushed introduction of whispered welcomes, the voices burst into a dance-like song in celebration of the new arrival's homecoming.

for SATB double choir and organ or orchestra or brass ensemble This renowned anthem was written for the coronation of Edward VII in 1902, and has been performed at all subsequent British coronations. This edition presents the 1911 version prepared by the composer for the coronation of George V, with the 'Vivats' as written for that occasion and an alternative editorial text by John Rutter that enables the anthem to be performed in its complete form on any suitable occasion. Rutter's fascinating editorial preface provides interesting contextual notes and informative performance considerations. Orchestral scores and instrumental parts for full and reduced orchestrations and for a version for brass, organ, and optional timpani are available on rental.

for children's choir (SS) and piano These charming settings of riddles by Bob Chilcott's long-term collaborator Charles Bennett were originally published as part of the environmental cantata The Angry Planet. Simple, yet highly effective, each has a subject taken from nature. Here rescored for two-part children's choir (SS) and piano, they may be performed individually or as a set.

After decades of anticipation, Alfred is proud to release the officially licensed, collectible sheet music companion folios to the Super Mario Bros.(tm) video game series. The 34 arrangements in this Easy Piano edition contain the instantly recognizable melodies beloved by generations of gamers around the globe. From Koji Kondo's iconic "Super Mario Bros.(tm) Ground Background Music" to the New Super Mario Bros.(tm) Wii(tm) themes, the dozens of pieces in this book represent two and a half decades of Nintendo(R) video game favorites. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every pianist.
Titles: Super Mario Bros.(tm) Ground Background Music * Super Mario Bros.(tm) Underground Background Music * Super Mario Bros.(tm) Underwater Background Music * Super Mario Bros.(tm) Castle Background Music * Super Mario Bros.(tm) Invincible Background Music * Super Mario Bros.(tm): The Lost Levels Ending * Super Mario Bros.(tm) 3 Map 1 * Super Mario Bros.(tm) 3 Ground Background Music * Super Mario Bros.(tm) 3 Boss of the Fortress * Super Mario Bros.(tm) 3 Skyship Background Music * Super Mario World(tm) Title * Super Mario World(tm) Castle Background Music * Dr. Mario(tm) Chill * Dr. Mario(tm) Title Background Music * Super Mario Kart(tm) Mario Circuit * Super Mario World(tm) 2 Yoshi's Island(tm) Athletic * Super Mario World(tm) 2 Yoshi's Island(tm) Ground Background Music * Super Mario 64(tm) Main Theme * Super Mario 64(tm) Water Land * Mario Kart(tm) 64 Circuit * Super Mario Sunshine(tm) Dolpic Town * New Super Mario Bros.(tm) Title * New Super Mario Bros.(tm) Giant Background Music * New Super Mario Bros.(tm) Battle Background Music 2 * New Super Mario Bros.(tm) Battle Background Music 1 * Super Mario Galaxy(tm) Ending Staff Credit Roll * Mario Kart(tm) Wii(tm) Rainbow Road * New Super Mario Bro

for unison upper voices, solo violin, and organ or piano Bednall's beautiful setting of this much-loved prayer is warm, simple, and immediate. The vocal line is expertly lyrical and the accompaniment suitably supporting, with a serene line for solo violin that soars above the texture. Ave Maria was recorded by Benenden Chapel Choir, conducted by Edward Whiting, Jennifer Pike (violin), and David Bednall (organ) on the CD 'Stabat Mater' (Regent, REGCD481).

for SATB and organ/piano with optional congregation Paul Drayton's setting of three stanzas from Laurence Binyon's poem 'For the Fallen' is poignant, dignified, and atmospheric. A serene and expressive refrain for unison voices (which the congregation may join in if desired) is interposed between evocatively turbulent passages for SATB choir. The accompaniment should ideally be played on the organ, but may be performed on the piano if organ is not available.

for SATB, violin, and piano A Prophecy of Dawn is an artfully crafted setting of a beautifully descriptive poem by Matthew Meiklejohn, who was awarded the Victoria Cross for his actions in the Second Boer War. The piece is rich in contrasting material, some of which recapitulates, and many of the text's images are apparent in the music, for example lively birdsong in the violin and a radiant shift into a major key at the poet's first mention of dawn. The violin part contributes much to the setting, and is permitted moments of virtuosity amidst the energetic piano writing and expansive choral textures.

for SATB (with divisions) and piano The Music of Stillness is a beautiful and emotive setting of Sara Teasdale's poem 'There Will Be Rest'. Sonorously scored choral phrases conjure up images of 'stars shining, rooftops covered with snow, crystal peace...finding the music of stillness'. Following a serene opening, the piece rises and falls through both affecting climaxes and passages of great tranquility, ending with the same sense of stillness with which it begins.

for SATB (with divisions) and organ This arrangement features Robert Bridges' translation of J. Neander's 17th-century German text set to Herbert Howells' hymn tune 'Michael'. John Rutter adds a descant and reharmonizes the 4th and 5th verses to create a rousing ending to this much-loved classic.

for SATB (with divisions) unaccompanied This piece sets a poem by Amy Lowell, vividly conveying the effect of the wind through a moving tapestry of eighth notes/quavers intertwined between the different voices. The melody floats over this breeze-like ostinato, sometimes effervescent, sometimes reposed. The piece concludes much like it begins, with a sense of calm and restfulness towards the nocturnal journey.

for SATB unaccompanied with hand drum Sing, my Child sets a joyful text celebrating the beauty found all around us in everyday life. Characterized by tight harmonies and a dynamic percussion line, the buoyant 7/8 metre of the opening drives the piece forward. Lush harmonies colour the hymn-like B section as the text evolves into a call for strength despite the troubles that may come. Commissioned for a mass choir of over 700 singers, this piece is well-suited for combined choir projects or as a rousing and meaningful close to a concert.

for SSATB unaccompanied Commissioned by Ralph Woodward and the Fairhaven Singers in memory of Dora Kemp, one of the choir's sopranos, God is Light sets lines from Psalm 139, 1 Thessalonians, and 1 John. It moves from an unsettled tonality at the beginning, through anguished false relations and wistful expressivity, to find triumphant resolution in a blazing A major at the end. Like all of McDowall's music, it is well crafted and singable. God is Light was first performed on 12 November 2016 in Queens' College Chapel, Cambridge, by the Fairheaven Singers and Perse Prep Senior Choir (director Paul Harris), conducted by Ralph Woodward.

for SATB and piano or orchestra Setting two verses of the Irish traditional carol, Wilberg's version opens simply with unaccompanied unison men, before the piano creeps in gently. Upper voices take over and an imitative section leads to a more dramatic, thicker-textured section. The carol melody's slightly haunting, modal qualities are complemented by colourful harmonic touches, and a final statement of the melody in the piano brings the piece to a calm close. The Mormon Tabernacle Choir and Orchestra at Temple Square have recorded this piece with orchestral accompaniment on the CD Hallelujah! (SKU 5157246).

for SATB and piano A favorite text and tune of singers and listeners alike, this festival hymn is given new life in this lively and upbeat 7/8 setting. The central section is legato and chorale-like, making for a beautiful contrast, before a slow build with 'Alleluias' returns us to a reprise of the original flavour, creating an exciting and powerful ending.

for SATTBB unaccompanied This lively and joyous arrangement of the folksong 'Montagnarde' from the Haute-Auvergne region of France makes playful use of the call of the cuckoo in a catchy refrain. 'Montagnarde' is featured on the Tenebrae CD Sun, Moon, Sea, and Stars (Signum, SIGCD903).

for SATTBB unaccompanied Chilcott's arrangement of 'Viens par le pre', a folksong from the Haute-Auvergne region of France that presents a heartfelt expression of love, is tender and expressive, with rich, warm harmonies. 'Viens par le pre' is featured on the Tenebrae CD Sun, Moon, Sea, and Stars (Signum, SIGCD903).

Piano Sketches Duets 2 is a fantastic collection of new pieces for exploring the art of duet playing. Suitable for students working at the 'easy' or 'intermediate' technical level, the book features a range of appealing and accessible styles, from the evocative 'Autumn in Paris' to the spirited 'Tarantella' and Bach-pastiche 'Rumba for Johann'. As well as being great fun to play, these pieces offer pianists an adventure in texture, melody, and harmony, and will help to develop good ensemble playing.

for SATB unaccompanied Following a collaboration with Katie Melua on her 2016 album 'In Winter', Bob Chilcott has made a choral arrangement of this traditional Ukrainian carol, first introduced to the English-speaking world as 'Carol of the Bells', with lyrics that link it to Christmas. Here the original is presented in Ukrainian and English, with haunting and atmospheric folk motifs distributed between the parts.