From Alice Hemming, the bestselling author of The Midnight Unicorn, comes an exciting unicorn fairytale in the Dark Unicorns series. If you thought you'd heard every fairy tale, then think again... Long ago, a cruel winter plagued the land and people started to mysteriously disappear. A girl called Violet heard all the stories and the rumours that an evil unicorn was behind it all. Years later, when a terrible winter descends once more. Violet's True Love, Nicolas, goes missing. Realising that the old stories must be true, Violet embarks on a risky journey to the far North, not only leaving behind her home but her family and wealth too. The journey will push her to her limits, yet she will also find help, friendship and comfort in the most unlikely places. And one thing is for sure: Nicolas is out there and he needs Violet's help. But how long will he survive in the bitter cold of winter? Enchanting dark fairy tales with magical unicorns, fearsome villains and inspiring heroines Perfect for fans of Skandar and the Unicorn Thief Great for people who love fairy tales, Disney and unicorns DARK UNICORNS - COLLECT THEM ALL! The Midnight Unicorn Paperback eBook The Darkest Unicorn Paperback eBook The Cursed Unicorn Paperback eBook The Blazing Unicorn Paperback eBook The Frozen Unicorn Paperback eBook

An illuminating look at Native origins and lifeways, a treasure for all who value Native wisdom and the stories that keep it alive.

Despite being located on the extreme eastern boundary of Europe, and having been frequently conquered by invading people from Asia, including Arabs, Turks, Persians, Mongols, and more recently Russians, Georgians still regard themselves very much as Europeans and it is to becoming a future member state of the EU that the majority of the people now aspire. As for the traditional folk-tales from the region, one of their main characteristics is that they are packed with action: Whilst a written, 'literary' novel or short story might devote paragraphs to descriptions of people or places, these tales usually settle for an adjective or two; 'a thick impassable forest', 'a handsome stately man', or a formula such as 'not-seen-beneath-the-sun beauty'. Many of the heroes and heroines do not even have names (Hunt, 1999, p.8). Safely cocooned, or so we like to kid ourselves, in our sanitised western urban environment, we tend to take the elements for granted. However, tales from a time when the Earth was new help to jolt us out of our daily lethargy, as do the stories in this collection - a number of which have never been translated from Georgian direct into English before.

First published in 1996. The need to write, particularly in pre-technological recording days, in order to preserve and to analyze, lies at the heart of folklore and yet to write means to change the medium in which much folk communication and art actually took and takes place. In Part I of the collection, the contributors address literary constructions of traditional and emergent cultures, those of Leslie Marmon Silko, Sandra Cisneros, Pat Mora, Carmen Tafolla, Julio Cortazar, Milan Kundera, Franz Kafka, Philip Roth, Thomas Hardy, and Dacia Maraini. The contributors to Part II of the collection offer readings of a variety of traditional, vernacular, and local performances.

Trying to understand the wonders and mysteries of the natural world has been a human preoccupation since the earliest times. Myriad myths and legends have subsequently evolved to explain the existence and power of our fertile planet. At the same time, the knowledge of which plants to use as essential foods, remedies, and for construction was of obvious importance, not only to learn but also to pass on and remember. It is therefore hardly surprising that from all corners of the globe a wealth of stories, myths and legends about plants has been passed down to us, gathered together in this fascinating volume. Here you will discover sound principles in some of the traditional advice, and wisdom in many of the observations of the plant world. However there are also highly fanciful superstitions, intriguing tales and amusing anecdotes, which any plant lover will truly relish. Discover which trees are believed to have healing powers? How, in legend, the white rose turn red? Why the lily is a symbol of purity? Any why is it considered unlucky to bring some flowers indoors?

Between 1651 and 1740 hundreds of fables, fable collections, and biographies of the ancient Greek slave Aesop were published in England. In The English Fable, Jayne Elizabeth Lewis describes the national obsession with Aesop's fables during this period as both a figural response to sociopolitical crises, and an antidote to emerging anxieties about authorship. Lewis traces the role that fable collections, Augustan fable theory, and debates about the figure of Aesop played in the formation of a modern, literate, and self-consciously English culture, and shows how three Augustan writers - John Dryden, Anne Finch, and John Gay - experimented with the seemingly marginal symbolic form of fable to gain access to new centres of English culture. Often interpreted as a discourse of the dispossessed, the fable in fact offered Augustan writers access to a unique form of cultural authority.

This books explores varying conceptions of the Nightmare hag, mara, in Scandinavian folk belief. What began as observations of some startling narratives preserved in folklore archives where sex, violence and curses are recurring themes gradually led to questions as to how rural people envisaged good and evil, illness and health, and cause and effect. At closer reading, narratives about the mara character involve existential themes, as well as comments on gender and social hierarchy. This monograph analyses how this female creature was conceived of in oral literature and everyday ritual practice in pre-industrial Scandinavia, and what role she played in a larger pattern of belief in witchcraft and magic.

In a magisterial work, Jaan Puhvel unravels the prehistoric Indo-Euopean origins of the traditions of India and Iran, Greece and Rome, of the Celts, Germans, Balts, and Slavs. Utilizing the methodologies of historical linguistics and archaeology, he reconstructs a shared religious, mytholoigcal, and cultural heritage. Separate chapters on individual traditions as well as on recurrent thees-god and warrior, king and virgin, fire and water-give life to Comparative Mythology as both a general introduction and a detaled reference.

This is the history of the development through the ages of Plato's "Atlantis" story - the imperialist island state that disappeared in a cataclysm, leaving Athens to survive it...Instead of simply focusing on the various attempts to 'find' Atlantis - all of which are futile for the very good reason that Plato made the island up - the author re-examines the very different uses made of the myth in different contexts and periods. He shows how Plato's myth was reinterpreted in the medieval period and after through conflation with the search for the lost tribes of Israel; how it became involved with the debate about whether Europe should look back to its origins in the Classical or Biblical worlds; how the myth was reinterpreted with a more geographical emphasis following Columbus' discovery of America; and how it was used in the "Enlightenment" to add colour to nationalist attempts to claim antiquity by finding unrecognised origins. Written in a clear and interesting way, Pierre Vidal-Naquet's original ideas rest on deep knowledge supported by primary references and illustrations.

This book is an ambitious and wide-ranging social and cultural history of gender relations among indigenous peoples of New Spain, from the Spanish conquest through the first half of the eighteenth century. In this expansive account, Lisa Sousa focuses on four native groups in highland Mexico-the Nahua, Mixtec, Zapotec, and Mixe-and traces cross-cultural similarities and differences in the roles and status attributed to women in prehispanic and colonial Mesoamerica. Sousa intricately renders the full complexity of women's life experiences in the household and community, from the significance of their names, age, and social standing, to their identities, ethnicities, family, dress, work, roles, sexuality, acts of resistance, and relationships with men and other women. Drawing on a rich collection of archival, textual, and pictorial sources, she traces the shifts in women's economic, political, and social standing to evaluate the influence of Spanish ideologies on native attitudes and practices around sex and gender in the first several generations after contact. Though catastrophic depopulation, economic pressures, and the imposition of Christianity slowly eroded indigenous women's status following the Spanish conquest, Sousa argues that gender relations nevertheless remained more complementary than patriarchal, with women maintaining a unique position across the first two centuries of colonial rule.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed their themes, their relevance to Greek religion and society, and their relationship to the landscape. "Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater. "Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities. "The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities. "Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes. "Family sagas" explores the dramas and catastrophes that befall heroes and heroines. "A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld. "Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks."

For almost 3,000 years apocalypse prophecies have convinced people all over the world that the future is about to give them the world they want instead of the world they've got. All the end time prophecies splashed across the media in every age have had something else in common: every one of them has been wrong. "Apocalypse Not" is a lively and engaging survey of predictions about the end of the world, along with the failed dreams and nightmares that have clustered around them. Among the stories highlighted in "Apocalypse Not" are: the birth of the apocalypse meme out of archaic star myths in the ancient Middle East; the failed end time prophecies of Nostradamus, Mother Shipton, and other famous prophets; the long and murky road from the Great Pyramid to today's Rapture beliefs; and the real origins of the belief in apocalypse in 2012 (hint: it's not originally Mayan at all).

These stories come from a variety of Southwestern states - as well as Latin America - and demonstrate how the magical world of witchcraft and the supernatural connects Spain to Latin America, and Latin America to North America. This rich tradition of supernatural tales illuminates an unexplored aspect of the American Southwest's Hispanic heritage. The collection also includes biographical information on the narrators and a glossary highlighting the regional Spanish dialect of northern New Mexico and southern Colorado, USA.

A scholarly work that aims to be both broad enough in scope to satisfy upper-division undergraduates studying folk belief and narrative and detailed enough to meet the needs of graduate students in the field. Each of the seven chapters in Part 1 focuses on one aspect of Russian folk belief, such as the pagan background, Christian personages, devils and various other logical categories of the topic. The author's thesis - that Russian folk belief represents a "double faith" whereby Slavic pagan beliefs are overlaid with popular Christianity - is persuasive and has analogies in other cultures. The folk narratives constituting Part 2 are translated and include a wide range of tales, from the briefly anecdotal to the more fully developed narrative, covering the various folk personages and motifs explored in Part 1.

The Medusa Reader is the first major anthology of primary and critical material on this enigmatic figure, a symbol of all that is irresistible, fascinating and terrifying. Ranging from classical times to pop culture, this collection will appeal to art historians, feminists, classicists, cultural critics and anyone interested in mythology.

For centuries, unicorns have inspired, enchanted and eluded humanity. The beast appears in the Old Testament and there was a brisk trade in unicorn parts in medieval times, with travellers regularly reporting sightings into the modern era. But by the early twentieth century scientists had conceded that the unicorn never existed. It turns out they were a little hasty. Where did the unicorn come from, and how was it accepted as a part of the animal kingdom for so long? Chris Lavers argues that although the unicorn of our imagination isn't real, traces of its character can be found in existing species. In this lively and vivid exploration of the natural world, Lavers follows the beast's trail to the plateaus of India and into the jungles of Africa to unearth the flesh and blood ancestors of our iconic unicorn.

The sagas of the ancient Narts are to the Caucasus what Greek mythology is to Western civilization. This book presents, for the first time in the West, a wide selection of these fascinating myths preserved among four related peoples whose ancient cultures today survive by a thread. In ninety-two straightforward tales populated by extraordinary characters and exploits, by giants who humble haughty Narts, by horses and sorceresses, Nart Sagas from the Caucasus brings these cultures to life in a powerful epos. In these colorful tales, women, not least the beautiful temptress Satanaya, the mother of all Narts, are not only fertility figures but also pillars of authority and wisdom. In one variation on a recurring theme, a shepherd, overcome with passion on observing Satanaya bathing alone, shoots a "bolt of lust" that strikes a rock--a rock that gives birth to the Achilles-like Sawseruquo, or Sosruquo. With steely skin but tender knees, Sawseruquo is a man the Narts come to love and hate. Despite a tragic history, the Circassians, Abazas, Abkhaz, and Ubykhs have retained the Nart sagas as a living tradition. The memory of their elaborate warrior culture, so richly expressed by these tales, helped them resist Tsarist imperialism in the nineteenth century, Stalinist suppression in the twentieth, and has bolstered their ongoing cultural journey into the post-Soviet future. Because these peoples were at the crossroads of Eurasia for millennia, their myths exhibit striking parallels with the lore of ancient India, classical Greece, and pagan Scandinavia. The Nart sagas may also have formed a crucial component of the Arthurian cycle. Notes after each tale reveal these parallels; an appendix offers extensive linguistic commentary. With this book, no longer will the analysis of ancient Eurasian myth be possible without a close look at the Nart sagas. And no longer will the lover of myth be satisfied without the pleasure of having read them. Excerpts from the Nart sagas "The Narts were a tribe of heroes. They were huge, tall people, and their horses were also exuberant Alyps or Durduls. They were wealthy, and they also had a state. That is how the Narts lived their lives..." "The Narts were courageous, energetic, bold, and good-hearted. Thus they lived until God sent down a small swallow..." "The Narts were very cruel to one another. They were envious of one another. They disputed among themselves over who was the most courageous. But most of all they hated Sosruquo...A rock gave birth to him. He is the son of a rock, illegally born a mere shepherd's son..." In a new introduction, folklorist Adrienne Mayor reflects on these tales both in terms of the fascinating warrior culture they depict and the influence they had on Greco-Roman mythology.