Selected and arranged by the author, How To Be Invisible presents the lyrics of Kate Bush in a beautiful new paperback edition featuring a new cover by illustrator Jim Kay. 'The greatest singer-songwriter of the past 40 years, whose work is complex, ethereal and filled with so many secrets that one can listen to the albums for decades and still discover new delights every time [. . .] There's not a spare word anywhere in Bush's work. Everything means something.' Irish Times

for SATB and piano Don Michael Dicie has created a straightforward, unflashy but beautiful arrangement of Lowry's famous 'How can I keep from singing?'. Dicie departs from his typical harmonic style of major and minor seventh chords for a more tertial setting. The variety of textures and its simplicity and accessibility make a lovely effect. The women sing the first verse; men, the second; both, a cappella for the third; and they finish together with piano.

The Suzuki Method of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Suzuki Viola School materials include: Viola Parts (Vol. 1-7) * Piano Accompaniments (Vol. 1-7) * Cassettes (Vol. 1-7 performed by Bill Preucil). Suzuki Method Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.

Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line,discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.

Contents are: Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * Lavender's Blue (Folk Song) * Lightly Row (Folk Song) * The Honeybee (Folk Song) * Mary Had a Little Lamb (Folk Song) * Crickets' Song (M.K. Waddington) * Lightly Row (Folk Song) * London Bridge (Folk Song) * Go Tell Aunt Rhody (Folk Song) * Silent Night (F. Gruber) * Long, Long Ago (T.H. Bayly) * Little Playmates (F.X. Chwatal) * Chant Arabe (Anonymous) * Good-bye to Winter (Folk Song) * The Good Little King of Yvetot (Folk Song) * Andante (M.K. Waddington) * Christmas-Day Secrets (T. Dutton) * Allegro (Shinichi Suzuki) * Musette (Anonymous) * Gigue (M.K. Waddington).

(Piano Solo Songbook). 100 pop and classical standards that every piano player should master, including: Air on the G String * Bridge over Troubled Water * Canon in D * Clair de Lune * Fields of Gold * Fur Elise * I Dreamed a Dream * I Will Always Love You * Imagine * Lullaby of Birdland * Memory * Misty * Moon River * On My Own * Over the Rainbow * The Shadow of Your Smile * Smile * Stardust * Summertime * Sunrise, Sunset * Time After Time * Unexpected Song * The Way You Look Tonight * We've Only Just Begun * What a Wonderful World * Yesterday * You Raise Me Up * Your Song * and more

Brighten the world with music For pianists of all ages, this deluxe collection contains sheet music for 40 of the most beautiful songs ever written. Popular ballads, timeless standards, classic show tunes and graceful movie themes assure a lifetime of musical pleasure.
Titles: Angel Eyes (Jim Brickman) * As Time Goes By (from Casablanca) * At Last (Etta James) * Because You Loved Me (Celine Dion) * Bewitched, Bothered and Bewildered (Cole Porter) * Bridge over Troubled Water (Simon and Garfunkel) * Canon in D (Pachelbel) * Come Rain or Come Shine * Days of Wine and Roses * Endless Love (Diana Ross and Lionel Richie) * Falling Slowly (from Once) * Hero (Mariah Carey) * Home (Michael Bubl?) * How Could I Ever Know? (from The Secret Garden) * How Deep Is Your Love (Bee Gees) * How Do I Live (LeAnn Rimes) * Killing Me Softly with His Song (Roberta Flack) * La Vie en Rose (Edith Piaf) * Laura (Johnny Mercer) * Leaving on a Jet Plane (Peter, Paul, and Mary) * Love Story (Where Do I Begin) * Love Will Lead You Back (Taylor Dayne) * Misty (Johnny Mathis) * The Notebook (from The Notebook) * On the Street Where You Live (Lerner/Loewe) * Open Arms (Journey) * Over the Rainbow (Judy Garland) * People (Barbra Streisand) * The Prayer (Andrea Bocelli and Celine Dion) * The Promise (Jim Brickman) * Right Here Waiting (Richard Marx) * The Shadow of Your Smile (Mandel/Webster) * Summertime (Gershwins) * Take My Breath Away (from Top Gun) * Un-Break My Heart (Toni Braxton) * Valentine (Martina McBride and Jim Brickman) * Wind Beneath My Wings (Bette Midler) * You Light Up My Life (Debby Boone) * You Needed Me (Anne Murray) * You Raise Me Up (Josh Groban).

Contains some of the most popular pieces ever written for guitar, including MalagueAa, El Testamento de Amelia, Lagrima and Recuerdos de la Alhambra. Helpful playing tips and plenty of fingerings are included, making this your ultimate source for Spanish guitar pieces. Every piece is written in standard music notation and easy-to-read tablature showing exactly where each note should be played on the guitar.

for SATB choir and organ This appealing motet for SATB choir and organ accompaniment was written in aid of Macmillan Cancer Support. Although the prevailing mood of the gently flowing music is lyrical, with an atmosphere of loving peacefulness, William Blake's Lullaby is not without its darker undertones, and they too are explored, with one or two bold harmonic touches.