Contents:
Chapter 1 Off Broadway: 'There Comes a Time', 'Jolly Theatrical Season', 'In The Sack', 'My Type', ' I Wish I Could Say', 'Two a Day', That's Judy Garland', ' Our Hearts Belong to Mary', 'As for the Future I'll Dance', 'The Girls Who Sit and Wait', Chapter 2: Milk and Honey, 'Shalom', 'Milk and Honey', 'There's No Reason in the World', 'Chin Up Ladies', 'That Was Yesterday', 'Let's Not Waste and Moment', 'Like a Young Man', 'I Will Follow You', 'Hymn to Hymiw', 'Finale Act II', Chapter 3 Hello, Dolly!, 'Opening', 'I Put My Hand In', 'Put on Your Sunday Clothes', 'Ribbons Down my Back', 'Dancing', 'Before the Parade Passes By', 'Hello, Dolly!', 'Come and Be My Butterfly', 'It Only Takes a Moment', 'So Long Dearie', 'A Penny in My Pocket', 'Love Look in My Window', 'World Take Me Back', 'Just Leave Everything to Me', 'Love is Only Love', Chapter 4 Mame, 'St. Bridget', 'It's Today', 'Open a New Window', 'The Man in the Moon', 'My Best Girl', 'We Need a Little Christmas', 'The Fox Hunt', 'Mame', 'Opening of Act II', 'Bosom Buddies', 'Gooch's Song', 'That's How Young I Feel', 'If He Walked into My Life', 'It's Today', 'Loving You', Chapter 5 Dear World, 'The Spring of Next Year', 'I'll Be Here Tomorrow', 'I Don't Want to Know', 'I Never Said I Loved You', 'Garbage', 'Dear World', 'Kiss Her Now', 'The Tea Party', 'And I Was Beautiful', 'One Person', 'Have a Little Pity on the Rich', 'Through the Bottom of a Glass', 'Just a Little Bit More', 'A Sensible Woman', Chapter 6Mack and Mabel 'Movies Were Movies', 'Look What Happened to Mabel', 'Big Time', 'I Won't Send Roses', 'I Wanna Make the World Laugh', 'Mack and Mabel', 'Wherever He Ain't', 'Hundreds of Girls', 'When Mabel Comes in the Room', 'Hit 'Em on the Head', 'Time Heals Everything', 'Tap Your Troubles Away', 'I Won't Send Roses', 'I Promise You a Happy Ending', Chapter 7 Grand Tour, 'I'll Be Here Tomorrow', 'Two Possibilities', 'For Poland', 'I Belong Here', 'Marianne', 'We're Almost There', 'More and More/Less and Less', 'One Extraordinary Thing', 'I Think I Think', 'You I Like', 'I Belong Here', Chapter 8, La Cage Aux Folles, 'We Are What We Are', 'Mascara', 'With Anne on My Arm', 'Song on the Sand', 'La Cage Aux Folles', 'I Am What I Am', 'Masculinity', 'Look Over There', 'Dishes', 'The Best Of Times', Chapter 9 Mrs. Santa Claus, 'Mrs. Santa Claus', Avenue A', 'A Tavish Toy', 'Almost Young', ' Mrs. Santa Claus', 'We Don't Go Together At All', 'Whistle', 'He Needs Me', Chapter 10 Miss Spectaular, 'Miss What's Her Name', 'Las Vegas', 'Ziegfeld Girl', 'Sarah Jane', 'Where in the World is My Prince', 'No Other Music', 'I Want to Live Each Night', 'Miss Spectacular', 'My Great Dream', Chapter 11 Broadway Miscellaneous, 'Let's Go to the Movies', 'Nelson', 'Take it all Off', 'Jerry's Girls', 'To Be Alone with You', 'Too Charming', 'I'll Be Here Tomorrow'

A major publishing event--a beautiful, comprehensive collection of the lyrics of Bob Dylan with artwork from thirty-three albums, edited and with an introduction by Christopher Ricks.
As it was well put by Al Kooper (the man behind the organ on "Like a Rolling Stone"), "Bob is the equivalent of William Shakespeare. What Shakespeare did in his time, Bob does in his time." Christopher Ricks, editor of T. S. Eliot, Samuel Beckett, Tennyson, and The Oxford Book of English Verse, has no argument with Mr. Kooper's assessment, and Dylan is attended to accordingly in this authoritative edition of his lyrics.
In the words of Ricks: "For fifty years, all the world has delighted in Bob Dylan's books of words and more than words: provocative, mysterious, touching, baffling, not-to-be-pinned-down, intriguing, and a reminder that genius is free to do as it chooses. And, again and again, these are not the words that he sings on the initially released albums."
This edition changes things, giving us the words from officially released studio and live recordings, as well as selected variant lyrics and revisions to these, recent revisions and retrospective ones; and, from the archives, words that, till now, have not been published.
"The Lyrics," edited with diligence by Christopher Ricks, Lisa Nemrow, and Julie Nemrow. As set down, as sung, and as sung again.

Rhapsody in Blue received its premiere in a concert entitled 'An Experiment in Modern Music' held on the 12th February 1924 in the Aeolian Hall, New York, by Paul Whiteman and his band with Gershwin playing the piano. This version is for piano solo and was made by the composer himself in 1927.

for soloists, SATB, children's chorus and orchestra with Chinese flute and erhu This opera in four acts is based on an ancient Chinese myth about a snake-shaped spirit that attains human form to experience love. The English libretto by Cerise Lim Jacobs sensitively adapts the story for modern audiences, and Zhou Long's music uses both Western and Chinese sounds to create a pioneering cross-cultural opera. Long was awarded the 2011 Pulitzer Prize for Music for Madame White Snake, and the Pulitzer jury described the work as 'a deeply expressive opera that draws on a Chinese folk tale to blend the musical traditions of the East and the West.' Madame White Snake was first staged by Opera Boston on 26 February 2010 at the Culter Majestic Theatre, Boston, USA, and received its first Chinese staging at the Beijing International Festival on 10 October 2010, Beijing, China.

Lyrics and guitar chords for nearly 1,200 songs are arranged in a compact, easy-to-use format in this comprehensive collection. Folk revival favorites; Broadway show tunes; Beatles' songs; hymns, spirituals, and gospel standards; songs about peace, freedom, labor, and the environment are among the types of songs included. This revised and retypeset large-print version of the enormously popular songbook makes this essential resource easy to read and useful in leading large and small groups.

A collection of Einaudi's finest works from every album, transcribed for piano solo.

for SSA or SSS and organ or strings Originally published in a version for mixed voices, this much-loved Rutter carol has been adapted by the composer for performance by upper-voice choirs. Full scores and sets of parts, specially composed for the upper-voice version, are available on sale and on hire/rental.

Helps musicians know what to do with specific chords in specific contexts. Lays out clear and objective guidelines on how to turn scales and chords into real music. Perfect for a college or high school improvisation class!

The Viola da Gamba Society Thematic Index of Music for Viols (ed. Gordon Dodd), 1980-92 (and continuing), is composer-based. The present volume initiates a companion project to catalogue manuscripts containing consort music. The editors are all highly experienced in the field and have newly examined all sources. Volume 1 features over 50 MSS whose copyists or owners are known: Bing, Hutton, Jenkins, Le Strange, Lilly, Merro, North. As well as a detailed inventory of every book (with anonymous work identified where possible), the descriptions include information on date, size, binding, paper, rastra, watermarks, collations, scripts, inscriptions and provenance, together with bibliographical references. Brief notes on the owners and copyists are provided. Of particular importance is the inclusion of facsimiles of all hands. Also included is a comprehensive study and illustration of watermarks by Robert Thompson (serving for the whole series). With some printed catalogues such as the British Library and Christ Church, Oxford, now nearly 100 years old, this new and comprehensive study will be an invaluable tool for future research.

for CCBar, piano, and opt. alto sax Red Boots On is a funky setting of a poem by Kit Wright, brought to life by Chilcott's jazzy chords and groovy syncopated rhythms. The melody begins in unison and grows in texture throughout the piece, and is accompanied by a characterful piano part. This new arrangement for cambiata voices also includes an optional alto saxophone part. Also available in a version for upper voices and piano.

Featuring in-depth lessons and 40 great jazz classics, the Hal Leonard Jazz Guitar Method is your complete guide to learning jazz guitar. This book uses real jazz songs to teach you the basics of accompanying and improvising jazz guitar in the style of Wes Montgomery, Joe Pass, Tal Farlow, Charlie Christian, Jim Hall and many others. Lesson topics include: chords and progressions; scales and licks; comping and soloing styles; chord-melody; intros and endings; technique; equipment and sound; and more! Songs include: Satin Doll * Take the "A" Train * Billie's Bounce * Impressions * Bluesette * My One and Only Love * Desafinado * Autumn Leaves * Watch What Happens * Misty * Song for My Father * and more. The CD contains 99 tracks for demonstration and play-along. "Highly Recommended." - Just Jazz Guitar "Filled with well-written examples ... bask in the glory of having a lot of great material at your fingertips." - Downbeat

This comprehensive collection for all guitarists includes 100 songs in genres from jazz standards, to pop/rock favorites, Motown masterpieces and movie music, to traditional tunes, country numbers and classical pieces. Notation styles include: note-for-note transcriptions (Blue on Black * Give Me One Reason * Sweet Child O' Mine * Wild Thing); Easy Guitar with Notes and TAB (Building a Mystery * Circle of Life * Day Tripper * Fur Elise * Misty * Torn * Walk This Way); Easy Guitar (Boot Scootin' Boogie * I Shot the Sheriff * My Favorite Things * Unchained Melody); Chord Melody Guitar (Alman * Bourree * Estudio); Fingerstyle Guitar (Amazing Grace * Greensleeves * My Heart Will Go On); and Guitar Riffs (Angie * Brown Eyed Girl * Here Comes the Sun * Layla * My Girl); and more! Essential for every player!

(Southern Music). One of the most important collections of flute repertoire available today. It contains six of the most widely performed Sonatas composed by Johann Sebastian Bach (1685-1750). They have been skillfully edited by Jean Albert de la Tournerie and John Wummer.

for SATB and organ Setting a section from The Blessed Virgin Compared to the Air we Breathe by Gerard Manley Hopkins, this Marian piece opens with an extended soprano passage, underpinned by soft yet characterful organ writing. Several hallmarks of Jackson's style are evident, including soaring, melismatic soprano lines, sonorous harmonies, and repeated organ motifs. The result is a captivating and emotive work for church and concert use.

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

(Piano Method). Contents: Arabesque No. 2 * Ave Maria * Ballade * Barcarolle * Consolation, Op. 33, No. 1 (Karg-Elert) * Douce Plainte * Innocence * Inquietude No. 18 * L'adieu * L'harmonie des Anges * L'hirondelle * La Babillarde * La Bergeronnette * La Candeur * La Chasse * La Chevaleresque * La Gracieuse * La Petite Reunion * La Styrienne * La Tarentelle * Le Courant Limpide * Le Retour * Pastorale No. 3 * Progres * Tendre Fleur.

With a voice that Pitchfork has called "as scratchy as a three-day beard yet as supple and pliable as moccasin leather," former Screaming Trees and Queens of the Stone Age vocalist Mark Lanegan draws frequent comparisons to wounded masters of doom like Tom Waits, Nick Cave, and Leonard Cohen. But Lanegan's talents aren't limited to his vocal skills. His lyrics are on par with the best of them, exploring with Blakeian insight the stark and scorched emotional terrain that exists somewhere beyond sadness, addiction, trauma, and spiritual longing. Now, for the first time ever, the reclusive singer presents a comprehensive look at his lyrics, the stories behind them, and the making of his albums as well as photos, insights, and ephemera from a long career in rock 'n' roll, I Am the Wolf gives fans a rare and candid glimpse into the inner workings of a living-and singular-rock legend.