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Books > Fiction > Genre fiction > Myth & legend told as fiction
The ninth book in Harper Design's deluxe classic illustrated series-a beautiful and inventive fresh take on the Grimm Brothers' fairy tales, including "Snow White," with stunning full-color artwork and interactive features created by MinaLima, the award-winning design studio behind the graphics for the Harry Potter film franchise. Snow White and Other Grimms' Fairy Tales includes twenty-three of the most popular tales penned by German brothers Jacob and Wilhelm Grimm, taken from their original collection Children's and Household Tales, first published in 1812. Here are beloved characters, including Snowdrop (Snow White), Briar Rose (Sleeping Beauty), Ashputtel (Cinderella), Rapunzel, Hansel and Gretel, Rumpelstiltskin, The Elves and The Shoemaker, all reimagined by the brilliant award-winning designers at MinaLima. This deluxe edition is illustrated with specially commissioned artwork and includes nine extraordinary interactive features ranging from a pop-up forest and pull-tab mirror for Snow White and a wall of thorns encasing Sleeping Beauty to a three-dimensional ball gown for Cinderella and a pop-up tower for Rapunzel. Filled with marvels, this beautiful edition will enchant readers of every age and is sure to become a treasured keepsake.
In our Fairy Cabinet we have aimed at pleasing children, not 'grown-ups, ' at whom the old French writers directed their romances, but have hunted for fairy tales in all quarters, not in Europe alone. In this volume we open, thanks to Dr. Ignaz Knnos, with a story from the Turks. 'Little King Loc' is an original invention by M. Anatole France, which he very kindly permitted Mrs. Lang to adapt from "L'Abeille." -- from Andrew Lang's Preface to this volume.
Nobody really "wrote" most of the stories. People told them in all parts of the world long before Egyptian hieroglyphics or Cretan signs or Cyprian syllabaries, or alphabets were invented. They are older than reading and writing, and arose like wild flowers before men had any education to quarrel over. The grannies told them to the grandchildren, and when the grandchildren became grannies they repeated the same old tales to the new generation. Homer knew the stories and made up the 'Odyssey' out of half a dozen of them. All the history of Greece till about 800 B.C. is a string of the fairy tales, all about Theseus and Heracles and Oedipus and Minos and Perseus is a "Cabinet des F es," a collection of fairy tales. Shakespeare took them and put bits of them into 'King Lear' and other plays; he could not have made them up himself, great as he was. Let ladies and gentlemen think of this when they sit down to write fairy tales, and have them nicely typed, and send them to Messrs. Longman & Co. to be published. They think that to write a new fairy tale is easy work. They are mistaken: the thing is impossible. Nobody can write a "new" fairy tale; you can only mix up and dress up the old, old stories, and put the characters into new dresses, as Miss Thackeray did so well in 'Five Old Friends.' If any big girl of fourteen reads this preface, let her insist on being presented with "Five Old Friends."
Adolescence hasn't been fun for Liss Lawrence. And after a year in Vancouver, when she's finally adjusted to her new situation, a freak car accident sends her life spinning out of control and crashing into the world of the malions, a hidden race silently helping humanity from secret enclaves underground. Liss's knowledge of the malions endangers her family when Jaredsons Securities takes an interest in her accident. Few know the men of Jaredsons Securities, an international intelligence company specializing in missing persons cases, are actually the Vykhars, ancient malion enemies whose true purpose is the eradication of the malion race. The Vykhars will stop at nothing to discover if Liss is connected with the malions, and if they do, they will exploit her. Perhaps more dangerous still are Liss's growing feelings for Rion, a strong-willed malion scarred by his encounters with Vykhars and carrying a secret that could destroy their relationship. But Liss has a secret and scars of her own, and Rion's fiercely protective nature threatens to tear them back open. Can this pair of unlikely lovers survive the dangers of the Vykhars? And can their love survive their own misconceptions?
"The irony of Lang's life and work is that although he wrote for a profession-literary criticism; fiction; poems; books and articles on anthropology, mythology, history, and travel ... he is best recognized for the works he did "not" write." -- Anita Silvey, "Children's Books and Their Creators" Oh, that we all could become prosperous and famous for things we did not have to write And still, the collecting of these tales is quite a deed. They're wonderful stuff -- many of them went on to become famous. And they're all wonderful reading Many of them, in fact, are famously good. Included in this volume are "The Bronze Ring," "Prince Hyacinth and the Dear Little Princess," "East of the Sun and West of the Moon," "The Yellow Dwarf," "Little Red Riding Hood," "The Sleeping Beauty in the Wood," "Cinderella, or the Little Glass Slipper," "Aladdin and the Wonderful Lamp," "The Tale of a Youth Who Set Out to Learn What Fear Was," "Rumpelstiltzkin," "Beauty and the Beast," "The Master-Maid," "Why the Sea Is Salt," "The Master Cat," "Felicia and the Pot of Pinks," "The White Cat," "The Water-Lily," "The Terrible Head," "The Story of Pretty Goldilocks," "The History of Whittington," "The Wonderful Sheep," "Little Thumb," "The Forty Thieves," "Hansel and Grettel," "Snow-White and Rose-Red," "The Goose-Girl," "Toads and Diamonds," "Prince Darling," "Blue Beard," "Trusty John," "The Brave Little Tailor," "A Voyage to Lilliput," "The Princess on the Glass Hill," "The Story of Prince Ahmed and the Fairy Paribanou," "The History of Jack the Giant-Killer," "The Black Bull of Norroway," and "The Red Etin."
Can destiny be fulfilled in just one lifetime? Dr. Gregory Ambrose thinks so. Through past-life regression therapy with a young woman named Anne, he finds himself carried over the centuries to not only a different time but a different reality. Anne's memories act like tendrils, drawing Ambrose into this most savage time with her. Frustrated and confused Dr. Ambrose reaches out to a colleague for help. During their conversations, he learns that one of this doctor's past-life regression patients believes that he was some kind of Viking in another time-not unlike the Vikings in Anne's memories. The coincidence is too much, and Ambrose's imagination and ambition tempt him down a dangerous path. Determined to know the truth and understand the connection, he begins to push the limits of his ethics. p>What evolves is a story from another time, when wizards and warriors battle for power. The fate of two lands-one fighting for unity, the other for safety-hangs in the balance as two druids play out their own endgame strategies. At the same time, two hearts seek their destiny with true love. Fate lends a hand as all meet in a final battle. Is it truly the end or just the beginning? |
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