Cello Basics is a landmark method by two of the leading figures in music education. Comprising the student's lesson book, free downloadable accompaniment parts, and online audio, Cello Basics provides everything you need to get playing: step-by-step technical progression supported by fun exercises and warm-ups, a wide range of imaginative repertoire, helpful fact files and rhythm boxes, music theory and general musicianship activities, online audio of the piano accompaniments, and downloadable accompaniments (piano and cello duet parts)

This songbook contains every song recorded by The Smiths specially arranged in the original keys. Each song includes chord symbols, guitar chord boxes and complete lyrics.

for SATB, piano, and optional guitar, bass, and drum kit Samba Mass is a joyous and colourful setting of the Latin Missa brevis. The work is framed by the gentle bossa nova style of the warm Kyrie and relaxed Agnus Dei, which is prefaced by a funky Benedictus. The compelling rhythms of samba come to the fore in the second movement, a vivacious Gloria, which is followed by a beautiful Sanctus that offsets a steady flow of quavers with rhythmic syncopations. The stylistic piano part can be played as written or serve as a guide, and an optional guitar, bass, and drum kit part is available separately for band accompaniment. Performers will enjoy exploring the interplay between voices and the rich, warm colours of the samba and bossa nova styles. This work was originally commissioned in a version for upper voices by the New Orleans Children's Chorus, Cheryl Dupont, Director, in celebration of the 20th anniversary of the Crescent City Choral Festival, June 2019.

(Piano Collection). This new volume in Schirmer's Library of Musical Classics presents 26 preludes, 21 nocturnes and 19 waltzes a large amount of music at a value price. There are new urtext editions of seven pieces included, not edited by Joseffy in his original Schirmer editions: Prelude in A-flat Major (1834), Nocturne in C-sharp minor (1830), Nocturne in C minor (1837), and Waltzes in A-flat Major (1830), E-flat Major (1830), E-flat Major (1840), and A minor (1843).

All the songs from Can't Buy a Thrill, Countdown to Ecstasy, Pretzel Logic, Katy Lied, The Royal Scam, Aja and Gaucho - 62 songs in all! Includes: Reelin' in the Years * Rikki Don't Lose That Number * Aja * Deacon Blues * Peg * Hey Nineteen.

(Choral). This is the rhythm game you've been waiting for The rhythms are divided into two levels of difficulty and each of the 48 cards features a common rhythm pattern. Both sides of the cards are laminated for durability and for use with wipe-away dry erase markers. This allows you to create your own rhythm patterns for students to read, or for the students to use in learning to write notes and rhythms, rhythmic dictation, and a variety of other fun rhythm activities. Grades 3-8.

Understanding Game Scoring explores the unique collaboration between gameplay and composition that defines musical scoring for video games. Using an array of case studies reaching back into the canon of classic video games, this book illuminates the musical flexibility, user interactivity and sound programming that make game scoring so different from traditional modes of composition. Mack Enns explores the collaboration between game scorers and players to produce the final score for a game, through case studies of the Nintendo Entertainment System sound hardware configuration, and game scores, including the canonic scores for Super Mario Bros. (1985) and The Legend of Zelda (1986). This book is recommended reading for students and researchers interested in the composition and production of video game scores, as well as those interested in ludo-musicology.

40 really easy arrangements of popular classical tunes graded in order of increasing difficulty. Children (and adults ) will enjoy learning them as a welcome break from slogging away at all those exam pieces.

(Book). Jimi Hendrix was such an extraordinary guitarist, it can be easy to forget that just as much passion, soul, and precision went into his lyrics. Inspired by Bob Dylan, Hendrix was a fearless lyrical innovator, willing to let his imagination guide him to landscapes hitherto unexplored within the realm of pop music. From the existential euphoria of "I Don't Love Today" to the elusive beauty of "Little Wing" to the psychedelic blues of "My Friend" to the otherworldly "1983 (A Merman I Should Turn to Be)," his lyrics remain among the greatest in the pantheon of rock, infused with the same inventiveness, virtuosity, and courage that informed his guitar playing. Here are all the words to the Hendrix classics you've rocked along to for years, as well as unpublished songs from Valleys of Neptune and other hitherto undiscovered sources. Jimi Hendrix: The Ultimate Lyrics Book, compiled by Janie L. Hendrix, is extraordinarily personal. It includes numerous examples of Jimi's handwritten lyrics, often scribbled on hotel stationery, as well as photos of Jimi to accompany every song. Much of this material has never been seen before. Jimi Hendrix: The Ultimate Lyrics Book will give you a glimpse of the lyricist behind the songs, a songwriter whose words were just as searing as his solos.

Firmly rooted in Paul Harris' Simultaneous Learning approach, this new edition of Improve your sight-singing! Grades 1-3 is designed to help overcome all the stumbling blocks to successful sight-singing. Step by step you will build up a complete picture of each piece, firstly through rhythmic, melodic and technical exercises, then by making connections to your wider music-making, studying prepared pieces and finally 'going solo' with a series of meticulously graded sight-singing pieces. These editions of the best-selling Improve your sight-singing! series have been simplified into two (midrange) volumes, making them suitable for instrumentalists who wish to improve their singing as well as for singers preparing for sight-singing in vocal exams. The books feature over 100 completely new practice exercises throughout and have been brought up to date to match the latest ABRSM sight-singing criteria.

At long last, the secrets of David Garibaldi's groundbreaking funk/jazz fusion drumming techniques are presented in this innovative book and CD. Whether you play rock, heavy metal, jazz or funk, you'll learn how to incorporate Garibaldi's contemporary "linear" styles and musical concepts into your playing as you develop your own unique drumset vocabulary. Funk/Jazz techniques are highlighted in chapters on development of the "Two Sound Level" concept, Four-Bar Patterns, Groove Playing and Funk Drumming, followed by a series of challenging exercises which include 15 Groove Studies and 17 Permutation Studies. These techniques are combined with modern musical ideas that will help you build a solid foundation and add finesse to your bag of tricks.

The beginning bass singer, with his range and tessitura at the bottom end of the scale of voices, has unique difficulties finding suitable vocal music, which is often very frustrating for him and his teacher. As the young or beginning bass works and waits patiently for his voice to develop, appropriate vocal literature needs to be found which is within his present range and tessitura. To address this problem, this new book lists selected songs carefully chosen from the repertoire, with annotations. Some songs, given as an illustration or example of what is appropriate, are presented in their entirety. Each of these has its own background material complete with interesting biographical information and tips on interpretation. If the song is originally in a foreign language a suitable English version is given as well. In addition, the selected entries provide full access to suitable material; annotations include composer, title, range, tessitura, tempo, meter, difficulty, source, publisher, and pertinent comments. Also includes indexes by composer, title, and publisher.

Amy Beach was celebrated during her lifetime as the foremost female composer of the United States, and her writing was frequently inspired by the folk music of America and Britain. Originally for piano, her Scottish Legend evokes Scotland in its wistful melody, adorned by Scotch snaps and conveying a folk-like atmosphere, but spiced up with a few late-Romantic harmonies. Contrasts between major and minor are also used to telling effect in this gently attractive piece, sympathetically arranged for the organ by Robert Gower.

Initially based on Scenes de la vie de boheme (1851), La boheme follows the trials and tribulations of young artists struggling to make ends meet. Despite their circumstance, they celebrate small wins, while seeking love and opportunity. La boheme is an Italian opera that centers a group of up-and-coming artists. This includes Rodolfo, a poet, Mimi, a seamstress, Marcello, a painter and Musetta, a singer. Together, they attempt to earn a living from their respective crafts. Rodolfo and Marcello struggle to maintain their relationships with Mimi and Musetta, who are likely to attract wealthier suitors. In the midst of romance troubles and a professional drought, Mimi's health becomes a cause for concern. La boheme is a captivating story about friendship, love and survival. Giuseppe Giacosa and Luigi Illica's opera offers a compelling narrative with memorable moments. It's a romantic tale that highlights hope in the face of tragedy. With an eye-catching new cover, and professionally typeset manuscript, this edition of La boheme is both modern and readable.

Janie Annie is an overzealous schoolgirl who plans to win the hearts and minds of the student body before revealing her true character and intent. She has a rare skill that allows her to subvert authority and any subsequent punishment. Janie Annie attends a small boarding school near a college town. The all-girl facility is run by Miss Sims who is very strict and powerful. When one of the students reveals a secret to her peers, Janie Annie runs to Miss Sims and discloses the information. Janie Annie attempts to foil one mischievous plot after another, earning the trust of the school's staff. When she wins the coveted Good Conduct Prize, Janie Annie changes her tune to reveal a darker, more sinister side. Everything isn't always as it seems. Janie Annie, or The Good Conduct Prize is a two-act play that shows the evolution of an ambitious girl who takes desperate measures to achieve her goals. This is a compelling and entertaining story with a surprising end. With an eye-catching new cover, and professionally typeset manuscript, this edition of Janie Annie, or The Good Conduct Prize is both modern and readable.

Babes in Toyland (1903) is a libretto by Glen MacDonough. Written for an operetta composed by Victor Herbert, MacDonough's libretto is a story for children and adults alike. Taking inspiration from beloved Mother Goose nursery rhymes, MacDonough crafted an American classic that has been adapted countless times for theater, film, and television. As though losing their parents wasn't traumatic enough, Alan and Jane are forced to live with their wicked Uncle Barnaby. When he becomes aware of the massive fortune they stand to inherit, he hatches a plan to get them out of the way. Sent to sea with sailors Gonzorgo and Roderigo, Alan and Jane are soon lost in a terrible shipwreck. Somehow, they survive and are taken to the garden of Contrary Mary-who had nearly been forced to marry Barnaby. When their Uncle discovers their location, Alan and Jane are kidnapped and taken to the Forest of No Return, where a benevolent queen offers to protect them from the treacherous Spider's Den. Eventually, the children make their way to Toyland, where they must make a final stand against Barnaby and the Master Toymaker. Babes in Toyland is a tale of romance and adventure from Glen MacDonough, a legendary figure of early Broadway. With a beautifully designed cover and professionally typeset manuscript, this edition of Glen MacDonough's Babes in Toyland is a classic of American children's fiction reimagined for modern readers.

Contents: Allegro from Concert in A Major (C.P.E. Bach) * Allegro Moderato (Boccherini) * Sonata XI in d minor (Frederick the Great) * Allegro (Andre E.M. Gretry) * Adagio (Jean-Marie LeClair) * Adagio and Gigue (Jean-Baptisti Loeillet) * Sonata in F Major (Johann Christoph Pepusch) * Allegro spiritoso (Pergolesi) * Arioso (Johann Jaochim Quantz) * Concerto in G Major (Karl Stamitz) * Concerto in G Major (Giuseppe Tartini) * Concerto in D Major, "Il Cardellino" (Vivaldi).

This comprehensive method of music instruction enables the beginner to progress to an advanced stage of technical skill.

This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.

Titles: Sonata in C Major, Op. 40, No. 1 (Allegro, Rondo grazioso) (J.B. Br?val) * Adagio and Allegro from the Sonata in E minor, Op. 1, No. 2 (B. Marcello) * Minuets from the Suite in G Major, BWV 1007 (J.S. Bach) * Tonalization * Chanson Triste, Op. 40, No. 2 for Piano (P. I. Tchaikovsky).
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