The author of the international bestsellers Watching the Tree and Falling Leaves has always been fascinated by proverbs and their importance and use in China. Both her book titles are based on such proverbs. The majority of Chinese proverbs are drawn from the 1st century, when the First King of all China established his leadership over the whole country and its warring kingdoms. In ancient China, a scholar's conversation would be studded with appropriate sayings, and a man's status in society would be defined by his use and knowledge of proverbs. In modern China, much of this is still true, and proverbs are used daily. Adeline Yen Mah introduces us to the whole rich picture of the first century BC when after the long wars between states, China was finally united and the richness of the literature and art could flourish. She portrays the leaders, the plots and the counter-revolutions with great vividness and liveliness so that even those ignorant of Chinese history become absorbed. And as in all her other books, she relates the historical episodes and the proverbs derived from these to experiences in her own life. One of the major expressions of this age was of course the First King's tomb with its terracotta soldiers, of horses and carriages and the stones of the building. The re-finding of this monument - now open to us all - and Adeline Yen Mah's own experiences there, are extraordinary. A Thousand Pieces of Gold, following Watching the Tree and Falling Leaves, is a personal account by a much loved author, but it is also a lively history of the fascinating period of civilisation when Europe was barely out of the stone age.

In this account of the growth of newspapers in modern, industrial society, Helen Hughes traces the development of a mass audience through analysis of the origins of the human interest story in the popular ballads of an earlier day. She shows how such commonly found interests as a taste for news of the town, ordinary gossip, and moving or gripping tales with a legendary or mythic quality have reflected the tastes of ordinary folk from the days of illiterate audiences to the present. She explains how these interests ultimately were combined with practical economic and political information to create the substance and demand for a popular press.

In describing the rise and fall of newspaper empires, each with their special readership attractions, Hughes shows how technological innovation and idiosyncratic creativity were used by owners to capture and hold a reading audience. Once this audience developed, it could be fed a variety of messages--beamed at reinforcing and maintaining both general and specific publics--as well as a view of the world consonant with that of the publisher and major advertisers. Hughes offers a persuasive argument for the continuing viability of this method for combined social control, instruction, and amusement captured by the association of news and the human interest story.

First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

We see the Green Man half-hidden on the walls of many of our old churches, a face surrounded by leaves. This beautifully illustrated and well-researched Pitkin Guide looks at this fascinating creature, its history, and where to find him.Look out for more Pitkin Guides on the very best of British history, heritage and travel.

Who were the Norse gods - the mighty AEsyr, led by Odinn, and the mysterious Vanir? In The Norse Myths we meet this passionate and squabbling pantheon, and learn of the mythological cosmos they inhabit. Passages translated from the Old Norse bring this legendary world to life, from the myths of creation to ragnaroek, the prophesied end of the world at the hands of Loki's army of monsters and giants, and everything that comes in between: the problematic relationship between the gods and the giants, in which enmity and trickery are punctuated by marriages and seductions; the (mis) adventures of human heroes and heroines, with their family feuds, revenges, marriages and murders; and the interaction between the gods and mortals, as Odinn, the Allfather, betrays his human proteges in order to recruit (dead) heroes for his army. Carolyne Larrington describes the myths' origins in pre-Christian Scandinavia and Iceland, and their survival in artefacts and written sources, from Old Norse sagas and poems to the less approving accounts of medieval Christian writers. She traces their influences into the work of Wagner, William Morris and J.R.R. Tolkien, and even the recent Game of Thrones in the resurrection of the Fimbulvetr, or 'Mighty Winter'.

Come nose around in the creepier corners of the Grand Rapids of yesteryear. Discover why Hell's Bridge persists as such an oft-told urban legend and what horrific history earned Heritage Hill the title of Michigan's most haunted neighborhood. Mingle with the spooky inhabitants of the Phillips Mansion, Holmdene Manor, San Chez Restaurant and St. Cecilia Music Center. Meet the guests who never quite checked out of the Amway Grand. Read the true stories behind the Michigan Bell Building and the Ada Witch Legend. Nicole Bray, Robert Du Shane and Julie Rathsack illuminate the shadows of local sites you thought you knew.

'An erudite, extremely entertaining work' Jan Morris, Independent In the style of Longitude and Fermat's Last Theorem, acclaimed novelist Maureen Duffy has written a page-turning narrative history of the making of the myth of the English. In this fascinating study, acclaimed author Maureen Duffy surveys three thousand years of English and British history, illuminating the myths that have come to be such an important part of our national identity. Written with great erudition, perception and humour, England: The Making of the Myth from Stonehenge to Albert Square will change your view of England's past - and England's future.

With The Modern Myths, brilliant science communicator Philip Ball spins a new yarn. From novels and comic books to B-movies, it is an epic exploration of literature, new media and technology, the nature of storytelling, and the making and meaning of our most important tales. Myths are usually seen as stories from the depths of time-fun and fantastical, but no longer believed by anyone. Yet, as Philip Ball shows, we are still writing them-and still living them-today. From Robinson Crusoe and Frankenstein to Batman, many stories written in the past few centuries are commonly, perhaps glibly, called "modern myths." But Ball argues that we should take that idea seriously. Our stories of Dracula, Dr. Jekyll and Mr. Hyde, and Sherlock Holmes are doing the kind of cultural work that the ancient myths once did. Through the medium of narratives that all of us know in their basic outline and which have no clear moral or resolution, these modern myths explore some of our deepest fears, dreams, and anxieties. We keep returning to these tales, reinventing them endlessly for new uses. But what are they really about, and why do we need them? What myths are still taking shape today? And what makes a story become a modern myth? In The Modern Myths, Ball takes us on a wide-ranging tour of our collective imagination, asking what some of its most popular stories reveal about the nature of being human in the modern age.

Witchcraft and paganism exert an insistent pressure from the margins of midcentury British detective fiction. This Element investigates the appearance of witchcraft and paganism in the novels of four of the most popular female detective authors of the era: Agatha Christie, Margery Allingham, Ngaio Marsh and Gladys Mitchell. The author approaches the theme of witchcraft and paganism not simply as a matter of content but as an influence which shapes the narrative and its possibilities. The 'witchy' detective novel, as the author calls it, brings together the conventions of Golden Age fiction with the images and enchantments of witchcraft and paganism to produce a hitherto unstudied mode of detective fiction in the midcentury.

With such a rich and significant history, it's only natural that some of the best stories from the Sunshine State have been forgotten over time. Thankfully, master storyteller and St. Augustine resident Bob Patterson offers this collection of the strangest, most fascinating stories and legends in Florida's history from coast to coast, swamp to swamp. Enjoy the saga of William Ellis, a north Florida nature whisperer who escaped from his nursing home with the help of his varmint friends; step into the murk and mystery of the vanishing tribes of the Everglades; and could there really be gator-hungry sharks lurking in the St. Johns River? These stories and so many more await when you explore the "Forgotten Tales of Florida."

In 1775 Cherokee leaders sold most of Tennessee and Kentucky to the recently arrived white settlers, but Dragging Canoe, a proud chief, said that the sacred land should not be defiled by the white man's ax and plow. "This is the Dark and Bloody Ground " he proclaimed to the assembled chiefs.

Perhaps it is the abundance of decaying mansions that harbor dark and sinister secrets, or perhaps it is Tennessee's tragic heritage of war and defeat, or it may just be the love of a good story that accounts for the fact that Tennessee is steeped in strange tales. Each of these 40 accounts has been exhaustively researched and is presented as accurately as possible, inclulding:

• The day in 1877 when it rained foot-long snakes in Memphis
• The arch rivals who are buried in the state capitol building; on quiet nights one can still hear them arguing
• Elvis's ghost, who visits Graceland in the early morning in his black limousine
• The mathematics professor from the University of Nashville who suddenly burst into flames
• Andrew Jackson's encounter with the infamous Bell Witch
• The vampire found in Bradley County, with a wooden stake through her heart
• The day a UFO buzzed Huntsville, Chattanooga, and Knoxville

What can you do with a folklore degree? Over six dozen folklorists, writing from their own experiences, show us. What Folklorists Do examines a wide range of professionals-both within and outside the academy, at the beginning of their careers or holding senior management positions-to demonstrate the many ways that folklore studies can shape and support the activities of those trained in it. As one of the oldest academic professions in the United States and grounded in ethnographic fieldwork, folklore has always been concerned with public service and engagement beyond the academy. Consequently, as this book demonstrates, the career applications of a training in folklore are many-advocating for local and national causes; shaping public policy; directing and serving in museums; working as journalists, publishers, textbook writers, or journal editors; directing national government programs or being involved in historic preservation; teaching undergraduate and graduate students; producing music festivals; pursuing a career in politics; or even becoming a stand-up comedian. A comprehensive guide to the range of good work carried out by today's folklorists, What Folklorists Do is essential reading for folklore students and professionals and those in positions to hire them. Audio book narrated by Walter Brown. Produced by Speechki in 2021.

Bad clowns-those malicious misfits of the midway who terrorize, haunt, and threaten us-have long been a cultural icon. This book describes the history of bad clowns, why clowns go bad, and why many people fear them. Going beyond familiar clowns such as the Joker, Krusty, John Wayne Gacy, and Stephen King's Pennywise, it also features bizarre, lesser-known stories of weird clown antics including Bozo obscenity, Ronald McDonald haters, killer clowns, phantom-clown abductors, evil-clown panics, sex clowns, carnival clowns, troll clowns, and much more. Bad Clowns blends humor, investigation, and scholarship to reveal what is behind the clown's dark smile.

The field of monster studies has grown significantly over the past few years and this companion provides a comprehensive guide to the study of monsters and the monstrous from historical, regional and thematic perspectives. The collection reflects the truly multi-disciplinary nature of monster studies, bringing in scholars from literature, art history, religious studies, history, classics, and cultural and media studies. The companion will offer scholars and graduate students the first comprehensive and authoritative review of this emergent field.

Once upon a time, in the middle of winter, a King sat at a window and sewed. As he sewed and gazed out onto the landscape, he pricked his finger with the needle, and three drops of blood fell onto the snow outside . . . People have been telling fairy tales to their children for hundreds of years. And for almost as long, people have been rewriting those fairy tales - to help their children imagine a world where they are the heroes. Karrie and Jon were reading their child these stories when they hit upon a dilemma, something previous versions of these stories were missing, and so they decided to make one vital change.. They haven't rewritten the stories in this book. They haven't reimagined endings, or reinvented characters. What they have done is switch all the genders. It might not sound like that much of a change, but you'll be dazzled by the world this swap creates - and amazed by the new characters you're about to discover.

"I find him to be a kindred spirit, a sympathetic but shrewd enquirer, a companionable stroller, and a lover of anecdotes gathered by the wayside." So Tim Robinson described folklorist, revolutionary, and district justice Sean Mac Giollarnath, whose 1941 book Annala Beaga o Iorras Aithneach revealed his sheer delight in the rich language and stories of the people he encountered in Conamara, the Irish-speaking region in the south of Connemara. From tales of smugglers, saints, and scholars to memories of food, work, and family, the stories gathered here provide invaluable insights into the lives and culture of the community. This faithful and lovingly crafted translation, complete with annotations, a biography, and thoughtful chapters that explore the importance of the language and region, is the final work of both Robinson and his collaborator, the renowned writer and Irish language expert Liam Mac Con Iomaire. Translated into English for the first time, Conamara Chronicles: Tales from Iorras Aithneach preserves the art of storytellers in the West of Ireland and honors the inspiration they kindle even still.

Everyone has heard of the Minotaur in the labyrinth on Crete and many know that the Greek gods would adopt the guise of a bull to seduce mortal women. But what lies behind these legends? The Power of the Bull discusses mankind's enduring obsession with bulls. The bull is an almost universal symbol throughout Indo-European cultures. Bull cults proliferated in the Middle East and in many parts of North Africa, and one cult, Mithraism, was the greatest rival to Christianity in the Roman Empire. The Cults are divergent yet have certain core elements in common. Michael Rice argues that the ancient bulls were the supreme sacrificial animal. An examination of evidence from earliest prehistory onwards reveals the bull to be a symbol of political authority, sexual potency, economic wealth and vast subterranean powers. In some areas representations of the bull have varied little from earliest times, in others it has changed vastly over centuries. This volume provides a well-illustrated and accessible analysis of the exceptionally rich artistic inheritance associated with the bull.

Epic does many things. Among others, it defines the nature of the human storyteller; recalls the creation of the world and of the human race; describes the paradoxical role of the hero as both the Everyman and the radical exception; and establishes the complex quest underlying all human action. Epic illustrates that these ingredients of epic storytelling are universal cultural elements, in existence across multiple remote geographical locations, historical eras, ethnic and linguistic groups, and levels of technological and economic development.

Frederick Turner argues that epic, despite being scoffed at and neglected for over sixty years, is the most fundamental and important of all literary forms and thereby deserves serious critical attention. It is the source and originof all other literature, the frame within which any story is possible. The mission of this book is to repair gaps in the literary understanding of epic studies--and offer permission to future epic writers and composers.

The cultural genres of Marvel Comics, gothic, anime, manga, multi-user dungeon gaming, and superhero movies reprise all the epic themes and motifs. Consider The Wizard of Oz, Star Wars, The Lord of the Rings, Lost, The Matrix, Superman, Harry Potter, and Narnia. Here can be found the epic beast-man, the miraculous birth of the hero, the creation myth, the founding of the city, the quest journey, the descent into the land of the dead, the monsters, and the trickster. This book will be of interest to all readers fascinated by folklore, oral tradition, religious studies, anthropology, mythology, and enthusiastic about literature in general.

The magical realm of unicorns comes to life in this dazzling craft book, brimming with sparkles and rainbows. Let your imagination run wild in creating dozens of fun and entertaining projects to make for yourself or give as gifts, including an amazing unicorn soft toy, a glittering headband and a rainbow-coloured charm. Each project comes with a list of all the items and templates that you will need to create your unicorn-fuelled fun, along with step-by-step instructions and clear photographs to help you create something really special. Get ready to spread the magic!

National myths are now seriously questioned in a number of societies. In the West, for instance, a number of factors have combined to destabilise the symbolic foundation of nations and collective identities. As a result, the diagnosis of a deep cultural crisis has become commonplace. Indeed, who today has not heard about the erosion of common values or the undermining of social cohesion? But to efficiently address this issue, do we know enough about the nature and role of myths in modern and postmodern societies? Against this background, National Myths: Constructed Pasts, Contested Presents relies on a sample of nations from around the world and seeks to highlight the functioning of national myths, both as representations that make sense of a collectivity, and as socially grounded tools used in a web of power relations. The collection draws together contributions from international experts to examine the present state of national myths, and their fate in today's rapidly-changing society. Can - or must - nations do without the sort of overarching symbolic configurations that national myths provide? If so, how to rethink the fabrics and the future of our societies? This book will appeal to students and scholars interested in sociology, national, identity and memory studies, myths, shared beliefs, or collective imaginaries.

The first English publication of Sami folktales from Scandinavia collected and illustrated in the early twentieth century Although versions of tales about wizards and magical reindeer from northern Scandinavia are found in European folk and fairytale collections, stories told by the indigenous Nordic Sami themselves are rare in English translation. The stories in By the Fire, collected by the Danish artist and ethnographer Emilie Demant Hatt (1873-1958) during her travels in the early twentieth century among the nomadic Sami in Swedish Sapmi, are the exception-and a matchless pleasure, granting entry to a fascinating world of wonder and peril, of nature imbued with spirits, and strangers to be outwitted with gumption and craft. Between 1907 and 1916 Demant Hatt recorded tales of magic animals, otherworldly girls who marry Sami men, and cannibalistic ogres or Stallos. Many of her storytellers were women, and the memorable tales included in this collection tell of plucky girls and women who outfox their attackers (whether Russian bandits, mysterious Dog-Turks, or Swedish farmers) and save their people. Here as well are tales of ghosts and pestilent spirits, murdered babies who come back to haunt their parents, and legends in which the Sami are both persecuted by their enemies and cleverly resistant. By the Fire, first published in Danish in 1922, features Demant Hatt's original linoleum prints, incorporating and transforming her visual memories of Sapmi in a style influenced by the northern European Expressionists after World War I. With Demant Hatt's field notes and commentary and translator Barbara Sjoholm's Afterword (accompanied by photographs), this first English publication of By the Fire is at once a significant contribution to the canon of world literature, a unique glimpse into Sami culture, and a testament to the enduring art of storytelling.

This Element argues that Ireland did not experience a disenchanted modernity, nor a decline in magic. It suggests that beliefs, practices and traditions concerning witchcraft and magic developed and adapted to modernity to retain cultural currency until the end of the twentieth century. This analysis provides the backdrop for the first systematic exploration of how historic Irish trials of witches and cunning-folk were represented by historians, antiquarians, journalists, dramatists, poets, and novelists in Ireland between the late eighteenth and late twentieth century. It is demonstrated that this work created an accepted narrative of Irish witchcraft and magic which glossed over, ignored, or obscured the depth of belief in witchcraft, both in the past and in contemporary society. Collectively, their work gendered Irish witchcraft, created a myth of a disenchanted, modern Ireland, and reinforced competing views of Irishness and Irish identity. These long-held stereotypes were only challenged in the late twentieth-century.

Radu Cinamar rose to prominence after exposing a mysterious and unprecedented collaboration of American and Romanian military troops who conducted an expedition beneath the Romanian Sphinx in the Bucegi Mountains and uncovered the greatest archeological find of all time: a mysterious chamber some 50,000 years old containing holographic records of Earth's history, bio-resonance imaging technology, and three mysterious tunnels leading to the deepest secrets of the Inner Earth. Despite the political intrigue, turmoil and restriction around this great discovery, the leader of the expedition enabled Radu Cinamar to visit and explore these artifacts. Ever since, Radu's life has been a labyrinthine adventure of strange events, clandestine liaisons and extraordinary people and circumstances. In Transylvanian Moonrise, Radu is sought out by the mysterious Tibetan lama who orchestrated this discovery while working under an alias as Dr. Xien, a secret agent for the Chinese government. Radu's meeting with the lama is arranged by a mysterious alchemist whose ancestors have lived for hundreds of years by pursuing a secret tradition of the Great Work which prolongs life indefinitely until one can evolve beyond the physical plane. After the enigmatic lama reveals how he set the aforementioned events in motion in order to fix major imbalances in the Earth, he introduces Radu to a creature known as a yidam, an energetic and physical being created by a sand mandala ritual. After literally warping the space-time continuum, they take Radu on a mystical journey from Transylvania to the mysterious Land of the Gods in Tibet where he receives a secret initiation from Machandi, a blue goddess of ancient antiquity who is very much alive and is prepared to intervene on behalf of Mankind. Journey into this land of mystery and path of initiation and discover what really hides behind the veils of illusion known as the truth.

Each of these collections of unusual, interesting, and little-known tales provides insight into the people and history of these states. Counter displays of all books are available. All are illustrated and indexed.

'This collection is [like] the Beatles' "White Album": massive in size and scope, with individually brilliant pieces presented together because the only context they need is how good they are' MARLON JAMES A captivating collection of fiction from one of the world's most beloved writers, introduced with a foreword by Booker Prize-winning author, Marlon James. With a writer as prolific as Neil Gaiman, where do you begin? Or how do you know what to try next? Spanning his career to date, this collection of ambitious, groundbreaking and endlessly imaginative fiction will be your guide. Curated within this book are nearly fifty of Gaiman's short stories and novellas, interposed with excerpts from his five novels for adults - Neverwhere, Stardust, American Gods, Anansi Boys and The Ocean at the End of the Lane. It is both an entryway to his oeuvre and a literary trove Gaiman fans old and new will return to time and again. Start where it suits you. There aren't any rules. NEIL GAIMAN. WITH STORIES COME POSSIBILITIES.