(Piano/Vocal/Guitar Songbook). A comprehensive collection of 62 folk/pop favorites, including: Blowin' in the Wind * California Dreamin' * City of New Orleans * Do You Believe in Magic * Fast Car * The House of the Rising Sun * If I Had a Hammer (The Hammer Song) * If I Were a Carpenter * Leaving on a Jet Plane * Like a Rolling Stone * Little Boxes * Mr. Tambourine Man * Morning Has Broken * The Night They Drove Old Dixie Down * Puff the Magic Dragon * The Sound of Silence * Teach Your Children * The Times They Are A-Changin' * Turn Turn Turn (To Everything There Is a Season) * The Unicorn * Who'll Stop the Rain * Worried Man Blues * The Wreck of the Edmund Fitzgerald * and more.

for SATB and organ or chamber orchestra This offering from Mack Wilberg is a joyful yet graceful arrangement of the well-known hymn tune by Conrad Kocher. Featuring a lyrical accompaniment and variations in choral textures, this piece is ideal for Harvest or Thanksgiving celebrations, but can also be used all year round. An orchestral accompaniment is available on hire/rental.

The 'Pump Boys' sell high octane on Highway 57 in Grand Ole Opry country and the 'Dinettes', Prudie and Rhetta Cupp, run the Double Cupp diner next door. Together they fashion an evening of country western songs that received unanimous raves on and off Broadway. With heartbreak and hilarity, they perform on guitars, piano, bass and, yes, kitchen utensils.

The biggest country hits from Garth Brooks, LeAnn Rimes, Shania Twain, Clint Black, John Michael Montgomery, Alabama, Vince Gill, and more. Titles include: Angels Among Us * Any Man of Mine * Blue * The Dance * Don't Take the Girl * Forever's As Far As I'll Go * I Can Love You Like That * I Cross My Heart * I Do * I Swear * I Will Always Love You * If Tomorrow Never Comes * In This Life * Long As I Live * The River * Unanswered Prayers * Years from Here * Your Love Amazes Me.

Music-Dance explores the identity of choreomusical work, its complex authorship and its modes of reception as well as the cognitive processes involved in the reception of dance performance. Scholars of dance and music analyse the ways in which a musical score changes its prescriptive status when it becomes part of a choreographic project, the encounter between sound and motion on stage, and the intersection of listening and seeing. As well as being of interest to musicologists and choreologists considering issues such as notation, multimedia and the analysis of performance, this volume will appeal to scholars interested in applied research in the fields of cognition and neuroscience. The line-up of authors comprises representative figures of today's choreomusicology, dance historians, scholars of twentieth-century composition and specialists in cognitive science and performance studies. Among the topics covered are multimedia and the analysis of performance; the notational practice of choreographers and the parallel attempts of composers to find a graphic representation for musical gestures; and the experience of dance as a paradigm for a multimodal perception, which is investigated in terms of how the association of sound and movement triggers emotions and specific forms of cognition.

Core Classics is a collection of seven books of music from the piano canon, selected and graded by leading educationalists. Each volume contains a rich selection of engaging pieces to form the backbone of any pianist's repertoire. With pieces from Beethoven, Haydn, Mozart and many more, this book includes an abundance of much-loved music. Each book is authoritatively graded, with pieces gradually increasing in difficulty throughout. The books are equally valuable for learners working towards a grade exam, between grades, or playing for leisure, building technical skills and confidence. Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams

Truly powerful vocal performance in musical theater is more than just the sum of good vocal tone and correct notes. As experienced teacher, director, and performer Mark Ross Clark lays out in The Broadway Song, powerful performance communicates the central function of a song within the context of the surrounding narrative, or the "truth" of a song. Because unstaged performances of a song, such as auditions, are key to the success of all aspiring singers, Clark provides here the essential practical manual that will help performers choose the right pieces for their vocal abilities and identify the key truths of them. Clark begins by walking readers conceptually through how a song's truth is based in contexts: what show is a song from? Which character sings it? When in the show does it occur? Answering these questions will lead readers to more convincing performances that are grounded in the text, music, character, context, and larger environment (setting, time frame, and circumstances). The Broadway Song provides a comprehensive guide to the formal characteristics of key Broadway songs on a song-by-song basis, including main voice type, secondary voice qualities (such as soprano-lyric or alto-comic), range and tessitura, as well as larger contextual materials about the source - from the musical's background, information about the character singing, and synoptic narrative information for the song - that provide the performer a way into the character. Clark moreover brings his wide-ranging and extensive experience as a director, performer, and teacher to bear in his performance notes on the individual pieces. Additionally, he includes excerpts from short interviews with artists that provide insight into the song from the perspective of those who first created (or re-created) it. The interviews, conducted with composers, lyricists, performers, and - in one case - book collaborators, are snapshots into the creative process, and act as conduits to further study of the selected songs.

Covers of Gold is the third ground-breaking book about collectible sheet music by Marion Short. Exciting new categories covered in this book include baseball music, the evolution of fashion, the Big Band era, and the elusive sheet music cover illustrators. These subjects and more are accompanied by over 550 full color photographs of the actual music, encompassing the approximate time span of 1900 to 1940. Covers of Gold follows the success of Marion Short's first two books, The Gold in Your Piano Bench and More Gold in Your Piano Bench also available from Schiffer Publishing.

The largest Satie collection of piano works yet published, 17 in all, reprinted from the original French editions.

Full score for John Rutter's joyful, sprightly carol Rejoice and sing!, which has been offprinted from Sir David Willcocks: A Celebration in Carols. With its uplifting 7/8 time signature, memorable melody, rich and diverse textures, and delightful orchestral accompaniment, this carol is a fitting tribute to one of the great names synonymous with Christmas: David Willcocks.

for SATB (with divisions) and piano or organ The third movement of McDowall's powerful Da Vinci Requiem, I obey thee, O Lord is a compelling pairing of the 'Lacrimosa' text from the Latin Missa pro defunctis with extracts from the Notebooks of Leonardo da Vinci, and has a poignant, tender simplicity. The composer has reworked the keyboard part from the parent work to facilitate performance by piano or organ.

Pepperbox Jazz: Book 1, by Australian-based composer, teacher and writer Elissa Milne, explores the sounds, moods and rhythms of the twenty-first century. These 14 evocative and humorous pieces in a variety of jazz styles are composed especially for the Grade 4-6/ Late Intermediate pianist. Elissa Milne is one of the liveliest voices in educational piano music and her Little Peppers series of colourful jazz miniatures has made a huge impact on the UK teaching scene. Pepperbox Jazz Book 1 and Book 2 is the perfect next-step for players who've enjoyed Little Peppers.

Premiering in 1975 and the hit of the 1997 Broadway season in a production that originated at City Center's Encore! series, Chicago won six Tony Awards including Best Revival and later the Academy Award as Best Picture of the Year. In roaring twenties Chicago, chorine Roxie Hart murders a faithless lover and convinces her hapless husband Amos to take the rap...until he finds out he's been duped and turns on Roxie. Convicted and sent to death row, Roxie and another "Merry Murderess" Velma

Play everybody's favorite songs The 300 pages of piano/vocal/guitar sheet music in this collection allow music makers to bring dozens of the most memorable songs of the 1960s, '70s, and early '80s to life. Classic rock fans who love to play will have a blast applying their talent to more than 40 enduring songs made famous by legendary artists like The Beatles, David Bowie, Journey, Led Zeppelin, Pink Floyd, The Rolling Stones, Rush, The Who, and many more. The arrangements feature piano parts that accurately reflect each song's familiar original recording. Basic chord fingering grids are provided for optional guitar accompaniment, along with vocal melodies and complete lyrics. Titles: 50 Ways to Leave Your Lover (Paul Simon) * Africa (Toto) * All Along the Watchtower (Jimi Hendrix) * All My Love (Led Zeppelin) * Behind Blue Eyes (The Who) * Big Yellow Taxi (Joni Mitchell) * Blinded by the Light (Manfred Mann's Earth Band) * Blowin' in the Wind (Bob Dylan) * Born to Run (Bruce Springsteen) * Bridge Over Troubled Water (Simon and Garfunkel) * Closer to the Heart (Rush) * Dancing in the Moonlight (King Harvest) * Do You Feel Like We Do (Peter Frampton) * Don't Stop Believin' (Journey) * Faithfully (Journey) * Fool in the Rain (Led Zeppelin) * From Me to You (The Beatles) * Give Up the Funk (Tear the Roof off the Sucker) (Parliament) * Going Up the Country (Canned Heat) * The Great Gig in the Sky (Pink Floyd) * I Love L.A. (Randy Newman) * I Saw Her Standing There (The Beatles) * Like a Rolling Stone (Bob Dylan) * Live and Let Die (Paul McCartney) * The Load Out (Jackson Browne) * Love Reign O'er Me (The Who) * Money (Pink Floyd) * Nights in White Satin (The Moody Blues) * Paranoid (Black Sabbath) * P-Funk (Wants to Get Funked Up) (Parliament) * Pinball Wizard (The Who) * River (Joni Mitchell) * Saturday in the Park (Chicago) * She Loves You (The Beatles) * She's a Rainbow (The Rolling Stones) * The Sound of Silence (Simon and Garfunkel) * Space Oddity (David Bowie) *

Written by drummer/educator Dave DiCenso, Universal Rhythms for Drumset is a workbook with a concept designed to help demystify the drummer's creative process. Working from the notion that the majority of Western music is built upon five simple rhythmic phrases, DiCenso offers creative tools that demonstrate how to identify, interpret, and manipulate this five-rhythm alphabet in order to improve one's understanding of rhythm as a language and one's ability to speak it on a set of drums.
By applying an innovative eight-step "mastery system" to each lesson, the reader is challenged to go beyond muscle memory and improve cerebral skills such as pulse/space/shape awareness within any groove, fill, embellishment, or solo; getting ideas to flow seamlessly from mind to limbs to drums; understanding the space other musicians occupy to make informed musical choices and create a deeper band pocket.
Lessons that include over 500 exercises covering 28 drumming styles are all based upon only five rhythms, and all examples in the book are performed by the author on the included MP3 CD.

for SATB with organ or piano introduction This motet sets a text from John Bunyan's The Pilgrim's Progress, in which Mr Valiant-for-Truth poignantly meditates on the subject of his own approaching death. The work concludes with the protagonist passing into heaven with the choir emulating 'the trumpets [sounding] for him on the other side'. Over a decade later in 1951, Vaughan Williams's operatic adaptation of The Pillgrim's Progress was performed for the first time, reflecting his continued fondness for Bunyan's tale.

The Suzuki MethodA(R) of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Suzuki Cello School materials include: Cello Parts (Vol. 1-10) * Piano Accompaniments (Vol. 1-8) * Cassettes (Vol. 1-3, 7, & 8 performed by Tsuyoshi Tsutsumi, Vol. 4-6 performed by Ron Leonard) * Compact Discs (Vol. 1-3, 7, & 8 performed by Tsuyoshi Tsutsumi, Vol. 4-6 performed by Ron Leonard). Suzuki MethodA(R) Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.

This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.