Do motorists pick up a phantom hitchhiker on Blue Bell Hill during stormy nights? Does Satan appear if you dance round the Devil's Bush in the village of Pluckley? Do big cats roam the local woods? And what happens if you manage to count the 'Countless Stones' near Aylesford? For centuries strange urban legends have materialised in the Garden of England. Now, for the first time, folklorist and monster-hunter Neil Arnold looks at these intriguing tales, strips back the layers, and reveals if there is more to these Chinese whispers than meets the eye. Folklore embeds itself into a local community, often to the extent that some people believe all manner of mysteries and take them as fact. Whether they're stories passed around the school playground, through the internet, or round a flickering campfire, urban legends are everywhere. Kent Urban Legends is a quirky and downright spooky ride into the heart of Kent folklore.

There is more material available on Herakles than any other Greek god or hero. His story has many more episodes than those of other heroes, concerning his life and death as well as his battles with myriad monsters and other opponents. In literature, he appears in our earliest Greek epic and lyric poetry, is reinvented for the tragic and comic stage, and later finds his way into such unlikely areas as philosophical writing and love poetry. In art, his exploits are amongst the earliest identifiable mythological scenes, and his easily-recognisable figure with lionskin and club was a familiar sight throughout antiquity in sculpture, vase-painting and other media. He was held up as an ancestor and role-model for both Greek and Roman rulers, and widely worshipped as a god, his unusual status as a hero-god being reinforced by the story of his apotheosis. Often referred to by his Roman name Hercules, he has continued to fascinate writers and artists right up to the present day.

In Herakles, Emma Stafford has successfully tackled the Herculean task of surveying both the ancient sources and the extensive modern scholarship in order to present a hugely accessible account of this important mythical figure. Covering both Greek and Roman material, the book highlights areas of consensus and dissent, indicating avenues for further study on both details and broader issues. Easy to read, Herakles is perfectly suited to students of classics and related disciplines, and of interest to anyone looking for an insight into ancient Greece s most popular hero.

Before the innovative work of Zora Neale Hurston, folklorists from the Hampton Institute collected, studied, and wrote about African American folklore. Like Hurston, these folklorists worked within but also beyond the bounds of white mainstream institutions. They often called into question the meaning of the very folklore projects in which they were engaged.

Shirley Moody-Turner analyzes this output, along with the contributions of a disparate group of African American authors and scholars. She explores how black authors and folklorists were active participants--rather than passive observers--in conversations about the politics of representing black folklore. Examining literary texts, folklore documents, cultural performances, legal discourse, and political rhetoric, "Black Folklore and the Politics of Racial Representation" demonstrates how folklore studies became a battleground across which issues of racial identity and difference were asserted and debated at the turn of the twentieth century. The study is framed by two questions of historical and continuing import. What role have representations of black folklore played in constructing racial identity? And, how have those ideas impacted the way African Americans think about and creatively engage black traditions?

Moody-Turner renders established historical facts in a new light and context, taking figures we thought we knew--such as Charles Chesnutt, Anna Julia Cooper, and Paul Laurence Dunbar--and recasting their place in African American intellectual and cultural history.

Up to now, there has been no complete English-language version of the Russian folktales of A. N. Afanas'ev. This translation is based on L. G. Barag and N. V. Novikov's edition, widely regarded as the authoritative Russian-language edition. The present edition includes commentaries to each tale as well as its international classification number. This second volume of 140 tales continues the work started in Volume I, also published by University Press of Mississippi. A third planned volume will complete the first English-language set. The folktales of A. N. Afanas'ev represent the largest single collection of folktales in any European language and perhaps in the world. Widely regarded as the Russian Grimm, Afanas'ev collected folktales from throughout the Russian Empire in what are now regarded as the three East Slavic languages, Byelorusian, Russian, and Ukrainian. The result of his own collecting, the collecting of friends and correspondents, and in a few cases his publishing of works from earlier and forgotten collections is truly phenomenal. In his lifetime, Afanas'ev published more than 575 tales in his most popular and best known work, Narodnye russkie skazki. In addition to this basic collection, he prepared a volume of Russian legends, many on religious themes; a collection of mildly obscene tales, Russkie zavetnye skazki; and voluminous writings on Slavic folk life and mythology. His works were subject to the strict censorship of ecclesiastical and state authorities that lasted until the demise of the Soviet Union in the 1990s. Overwhelmingly, his particular emendations were stylistic, while those of the censors mostly concerned content. The censored tales are generally not included in this volume.

A delightful selection from one of Europe's richest folk literatures, "The Golden Apple "will appeal to a wide range of readers, including children. Admirers of Vasko Popa's poetry will find it rewarding for the insight it gives into his sources. Illustrated with traditional Serbian rug-motifs.

From Cinderella to comic con to colonialism and more, this companion provides readers with a comprehensive and current guide to the fantastic, uncanny, and wonderful worlds of the fairy tale across media and cultures. It offers a clear, detailed, and expansive overview of contemporary themes and issues throughout the intersections of the fields of fairy-tale studies, media studies, and cultural studies, addressing, among others, issues of reception, audience cultures, ideology, remediation, and adaptation. Examples and case studies are drawn from a wide range of pertinent disciplines and settings, providing thorough, accessible treatment of central topics and specific media from around the globe.

The Indian Subcontinent has been at the centre of folklore inquiry since the 19th century, yet, while much attention was paid to India by early scholars, folkloristic interest in the region waned over time until it virtually disappeared from the research agendas of scholars working in the discipline of folklore and folklife. This fortunately changed in the 1980s when a newly energized group of younger scholars, who were interested in a variety of new approaches that went beyond the textual interface, returned to folklore as an untapped resource in South Asian Studies. This comprehensive volume further reinvigorates the field by providing fresh studies and new models both for studying the "lore" and the "life" of everyday people in the region, as well as their engagement with the world at large. By bringing Muslims, material culture, diasporic horizons, global interventions and politics to bear on South Asian folklore studies, the authors hope to stimulate more dialogue across theoretical and geographical borders to infuse the study of the Indian Subcontinent's cultural traditions with a new sense of relevance that will be of interest not only to areal specialists but also to folklorists and anthropologists in general. This book was originally published as a special issue of South Asian History and Culture.

This volume is based on the premise that artistic performance is epistemological, a way of knowing self, culture, and other. The nine essays in this book, based on a broad range of ethnic, racial, and gender groups, share a common interest in exploring how performance reveals, shapes, and sometimes transforms personal and cultural identity. Editors Fine and Speer begin by examining the interdisciplinary roots of performance studies and the role of performance studies in the field of communication. They also discuss the power of performance to shape personal and cultural identity.

The first two chapters explore the ritual nature of performance in two different cultural contexts: an African-American church service and an Appalachian storytelling event of the legendary Ray Hicks. In both arenas, the performers act as shamans, transporting the audience from their everyday, secular lives to the higher ground of the mythic spheres of heroic and fantastic events. The next three chapters discuss the notion of place and performance in various landscapes--the English countryside, the Blue Ridge Mountains, and the farmland of the Midwest. Through analysis of the speech and songs of a modern Sussex yeoman, the ghost tales of Appalachian storytellers, and the narratives of Midwest farmers coping with hard times, the authors reveal a variety of ways in which narrative performances function to preserve people's relationship with the land. The last four chapters share a focus on women as storytellers. One chapter offers a feminist critique of personal narrative research and challenges normative assumptions about the storytelling behavior of women. Another chapter interprets a narration of a Galician woman's typical day to reveal how the performance expresses deeply held attitudes and beliefs of her cultural community. Words are not the only medium that women use to tell their stories. The next chapter examines the story cloths of Hmong women refugees from Laos as intercultural and dialogical performances. The last chapter explores self-discovery and identity in the storytelling of a woman in the last years of her life. This volume is particularly representative of the ways in which communication scholars approach performance studies, but will also interest researchers and students of folklore, anthropology, sociology, theatre, and related disciplines.

Join Verity and her magical fairy friends in this enchanting retelling of Cinderella, a much-loved fairy-tale classic, full of magic, mystery and more! Author Caroline Wakeman takes you on a journey to a magical Fairy Kingdom alongside lovable Verity and her gang of her sparkly fairy friends, as they set out on a special mission to ensure Cinderella gets the happily ever after she deserves! Verity is a thrill-seeking fairy with a heart of gold and a habit of telling the truth at all times during her endless adventures with fellow princesses and fairy friends! Proving the perfect fairytale book for your little princess, Verity Fairy and Cinderella gently encourages conversation surrounding the difference between right and wrong, positively influencing your child's moral intelligence and sense of justice, whilst sparking their curiosity and imagination. With a sprinkle of stardust in every page, your youngster can enjoy: -A simple and easy-to-read interpretation of a much-loved fairy-tale classic -Illuminating illustrations to enchant and inspire our young readers -An interactive quiz for children to reflect on everything they have learnt throughout the book A colourful map of Verity's magical Fairytale Kingdom Celebrate your child's curiosity and let their imagination run wild in this gripping interpretation of Cinderella, jam-packed with beautiful illustrations, an easy-to-follow storyline and a whole lot of magic. The ideal read for 5-7 year olds, this captivating kid's book encompasses the pleasure of simple text with the magic of much-loved fairy-tales, whilst placing a subtle focus on moral code to reinforce positive social behaviour in children from an early age. The fun doesn't stop there! Join Verity on more magical missions as she sets out to save more princesses from the clutches of evil, in the Verity Fairy complete collection, including Verity Fairy and Rapunzel, Verity Fairy and Sleeping Beauty, and Verity Fairy and Snow White, the ideal classic fairy-tale books for children. More magical adventures await you!

Guardian of the Secrets of the Holy Grail It is said that Rosslyn Chapel is the last resting place of the Holy Grail and that the fabulous treasure is buried in its secret vaults. This text is the story of this mysterious chapel in Scotland, taking the reader on a voyage of discovery. The first book to explore the existence of a configuration of seven pre-Christian sites which formed the route of a pilgrimage of initiation used by Druids, Knights Templar and Christian Mystics in their search for true knowledge and enlightenment. Beginning at Compostela in Spain, the voyage of discovery proceeds to Tolouse, Orleans, Chartres, Paris and Amiens, taking us deep into a mysterious world where hidden streams of spirituality flow beneath the surface of European history, profoundly influencing the evolution of Western thought. The journey ends at Rosslyn Chapel in Scotland, where the history of its founders, the Sinclair family, illuminates the revelations of Rosslyn and their signifance for us today.

The legends of King Arthur have not only endured for centuries, but also flourished in constant retellings and new stories built around the central themes of the legends. Clearly, soon after movie-making was underway, Arthur was destined to hit the screen. This revised edition of ""Cinema Arthuriana"" presents 20 essays on the topic of the recurring presence of the legend of King Arthur in film and television from 1904 to 2001. Four of the essays included are taken directly from the previous edition, ten are revised from the original, and six are newly written. The essays cover such films as ""Excalibut"" (1981), ""Monty Python and the Holy Grail"" (1975), television productions up to the televised version of ""The Mists of Avalon"" (2001), and French and German films about the Quest for the Holy Grail and the other adventures of King Arthur and the Knights of the Round Table.

The Slender Man entered the general popular consciousness in May 2014, when two young girls led a third girl into a wooded area and stabbed her. Examining the growth of the online horror phenomenon, this book introduces unique attributes of digital culture and establishes a needed framework for studies of other Internet memes and mythologies.

Between 1651 and 1740 hundreds of fables, fable collections, and biographies of the ancient Greek slave Aesop were published in England. Jayne Elizabeth Lewis decribes the explosion of interest in fable from its origins at the end of the English Civil Wars to its decline, and shows how three Augustan writers--John Dryden, Anne Finch and John Gay--experimented with fable as a literary form. Often underestimated because of its links with popular nonliterary forms, fable is shown to have played a major role in the formation of the modern English culture.

Part of our new and growing Myths, Mysteries and Legends series, Myths, Mysteries and Legends of New Mexico explores unusual phenomena, strange events, and mysteries in the Land of Enchantment's history. Each episode included in the book is a story unto itself, and the tone and style of the book is lively and easy to read for a general audience interested in New Mexico history. Stories include the mysterious disappearance of lawyer and civic leader Albert J. Fountain-a man known both for defending Billy the Kid and for taking on cattle rustlers-and his little boy, Henry; the near discovery of when humans first came to America by George McJunkin, a black cowboy, born a slave; and the unsolved murders of an old mining town that lies at the depths of Bonito Lake.

An entertaining and enthralling collection of myths, tales and traditions surrounding our trees, woodlands and forests from around the world.From the dark, gnarled woodlands of the north, to the humid jungles of the southern lands, trees have captured humanity's imagination for millennia. Filled with primal gods and goddesses, dryads and the fairy tales of old, the forests still beckon to us, offering sanctuary, mystery and more than a little mischievous trickery. From insatiable cannibalistic children hewn from logs, to lumberjack lore, and the spine-chilling legend of Bloody Mary, there is much to be found between the branches. Come into the trees; witches, seductive spirits and big, bad wolves await you.With this book, Folklore Thursday aim to encourage a sense of belonging across all cultures by showing how much we all have in common.

Alluring, nurturing, dangerous, and vulnerable the yamamba, or Japanese mountain witch, has intrigued audiences for centuries. What is it about the fusion of mountains with the solitary old woman that produces such an enigmatic figure? And why does she still call to us in this modern, scientific era? Co-editors Rebecca Copeland and Linda C. Ehrlich first met the yamamba in the powerful short story "The Smile of the Mountain Witch" by acclaimed woman writer Oba Minako. The story revealed the compelling way creative women can take charge of misogynistic tropes, invert them, and use them to tell new stories of female empowerment. This unique collection represents the creative and surprising ways artists and scholars from North America and Japan have encountered the yamamba.

"Ablaze with passion for the one essential task of the monk: total inner transformation." --Brother David Stendl-Rast

"Libraries offering titles on mysticism, inner transformation, or dealing with grief will find this a unique and welcome addition."--"Library Journal"

This powerful book, written by an Episcopal priest, tells of her intense relationship with Brother Raphael Robin, a seventy-year-old Trappist monk and hermit. Both believed that a relationship can continue beyond this life, and here Cynthia Bourgeault describes her search for that connection before and after Robin's death. Bourgeault's previous books include "The Wisdom Jesus" and "Centering Prayer and Inner Awakening."

Compiled during a three-month stay in Granada, Spain, Tales of the Alhambra assembles descriptions, myths, and narratives of historical events. After completing a literary project in Madrid, author Washington Irving traveled to Granada, Spain. Immediately taken by its beauty and extravagance, Irving requested a travel guide and began filling notebooks and journals with his observations and description of the magnificent setting. Beginning with an expedition through the Andalusian mountains on horseback, cherishing the grandeur of the nature, Irving took his time to enjoy and observe the landscape and culture of the country. After their horseback ride through the mountains, Irving and his guide stopped at an inn for a drink. During their stay, Irving witnessed artistic culture through music and dance, noting how the locals seemed to celebrate every-day occurrences, creating a happy environment. Upon entering the city, Irving requested permission from the governor to stay at the Alhambra palace. Originally built on the ruins of Roman buildings, the Alhambra was a small fortress built in 889 CE, and had been largely ignored and forgotten by the time Irving arrived in Granada. While staying in the Alhambra, Irving explored the abandoned palace and recollected the myths set within its walls, recording every detail of its architecture, story, and mystery. The Alhambra palace had been mostly forgotten, and left unmaintained until Washington Irving's narrative and recollections revived interest. Upon its original publication in 1832, Washington Irving's Tales of the Alhambra piqued the curiosity of readers who were completely engrossed in Irving's description of the previously abandoned fortress. With delicate prose and intricate detail, Tales of the Alhambra appeal to readers' sense of adventure, and allows its audience to explore the wonders of Granada, Spain alongside Washington Irving. This edition of Washington Irving's Tales of the Alhambra features a new, eye-catching cover design and is printed in a font that is both modern and readable, inviting contemporary audiences to divulge in the grandeur and beauty of a medieval fortress.

The building of human towers (castells) is a centuries-old competitive practice where hundreds of men, women, and children gather in Catalan squares to create breathtaking edifices through a feat of collective athleticism. The result is a great spectacle of suffering and overcoming, tension and release. Catalonia's Human Towers is an ethnographic look at the thriving castells practice—a symbol of Catalan cultural heritage and identity amid debates around autonomy versus subsummation by the Spanish state. While the main function of building castells is to grow community through a low-cost, intergenerational, and inclusive leisure activity, Mariann Vaczi reveals that this unique sport also provides a social base, image, and vocabulary for the pro-independence movement. Highlighting the intersection of folklore, performance, and self-determination, Catalonia's Human Towers captures the subtle and unconscious processes by which the body becomes politicized and ideology becomes embodied, with all the risks and precarities of collective constructions.