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Books > Humanities > Religion & beliefs > Myths & mythology
Soon after 9/11, wild rumors began to spread: that Arab-Americans
were celebrating publicly, that some people had been warned, that
politicians knew all along.
A wide-ranging and detailed investigation of folk heroes, both fictional and historical, from the earliest times to the present, taken from societies throughout the world as they exist in folktales, folksongs, customs, speech, and other folklore genres. From Paul Bunyan to Stagolee, from Queen Mab to the Tooth Fairy, every culture has created folk heroes. But as often as not, these "heroes of the people" accomplish their goals with methods that are anything but heroic-like the American liar hero Davy Crockett, or Galloping Jones, the Australian drinker and bank robber. Then there's the Irishman Finn Mac Cumhal, whose heroism, like that of Rip Van Winkle, was based on oversleeping. In this new collection, readers will enjoy a wildly colorful parade of nearly 400 thieves, tricksters, simpletons, and dragon slayers from around the world. Despite appearances, these "heroes" perform a crucial social function: they allow us to question what is right and what is wrong, to challenge what is legal and what is illegal, to deal with who has power and who does not, and to manage the contradictions and conflicts inherent in all cultures. Spotlights 366 folk heroes, from old acquaintances like Bluebeard and Casey Jones to new friends like Bunuwas and Chokanamma Includes 51 illustrations-paintings, drawings, and photographs A timeline documents the earliest known appearance of each hero A general index combined with indexes by heroic type and by country/culture make research easy
Eclectic British scholar SABINE BARING-GOULD (1834-1924) inspired My Fair Lady, wrote the hymn "Onward Christian Soldiers," and published more than five hundred literary works. Among his foremost folkloric studies is 1865's The Book of Werewolves, the first serious academic study of the shape-shifters of mythological lore. "This work is the most frequently cited early study of lycanthropy and is regarded by most scholars as the foundation work in the field," says cryptozoologist Loren Coleman in his new introduction. "The Book of Werewolves was so visionary that it foresaw that future discussions within werewolf studies would necessarily travel down many side paths. Indeed, midway through The Book of Werewolves, Baring-Gould treks into the shadowy world of crimes vaguely connected to werewolves, including serial murders, grave desecration, and cannibalism." This new edition, complete with the original illustrations, is part of Cosimo's Loren Coleman Presents series. LOREN COLEMAN is author of numerous books of cryptozoology, including Bigfoot : The True Story of Apes in America and Mothman and Other Curious Encounters.
With The Modern Myths, brilliant science communicator Philip Ball spins a new yarn. From novels and comic books to B-movies, it is an epic exploration of literature, new media and technology, the nature of storytelling, and the making and meaning of our most important tales. Myths are usually seen as stories from the depths of time-fun and fantastical, but no longer believed by anyone. Yet, as Philip Ball shows, we are still writing them-and still living them-today. From Robinson Crusoe and Frankenstein to Batman, many stories written in the past few centuries are commonly, perhaps glibly, called "modern myths." But Ball argues that we should take that idea seriously. Our stories of Dracula, Dr. Jekyll and Mr. Hyde, and Sherlock Holmes are doing the kind of cultural work that the ancient myths once did. Through the medium of narratives that all of us know in their basic outline and which have no clear moral or resolution, these modern myths explore some of our deepest fears, dreams, and anxieties. We keep returning to these tales, reinventing them endlessly for new uses. But what are they really about, and why do we need them? What myths are still taking shape today? And what makes a story become a modern myth? In The Modern Myths, Ball takes us on a wide-ranging tour of our collective imagination, asking what some of its most popular stories reveal about the nature of being human in the modern age.
Comprising three parts, this book is a companion volume to The Boggart: Folklore, History, Place-Names and Dialect. Part one, 'Boggart Ephemera', is a selection of about 40,000 words of nineteenth-century boggart writing (particularly material that is difficult to find in libraries). Part two presents a catalogue of 'Boggart Names' (place-names and personal names, totalling over 10,000 words). Finally, part three contains the entire 'Boggart Census' - a compendium of ground-breaking grassroots research. This census includes more than a thousand responses, totalling some 80,000 words, from older respondents in the north-west of England, to the question: 'What is a boggart?' The Boggart Sourcebook will be of interest to folklorists, historians and dialect scholars. It provides the three corpora on which the innovative monograph, The Boggart, is based.
Women and Folklore concerns itself with the growing body of English-language literature on women's folklore and culture. . . . There are 1,664 bibliographic citations, with a combined subject and name index containing some intriguing topics and names. A significant interdisciplinary bibliographic addition for high school, college, university and public libraries." Choice
A charming and beautifully illustrated book, first published in 1893, covering all aspects of the weather including: Times and Seasons, Months, Days of the week, Winter birds and times of their arrival, Sun, Moon and Stars, Wind, Clouds, Mists, Haze, Dew, Fog, Sky, Air, Sound, Sea, Tide, Heat, Rain, Rainbow, Frost, Hail, Snow, Ice, Thunder and Lightning. Measuring instruments include: Barometer, Thermometer, Hygrometer, Telescope, Spectroscope. Animals include: Quadrupeds, Birds, Fish, Molluscs, Reptiles, Insects, Plants etc. This new edition has been completely redesigned and is fully illustrated with reproductions of woodcuts, photographs and drawings throughout.
Ireland's wild plants have been part of our culture and folklore from the earliest times, featuring in the Brehon Laws, early Irish poetry and herbal medicine. Plants are described in seasonal order and different aspects are examined: their roles in magical protection, charms and spells, emblems in children's games, Irish place names and folklore. This beautifully illustrated and comprehensive compilation of natural history, mythology and folklore will entertain and enlighten all interested in the wild plants of Ireland.
The Human in Superhuman: The Power of the Sidekick in Popular Culture spotlights the often overlooked but very crucial sidekick in superhero narratives. From the classic companion Alfred Pennyworth to the supportive best friend Foggy Nelson, this collection examines a variety of sidekick characters and their importance to the hero's journey in '''in each story. Ultimately, rather than viewing the lack of superpowers as a flaw, the essays show that it is precisely human qualities like compassion, empathy, and encourage that enable the sidekicks to help their heroes grow. Chapters include discussions of Spider-Man, Daredevil, Buffy the Vampire Slayer, Doctor Who, and more.
An ever-expanding critical library on fantasy fiction requires an analysis of why the genre is so ubiquitous, enduring and beloved. This work analyzes the mythic elements in foundational fantasy texts, arguing that mythopoeic fantasy reveals timeless truths that link human cultures past and present. Through close readings of works like Phantastes, The King of Elfland's Daughter, The Fellowship of the Ring, The Lion, the Witch, and the Wardrobe, A Wizard of Earthsea, The Neverending Story, A Wrinkle in Time and Out of the Silent Planet, this book explores how mythopoeic fantasy speaks to the deepest concerns of the human heart. It investigates the genre's use of an imagination that is sometimes atrophied by the demands of contemporary life, and explores how fantasy provides restoration, consolation and hope within a cultural context that too often decries such ideas. Each chapter focuses on a representative text, providing author background and engaging relevant scholarship on a variety of relevant thematic issues. Offering new insights on these classic texts by drawing upon post-secular critical approaches, this work is suitable for both new and seasoned students of fantasy.
Folklore has long explored food as a core component of life, linked to identity, aesthetics, and community and connecting individuals to larger contexts of history, culture and power. It recognizes that we gather together to eat, define class, gender, and race by food production, preparation, and consumption, celebrate holidays and religious beliefs with food, attach meaning to the most mundane of foods, and evoke memories and emotions through our food selections and presentations. "The Food and Folklore Reader "is the first comprehensive introduction to folklore methods and concepts relevant to food, spanning the entire discipline with key sources drawn from around the globe. Whilst folklore approaches have long permeated food studies, this is the first dedicated reader to introduce those ideas and to encourage students of food to explore them in their own work.Internationally respected editor Lucy M. Long offers expert commentary and rich learning features to aid teaching. Definitive in scale and scope, the reader covers the history of food in folklore scholarship whilst also highlighting food studies approaches and concepts for folklore readers.From seminal works on identity and aesthetics to innovative scholarship on contemporary food issues such as culinary tourism and food security, this will be an essential resource for food studies, folklore studies and anthropology.
Glass slippers, a fairy godmother, a ball, a prince, an evil stepfamily, and a poor girl known for sitting amongst the ashes: incarnations of the Cinderella fairy tale have resonated throughout the ages. Hidden between the lines of this fairy tale exists a history of fantasy about agency, power, and empowerment. This book examines twenty-first-century "Cinderella" adaptations that envision the classic tale in the twenty-first century through the lens of wokenesss by shifting rhetorical implications and self-reflexively granting different possibilities for protagonists. The contributors argue that the Cinderella archetype expands past traditional takes on the passive princess. From Sex and the City to Game of Thrones, from cyborg Cinderellas to Inglorious Basterds, contributors explore gender-bending and feminist adaptations, explorations of race and the body, and post-human and post-truth rewritings. The collection posits that contemporary "Cinderella" adaptations create a substantive cultural product that both inform and reflect a contemporary social zeitgeist.
In this collection of folk stories that float to us from afar, the voices of long-dead 'Bushmen', or San people, of Southern Africa speak to us about their lives and beliefs. We are given glimpses into their thought-world. We listen to them recounting their poignant myths and beliefs. We hear them speak of their tormented lives as the early colonists expanded into the semi-arid interior. All these stories have lain hidden since they were first collected more than a hundred years ago by a remarkable family in Cape Town who devoted their lives to recording the life-ways of the /Xam San before their disappearance. Today there is a need for us to listen to these voices from the past. They fill in one of the tragic blanks in South Africa's history. Suddenly a people who have spoken only through others' voices now speak out and come alive.
Mysterious vanishing hitchhikers, travelers beset by headless dogs, and long-dead moonshiners come alive in this collection of ninety-six Appalachian folktales. Set in coal mines and remote farm cabins, in hidden hollows and on mountain tops, some of these stories look back to the days when West Virginia was first settled; others reflect the rancor and brutality of the Civil War. But most of these tales guide us through the recent past of the uncommonly rich folk heritage of West Virginia. This ghostly collection, with source information and bold illustrations, will thrill longtime lovers of supernatural lore.
Monsters have preoccupied mankind from the earliest times: even cave art includes animal-human monsters. Certainly monsters were present in the ancient religions of Egypt and Mesopotamia; the Old Testament describes the giant land and sea monsters Behemoth and Leviathan, while in the world of Classical mythology, monsters embody the fantasies of the gods and the cruellest punishments of human beings. While we may no longer worry about being eaten by trolls on the way home, there remains a fascination with these creatures who have shadowed us throughout history. This book explores monsters down the ages and throughout the world. It provides a dark yet engrossing visual history of the human mind, lit up by flashes of wild and unearthly inspiration.
Following the success of Black Sci-Fi Short Stories comes a powerful new addition to the Flame Tree short story collections: the first peoples in Africa, Asia, Oceania and the Americas, the first migration, the first exploration, the discovery of land and landscape without the footprint of humankind. Stories of injustice sit with memories of hope and wonder, dreamtime tales of creation and joy highlight the enduring spirit of humanity. These stories, selected from submissions by new writers and cast alongside ancient stories and oral traditions from around the world bring new perspectives to the legacy of First Nations, of First Peoples. Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.
UPDATED, WITH NEW MATERIAL BY THE AUTHOR"WOMEN WHO RUN WITH THE WOLVES isn't just another book. It is a gift of profound insight, wisdom, and love. An oracle from one who knows."--Alice WalkerWithin every woman there lives a powerful force, filled with good instincts, passionate creativity, and ageless knowing. She is the Wild Woman, who represents the instinctual nature of women. But she is an endangered species. In WOMEN WHO RUN WITH THE WOLVES, Dr. Estés unfolds rich intercultural myths, fairy tales, and stories, many from her own family, in order to help women reconnect with the fierce, healthy, visionary attributes of this instinctual nature. Through the stories and commentaries in this remarkable book, we retrieve, examine, love, and understand the Wild Woman and hold her against our deep psyches as one who is both magic and medicine. Dr. Estés has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul."This volume reminds us that we are nature for all our sophistication, that we are still wild, and the recovery of that vitality will itself set us right in the world."--Thomas Moore Author of Care of the Soul"I am grateful to WOMEN WHO RUN WITH THE WOLVES and to Dr. Clarissa Pinkola Estés. The work shows the reader how glorious it is to be daring, to be caring, and to be women. Everyone who can read should read this book."--Maya Angelou"An inspiring book, the 'vitamins for the soul' [for] women who are cut off from their intuitive nature."--San Francisco Chronicle"Stands out from the pack . . . A joy and sparkle in [the] prose . . . This book will become a bible for women interested in doing deep work. . . . It is a road map of all the pitfalls, those familiar and those horrifically unexpected, that a woman encounters on the way back to her instinctual self. Wolves . . . is a gift."--Los Angeles Times"A mesmerizing voice . . . Dramatic storytelling she learned at the knees of her [immigrant] aunts."--Newsweek |
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