This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Character-forming moral fables, Viking and Nordic folk and fairy tales take the magic of the natural world and combine it with the practical common sense of the everyday. Good folk are rewarded for their hard work, the honest and the faithful are valued by the gods: treasured tales from Hans Christian Andersen, such as 'The Little Match Girl', and less well known stories such as 'Katie Woodencloak' (a Norwegian Version of Cinderella) by Asbjornsen & Moe are some of the heartwarming pieces in this new selection for the modern reader. Flame Tree Collector's Editions present the foundations of speculative fiction, authors, myths and tales without which the imaginative literature of the twentieth century would not exist, bringing the best, most influential and most fascinating works into a striking and collectable library. Each book features a new introduction and a Glossary of Terms.

A Gorgeous Collector's Edition of folk and fairy tales from the continent of Africa, with stories from regions now marked as modern nations such as Libya, Algeria, Nigeria, Ghana, South Africa, Kenya, Tanzania, Uganda and Rwanda, who inherit the folk and mythic tales of ancient peoples. Here you'll find stories of ogres and tricksters, riddles and poems, and great heroes of history such as Liongo. This new collection is created for the modern reader. Flame Tree Collector's Editions present the foundations of speculative fiction, authors, myths and tales without which the imaginative literature of the twentieth century would not exist, bringing the best, most influential and most fascinating works into a striking and collectable library. Each book features a new introduction and a Glossary of Terms.

J.R.R. Tolkien's writings on the Second Age of Middle-earth, collected for the first time in one deluxe slipcased edition. J.R.R. Tolkien famously described the Second Age of Middle-earth as a 'dark age, and not very much of its history is (or need be) told'. And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices, including the forging of the Rings of Power, the building of the Barad-dur and the rise of Sauron. It was not until Christopher Tolkien published The Silmarillion after his father's death that a fuller story could be told. Although much of the book's content concerned the First Age of Middle-earth, there were at its close two key works that revealed the tumultuous events concerning the rise and fall of the island of Numenor. Gifted to the Men of Middle-earth as a reward for aiding in the defeat of the Dark Lord Morgoth, the kingdom became a seat of influence and wealth; but as the Numenoreans' power increased, the seed of their downfall would inevitably be sown, culminating in the Last Alliance of Elves and Men. Further insight into the Second Age would be revealed in subsequent publications, first in Unfinished Tales of Numenor and Middle-earth, then expanded upon in Christopher Tolkien's twelve-volume The History of Middle-earth. Now, adhering to the timeline of 'The Tale of Years' in the appendices to The Lord of the Rings, editor Brian Sibley has assembled into one volume a new chronicle of the Second Age of Middle-earth, told substantially in the words of J.R.R. Tolkien from the various published texts, with 10 new paintings and 65 pencil drawings by Alan Lee. This deluxe slipcased edition is quarterbound in terracotta and printed on heavyweight acid-free paper, stamped in gold foil on dove grey boards with a unique motif designed by Alan Lee, includes a ribbon marker and is housed in a custom-built matching slipcase.

The classic fairy tales compiled by Jacob and Wilhelm, the Brothers Grimm (1812) are stories of dark wisdom with a bite. Not for the faint-hearted, not for the weak of spirit, not for anyone expecting childish fluff. Contained within these pages are fairy tales that show the dark beauty of truth, and the cold mirror of common sense, clad in the rich glamour of the imagination.

Translated (1823) from the German by Edgar Taylor and Marian Edwardes.

In Stone Blind, Natalie Haynes brings the infamous Medusa to life as you have never seen her before. 'Witty, gripping, ruthless' - Margaret Atwood via Twitter 'Beautiful and moving' - Neil Gaiman via Twitter 'So to mortal men, we are monsters. Because of our flight, our strength. They fear us, so they call us monsters.' Medusa is the sole mortal in a family of gods. Growing up with her Gorgon sisters, she begins to realize that she is the only one who experiences change, the only one who can be hurt. And her mortal lifespan gives her an urgency that her family will never know. When the sea god Poseidon commits an unforgivable act in the temple of Athene, the goddess takes her revenge where she can - and Medusa is changed forever. Writhing snakes replace her hair, and her gaze now turns any living creature to stone. The power cannot be controlled: Medusa can look at nothing without destroying it. She is condemned to a life of shadows and darkness. Until Perseus embarks upon a quest to fetch the head of a Gorgon . . . Praise for Natalie Haynes, the Women's Prize-shortlisted author of A Thousand Ships: 'With her trademark passion, wit, and fierce feminism... her thoughtful portraits will linger with you long after the book is finished' - Madeline Miller, author of The Song of Achilles and Circe 'Haynes combines a wide-ranging knowledge of the original myths with a gift for compelling narrative' - The Times 'Natalie Haynes is both a witty and an erudite guide. She wears her extensive learning lightly and deftly drags the Classics into the modern world' - Kate Atkinson, author of Life After Life 'Haynes is master of her trade . . . She succeeds in breathing warm life into some of our oldest stories' - Telegraph 'Haynes is the nation's greatest muse' - Adam Rutherford

A stunning YA romantasy inspired by Greek mythology by the acclaimed author of The Fandom duology. Twin sisters, Icari and Sephie, live in a world where magical gifts are bestowed on a chosen few, divided into three callings: healers, embalmers and alchemists. Icari is a born healer. Sephie is shocked when she's told she's an embalmer; especially since she already has alchemist powers. One person holding two powers is a crime punishable by death, so Sephie now carries a fatal secret. When winged demons steal Sephie to the underworld, only a pair of wings can bring Icari to save her twin. But can a gentle healer learn to fight - and fly? A thrilling YA fantasy adventure romance inspired by Greek mythology From the acclaimed author of The Fandom duology, Anna Day A tale of love, sisterhood, magic and the triumph of life and truth over death Set in a gorgeous desert world of Oases and citadels PRAISE FOR THE FANDOM: 'I couldn't put it down' MELINDA SALISBURY 'I cannot recommend The Fandom highly enough' LOUISE O'NEILL 'I devoured The Fandom in one sitting' KIRAN MILLWOOD HARGRAVE '[A] glorious epic ode to fan culture ... For fans of Fangirl and Caraval.' BUZZFEED

"The Gods return to a divine country . . ."

In the woods of Slieve Bladhma a boy was reared in secrecy, and taught the skills of the woods and the court. In his travels he met many friends, and many enemies -- above all the magical Aillen, chief of the Sidhe of Beinn Boirche . . . whose defeat might gain the young Finn, the Fair, his rightful place, as a king, a seer, and a poet!

From the battles of Nuada, king of the Tuatha de Danaan, to the arrival of St. Patrick, Lady Gregory presents the great tales of Ireland, telling them faithfully with the voice of the Irish countryside -- in "the manner of the thatched houses."