A compact collection of 86 beloved holiday favorites in one bargain-priced book! Includes: As Long as There's Christmas * Baby, It's Cold Outside * The Chipmunk Song * The Christmas Shoes * The Christmas Song * Cold December Nights * Frosty the Snow Man * The Gift * Happy Holiday * Home for the Holidays * I've Got My Love to Keep Me Warm * It's Beginning to Look like Christmas * Merry Christmas, Darling * Rockin' Around the Christmas Tree * Silver Bells * We Need a Little Christmas * Where Are You Christmas? * Who Would Imagine a King * Wonderful Christmastime * and more. Also includes a section of guitar chord diagrams.

The Best of Eva Cassidy features four pages of color photographs, and a heartwarming introduction written by her father. Titles are: Ain't No Sunshine * At Last * Autumn Leaves * Blue Skies * Blues in the Night * Dark End of the Street * Easy Street Dream * Fields of Gold * How Can I Keep from Singing? * Kathy's Song * Need Your Love So Bad * Over the Rainbow * People Get Ready * Songbird * They Call It Stormy Monday * Time After Time * Way Beyond the Blue * What a Wonderful World.

Rabindranath Tagore composed over 2000 songs that are revered and sung by Bengalis everywhere. However, they remain mostly unknown to listeners from other communities. This book brings the Nobel Laureate's unique music - Rabindrasangit - to a global audience, with a lucid introduction by Ananda Lal as well as selected songs in international transcription and English translation. It includes an essay written originally in Bengali by the celebrated filmmaker Satyajit Ray, himself a Tagore student and music composer. Ray presents his thoughts on Rabindrasangit, its nuances, music, history, and usage. Lal has also translated this essay into English for the first time. The book also presents for the first time faithful staff notations of all 41 songs in three of Tagore's major plays - Rakta-karavi, Tapati, and Arup Ratan - providing a thematic unity to the music section. This volume will be of interest to Tagore and Ray enthusiasts and specialists, musicologists, and students of music, theatre, literature, performance studies, and cultural studies. It will appeal not only to scholars but to general readers wanting to know more about Tagore's songs, as well as directors, arrangers, composers, and singers who may wish to perform or interpret the songs transcribed.

Vaughan Williams's famous romance for solo violin and orchestra is given new life in this beautiful arrangement. For the first time, violinists can perform the original solo line as part of a string quartet, while also joining the other players for the longer tutti sections. Perfect as a rehearsal tool in preparation for a larger-scale orchestral concert, the arrangement is also ideal for performance in a chamber recital.

New critical edition of complete work of 12c Occitanian troubadour Marcabru, crucial figure in development of European courtly lyric. One of the earliest troubadours, Marcabru was a remarkable artist and entertainer, and a figure of crucial importance to the development of the European courtly lyric. His blistering attacks on contemporary court society reveal anintellectual insider's view of the clash between clerical morality and the emerging secular ethics of love and courtesy. His fervent, often acerbic engagement with contemporary events also provides a unique southern perspective on political upheavals and crusading movements in twelfth-century Occitania and northern Spain. This new critical edition, the first for nearly 100 years, makes his complete corpus accessible to a wide readership, supplying translations, full critical apparatus, and copious textual notes, with a substantial glossary of Marcabru's extraordinarily inventive vocabulary. The introduction supplies historical information, discussion of the poet's language, andan analysis of the manuscript transmission. It also raises fresh issues of troubadour versification techniques in this formative period, and engages in a new way with the current debate about editorial methodology and medieval textual criticism. [Leaflet blurb - see AN]

Voiceworks at Christmas is an inspired collection of pieces for Christmas, ranging from plainsong to jazz carols, gospel songs and folk pieces to well-known carols in sparkling new arrangements, and brand new carols by living composers. With excellent practical rehearsal notes and an accompanying CD, Voiceworks at Christmas meets the needs of all choral groups and overflows with festive cheer.

The Poetry and Music of Joaquin Sabina: An Angel with Black Wings is a thoroughly researched exploration of the life, music, and song lyrics of the celebrated Spanish singer-songwriter Joaquin Sabina. Often called "the Spanish Dylan," Sabina has established his own highly poetic space over the course of his nearly fifty-years as a recording artist. Using selected song lyrics from his fifteen studio and three major live albums, Daniel J. Nappo analyzes Sabina's use of antithesis, simile, metaphor, synesthesia, rhyme, and other rhetorical and poetic devices. Nappo also devotes a chapter to Sabina's ability as a narrator and concludes the book with a comparison of Sabina's best work with that of the American singer-songwriter and Nobel laureate, Bob Dylan.

Jarvis Cocker is widely regarded as one of the most original and memorable lyricists and performers of the last three decades. Here, for the first time, is a selection of sixty-six lyrics, presented with commentary and an introduction by the man himself. In this volume, readers (and Pulp fans) will find such classic Jarvis lyrics as 'Common People', 'Disco 2000', 'Babies', 'This is Hardcore' and 'Do You Remember the First Time?' The selection, assembled by the author, reveals a sensibility that is unmistakeably Jarvis: a sometimes visceral, sometimes everyday take on love, relationships and the things we do to each other when the lights get low. Mother, Brother, Lover takes the reader on a thirty-year tour into the life, art and preoccupations of one of the great British artists of the late twentieth century. Shocking, sharp, clever and funny, it is a beautiful collection of lyrics and commentary.

Johann Pachelbel's beloved Canon, the first movement of the Canon and Gigue in D major, was completely unknown until its publication in a 1918 article in the German periodical "Archiv f r Musikwissenschaft." The first complete score and parts, edited by Max Seiffert, appeared 11 years later. Though receiving some attention, the work only rocketed to fame in the 1970s in the wake of a recording made by the French conductor Jean-Fran ois Paillard. In recent years, Seiffert's edition has come under fire due to his his fairly liberal addition of tempi and dynamics. The problem of making a definitive score is made very challenging because the composer's manuscript is lost, and the only extant source is a 19th century copy located in the Berlin State Library. The present urtext score has no added articulations, tempi or slurs. Only dynamics have been added, as a possible suggested interpretation only.

CEOL AN PH OBAIRE MUSIC OF THE PIPERS is a collection of traditional Irish dance tunes and piping pieces notated from the playing of famous players of the Irish uilleann pipes. It includes informative notes on the music, and pictures of the two dozen pipers covered by the collection. The uilleann pipes are the iconic instrument of Ireland, and the names of the players who have become masters of it are celebrated worldwide names like S amus Ennis and Willie Clancy; the traveller brothers Johnny and Felix Doran; and Patsy Touhey and Barney Delaney, who each achieved celebrity status in early twentieth-century America. Along with these are many other top-rank players known only to the enthusiast, but deserving of investigation by all lovers of traditional music. The music includes all manner of dance tunes, as well as several pieces items that pipers played just for listening, including the well-known Fox Chase which describes musically the progress of a foxhunt and the death of the fox, and the descriptive piece Gol na mBan san r ( The weeping of the women amid the slaughter ), which describes the aftermath of the Battle of Knockannus (1647) and which, having been recorded on cylinder from a Kerry piper in 1899 is the oldest surviving recording of Irish traditional music. The dates of the performances from which the music was notated span almost one and a half centuries, from the performances noted by Lord Rossmore from the Galway piper Paddy Conneely in the mid-nineteenth century, through the collections of the Feis Ceoil movement, to the performances recorded by piping enthusiasts in the 1970s. The music and commentary was prepared for publication by Breand n Breathnach and Pat Mitchell, both authorities in the field of Irish music, and was edited by Terry Moylan.

Giuseppe Fortunino Francesco Verdi (1813-1901) was an Italian Romantic opera composer, best known for Rigoletto, La Traviata, and Aida -- an Ethiopian princess, who is captured and brought into slavery in Egypt. A military commander, Radames, struggles to choose between his love for her and his loyalty to the Pharaoh. Antonio Ghislanzoni (1824-1893) was an Italian journalist, poet, and novelist who wrote librettos for Verdi, among other composers, of which the best known are Aida and the revised version of La Forza del Destino.

for cambiata (opt. div.), baritone, and piano Brooke's arrangement of this traditional sea shanty is invigorating and atmospheric. Changing voices will enjoy the theme of trains and ships in the text, as well as the boisterous call-and-response texture, which is well-supported by the piano. The verses break into a reflective a cappella section before giving way to a rousing finish!

Giuseppe Fortunino Francesco Verdi (1813-1901) was an Italian Romantic opera composer, best known for Rigoletto, Aida, and La Traviata -- which follows the life, lioves and death of a courtesan, Violetta, from tuberculosis. Francesco Maria Piave (1810-1876) was an Italian opera librettist who worked with many of the significant composers of his day, writing 10 libretti for Verdi.