Narrative as Social Practice sets out to explore the complex and fascinating interrelatedness of narrative and culture. It does so by contrasting the oral storytelling traditions of two widely divergent cultures - Anglo-Western culture and the Central Australian culture of the Pitjantjatjara/Yankunytjatjara Aborigines. Combining discourse-analytical and pragmalinguistic methodologies with the perspectives of ethnopoetics and the ethnography of communication, this book presents a highly original and engaging study of storytelling as a vital communicative activity at the heart of socio-cultural life. The book is concerned with both theoretical and empirical issues. It engages critically with the theoretical framework of social constructivism and the notion of social practice, and it offers critical discussions of the most influential theories of narrative put forward in Western thinking. Arguing for the adoption of a communication-oriented and cross-cultural perspective as a prerequisite for improving our understanding of the cultural variability of narrative practice, Klapproth presents detailed textual analyses of Anglo-Western and Australian Aboriginal oral narratives, and contextualizes them with respect to the different storytelling practices, values and worldviews in both cultures. Narrative as Social Practice offers new insights to students and specialists in the fields of narratology, discourse analysis, cross-cultural pragmatics, anthropology, folklore study, the ethnography of communication, and Australian Aboriginal studies.

Laurence Coupe offers students a comprehensive overview of the development of myth, showing how mythic themes, structures and symbols persist in literature and entertainment today. This introductory volume:

• illustrates the relation between myth, culture and literature with discussions of poetry, fiction, film and popular song
• explores uses made of the term myth within the fields of literary criticism, anthropology, cultural studies, feminism, Marxism and psychoanalysis
• discusses the association between modernism, postmodernism, myth and history
• familiarizes the reader with themes such as the dying god, the quest for the Grail, the relation between chaos and cosmos, and the vision of the end of time
• demonstrates the growing importance of the green dimension of myth.

Fully updated and revised in this new edition, Myth is both a concise introduction and a useful tool to students first approaching the topic, while also a valuable contribution to the study of myth.

Focusing on representations of Celtic motifs and traditions in post-1980s adult fantasy literature, this book illuminates how the historical, the mythological and the folkloric have served as inspiration for the fantastic in modern and popular culture of the western world. Bringing together both highly-acclaimed works with those that have received less critical attention, including French and Gaelic fantasy literature, Imagining the Celtic Past in Modern Fantasy explores such texts as Susanna Clarke's Jonathan Strange & Mr Norrell, Alan Garner's Weirdstone trilogy, the Irish fantasies of Jodi McIsaac, David Gemmell's Rigante novels, Patricia Kennealy-Morrison Keltiad books, as well as An Sgoil Dhubh by Iain F. MacLeoid and the Vertigen and Frontier series by Lea Silhol. Lively and covering new ground, the collection examines topics such as fairy magic, Celtic-inspired worldbuilding, heroic patterns, classical ethnography and genre tropes alongside analyses of the Celtic Tarot in speculative fiction and Celtic appropriation in fan culture. Introducing a nuanced understanding of the Celtic past, as it has been informed by recent debates in Celtic studies, this wide-ranging and provocative book shows how modern fantasy is indebted to medieval Celtic-language texts, folkloric traditions, as well as classical sources.

Step into a magical world of fanciful characters, animals, and landscapes that will delight adult coloring fans of fairy tales, landscapes, and whimsical drawings. Inspired by fairy tales and magical realism, artist Renata Krawczyk has created illustrations that will delight fans of coloring intricate scenes of fantasy and wonder. The beautiful drawings include such charming scenes as cottages adorned with fairy lights, delicate flowers, paper sailboats, tiny teacups, toadstools, hot-air balloons, unicorns, and more.

The tales contained in this unique collection were translated and taken down soon after the Second World War by C. G. Campbell, a major in the British army. Major Campbell was not just a soldier but also an Arabist who took a great interest in the life and culture of the Arabs. At the time of this collection's publication, the well known writer and Middle East expert of the time, H. St. John Philby, described the tales as "A work which can fairly be called a masterpiece."

First published in 2007. This classic work draws together the whole rich field of Jewish Folklore- the popular beliefs, practices, superstitions and traditional wisdom relating to all aspects of life. Dr. Rappaport has organised the book around four main themes: nature, the heavenly bodies and mythological an cosmological motifs; fauna and flora; human life including birth, marriage, illness and death, omens and portents; and supernatural and natural powers including demons and spirits, witchcraft, charms and spells. There are chapters on folk medicine, demonology, customs and practices, as well as a selection of Jewish legends and folktales, and a collection of Hebrew and Yiddish proverbs and popular sayings.

In this detailed treatment of the myth of Adonis in post-Classical times, Carlo Caruso provides an overview of the main texts, both literary and scholarly, in Latin and in the vernacular, which secured for the Adonis myth a unique place in the Early Modern revival of Classical mythology. While aiming to provide this general outline of the myth's fortunes in the Early Modern age, the book also addresses three points of primary interest, on which most of the original research included in the work has been conducted. First, the myth's earliest significant revival in the age of Italian Humanism, and particularly in the poetry of the great Latin poet and humanist Giovanni Pontano. Secondly, the diffusion of syncretistic interpretations of the Adonis myth by means of authoritative sixteenth-century mythological encyclopaedias. Thirdly, the allegorical/political use of the Adonis myth in G.B. Marino's (1569-1625) "Adone," published in Paris in 1623 to celebrate the Bourbon dynasty and to support their legitimacy with regard to the throne of France.

Did you know that the father of psychoanalysis believed in ghosts, or that Frederick Engels attended seances? Ghosts: Deconstruction, Psychoanalysis, History is the first collection of theoretical essays to evaluate these facts and consider the importance of the metaphor of haunting as it has appeared in literature, culture, and philosophy. Haunting is considered as both a literal and figurative term that encapsulates social anxieties and concerns. The collection includes discussions of nineteenth-century spiritualism, gothic and postcolonial ghost stories, and popular film, with essays on important theoretical writers including Freud, Derrida, Adorno, and Walter Benjamin.

In the ancient myth, Oedipus ceased to be king when he discovered his crimes. Nonetheless, since the Renaissance, he has ruled the kingdom of the imagination. The twentieth century begins with the Oedipus complex in Freud's "The Interpretation of Dreams" and the power of the Oedipus myth continued to manifest itself in an astonishing range of artistic and intellectual work.
As a volume in the "Gods and Heroes" series, this book explores a key figure in ancient myth incisively and accessibly, yet with enough scholarly detail to be an 'all-you-need-to-know' for lower level courses, a platform for further study at a more advanced level or as a reference book of key information for researchers/academics.

A good book, a good friend. (Italian)
Neither love nor a cough can be hidden. (Roman)
Knowledge is a treasure, but practice is the key to it. (Arabian)
One enemy is too many, one hundred friends is not enough. (Indian)
The Routledge Book of World Proverbs invites the reader to travel the globe in search of the origins of such words of wisdom, experiencing the rich cultural traditions reflected in each nation's proverbs. This collection contains over 16,000 gems of humor and pathos that draw upon themes from our shared experiences of life. And we are not just invited to learn about other cultures; proverbs are 'bits of ancient wisdom' and thus teach us about our shared histories.
This book draws together proverbs that transcend culture, time and space to offer a collection that is both useful and enjoyable, making this book one of enduring interest.

Covering 30,000 years of goddess worship, this fascinating book is the first and most comprehensive biographical dictionary devoted exclusively to mythological deities. Spanning 30,000 years of goddess worship, Goddesses in World Mythology provides access to nearly 11,500 entries from many cultures: Greek, Celtic, Indian, African, Chinese, Slavic, Mesoamerican, Japanese, and more. Organized alphabetically within geographical regions such as Egypt, the Far East, Oceania, North America, and the Himalayan region, entries identify each goddess by her most common anthropological, mythological, or religious name, then identifies the culture recognizing that goddess, summarizing her powers or attributes, often providing a brief story characterizing her personality and motivations. The most comprehensive and comprehensible work of its kind, Goddesses in World Mythology features two indexes that divide the goddesses by name and attribute, over 2,000 cross references that guide the reader to other entries, and an extensive bibliography. This unique and easy to use guide shows that goddesses were not just wives, sisters, mothers, or fertility figures, but supreme deities themselves. Includes two indexes, arranged by name and attribute, and an extensive bibliography for further research Extensive cross references show the surprisingly intricate relationship of certain goddesses across cultures, regions, and time Nearly 11,500 entries with coverage of goddesses from countries and legend across the globe

Covering a wide range of issues which have been overlooked in the past, including mystery, cult and philosophy, Richard Seaford explores Dionysos - one of the most studied figures of the ancient Greek gods.

Popularly known as the god of wine and frenzied abandon, and an influential figure for theatre where drama originated as part of the cult of Dionysos, Seaford goes beyond the mundane and usual to explore the history and influence of this god as never before.

As a volume in the popular Gods and Heroes series, this is an indispensible introduction to the subject, and an excellent reference point for higher-level study.