for SATB and organ or piano This charming carol tells of the joy and wonder of the star of Bethlehem and features Chilcott's hallmark tuneful melodies and carefully chosen harmonic colours. Epiphany takes for its text a translation of two verses by French hymn-writer Charles Coffin, augmented by a newly written verse by Chilcott's long-time collaborator Charles Bennett. The result is a carol which is both narrative and reflective, with a perfect mix of traditional and modern.

for SATB (with divisions) unaccompanied Annunciation is an expressive and expansive Advent carol based on words from John Donne's Holy Sonnets. McDowall creates a captivating atmosphere as the voices explore a soundworld that is mystical, reflective, and bright. The sensitive part-writing and accessible vocal lines will enable choirs of all types to profess the carol's message of 'salvation to all'.

for SATB and organ This welcome original setting of the much-loved 15th-century Coventry carol text features a compelling interplay between choir and organ and a contrast of full and a cappella textures. Archer fully exploits the text's dramatic potential and has created a pleasing and useful addition to the carol repertory.

for SSATB and organ This atmospheric anthem by Cecilia McDowall commemorates the First World War. It sets a stark English text by Dr Joseph Spence alongside Latin text from Psalm 130, with the words 'In memoriam' added. The lower parts sing Spence's English text, conveying the relentless hardship of life in the trenches with declamatory and constantly developing vocal lines. The sopranos, meanwhile, repeat the Latin words from Psalm 130, providing a striking contrast in their constancy and otherworldliness.

for SATB and organ Commissioned by The Maryland State Boychoir in 2017, this striking Christmas piece sets a famous text by Ben Jonson. Jackson's attractive and largely diatonic harmonies combine with vivid word-setting, deft manipulations of texture, and a colourful organ part to create a mood of gentle rapture, with a central section that explores more conflicted atmospheres.

for SSSSAATTBB unaccompanied Commissioned by The Marian Consort in celebration of their 10th anniversary, and first performed in 2018, Jackson's is one of the most striking modern settings of this ancient text. With a rich scoring matching that of Scarlatti's setting of the same text, the composer's trademark diversity of texture is much in evidence. Passages of rich sonority give way to intimate soloistic sections, the lines spiced up by fiery rhythms and occasional arabesques and glissandi. The piece will be a very satisfying challenge for a proficient choir.

Vaughan Williams's famous romance for solo violin and orchestra is given new life in this beautiful arrangement, which features the original solo line as part of a string sextet. Perfect as a rehearsal tool in preparation for a larger-scale orchestral concert, the arrangement is also ideal for performance in a chamber recital.

for SSAA and piano This serene, reflective anthem is a rich addition to the Choral Evensong repertoire. Chilcott artfully entwines an original setting of William Fuller's 'Evening Hymn', most famously set by Henry Purcell, and the plainsong melody for the Latin hymn 'Te lucis ante terminum', in J. M. Neale's English translation. Grounded in minor tonalities, the anthem makes use of a semi-chorus of altos and sopranos for the hymn tune, juxtaposed with compelling and complementary melodies in the other parts, building to a resolute final section before a peaceful 'Amen'.

for SATB and piano This original suite sets anonymous instructions found in packaging to general household goods, providing amusing and theatrical highlights as well as musical interplay and formal episodes. The three contrasting movements are contemporary yet accessible in style, with catchy melodies and jazz-inspired harmonies.

for CCBar and piano This beautiful arrangement of the well-loved folksong gradually grows from simple one- and two-part vocal writing to a delightful display of interweaving imitation in three parts, before an eventual ebbing away. The flowing piano accompaniment provides harmonic support throughout.

for CCBar and piano This entertaining three-part arrangement of the popular sea shanty was written for Cambiata North West. The humorous lyrics are complemented by a jovial piano accompaniment and the piece includes several key changes, allowing different parts to take the lead with the melody.

for SATB double choir unaccompanied This optimistic and affirmatory anthem sets a useful service text of general thanksgiving from the Book of Common Prayer. Chilcott makes full use of the imitation and antiphonal effects that these forces enable, while keeping the vocal lines and part-writing well within the capabilities of most church choirs.

for SATB double choir and organ or orchestra or brass ensemble This renowned anthem was written for the coronation of Edward VII in 1902, and has been performed at all subsequent British coronations. This edition presents the 1911 version prepared by the composer for the coronation of George V, with the 'Vivats' as written for that occasion and an alternative editorial text by John Rutter that enables the anthem to be performed in its complete form on any suitable occasion. Rutter's fascinating editorial preface provides interesting contextual notes and informative performance considerations. Orchestral scores and instrumental parts for full and reduced orchestrations and for a version for brass, organ, and optional timpani are available on rental.

for children's choir (SS) and piano These charming settings of riddles by Bob Chilcott's long-term collaborator Charles Bennett were originally published as part of the environmental cantata The Angry Planet. Simple, yet highly effective, each has a subject taken from nature. Here rescored for two-part children's choir (SS) and piano, they may be performed individually or as a set.

These four splendid anthems were composed for the coronation of George II in October 1727 and have since retained a position at the heart of the English choral tradition. The popular anthem Zadok the priest has been performed at all subsequent coronations, and Handel's other contributions to the royal occasion - Let thy hand be strengthened, The King shall rejoice, and My heart is inditing - have the same majestic grandeur, with affecting contrasts between different sections of the sacred texts. The editor, Clifford Bartlett, has corrected various inconsistencies in Handel's score, and complete details of sources and editorial method, additional performance notes, and a critical commentary can be viewed in the companion full score available on hire. This continuo part is also available as part of the wind set.

for SSAA unaccompanied This lively reimagining of the traditional hymn is a thrilling a cappella arrangement which pairs the soaring legato melody with a rhythmic vocal accompaniment. Together, these elements capture both the gentle hope and the profound joy contained in the text. Also including moments of tenderness and reflection, the piece comes to a rousing close with an energy that engages singers and audience alike.

for SATB (with divisions) and piano The Music of Stillness is a beautiful and emotive setting of Sara Teasdale's poem 'There Will Be Rest'. Sonorously scored choral phrases conjure up images of 'stars shining, rooftops covered with snow, crystal peace...finding the music of stillness'. Following a serene opening, the piece rises and falls through both affecting climaxes and passages of great tranquility, ending with the same sense of stillness with which it begins.

Play everybody's favorite songs The 300 pages of piano/vocal/guitar sheet music in this collection allow music makers to bring dozens of the most memorable songs of the 1960s, '70s, and early '80s to life. Classic rock fans who love to play will have a blast applying their talent to more than 40 enduring songs made famous by legendary artists like The Beatles, David Bowie, Journey, Led Zeppelin, Pink Floyd, The Rolling Stones, Rush, The Who, and many more. The arrangements feature piano parts that accurately reflect each song's familiar original recording. Basic chord fingering grids are provided for optional guitar accompaniment, along with vocal melodies and complete lyrics. Titles: 50 Ways to Leave Your Lover (Paul Simon) * Africa (Toto) * All Along the Watchtower (Jimi Hendrix) * All My Love (Led Zeppelin) * Behind Blue Eyes (The Who) * Big Yellow Taxi (Joni Mitchell) * Blinded by the Light (Manfred Mann's Earth Band) * Blowin' in the Wind (Bob Dylan) * Born to Run (Bruce Springsteen) * Bridge Over Troubled Water (Simon and Garfunkel) * Closer to the Heart (Rush) * Dancing in the Moonlight (King Harvest) * Do You Feel Like We Do (Peter Frampton) * Don't Stop Believin' (Journey) * Faithfully (Journey) * Fool in the Rain (Led Zeppelin) * From Me to You (The Beatles) * Give Up the Funk (Tear the Roof off the Sucker) (Parliament) * Going Up the Country (Canned Heat) * The Great Gig in the Sky (Pink Floyd) * I Love L.A. (Randy Newman) * I Saw Her Standing There (The Beatles) * Like a Rolling Stone (Bob Dylan) * Live and Let Die (Paul McCartney) * The Load Out (Jackson Browne) * Love Reign O'er Me (The Who) * Money (Pink Floyd) * Nights in White Satin (The Moody Blues) * Paranoid (Black Sabbath) * P-Funk (Wants to Get Funked Up) (Parliament) * Pinball Wizard (The Who) * River (Joni Mitchell) * Saturday in the Park (Chicago) * She Loves You (The Beatles) * She's a Rainbow (The Rolling Stones) * The Sound of Silence (Simon and Garfunkel) * Space Oddity (David Bowie) *

Sometimes pianists would love to play popular songs they enjoy but finding quality arrangements that work for piano can be a real challenge. In The Essential Film Collection, pianist Richard Harris takes 28 classic film songs from across the decades and makes well-crafted and satisfying arrangements for intermediate pianists to enjoy. Hits included the theme song from Rocky, James Bond, Chariots of Fire, and many more!

for solo voice, SATB (with divisions), flute, and piano John Rutter's timeless arrangement of Skylark, a standard of the golden age of American song, is rich, mellow, and mellifluous. Soaring lines for flute depict the eponymous songbird, and the classic Hoagy Carmichael tune is shared between solo voice and choir, the latter also often providing a cushion of evocative harmonies.

for soprano solo, SATB, with organ and unaccompanied This short collection presents the complete set of meditations from Chilcott's stunning St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal reflection on the dramatic story of the passion - at times anguished, adoring, and humbling. The beautiful soprano solo soars over the SATB voices and organ accompaniment in 'Christ, my Beloved' and 'Jesus, my Leman', while the unaccompanied choir take centre stage for 'Miserere, my Maker' and 'Away vain world'.

Purcell's Dido and Aeneas stands as the greatest operatic achievement of seventeenth-century England, and yet, despite its global renown, it remains cloaked in mystery. The date and place of its first performance cannot be fixed with precision, and the absolute accuracy of the surviving scores, which date from almost 100 years after the work was written, cannot be assumed. In this thirtieth-anniversary new edition of her book, Ellen Harris closely examines the many theories that have been proposed for the opera's origin and chronology, considering the opera both as political allegory and as a positive exemplar for young women. Her study explores the work's historical position in the Restoration theater, revealing its roots in seventeenth-century English theatrical and musical traditions, and carefully evaluates the surviving sources for the various readings they offer-of line designations in the text (who sings what), the vocal ranges of the soloists, the use of dance and chorus, and overall layout. It goes on to provide substantive analysis of Purcell's musical declamation and use of ground bass. In tracing the performance history of Dido and Aeneas, Harris presents an in-depth examination of the adaptations made by the Academy of Ancient Music at the end of the eighteenth century based on the surviving manuscripts. She then follows the growing interest in the creation of an "authentic" version in the nineteenth and early twentieth centuries through published editions and performance reviews, and considers the opera as an important factor in the so-called English Musical Renaissance. To a significant degree, the continuing fascination with Purcell's Dido and Aeneas rests on its apparent mutability, and Harris shows this has been inherent in the opera effectively from its origin.

for SATTBB unaccompanied With a text by the composer, this secular carol is a true celebration of all that we love about the festive season. Owain Park's arrangement presents a new take on this Christmas classic, drawing on Rutter's evocative orchestral colours to create this characterful and heart-warming arrangement for a cappella voices. This arrangement of The Very Best Time of Year has been recorded by The Choir of Trinity College, Cambridge, conducted by Stephen Layton, on the album Yulefest! (Hyperion, CDA68087).

Junior Voiceworks at Christmas is a wonderful collection of seasonal songs for children. Building on the success of his Junior Voiceworks 1 and 2, Kevin Stannard has collected 40 inspirational pieces for the Christmas season, ranging from rounds to raps, and from folk pieces to well-known carols in sparkling new arrangements. With excellent practical advice and rehearsal notes, and an accompanying CD, this volume meets the needs of all schools and choral groups for this special time of year.