for SATB, C instrument, and keyboard or orchestra This exquisite arrangement of an American folk hymn will be a universal favourite with choirs of all ages and levels. The atmospheric tune is perfectly offset by the floating instrumental counter-melody, while the keyboard or orchestral accompaniment brings harmonic depth and gravity to the music. A wonderful addition to the choral repertory. Orchestral material is available on hire.

Music from all three films arranged for wind instruments. Desirable and collectible, these instrumental folios are loaded with full-color photos of scenes from all three films. They are printed on top-quality antique paper stock, and the covers showcase the new "trilogy" artwork. The wind instrument books are completely compatible with each other and can be played together or as solos. Each book contains a carefully edited part that is appropriate for the Level 2-3 player and a fully orchestrated accompaniment CD. Each theme on the CD is presented as a "demo" track (which features that particular instrument) and as a "play-along" track without the solo instrument. New icons are used in the books to guide the players through the accompaniment options. A separate piano accompaniment book with CD is available for the wind series. The instrumental solo part, in concert pitch, is added above the piano part. The CD features live demonstration performances of various instrument tracks from the series. Titles are the twelve major themes from the blockbuster trilogy: from The Fellowship of the Ring: The Prophecy * In Dreams * Concerning Hobbits * Many Meetings * The Black Rider; from The Two Towers: Gollum's Song * Rohan * Evenstar * Forth Eorlingas; from The Return of the King: Into the West * The Steward of Gondor * Minas Tirith. This title is available in SmartMusic.

for SATB (with divisions) and organ This joyous, upbeat anthem sets a compelling poem by contemporary poet Sean Street in response to a text by sixteenth-century Bishop of Norwich John Parkhurst on the subject of 'alma mater'. The text encourages us to appreciate the past, our education, and where it can lead, reflecting on the profound ties we can form to a time or a place. The bright, driving organ part, with solo interjections, is juxtaposed with sustained vocal writing with rich, lush harmonies.

Cello and piano reduction of Walton's Cello Concerto, based on the edition published in the Walton Edition Violin and Cello Concertos volume. Dating from 1956, the work was commissioned by Gregor Piatigorsky and premiered by him the following year. Walton regarded this work as the best of his three solo concertos. Orchestral material is available on hire.

for SATB and piano Don Michael Dicie has created a straightforward, unflashy but beautiful arrangement of Lowry's famous 'How can I keep from singing?'. Dicie departs from his typical harmonic style of major and minor seventh chords for a more tertial setting. The variety of textures and its simplicity and accessibility make a lovely effect. The women sing the first verse; men, the second; both, a cappella for the third; and they finish together with piano.

for SATB and organ Commissioned by King's College, Cambridge, for the 2016 Festival of Nine Lessons and Carols, This Endernight is a tender, peaceful setting of well-known fifteenth-century words. The recurring melody has an appropriately lilting feel, and Berkeley employs artful textural juxtapositions, with solo lines always opening out into a rich, full-choir sound for the 'lullay, by-by' refrain. The organ part provides colour and support for the voices, with sparkling semiquavers leading into the final, vibrant section.

for SATB (with divisions) unaccompanied Displaying Chydenius's unique style, I am the great sun is a driven and focused setting of Charles Causley's poem. This is textured choral writing: you'll find imitative passages, melodic and rhythmic motifs, sections requiring precise articulation, and full homophonic climaxes. An exciting challenge for established choirs!

Due to popular demand, this exquisite piece has been made available as a separate choral leaflet. It is also in the anthology Weddings for Choirs. Ideal for concerts, and special occasions such as weddings and anniversaries, this choral song sets a beautiful text by Paul Eluard to rich, sumptuous music which will delight singers and listeners alike.

for SATB unaccompanied Meaning 'Souls of the Righteous', this reflective anthem is especially suitable for the Feast of All Saints but may be sung at any time of year. Jackson masterfully balances the still, mesmerizing music of the opening and close with a more agitated and emotionally powerful central section. This piece is suitable for church and secular mixed-voice choirs, and a non-singing translation of the text is included.

for SATB (with divisions) and organ Commissioned by the choir of Merton College, Oxford, In the beginning was the Word provides a welcome musical setting of this iconic biblical text. The choral lines combine plainchant with harmonically intricate passages, and all is complemented by a soloistic organ part. Suitable for use throughout the church year.

This beautiful collection of 16 songs for low voice includes favourite settings by some of Oxford's best-loved composers. Each song is presented with piano or organ accompaniment, and a CD of high-quality backing tracks is included, allowing performance in a variety of different venues. With a wonderful selection of texts, including 'Be thou my vision', 'Lord of all hopefulness', 'Pie Jesu', and 'The Lord bless you and keep you', this is the perfect collection for use in services, ceremonies, and concerts.

Song List:

(Everything I Do) I Do It For You [Robin Hood: Prince Of Thieves]
Against All Odds [Take A Look At Me Now]
As Time Goes By [Casablanca]
Beyond The Sea [Finding Nemo]
Can You Feel The Love Tonight [The Lion King]
Come What May [Moulin Rouge!]
Goldfinger [Goldfinger]
Hopelessly Devoted To You [Grease]
How Deep Is Your Love [Saturday Night Fever]
I Will Always Love You [The Bodyguard]
Into The West [The Lord Of The Rings: The Return Of The King]
Live And Let Die [Live And Let Die]
Love Is All Around [Four Weddings And A Funeral] Mad World [Donnie Darko]
Moon River [Breakfast At Tiffany's]
Mrs Robinson [The Graduate]
My Heart Will Go On [Titanic]
Oh, Pretty Woman [Pretty Woman]
Raindrops Keep Falling On My Head [Butch Cassidy & The Sundance Kid]
Son Of A Preacher Man [Pulp Fiction]
Speak Softly Love [The Godfather]
Take My Breath Away [Top Gun]
Unchained Melody [Ghost]
Up Where We Belong [An Officer And A Gentleman]

Best day of my life is the matching artist approved songbook to Tom Odell's fifth studio album, released 28th October 2022. The album is intentionally minimalistic, with just Tom's voice and piano. He says: "One year ago, almost exactly to the day, I set myself the challenge to write and record an entire album using only my voice and my piano with absolutely nothing else. I found myself digging deeper than I ever have before both with my words and piano playing. I am so proud of the way this record has turned out and I really cannot wait for you all to hear it." Featuring an introduction from Tom himself, these songs are transcribed for piano and voice, with guitar chords and match the original recordings.

for mixed-voice choir
This second book of anthems by Bob Chilcott assembles pieces in a wonderful range of styles and moods. The anthems have been carefully selected to be both approachable to a wide range of choirs and appropriate to the needs of today's liturgy. An indispensable addition to any choir library.

Contents are: Berceuse, Wiegenlied or Lullaby, Op. 98, No. 2 (F. Schubert) * Tonalization: The Moon over the Ruined Castle (R. Taki) * Gavotte (J.B. Lully) * Minuet from Sei Quintetti for Archi No. 11, Op. 11, No. 5 in E Major (L. Boccherini) * Tonalization: The Moon over the Ruined Castle (R. Taki) * Scherzo (C. Webster) * Minuet in G, Wo0 10, No. 7 for Piano (L. van Beethoven) * Gavotte in C Minor, Gavotte en Rondeau from Suite in G Minor for Klavier, BWV 822 (J.S. Bach) * Minuet No. 3, BWV Anh. II 114/Anh. III 183/Anh. II, 115 (J.S. Bach) * Humoresque, Op. 101, No. 7 for Piano (A. DvorAk) * La Cinquantaine (Gabriel-Marie) * Allegro Moderato from Sonata I in G, BWV 1027 for Viola da Gamba (J.S. Bach).

for solo soprano, SATB, and piano This folk-carol is known throughout the Spanish-speaking world for its melody and dance-like spirit. John Rutter's arrangement captures this perfectly, pairing soloist and chorus, with exuberance and fun. Featured on the Collegium CD, 'A Christmas Festival', conducted by John Rutter. Orchestral material is available on hire.

for SS and organ This is an energetic setting of a traditional text, with a memorable tune, attractive sequences, and exciting climax, all in a lilting swing. A version for SATB is also available.

This important contemporary Requiem demonstrates Gabriel Jackson's gift for writing mesmerising choral music on a large scale. Combining sections of the traditional Requiem text with poems from other cultures and traditions, Jackson here has created a work which embraces a wide-ranging perspective on human mortality. Each movement is given a different character and musical style, and the result is a unique, sublime work which cannot fail to impress. Vocal scores are available on sale and on hire/rental.

One of Chilcott's earliest choral compositions, The Modern Man I Sing is a setting of three poems by Walt Whitman. Initially written for the Gustavus Choir, the leading Lutheran choir in Minnesota, it was toured around the US in 1991 by the Gustavus Choir, conducted by Karle Ericksonit. It has also recently been recorded by the BBC Singers, released on CD by Signum Classics (SIGCD100). The vocal score is presented handwritten by the composer.