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Books > Fiction > Genre fiction > Myth & legend told as fiction
" How can I know for sure that this time he will even receive my letter or answer it, she questions. She gets up and walks a few steps, picks up a poppy flower and starts to strip off the leaves. "He loves me, loves me not ..." She strips off the petals of the flower and sighs. She lifts her face to the heavens and presses the ring to her chest, squeezing her eye lids very hard, holding it with strength and mentally picturing that she is living with Marco. The memory of Marco's image makes her laugh. I wonder where he can be right now and how he is doing in college ... "Oh, Marco Antonio, I miss you so much, old friend. Why can't I feel you? Who are you sharing your heart with? It feels like you have vanished. Marco Antonio please comes back to me ... I need to hug you, dance and laugh out loud like we used to do when you were here," she cries out. ... At that very same moment, Marco Antonio is coming out of a party with a slim American girl named Chantal Clara Halm." Young and handsome Marco Antonio Vallardo is a real prince-and one who is enamored with his childhood friend, the independent and spirited Rosa Isabell. The two share an incredible love on a small island in the Caribbean. Consequently, the union of their thoughts and hearts united at birth is interrupted by Chantal, a fortune-seeking American, who attempts to divide the two lovers and get control of Marco's fortune. With the help of Rosa's secret admirer, Raul Valle and Madame Cando, the niece of a wizard, Chantal is soon engaged to Marco Antonio. At sixteen, Rosa is a Latin beauty who looks like a goddess; even so, when a beautiful and rich American woman tantalizes Marco while on a visit to the big city and steals him away, Rosa is heartbroken. Rosa can hardly believe it when her safe and happy world is shattered by disillusion. Lost without Marco Antonio or any memory from the past, it is up to her to find herself, create a new future and reclaim her true love. But is it too late? "The Dreamer" is a magical and passionate tale of intrigue that illustrates that nothing is impossible if the love shared is genuine.
The study investigates the cultural production of the visual iconography of popular pleasure grounds from the eighteenth century pleasure garden to the contemporary theme park. Deborah Philips identifies the literary genres, including fairy tale, gothic horror, Egyptiana and the Western which are common to carnival sites and traces their historical transition across a range of media to become familiar icons of popular culture.Though the bricolage of narratives and imagery found in the contemporary leisure zone has been read by many as emblematic of postmodern culture, the author argues that the clash of genres and stories is less a consequence of postmodern pastiche than it is the result of a history and popular tradition of conventionalized iconography.
In the lands of the magical valley Majik, rules are ancient, beasts guard the barriers, and a struggle for power pushes forward. Young Wilhelm Redheimer, nephew to the king and the youngest magistrate of the courts, must sneak away from his castle prison to pursue his interests in a good challenge and magic. All Wilhelm wants is to be free. As Wilhelm escapes to explore another day with his best friend, Tibed, he dreams of becoming a wizard and living in a place where the magic is real every day. Both he and Tibed have heard the stories about the forbidden Hidden Valley of Majik, where people perform sorcery, tame wild creatures, and even possess a black dragon. Not to be deterred by the king's warning to stay away from the valley-which is rumored to be dark, wicked, and riddled with witch and warlock alike-the two boys set off on a dangerous quest to seek the truth where they soon encounter dragons, witches, and other young wizards. In this entertaining fantasy tale, Wilhelm must learn the ways of the people of the Hidden Valley in order to realize his dreams. But he is about to discover that in the game of magic, all roads lead back to the beginning.
'Magical and evocative' Imogen Hermes Gowar, author of The Mermaid and Mrs. Hancock 'Heartachingly poignant' Lucy Holland, author of Sistersong 'An ancient tapestry of legend brilliantly rewoven' Francis Spufford, author of Light Perpetual The new novel from the Costa-Award winning author of In The Days of Rain. AD 500. An island in the Thames. Isla has a secret: she has learned her father's sophisticated sword-making skills at a time when even entering a forge is forbidden to women. Her sister, Blue, has a secret, too: at low tide on the night of each new moon, she visits the bones of the mud woman, drowned by the elders of her tribe who wanted to make a lesson of someone who wouldn't hold her tongue. When the local Seax overlord discovers Isla's secret there is nowhere for the sisters to hide, except across the water to the walled ghost city, Londinium. Here Blue and Isla find sanctuary in an underworld community of squatters, emigrants, travellers and looters, led by the mysterious Crowther, living in an abandoned brothel and bathhouse. But trouble pursues them even into the haunted city. Dark Earth takes us back to the very founding of Britain to explore the experience of women trying to find kin in a world ruled by blood ties, feuds and men in quest of a nation. 'Superb ... radically new and beautiful' Observer 'Thrilling' Alice Albinia, author of Cwen 'Pulses with the energy of a brave new world, a world as beautiful as it is dangerous, where a belief in myth and magic can save your life' Katherine J. Chen, author of Joan: A Novel of Joan of Arc
Lucas and his friends have the perfect college life. Lucas has a personal friendship with the dean of the Roman City campus and is also the captain of a very famous basketball team. Together, they are the coolest kids on the block, and life couldn't get any better when they find out they are heading on an all-expense-paid trip to the city of Rome to embrace their campus's history. Things begin to turn when Rachael, an aspiring mythologist, notices a historical artifact that is older than three thousand years and in the wrong place Her curiosity causes her to find a secret passage to a ritual room-the Tomb of the Gods Lucas and the rest of his friends try to persuade Rachael to leave, but she is enticed by the ritual and feels it couldn't hurt to attempt it. The ritual goes downhill, and Lucas, April, and the others all black out in a whirlwind of chaos. Lucas awakes in his hotel room with no memory of what happened, but what happened in the Tomb of the Gods would change his and his friends' lives forever
First ever publication of J.R.R. Tolkien's final writings on Middle-earth, covering a wide range of subjects and perfect for those who have read and enjoyed The Silmarillion, The Lord of the Rings, Unfinished Tales, and The History of Middle-earth, and want to learn more about Tolkien's magnificent world. It is well known that J.R.R. Tolkien published The Hobbit in 1937 and The Lord of the Rings in 1954-5. What may be less known is that he continued to write about Middle-earth in the decades that followed, right up until the years before his death in 1973. For him, Middle-earth was part of an entire world to be explored, and the writings in The Nature of Middle-earth reveal the journeys that he took as he sought to better understand his unique creation. From sweeping themes as complex and profound as the metaphysics of Elvish immortality and reincarnation, and the Powers of the Valar, to the more earth-bound subjects of the lands and beasts of Numenor, the geography of the Rivers and Beacon-hills of Gondor, and even who had beards! This new collection, which has been edited by Carl F Hostetter, one of the world's leading Tolkien experts, is a veritable treasure-trove offering readers a chance to peer over Professor Tolkien's shoulder at the very moment of discovery: and on every page, Middle-earth is once again brought to extraordinary life.
This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide. |
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