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The Creative Development of J. S. Bach Volume 1: 1695-1717 - Music to Delight the Spirit (Hardcover)
Loot Price: R8,116
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The Creative Development of J. S. Bach Volume 1: 1695-1717 - Music to Delight the Spirit (Hardcover)
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This book gives an account of the individual works of one of the
greatest composers. The first volume of a two-volume study of the
music of J. S. Bach covers the earlier part of his composing
career, 1695-1717. By studying the music chronologically a coherent
picture of the composer's creative development emerges, drawing
together all the strands of the individual repertoires (e.g. the
cantatas, the organ music, the keyboard music). The volume is
divided into two parts, covering the early works and the mature
Weimar compositions respectively. Each part deals with four
categories of composition in turn: large-scale keyboard works;
preludes, fantasias, and fugues; organ chorales; and cantatas.
Within each category, the discussion is prefaced by a list of the
works to be considered, together with details of their original
titles, catalogue numbers, and earliest sources. The study is thus
usable as a handbook on Bach's works as well as a connected study
of his creative development. As indicated by the subtitle Music to
Delight the Spirit,, borrowed from Bach's own title-pages, Richard
Jones draws attention to another important aspect of the book: not
only is it a study of style and technique but a work of criticism,
an analytical evaluation of Bach's music and an appreciation of its
extraordinary qualities. It also takes account of the remarkable
advances in Bach scholarship that have been made over the last 50
years, including the many studies that have appeared relating to
various aspects of Bach's early music, such as the varied
influences to which he was subjected and the problematic issues of
dating and authenticity that arise. In doing so, it attempts to
build up a coherent picture of his development as a creative
artist, helping us to understand what distinguishes Bach's mature
music from his early works and from the music of his predecessors
and contemporaries. Hence we learn why it is that his later works
are instantly recognizable as 'Bachian'.
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