This two-volume set collects 300 of the most entertaining and important folk and fairy tales of Giuseppe Pitre, a nineteenth century Sicilian folklorist whose significance ranks alongside the Brothers Grimm. In stark contrast to the more literary ambitions of the Grimms' tales, Pitre's possess a charming, earthy quality that reflect the customs, beliefs, and superstitions of the common people more clearly than any other European folklore collection of the 19th century. Edited, translated, and with a critical introduction by world-renowned folk and fairy tale experts Jack Zipes and Joseph Russo, this is the first collection of Pitre's tales available in English. Carmelo Letterer's illustrations throughout the volume are as lively and vivid as the stories themselves, illuminating the remarkable imagination captured in the tales.

This two-volume set collects 300 of the most entertaining and important folk and fairy tales of Giuseppe Pitre, a nineteenth century Sicilian folklorist whose significance ranks alongside the Brothers Grimm. In stark contrast to the more literary ambitions of the Grimms' tales, Pitre's possess a charming, earthy quality that reflect the customs, beliefs, and superstitions of the common people more clearly than any other European folklore collection of the 19th century. Edited, translated, and with a critical introduction by world-renowned folk and fairy tale experts Jack Zipes and Joseph Russo, this is the first collection of Pitre's tales available in English. Carmelo Letterer's illustrations throughout the volume are as lively and vivid as the stories themselves, illuminating the remarkable imagination captured in the tales.

This is a comprehensive history of the world's midwinter gift-givers, showcasing the extreme diversity in their depictions as well as the many traits and functions these characters share. It tracks the evolution of these figures from the tribal priests who presided over winter solstice celebrations thousands of years before the birth of Christ, to Christian notables like St. Martin and St. Nicholas, to a variety of secular figures who emerged throughout Europe following the Protestant Reformation. Finally, it explains how the popularity of a poem about a "miniature sleigh" and "eight tiny reindeer" helped consolidate the diverse European gift-givers into an enduring tradition in which American children awake early on Christmas morning to see what Santa brought. Although the names, appearance, attire and gift-giving practices of the world's winter solstice gift-givers differ greatly, they are all recognizable as Santa, the personification of the Christmas and Midwinter festivals. Despite efforts to eliminate him by groups as diverse as the Puritans of seventeenth century New England, the Communist Party of the twentieth century Soviet Union and the government of Nazi Germany, Santa has survived and prospered, becoming one of the best known and most beloved figures in the world.

A delightful translation of one of the finest, and most beautiful, examples of a medieval Bestiary. Bestiaries are a particularly characteristic product of medieval England, and give a unique insight into the medieval mind. Richly illuminated and lavishly produced, they were luxury objects for noble families. Their three-fold purpose was to provide a natural history of birds, beasts and fishes, to draw moral examples from animal behaviour (the industrious bee, the stubborn ass), and to reveal a mystical meaning - the phoenix, for instance, as a symbol ofChrist's resurrection. This Bestiary, MS Bodley 764, was produced around the middle of the thirteenth century and is of singular beauty and interest. The lively illustrations have the freedom and naturalistic quality ofthe later Gothic style, and make dazzling use of colour. This book reproduces the 136 illuminations to the same size and in the same place as the original manuscript, fitting the text around them. Richard Barber's translation from the original Latin is a delight to read, capturing both the serious intent of the manuscript and its charm. RICHARD BARBER has written many books on the history of and life in the middle ages, from his Somerset MaughamAward-winning The Knight and Chivalry, by way of biographies of Henry II and the Black Prince, to an anthology of Arthurian literature from England, France and Germany, Arthurian Legends, and an account of the historical Arthur, King Arthur: Hero and Legend.

This cutting-edge volume demonstrates both the literary quality and the socio-economic importance of works on "the matter of the greenwood" over a long chronological period. These include drama texts, prose literature and novels (among them, children's literature), and poetry. Whilst some of these are anonymous, others are by acknowledged canonical writers such as William Shakespeare, Ben Jonson, and John Keats. The editors and the contributors argue that it is vitally important to include Robin Hood texts in the canon of English literary works, because of the high quality of many of these texts, and because of their significance in the development of English literature.

The ancient Greek myth of Prometheus, the primordial Titan who defied the Olympian gods by stealing fire from the heavens as a gift for humanity, enjoyed unprecedented popularity during the Romantic era. An international coterie of writers such as Goethe, Monti, Byron, the Shelleys, Sainte-Helene, Coleridge, Browning, and Bridges engaged with the legend, while composers such as Beethoven, Reichardt, Schubert, Wolf, Liszt, Halevy, Saint-SaA"ns, Holmes, Faure, Parry, Goldmark, and Bargiel based works of diverse genres on the fable. Romantic authors and composers developed a unique perspective on the myth, emphasizing its themes of rebellion, punishment for transgression and creative autonomy, in great contrast to artists of the preceding era, who more characteristically ignored the tribulations of Prometheus and depicted him as the animator of a naA-ve, Arcadian mankind who, when awakened from their spiritual dormancy, expressed astonishment at the wonders of nature and paid homage to the Titan as a new god. Paul Bertagnolli charts the progress of the myth during the nineteenth century, as it articulates an extraordinary variety of issues pertaining to culture, society, aesthetics, and philosophy. Drawing on archival research, dance history, sketch studies, literary theory, linear analysis, topos theory, and reception history, individual chapters demonstrate that the legend served as a vehicle to express opinions on subjects as diverse as aristocratic patronage, movements of the body on the public stage, rebellion against political and religious authority, outright atheism, humanitarianism of the German Enlightenment, interest in the music of Greek antiquity, industrialization, nationalism inflamed by war, populism, and the aesthetics of musical form. Composers often resorted to varied and unorthodox musical techniques in order to reflect such remarkable subjects: Beethoven outraged critics by implying a key other than the tonic at the outset of the overture to

How much of what we know about the history of the Old West is true? In this new book, author Michael Rutter looks at the legend and lore behind such notorious figures as Billy the Kid and Calamity Jane and the stories of famous gun fights and battles, telling what really happened. Truth may be stranger than fiction, but these 12 legends stand up to scrutiny, and this book will be a must-read for all western history buffs.

Originally published in 1923, the following papers contain the results of investigations concerning religion and custom in Borneo and the Malay Peninsula, which were carried out at intervals during the years 1910 to 1921 by the author. It includes chapters on the customs and beliefs of the 'Orangdusun', beliefs and customs of the Sakai, and Malay folk-tales.

An entrancing new telling of ancient Greek myths "This book is a triumph! . . . [A] magnificent retelling of the Greek myths."-Alexander McCall Smith, author of the No. 1 Ladies' Detective Agency series "Move over, Edith Hamilton! Sarah Iles Johnston has hit the magical refresh button on Greek myths."-Maria Tatar, author of The Heroine with 1001 Faces Gripping tales that abound with fantastic characters and astonishing twists and turns, Greek myths confront what it means to be mortal in a world of powerful forces beyond human control. Little wonder that they continue to fascinate readers thousands of years after they were first told. Gods and Mortals is a major new telling of ancient Greek myths by one of the world's preeminent experts. In a fresh, vibrant, and compelling style that draws readers into the lives of the characters, Sarah Iles Johnston offers new narrations of all the best-known tales as well as others that are seldom told, taking readers on an enthralling journey from the origin of the cosmos to the aftermath of the Trojan War. Some of the mortals in these stories are cursed by the gods, while luckier ones are blessed with resourcefulness and resilience. Gods transform themselves into animals, humans, and shimmering gold to visit the earth in disguise-where they sometimes transform offending mortals into new forms, too: a wolf, a spider, a craggy rock. Other mortals-both women and men-use their wits and strength to conquer the monsters created by the gods-gorgons, dragons, harpies, fire-breathing bulls. Featuring captivating original illustrations by Tristan Johnston, Gods and Mortals highlights the rich connections between the different characters and stories, draws attention to the often-overlooked perspectives of female characters, and stays true both to the tales and to the world in which ancient people lived. The result is an engaging and entertaining new take on the Greek myths.

Myth and the Greatest Generation calls into question the glowing paradigm of the World War II generation set up by such books as The Greatest Generation by Tom Brokaw.

Including analysis of news reports, memoirs, novels, films and other cultural artefacts Ken Rose shows the war was much more disruptive to the lives of Americans in the military and on the home front during World War II than is generally acknowledged. Issues of racial, labor unrest, juvenile delinquency, and marital infidelity were rampant, and the black market flourished.

This book delves into both personal and national issues, calling into questions the dominant view of World War II as a ~The Good Wara (TM).

Prepare to be spellbound by Chris Riddell's dazzling full-colour illustrations in this stunning new collector's edition of The Tales of Beedle the Bard, J.K. Rowling's glorious fairytale classic. This beautiful, deluxe edition features an opulent page size and a pull-out double gatefold; intricate foiled artwork by Chris Riddell on the real cloth cover and slipcase; an exclusive print of Albus Dumbledore; and a luxurious ribbon marker and head and tail band. The ultimate must-have edition for any Potter fan, collector or bibliophile, it is set to become a firm favourite at bedtime in non-magical households the world over. Much loved by generations of witches and wizards since they first appeared in the fifteenth century, these five rollicking and mischievous tales are a deeply satisfying read in the tradition of all great fables and fairytales. Kindnesses are rewarded and selfishness shown to be the ruin of many a wizard. Burping cauldrons, hairy hearts and cackling stumps are met along the way. Translated from the runes by Hermione Granger, each of the tales is accompanied by a deliciously subversive and insightful commentary by Professor Albus Dumbledore, all brought vividly to life with Riddell's trademark wit and elegance. Former Waterstones Children's Laureate Chris Riddell is the only illustrator to have won the Kate Greenaway Medal three times, and is brought together here for the first time with one of the world's best loved storytellers in this magical new edition.The Tales of Beedle the Bard is published in aid of Lumos, an international children's charity founded in 2005 by J.K. Rowling.

This provocative book by a leading folklorist offers a new analysis of caste in India, focusing on the rationale underlying the customs surrounding untouchability. Drawing on clues contained in two fascinating folktales, Alan Dundes goes beyond Dumont's classic Homo Hierarchicus in deconstructing the pervasive pollution complex that prevents millions of individuals from entering temples or drawing water from community wells. His graceful and erudite explanation of caste also illuminates the mysterious worship of the sacred cow as well as sati/suttee, or widow burning. The author concludes by relating caste to the theory of marginal survival, drawing on Gypsy concepts of pollution. This controversial book offers a fresh perspective for anyone interested in India, folklore, and psychoanlytic anthropology_a detailed case study documenting how folklore, as a source of native categories and symbols, can yield unique insights into the unconscious functioning of a culture through time. In this comprehensive textbook, renowned philosopher J. N. Mohanty examines the range of Indian philosophy from the Sutra period through the 17th century Navya Nyaya. Classical Indian Philosophy is divided into three parts that cover epistemology, metaphysics, and the attempt to transcend the distinction between subject and object. Mohanty focuses on the major concepts and problems dealt with in Indian philosophy, including ethics, social philosophy, law, and aesthetics. Students of Indian philosophy at every level will find this a rich and rewarding text.

First published in 2007. This classic work draws together the whole rich field of Jewish Folklore- the popular beliefs, practices, superstitions and traditional wisdom relating to all aspects of life. Dr. Rappaport has organised the book around four main themes: nature, the heavenly bodies and mythological an cosmological motifs; fauna and flora; human life including birth, marriage, illness and death, omens and portents; and supernatural and natural powers including demons and spirits, witchcraft, charms and spells. There are chapters on folk medicine, demonology, customs and practices, as well as a selection of Jewish legends and folktales, and a collection of Hebrew and Yiddish proverbs and popular sayings.

A fascinating examination of how Americans think about and write about witches, from the 'real' witches tried and sometimes executed in early New England to modern re-imaginings of witches as pagan priestesses, comic-strip heroines and feminist icons. The first half of the book is a thorough re-reading of the original documents describing witchcraft prosecutions from 1640-1700 and a re-thinking of these sources as far less coherent and trustworthy than most historians have considered them to be. The second half of the book examines how these historical narratives have transformed into myths of witchcraft still current in American society, writing and visual culture. The discussion includes references to everything from Increase Mather and Edgar Allan Poe to Joss Whedon (the writer/director of Buffy the Vampire Slayer, which includes a Wiccan character) and The Blair Witch Project.

The tales contained in this unique collection were translated and taken down soon after the Second World War by C. G. Campbell, a major in the British army. Major Campbell was not just a soldier but also an Arabist who took a great interest in the life and culture of the Arabs. At the time of this collection's publication, the well known writer and Middle East expert of the time, H. St. John Philby, described the tales as "A work which can fairly be called a masterpiece."

A fascinating examination of how Americans think about and write about witches, from the 'real' witches tried and sometimes executed in early New England to modern re-imaginings of witches as pagan priestesses, comic-strip heroines and feminist icons.
The first half of the book is a thorough re-reading of the original documents describing witchcraft prosecutions from 1640-1700 and a re-thinking of these sources as far less coherent and trustworthy than most historians have considered them to be.
The second half of the book examines how these historical narratives have transformed into myths of witchcraft still current in American society, writing and visual culture. The discussion includes references to everything from Increase Mather and Edgar Allan Poe to Joss Whedon (the writer/director of Buffy the Vampire Slayer, which includes a Wiccan character) and The Blair Witch Project.

For centuries fairy tales have been a powerful mode of passing cultural values onto our children, and for many these stories delight and haunt us from cradle to grave. But how have these stories become so powerful and why?

In When Dreams Came True, Jack Zipes explains the social life of the fairy tale, from the sixteenth century on into the twenty-first. Whether exploring Charles Perrault or the Brothers Grimm, Hans Christian Andersen or The Thousand and One Nights, The Happy Prince or Pinocchio, L. Frank Baum or Hermann Hesse, Zipes shows how the authors of our beloved fairy tales used the genre to articulate personal desires, political views, and aesthetic preferences within particular social contexts. Above all, he demonstrates the role that the fairy tale has assumed in the civilizing process-the way it imparts values, norms, and aesthetic taste to children and adults.

This second edition of one of Jack Zipes's best-loved books includes a new preface and two new chapters on J.M. Barrie's Peter Pan and E.T.A. Hoffman's The Nutcracker and the Mouse King.

For centuries fairy tales have been a powerful mode of passing cultural values onto our children, and for many these stories delight and haunt us from cradle to grave. But how have these stories become so powerful and why?

In When Dreams Came True, Jack Zipes explains the social life of the fairy tale, from the sixteenth century on into the twenty-first. Whether exploring Charles Perrault or the Brothers Grimm, Hans Christian Andersen or The Thousand and One Nights, The Happy Prince or Pinocchio, L. Frank Baum or Hermann Hesse, Zipes shows how the authors of our beloved fairy tales used the genre to articulate personal desires, political views, and aesthetic preferences within particular social contexts. Above all, he demonstrates the role that the fairy tale has assumed in the civilizing processthe way it imparts values, norms, and aesthetic taste to children and adults.

This second edition of one of Jack Zipess best-loved books includes a new preface and two new chapters on J.M. Barries Peter Pan and E.T.A. Hoffmans The Nutcracker and the Mouse King.

Celtic Lore and Legend includes tales of the heroes and gods from the Great Myth Cycles and tales of witches, ghosts, and fairies--from Sir Walter Scott's Letters on Witchcraft and Demonology and Edmund Burt's Letters from the North of Scotland to Douglas Hyde's Tales of Saints and Sinners and Lady Gregory's Visions and Beliefs in the West of Ireland. It is also a treasure trove of lesser-known stories, such as Sir Walter Scott's Wandering Willie's Tale, James Hogg's The Brownie of the Black Hags and Don Byrne's A Tale of the Piper. Celtic Lore and Legend is both an examination and celebration of that tradition. It is one of the first attempts to trace the development of these stories from their earliest mythical roots, through the stores of the rural fireside to the writers of fiction who have used Celtic belief as a source for their own stories.

A Dictionary of Anglo-American Proverbs & Proverbial Phrases Found in Literary Sources of the Nineteenth and Twentieth Centuries is a unique collection of proverbial language found in literary contexts. It includes proverbial materials from a multitude of plays, (auto)biographies of well-known actors like Britain's Laurence Olivier, songs by William S. Gilbert or Lorenz Hart, and American crime stories by Leslie Charteris. Other authors represented in the dictionary are Horatio Alger, Margery Allingham, Samuel Beckett, Lewis Carroll, Raymond Chandler, Benjamin Disraeli, Edward Eggleston, Hamlin Garland, Graham Greene, Thomas C. Haliburton, Bret Harte, Aldous Huxley, Sinclair Lewis, Jack London, George Orwell, Eden Phillpotts, John B. Priestley, Carl Sandburg, Harriet Beecher Stowe, Jesse Stuart, Oscar Wilde, and more. Many lesser-known dramatists, songwriters, and novelists are included as well, making the contextualized texts to a considerable degree representative of the proverbial language of the past two centuries. While the collection contains a proverbial treasure trove for paremiographers and paremiologists alike, it also presents general readers interested in folkloric, linguistic, cultural, and historical phenomena with an accessible and enjoyable selection of proverbs and proverbial phrases.

In medieval Europe, a new power was rising. A heresy had infiltrated the Catholic-hierarchy beginning a centuries-long campaign to alter the Churchs original teachings. This heresy was a penitent movement, based on a Babylonian cult of the dead. The bizarre public spectacles they displayed -- and still do today in the streets of Europe -- include acts of penance and self-mortification, but there are smokescreens to draw attention from the movements true workings. The authors led a team of researchers tracking this movement from the Middle East to Italy, Germany and France. Eventually, they realized that the mystery of Rennes-le-Chteau, linked with the extraordinary fortune of one Brenger Saunire, was another episode in the long and intriguing tale of this heretical movement. The Rise reveals that within the world of religion there have long been secret battles between the Church hierarchy and various movements that have tried to penetrate and take it oversometimes successfully!

A survey of the motif of the revenant, showing how medieval themes and motifs persist today. The proliferation of books and films about the "undead", those literally returning from the grave, in modern popular culture has been commented on as a recent phenomenon, but it is in fact a storytelling tradition going back more than a millennium. It drew on and was influenced by Christian eschatology, gathered momentum in medieval ecclesiastical chronicles, such as those written by Caesarius of Heisterbach, and then migrated into imaginative literature - famously in John Lydgate's Dance of Death - and art. But why did revenant stories and imagery take such a hold in the Middle Ages? And why has that fascination held on into today's world? This book offers a history of these revenant narratives, demonstrating how modern horror is haunted by past literature and exploring the motif of the risen dead as a focus of cultural anxiety and literary effort. The author examines the long arc of revenant tales from antiquity and the Middle Ages through the Reformation and into modernity, tracing their uncanny similarities and laying bare the rich traditions of narrative, theme, motif, supernatural belief and eschatological fears and preoccupations.

In the ancient myth, Oedipus ceased to be king when he discovered his crimes. Nonetheless, since the Renaissance, he has ruled the kingdom of the imagination. The twentieth century begins with the Oedipus complex in Freud's "The Interpretation of Dreams" and the power of the Oedipus myth continued to manifest itself in an astonishing range of artistic and intellectual work.
As a volume in the "Gods and Heroes" series, this book explores a key figure in ancient myth incisively and accessibly, yet with enough scholarly detail to be an 'all-you-need-to-know' for lower level courses, a platform for further study at a more advanced level or as a reference book of key information for researchers/academics.

Proverbs are crystals of knowledge acquired from daily life and passed from generation to generation. The origin of these proverbs is usually not attributed to one specific person. It is interesting to note that equivalent proverbs exist in many languages, demonstrating the universal nature of humanity. This book provides a collection of equivalent proverbs in four Asian languages as well as English. Each of the Asian language proverbs is presented with its literal translation in English. Each proverb is compared and explained to point out similarities and differences in the languages due to the differences in culture. The book will be of interest for those who enjoy proverbs. It will also serve as a good reference to students of English as the second language or anyone who is trying to learn any of the five languages.

Who but Italo Calvino could have selected two hundred of Italy's traditional folktales and retold them so wondrously? The reader is lured into a world of clearly Italian stamp, where kings and peasants, saints and ogres - along with an array of the most extraordinary plants and animals - disport themselves against the rich background of regional customs and history. Whether the tone is humorous and earthy, playful and nonsensical, or noble and mysterious, the drama unfolds strictly according to the joyous logic of the imagination.Chosen one of the New York Times's ten best books in the year of its original publication, Italian Folktales immediately won a cherished place among lovers of the tale and vaulted Calvino into the ranks of the great folklorists like the Brothers Grimm and Hans Christian Andersen. In this collection Calvino combines a sensibility attuned to the fantastical with a singular writerly ability to capture the visions and dreams of a people.