Storytelling is alive and well in Texas! Let storyteller and biographer Jim Gramon give you a personal introduction to some of his legendary storytelling friends.

There is more material available on Herakles than any other Greek god or hero.aHis story has many more episodes than those of other heroes, concerning his life and death as well as his battles with myriad monsters and other opponents.aIn literature, he appears in our earliest Greek epic and lyric poetry, is reinvented for the tragic and comic stage, and later finds his way into such unlikely areas as philosophical writing and love poetry.? In art, his exploits are amongst the earliest identifiable mythological scenes, and his easily-recognisable figure with lionskin and club was a familiar sight throughout antiquity in sculpture, vase-painting and other media.aHe was held up as an ancestor and role-model for both Greek and Roman rulers, and widely worshipped as a god, his unusual status as a hero-god being reinforced by the story of his apotheosis.aOften referred to by his Roman name Hercules, he has continued to fascinate writers and artists right up to the present day.

In Herakles, Emma Stafford has successfully tackled the OCyHerculean taskOCO of surveying both the ancient sources and the extensive modern scholarship in order to present a hugely accessible account of this important mythical figure.aCovering both Greek and Roman material, the book highlights areas of consensus and dissent, indicating avenues for further study on both details and broader issues.aEasy to read, Herakles is perfectly suited to students of classics and related disciplines, and of interest to anyone looking for an insight into ancient GreeceOCOs most popular hero.

a

The stories presented in Peninnah Schram's highly anticipated Stories within Stories: From the Jewish Oral Tradition are drawn primarily from talmudic and midrashic sources, medieval texts, and the Israel Folktale Archives. Each enchanting story-within-a-story is part of the Jewish oral tradition and continues to enlighten, educate, and entertain audiences as have all of the author's previous works. The types of stories found in this wonderful collection (described by Peninnah Schram as "frame and chain stories") have been widely popular in both Jewish and non-Jewish literary traditions. Since Jews have lived in so many places, they have been influenced by the stories told by their surrounding neighbors. For example, this genre of tales has been especially popular in the Jewish stories of the Middle East, having been influenced by the structure and contents of Arabic literature. Stories within Stories contains fifty stories, mostly made up of folktales. Various types of stories are interspersed so that a humorous story is followed by a romantic tale, which is followed by a religious tale, which is followed by a tall tale, and so on. The stories come from various ethnic communities represented in the Israel Folktale Archives including Morocco, Iraq, Kurdistan, Persia, Yemen, and Eastern Europe. Gifted and highly acclaimed storyteller Peninnah Schram contributes to the ever-growing library of Jewish folklore collections, thus actively helping to restore the rich treasures of Jewish oral tradition in our contemporary world.

The Masks of God is the summation of Joseph Campbell's lifelong study of the origins and function of myth. In this volume, Occidental Mythology, Campbell examines the themes that underlie the art, worship and literature of the Western world. Occidental Mythology traces European consciousness from the Levantine earth-goddesses of the Bronze Age and the subsequent tribal invasions that shaped Judaic and Greek myth before examining the influence of Persia, Rome, Islam and Christian Europe on ancient beliefs. The Masks of God traces mankind's history as a search for meaning through ideas, themes and quests of culture and religion.

There is more material available on Herakles than any other Greek god or hero. His story has many more episodes than those of other heroes, concerning his life and death as well as his battles with myriad monsters and other opponents. In literature, he appears in our earliest Greek epic and lyric poetry, is reinvented for the tragic and comic stage, and later finds his way into such unlikely areas as philosophical writing and love poetry. In art, his exploits are amongst the earliest identifiable mythological scenes, and his easily-recognisable figure with lionskin and club was a familiar sight throughout antiquity in sculpture, vase-painting and other media. He was held up as an ancestor and role-model for both Greek and Roman rulers, and widely worshipped as a god, his unusual status as a hero-god being reinforced by the story of his apotheosis. Often referred to by his Roman name Hercules, he has continued to fascinate writers and artists right up to the present day.

In Herakles, Emma Stafford has successfully tackled the Herculean task of surveying both the ancient sources and the extensive modern scholarship in order to present a hugely accessible account of this important mythical figure. Covering both Greek and Roman material, the book highlights areas of consensus and dissent, indicating avenues for further study on both details and broader issues. Easy to read, Herakles is perfectly suited to students of classics and related disciplines, and of interest to anyone looking for an insight into ancient Greece s most popular hero.

Anteros: A Forgotten Myth explores how the myth of Anteros disappears and reappears throughout the centuries, from classical Athens to the present day, and looks at how the myth challenges the work of Freud, Lacan, and Jung, among others. It examines the successive cultural experiences that formed and inform the myth and also how the myth sheds light on individual human experience and the psychoanalytic process.

Topics of discussion include:

• Anteros in the Italian Renaissance, the French Enlightenment and English Modernism
• psychologizing Anteros: Freud, Lacan, Girard, and Jung
• three anterotic moments in a consulting room.

This book presents an important argument at the boundaries of the disciplines of analytical psychology, psychoanalysis, art history, and mythology. It will therefore be essential reading for all analytical psychologists and psychoanalysts as well as art historians and those with an interest in the meeting of psychoanalytic thought and mythology.

This book brings together articles from The International Encyclopedia of Communications in the areas of Folklore, Drama, Verbal and Non-Verbal Communication, Music, and History, with a new introduction and updated bibliographies.

Integrating original texts with explanations, interpretations, and theory, Introduction to Mythology: Contemporary Approaches to Classical and World Myths, Fourth Edition, introduces students to a wide range of myths drawn from sources all around the world and approached from various critical perspectives. FEATURES An innovative pedagogical structure helps students discern the complex web of literary allusions that characterize mythological texts A global locator map at the beginning of each chapter situates the myths in their geographical context Running margin notes provide cross-references and explanations of terms A glossary of deities, an illustrated timeline, and suggested readings offer additional resources A vibrant art program features more than 200 illustrations, photographs, and maps

Journey through Lancashire, England, to visit 155 places where strange history meets creepy modern times. Arranged alphabetically by town and place, the stories tell of ghosts, witches, fairies, dragons, and altercations with the Devil (who is not as clever as he thinks!). Legends connected to ancient monuments, holy wells, and the locations of Green Man carvings are also included. Sometimes these tales echo history and sometimes they come from a deeper folklore. Sometimes ghost stories are discredited...sometimes they are not. A useful guidebook for tourists and travelers, this book is also an invaluable compendium for serious researchers. Stories are indexed by type and a separate index lists postcodes and Ordnance Survey map references for those who wish to visit the locations for themselves.

No new edition of Bulfinch's classic work can be considered complete without some notice of the American scholar to whose wide erudition and painstaking care it stands as a perpetual monument. "The Age of Fable" has come to be ranked with older books like "Pilgrim's Progress," "Gulliver's Travels," "The Arabian Nights," "Robinson Crusoe," and five or six other productions of world-wide renown as a work with which every one must claim some acquaintance before his education can be called really complete. Many readers of the present edition will probably recall coming in contact with the work as children, and, it may be added, will no doubt discover from a fresh perusal the source of numerous bits of knowledge that have remained stored in their minds since those early years. Yet to the majority of this great circle of readers and students the name Bulfinch in itself has no significance. Thomas Bulfinch was a native of Boston, Mass., where he was born in 1796. His boyhood was spent in that city, and he prepared for college in the Boston schools. He finished his scholastic training at Harvard College, and after taking his degree was for a period a teacher in his home city. For a long time later in life he was employed as an accountant in the Boston Merchants' Bank. His leisure time he used for further pursuit of the classical studies which he had begun at Harvard, and his chief pleasure in life lay in writing out the results of his reading, in simple, condensed form for young or busy readers. The plan he followed in this work, to give it the greatest possible usefulness, is set forth in the Author's Preface.

First published in 1960. Over a century ago the Chinese discovered in a sealed-up cave in the west of China a collection of manuscripts dating from the fifth century to the end of the tenth. These included many specimens of popular literature of a kind that was not previously known to exist. Although the find was made long ago, only two or three of these pieces had been translated before. Arthur Waley here translates, whole or as extracts, twenty-six pieces, making an invaluable addition to world literature.

Why is one person a believer and another an atheist? Why does one person demand facts for verification, while another trusts feelings? Why are some who hear voices declared psychotic while others are called saints? The answers to these questions are not mere speculation or amusing distraction; rather they are the essential components in developing curiosity, open-mindedness and tolerance for differences. Meaning in Myth speaks to the various ways in which we all construct our myth, or life story, from our very personal ways of thinking, evaluating , judging, and ignoring. It is nothing less than an invitation to encounter other viewpoints, other faiths and disbeliefs, and ultimately ourselves.

"The Jesus Dynasty" offers a startling new interpretation of the life of Jesus and the origins of Christianity that is grounded in careful analysis of the earliest Christian documents and recent archaeological discoveries, including the much-discussed "Jesus family tomb."
In "The Jesus Dynasty," biblical scholar James Tabor brings us closer than ever to the historical Jesus. He explains the crucial relationship between Jesus, a royal descendant of David, and his relative John the Baptizer, a priestly descendant of Aaron and Jesus' teacher. When John was killed, several of his followers -- including Jesus' four brothers -- joined with Jesus, who continued John's mission, preaching the same apocalyptic message. After Jesus confronted the Roman authorities in Jerusalem and was crucified, his brother James succeeded him as the leader of the Jesus dynasty.
James Tabor has studied the earliest surviving documents of Christianity for more than thirty years and has participated in important archaeological excavations in Israel. His reconstruction of the life of Jesus and his followers, and of the early years of Christianity, will change our understanding of one of the most crucial moments in history.

A unique description and analysis of the domains and genres of UAE folklore, including folk customs and beliefs, traditional arts and crafts, folk dances, folk narratives and proverbs. Challenging the established meaning of folklife, this volume also deals with folklore in public life, in the mass media, in education and in politics.

From the beginning of time, the physical characteristics of the world around us have shaped the way we think and live. Early cultures felt closer to nature than society does today, and the most vivid imagery of the physical world is to be found often in ancient myths from throughout the world.

Designed to provoke controversy, the papers in this volume concentrate on two main themes: the study of myth and totemism. Starting with an English translation of La Geste d'Asdiwal, which is widely considered to be the most brilliant of all of Levi-Strauss's shorter expositions of his technique of myth analysis, the volume also contains criticism of this essay. The second part of the volume discusses how far Levi-Strauss's treatment of totemism as a system of category formation can be correlated with the facts that an ethnographer encounters in the field. First published in 1967.

Tama in Japanese Myth attempts to elucidate Japanese religious experiences by presenting a new interpretation of the oldest existing text of Japanese myth, the Kojiki. Informed by phenomenological hermeneutics, Iwasawa shows that the concept of tama lies at the core of Japanese religious experiences. Tama is often compared to spirit and soul in Western philosophy and religion and especially to the German concept of Geist. Tama develops in ways that do not assume a dichotomy between the ideational and the sensible, which is precisely the dichotomy informing Western theism and the Platonic tradition of metaphysics. Iwasawa argues that the Western concept of God, far from explaining all possible connections between the human and the divine, is less than satisfactory for analyzing Japanese religious experiences. Iwasawa proceeds by examining the Japanese notion of tama as an inquiry into the origin of values wholly unaffected by the Western idea of a moral God.

This book examines film versions of Irish myth, lore, and legend, concentrating particularly on stories which encompass the life journey of the hero, as proposed by Carl Jung and adapted by Joseph Campbell. After establishing the usefulness of film as cultural critique, the author provides intertextual and comparative readings of a number of films which follow a hero's journey. The stages of this journey include the child's struggle to achieve identity and become a responsible member of the community, the adult's ability to move beyond the self and fall in love with another, and the community member's willingness to sacrifice self in the service of Ireland. In addition, the study examines the lore of matchmaking and the communal uses of legend creation, as well as providing an ironic reading of the heroic journey through an exploration of the contemporary anti-hero. The films analysed include Into the West, The Secret of Roan Inish, In America, The Quiet Man, The Matchmaker, Michael Collins, The Wind That Shakes the Barley, Veronica Guerin, and In Bruges.

A good ghost story can make your hair stand on end, your palms sweat, and your heart race. The bone-chilling collection Tales of Kentucky Ghosts presents more than 250 stories that do just that. In his new book, William Lynwood Montell has assembled an entertaining and diverse array of tales from across the commonwealth that will keep you checking under the bed every night. The first-person accounts in this collection showcase folklore that Montell has drawn from archives, family stories, and oral traditions throughout Kentucky. The stories include that of the ghost bride of Laurel County, who appears each year on the anniversary of her wedding day; the tale of the murdered worker who haunts the Simpson County home of his killer and former employer; and the account of the lost mandolin that plays itself in a house in Graves County. These and many other chilling stories haunt the pages of Tales of Kentucky Ghosts. In the tradition of Montell's previous Kentucky ghost books ( Ghosts across Kentucky and Haunted Houses and Family Ghosts of Kentucky), Tales of Kentucky Ghosts brings together a variety of terrifying narratives that not only entertain and frighten but also serve as a unique record of Kentucky's rich heritage of storytelling.

Washington, D.C. is a city that commemorates the history of the United States; it is also quite haunted. Tour streets and visit memorials of those once dwelling or working in this political metropolis. Visit angry ghosts, Christopher and Rachel, at the Olde Stone House, their dreams foiled by death. Consider the legend of a demon cat at the Capitol Building and White House that may foretell disaster. Find lore surrounding Belle Boyd, a Confederate spy who still sings her patriotism at the Old Capitol Jail. Ghostly voices can still be heard in the hours before the sun rises over the Potomac. Spirits can still be seen in corridors of power. Listen; these stories will chill you.

What is an Egyptian pyramid doing on the U. S. dollar bill? Did a pharaoh inspire Moses to worship one God? What's a Canaanite demoness doing at a rock concert?

Since the beginning of time, people have been insatiably curious. They've asked questions about where we come from, why the stars shine and the seasons change, and what constitutes evil. The imaginative answers crafted by our ancestors have served as religion, science, philosophy, and popular literature. In this latest installment of the New York Times bestselling Don't Know Much About(R) series, Kenneth C. Davis introduces and explains the great myths of the world using his engaging and delightfully irreverent question-and-answer style. He tackles the epic of Gilgamesh; Achilles and the Trojan War; Stonehenge and the Druids; Odin, Thor, and the entire Norse pantheon; Native American myths, and much more, including the dramatic life and times of the man who would be Buddha. From Mount Olympus to Machu Picchu, here is an insightful, lively look at the greatest stories ever told.

This dictionary contains 2,375 Russian sayings and proverbs and their English counterparts. Variants of each saying are included, and careful attention is given to the differences in British and American versions. For example, the Russian saying that is interpreted as ""Children behave in a childish way, and they cannot be expected to act like grown-up people,"" is first given in Russian (in the Cyrillic alphabet) and then in English, and is then followed by the nearest English-language equivalent sayings in Britain and the United States: ""Young colts will canter"" (British) and ""Boys will be boys"" (American).The proverbs and sayings are arranged alphabetically by the first Russian word (in the Cyrillic alphabet) and are cross-referenced so the reader can find analogous Russian versions of English sayings. There is a keyword index for each language (one in English, one in Russian in the Cyrillic alphabet), which allows the reader to find a proverb or a saying without knowing the first word. Proverbs and sayings are current and include those popular in both spoken Russian and literature. The prefatory matter is in both English and Russian, for readers who have a command of either language.

There are many stories featuring the villainous hero Reynard the Fox in many languages told over many centuries, goingback as far as the early 12th century. All these stories are comic and much of the humour depends on parody and satire resulting in mockery, sometimes the subversion of certain kinds of serious literature, of political and religious institutions and practices, of scholarly argument and moralizing, and of popular beliefs and customs. The contributors to this volume, all of them experts in one or more of the Reynard stories and their backgrounds, focus on the transformation of these tales through various media and to what extent they reflect differences in the cultural, class, and generational background of their tellers.