Brer Rabbit is causing trouble again for his fellow creatures Brer Fox, Brer Wolf, Brer Bear and others. Within this edition Birch Tree Publishing brings together all the stories and original artwork of this classic tale gathered together in one volume. The result is a treasure of a volume that will delight all ages, and belongs on every book-she

Available for the first time in paperback, this is the pre-eminent critical study, and exploration, of how myth and legend played such a significant role in the works of J.R.R. Tolkien. The Song of Middle-earth takes a fresh look at The Lord of the Rings, digging deep into the foundations of Tolkien's world to reveal the complex tapestry of history and mythology that lies behind his stories. The charge that Tolkien's work was merely derivative - that he extracted elements from other mythologies and incorporated them into his own fiction - is dismissed in favour of a fascinating examination of the rich historical background to Middle-earth. From the mythic tradition of the Tales told in The Book of Lost Tales: I to the significance of oral storytelling throughout the history of Middle-earth, this book examines the common themes of mythology found within Tolkien's work. In doing so, The Song of Middle-earth demonstrates how Tolkien's desire to create a new mythology for England is not only apparent in his writing, but also realised.

This is a mixture of folk-tale, magic, myth, love story and hymn of praise to the natural world of Scotland's high and low lands, their landscapes and creatures, and the poet-guardians who timelessly maintain their care for them. It is the legend-story of the mysterious Wanderer, who comes from the North to Striveling (Stirling) and its great Castle Rock, and the tales he tells to the five men and a woman who befriend him there. Who is this Wanderer, who seems ageless, who has profound affinities with animals and birds, who can take on the shape of swans and what is his mission to the South? Who are these friends, whose friendship becomes more, as they begin to realize that they are part of the strange, timeless and mythic destiny of a country older than civilization? What is the meaning of the unearthly love of the Wanderer and the mysterious Bella?

Become enchanted by the fantasy world of gods and mortals in bestselling author Scarlett St. Clair's reimagined New Greece. Readers are "hopelessly addicted" to the story of Hades and Persephone told from Hades's point of view. Hades, God of the Dead, does not take sides or bend the rules. He makes no exceptions to these values-not for god or mortal, even his lover, Persephone, Goddess of Spring. Usually, fear prevents retaliation. But not this time. When Hera, Goddess of Women, approaches Hades with a plan to overthrow Zeus, he declines to offer help. As punishment, Hera sentences Hades to perform a series of labors. Each feat seems more impossible than the last and draws his attention away from Persephone-whose own tragedy has left her questioning whether she can be Queen of the Underworld. Can Hades maintain the balance he craves?

'Infused with the spirit of Jane Eyre, Rebecca and The Woman in White' - Independent
'I was completely spellbound' - Ruth Hogan
'A delight...I devoured it' - Jo Baker
'Truly extraordinary' - Dinah Jeffries

Some say the river drowned her...Some say it brought her back to life

On a dark midwinter’s night in an ancient inn on the Thames, the regulars are entertaining themselves by telling stories when the door bursts open and in steps an injured stranger. In his arms is the drowned corpse of a child.

Hours later, the dead girl stirs, takes a breath and returns to life.

Is it a miracle?

Is it magic?

And who does the little girl belong to?

An exquisitely crafted multi-layered mystery brimming with folklore, suspense and romance, as well as with the urgent scientific curiosity of the Darwinian age, Once Upon a River is as richly atmospheric as Setterfield’s bestseller The Thirteenth Tale.

"Diane's masterful storytelling draws you in to a beguiling tale, full of twists and turns like the river at its heart, and just as rich and intriguing." (M L Stedman, bestselling author of The Light Between Oceans)

“Swift and entrancing, profound and beautiful. Give yourself a treat and read it!" (Madeline Miller, Orange Prize-winning author of The Song of Achilles and Circe)

*** ONE OF THE OBSERVER'S 10 MUST-READ DEBUT NOVELISTS OF 2022 *** 'A rare glimpse into the harsh realities of street life and love in luminous prose, rendered with sensitivity and without sentimentalism. An astonishing debut' Cherie Jones, author of HOW THE ONE-ARMED SISTER SWEEPS HER HOUSE Sayon Hughes, a young Black man from Bristol, dreams of a world far removed from the one in which he was raised. Far removed from the torn slips outside the bookie's, the burnt spoons and the crooked solutions his community embraces; most of all, removed from the Christianity of his uncaring parents and the prejudice of law-makers. Growing up, Sayon found respite from the chaos of his environment in the love and loyalty of his brother-in-arms, Cuba; in the example of his cousin Hakim, a man once known as the most infamous drug-dealer in their neighbourhood, now a proselytising Muslim; and in the tenderness of his girl, Shona, whose own sense of purpose galvanises Sayon's. In return, Sayon wants to give the people he loves the world: a house atop a grand hill in the most affluent area of the city, a home in which they can forever find joy and safety. But after an altercation in which a boy is killed, Sayon finds his loyalties torn and his dream of a better life in peril. MORE PRAISE FOR AN OLIVE GROVE IN ENDS: 'A remarkable debut, bristling with sharp prose and daring originality' Nathan Harris, author of THE SWEETNESS OF WATER 'A phenomenally good novel, tense and thrilling and complex, with breath-stealing moments on every page' Donal Ryan, author of STRANGE FLOWERS 'This consummately crafted work can only be a harbinger of a stellar and truly significant career. I urge you to read it' Patrick McCabe, author of THE BUTCHER BOY 'Engrossing . . . A tough yet tender story of faith and friendship' OBSERVER

'It's virtually impossible to read more than ten words by Neil Gaiman and not wish he would tell you the rest of the story' OBSERVER A box set collection of five iconic novels by Neil Gaiman. NEVERWHERE. STARDUST. AMERICAN GODS. ANANSI BOYS. THE OCEAN AT THE END OF THE LANE. -- NEIL GAIMAN. WITH STORIES COME POSSIBILITIES. 'To give him his full title: Neil Gaiman, Architect of Worlds, Svengali of Plot, Shaman of Character, Exploder of Cliche, Master Craftsman of Style, Dreamer Laureate of the Republic of Letters' DAVID MITCHELL 'Beyond all the borders that divide us, there is a place of infinite possibilities and pure magic. I think of Neil Gaiman as a writer who wears the key to that land around his neck - the key to Storyland' ELIF SHAFAK -- NEVERWHERE: Under the streets of London lies a world most people could never dream of. And for Richard Mayhew, it's just the beginning. STARDUST: Young Tristran Thorn goes over his town's ancient wall into the mysterious land of Faerie - a world that is dangerous and strange beyond imagining . . . AMERICAN GODS: A profoundly strange American road trip. War is coming, and Shadow Moon is standing squarely in its path. ANANSI BOYS: Everything changes for Fat Charlie Nancy, the South London boy so called by his father, the day his dad drops dead while doing karaoke. THE OCEAN AT THE END OF THE LANE: The recollections of a man who thought he was lost but is now, perhaps, remembering a time when he was saved . . . Details Box set of five Neil Gaiman novels Bespoke matt laminated and spot varnished slipcase

Everyone knows that if you fall afoul of the People, you must travel the miles to Gyrford, where uncounted generations of fairy-smiths have protected the county with cold iron, good counsel and unvarnished opinions about your common sense. But shielding the weak from the strong can make enemies. Ephraim Brady has money and power, and the bitter will to hurt those who cross him. And if he can't touch elder farrier Jedediah Smith, he can harm those the Smiths care about. The Smiths care about Tobias Ware, born on a night when the blazing fey dog Black Hal roared past the Wares' gate. Tobias doesn't understand the language or laws of men, and he can't keep away from the Bellame woods, where trespass is a hanging offence. If Toby is to survive, he needs protection. It should be a manageable job. Jedediah Smith has a head on his shoulders, and so too (mostly) does his son Matthew. Only Matthew's son John has turned out a little . . . uncommon. But he means well. It wasn't his fault the bramble bush put on a berry-head and started taking offence. Or that Tobias upset it. But John's not yet learned that if you follow the things other folk don't see, they might drag those you love into the path of ruin.

How did a tiny wren manage to be crowned King of the Birds? Why did giant Finn McCool's favourite dogs change into mountains? What happened to turn a friendly cat into a cruel fiend who plotted to destroy mankind? Irish Animal Tales for Children is packed with ghostly goings-on, weird characters and wonderful animals. Irreverently told by award-winning storyteller Doreen McBride, these stories are not for the faint of heart!

From Bernard Cornwell, the creator of the No. 1 bestselling Sharpe novels. Arthur has brought a fragile peace to Britain - but it cannot last . . . Uniting the restive British kingdoms behind him, Arthur believes he can now hold back the Saxons threatening the country. Meanwhile, Merlin sets out on a quest to uncover the sacred Treasures of Britain, hoping they will prove decisive in the coming battle. But in a country where the cult of the Christians is spreading, Merlin's quest is divisive. And the ambitions of the rival warlord Lancelot threaten the delicate peace. Could even those closest to Arthur be moved to betray him? In the second book of the Warlord Chronicles, Bernard Cornwell brilliantly retells the Arthurian legend, combining myth, history and thrilling battlefield action. 'Wonderful and haunting' People Magazine 'Of all the books I have written these are my favourites' Bernard Cornwell

Painstakingly restored from Tolkien's manuscripts and presented for the first time as a continuous and standalone story, the epic tale of Beren and Luthien will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Dwarves and Orcs and the rich landscape and creatures unique to Tolkien's Middle-earth. The tale of Beren and Luthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year. Essential to the story, and never changed, is the fate that shadowed the love of Beren and Luthien: for Beren was a mortal man, but Luthien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Luthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Luthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril. In this book Christopher Tolkien has attempted to extract the story of Beren and Luthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father's own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.

Telling the Seasons takes us on a journey through the twelve months of the year with stories, customs and celebrations. Drawing on the changing patterns of nature and the rich tapestry of folklore from the British Isles, it is a colourful guide into how and why we continue to celebrate the seasons. Here are magical myths of the sun and moon, earthy tales of walking stones and talking trees and lively legends of the spirits of each season. Original drawings, sayings, songs, recipes and rhymes, combine into a 'spell-book' of the seasons. Martin Maudsley tells tales around the year to children and adults, specialising in stories of the natural world and local landscapes. He can be found leading seasonal celebrations from firelit winter wassails to bright May Day mornings in rural Dorset where he lives.

First published in 1953, this translation of part of the Arabian Nights by A. J. Arberry offers four famous stories in modern idiom: Aladdin, Judar, Aboukir and Abousir, and the Amorous Goldsmith. The introduction provides a brief analysis of earlier translations of the tales and explains their value as indicators of the society in which they were written. This work will be of interest to those studying Middle-Eastern literature and history.

This first English translation of Sholom Aleichem's rediscovered novel, Moshkeleh the Thief, has a riveting plot, an unusual love story, and a keenly observed portrayal of an underclass Jew replete with characters never before been seen in Yiddish literature. The eponymous hero, Moshkeleh, is a robust chap and horse thief. When Tsireleh, daughter of a tavern keeper, flees to a monastery with the man she loves-a non-Jew she met at the tavern-the humiliated tavern keeper's family turns to Moshkeleh for help, not knowing he too is in love with her. For some unknown reason, this innovative novel does not appear in the standard twenty-eight-volume edition of Sholom Aleichem's collected works, published after his death. Strikingly, Moshkeleh the Thief shows Jews interacting with non-Jews in the Russian Pale of Settlement-a groundbreaking theme in modern Yiddish literature. This novel is also important for Sholom Aleichem's approach to his material. Yiddish literature had long maintained a tradition of edelkeyt, refinement. Authors eschewed violence, the darker side of life, and people on the fringe of respectability. Moshkeleh thus enters a Jewish arena not hitherto explored in a novel.

Neil Gaiman, long inspired by ancient mythology in creating the fantastical realms of his fiction, presents a bravura rendition of the Norse gods and their world from their origin though their upheaval in Ragnarok. In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin's son, incredibly strong yet not the wisest of gods; and Loki-son of a giant-blood brother to Odin and a trickster and unsurpassable manipulator. Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman's deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

Jedediah's father walked out of his life forty years ago. Now he's back. He won't apologise, he doesn't explain - and, impossibly, he hasn't aged a day. If you asked the folks of Gyrford, they'd tell you Jedediah Smith looked up to his father. After all, Corbie Mackem was the Sarsen Shepherd: the man who saved the Smith clan from Ab, the terrifyingly well-meaning fey who blighted a whole generation with unwanted gifts. Corbie was a good fairy-smith. And if he wasn't a good father, well, that isn't something Jedediah likes to talk about. Especially since no one knows where Corbie's body lies: the day of his son's wedding, forty-odd years ago, he set off to travel and was never seen again. These days Jedediah is a respectable elder, more concerned with his wayward grandson John than with his long-buried past, and he has other problems on his mind. There's the preparations for Saint Clement's Day, and the odd fact that birds all over the county have taken to hiding themselves, and the misbehaviour of Left-Lop the pig - which has grown vegetation all over its back, escaped its farm and taken to making personal remarks at folks in alarmingly alliterative verse. But then disaster strikes. Ab is back. And Corbie, thought long dead, returns to Gyrford - younger than his son . . .

Introduced by Patricia Lockwood: Gothic tales from the mistress of the weird behind frogman-romance Mrs Caliban for fans of Shirley Jackson, Lucia Berlin and Patricia Highsmith. 'Wonderful.' Margaret Atwood 'Genius.' Patricia Lockwood 'Remarkable.' Joseph Heller 'Perfect.' Max Porter ''Immensely skillful'. Ursula K. Le Guin 'Tender, erotic, singular.' Carmen Maria Machado 'Still outpaces, out-weirds, and out-romances anything today.' Marlon James 'One of the greatest short story writers we have.' The Times 'You are in masterly hands as Ingalls lures you into a swamp of violence and magic.' Sunday Times After a one-night-stand with the Angel Gabriel, a monk is transformed into a pregnant woman. Lost in the fog, two visitors are lured into a ruined candlelit mansion. A wife confiscates her husband's homemade sex doll, only to demand her own. Great-aunts warn of the deadly skin of the pearlkillers. Rachel Ingalls' incomparable novellas are masterpieces: surrealist, subversive, tragicomic. Prepare to meet what lurks beneath . 'Macabre, fantastic and haunting . . . One of the most brilliant practitioners of American Gothic since Poe . . . Read her at your peril.' Independent 'Fables whose unadorned sentences belie their irreducible strangeness . . . In her vision of intimacy and interdependence, you're simply not safe until everybody else is dead . . . Brilliant.' New Yorker 'Resists definition . . . Her work combines subtlety and horror, magic and stark realism, Greek tragedy and happily-ever-afters . . . Rare and fine. ' Guardian 'Idiosyncratic, haunting, masterly . . . A modern fabulist making myths which explode into strangeness.' Observer