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Books > Arts & Architecture > Music > Musical scores, lyrics & libretti
Giuseppe Fortunino Francesco Verdi (1813-1901) was an Italian
Romantic opera composer, best known for Rigoletto, La Traviata, and
Aida -- an Ethiopian princess, who is captured and brought into
slavery in Egypt. A military commander, Radames, struggles to
choose between his love for her and his loyalty to the Pharaoh.
Antonio Ghislanzoni (1824-1893) was an Italian journalist, poet,
and novelist who wrote librettos for Verdi, among other composers,
of which the best known are Aida and the revised version of La
Forza del Destino.
Giuseppe Fortunino Francesco Verdi (1813-1901) was an Italian
Romantic opera composer, best known for Rigoletto, Aida, and La
Traviata -- which follows the life, lioves and death of a
courtesan, Violetta, from tuberculosis. Francesco Maria Piave
(1810-1876) was an Italian opera librettist who worked with many of
the significant composers of his day, writing 10 libretti for
Verdi.
This study of Bob Dylan's art employs a performance studies lens,
exploring the distinctive ways he brings words and music to life on
recordings, onstage, and onscreen. Chapters focus on the
relationship of Dylan's recorded performances to the historical
bardic role, to the American popular song tradition, and to rock
music culture. His uses of both stage and studio to shape his
performances are explored, as are his forays into cinema. Special
consideration is given to his vocal performances and to his use of
particular personae as a performer. The full scope of Dylan's body
of work to date is situated in terms of the influences that have
shaped his performances and the ways these performances have shaped
contemporary popular music.
Chorus directors are always on the look-out for approachable show-stopping concert pieces guaranteed to evoke cries of 'Encore!'. In this anthology for mixed voices are 24 such numbers ranging in character from classic, sentimental leave-taking items, through humorous or quirky pieces, to exciting fast-moving numbers that are sure to delight singers and audiences alike. There's an excellent mix of unaccompanied items (all with piano reductions) and accompanied pieces. Contents: Banquet Fugue John Rutter; Christopher Robin is saying his prayers Andrew Carter; Drunken sailor Jonathan Willcocks; Geographical Fugue Ernest Toch; The Gosling Frederick Bridge; Home is a special kind of feeling Bob Chilcott; I do like to be beside the seaside Andrew Carter; Irish Blessing Bob Chilcott; Italian Salad C. E. Rowley; Let's begin again John Rutter; Londonderry Air Bob Chilcott; The Lost Chord Peter Gritton; The Mermaid John Whitworth; Name that tune Grayston Ives; Old McDonald had a farm George Mitchell; Quick! We have but a second Charles V. Stanford; Rejection John Gardner; Sourwood mountain John Rutter; Steal away Bob Chilcott; The Teddy Bears' Picnic Andrew Carter; Tequila Samba Guy Turner; Two for the price of one Andrew Carter; Viva la musica Iván Eröd
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Resilience
(Sheet music)
Chris M Bernotas
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* Features over thirty contributors from a diverse range of
backgrounds within the field of composing for film and TV from
across the world. * Illustrates how students and aspiring
professionals can break into the industry and apply the technical
skills they have. * Provides accessible and relatable perspectives
on topics such as how to break into the field; how to develop,
nurture, and navigate business relationships; and how to do
creative work under pressure.
Anyone who grew up watching Sesame Street on public television will
quickly be able to identify the inspiration for Avenue Q. Most of
the characters in the show are puppets, and the set depicts several
tenements on a rundown street in New York City. Several characters
are parodies of Sesame Street regulars: for example, the roommates
Rod and Nicky are based on Bert and Ernie, while Trekkie Monster is
based on Cookie Monster. However, these characters are in their
twenties and thirties and face adult problems; despite the fuzzy
faces, this is not a children's show. After a run lasting more than
six years and 2,534 performances, the Broadway production of Avenue
Q ranks in the top 25 longest running shows in Broadway history and
continues to have productions run worldwide.
All five books of The Complete Piano Player series are published in
this single volume at a substantial savings over the price of the
five individual books. Complete with keyboard chart.
The 'Pump Boys' sell high octane on Highway 57 in Grand Ole Opry
country and the 'Dinettes', Prudie and Rhetta Cupp, run the Double
Cupp diner next door. Together they fashion an evening of country
western songs that received unanimous raves on and off Broadway.
With heartbreak and hilarity, they perform on guitars, piano, bass
and, yes, kitchen utensils.
Studies are an established part of every instrumentalist's
training. They place technical problems in musical contexts, and
can be invaluable aids to development. 76 Graded Studies for Flute
brings together in two books a broad selection of repertoire in a
variety of styles, from Camus to Telemann. Also included are a
number of specially composed studies by Paul Harris that introduce
aspects of 20th-century style and considerably extend the scope of
the selection. It is a must-have resource for all students and
teachers. 76 Studies for Flute Book One are arranged in order of
increasing difficulty, according to a carefully planned technical
progression from Grades 1-5 standard. **ABRSM selected piece (Flute
2018-2021): Hessian Dance.
Perfect Italian Diction for Singers: An Authoritative Guide
provides the steps and tools for singing beautifully and
expressively in this language. Timothy Cheek and Anna Toccafondi
systematically home in on the essential features of the most
beautiful Italian, pitfalls of non-native singers, and how to
overcome those issues. In addition to delving to the heart of
Italian sounds and inflection, they present controversies,
misconceptions, and various approaches--often conflicting--that
have arisen throughout the last century. Chapters also address:
-Italian style and legato -Best use of supplemental resources and
dictionaries -Recitative with suggested, short Mozart excerpts
-Working with text -Singing diphthongs, triphthongs, and hiatus
Also included are a plethora of audio and video examples and
exercises (over seventy QR codes), exercises for group or
self-study, and self-assessment summaries. This book will help
singers and students lay a solid foundation in beautiful, lyric
Italian.
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