Although Brazilian scholars have collected and studied folklore since the second half of the nineteenth century, their work has gone largely unnoticed by folklorists working in other parts of the world. With the exception of anthropologists who occasionally study the folk literature of indigenous peoples in Brazil, few foreigners are familiar with, or even aware of, the kinds of folklore studies that have been undertaken in that country. This work, first published in 1994, aims to characterize the nature of Brazilian narrative studies and trends; to discuss and assess the roots of the apparent preoccupations, approaches and objectives of traditional narrative scholarship in Brazil; to examine Brazilian folklore scholarship in light of Euro-American research; and to point out the results and accomplishments of Brazilian research while simultaneously indicating possibilities for new directions in research.

Crucial to the world history of folkloristics is this key study, first published in 1992, of the development of folklore study in the Soviet Union. Nowhere else has political ideology been so heavily involved with folklore scholarship. Professor Howell has examined in depth the institutional development of folkloristics in the Soviet Union in the first half of the twentieth century, concentrating especially upon the transition from pre-revolutionary Russian to Soviet Marxist folkloristics. The study of folklore moved from narrator studies to the description of the relationship of lore to larger contexts of social groups and social classes. Showing an exceptional knowledge of Russian, political theory and folkloristics, Dana Howell provides a valuable window into the rise of folkloristics in a country undergoing almost unprecedented changes in social and political conditions.

The popular appeal of the ballad is perennial, and few literary genres give so much pleasure to so many kinds of people. This anthology, first published in 1973, is drawn from the richest ballad tradition in Britain, that of the Northeast of Scotland. It provides a fresh and original choice of songs that ranges from the old ballads like 'Gil Brenton' and 'Willie's Lady' to the bothy ballads like 'The Tarves Rant'. The collection illustrates the development of a tradition over the centuries from the oral stage down to the modern, and exemplifies the methods of composition and transmission, the kinds of ballad-story, and the types of ballad-text found in the various stages of a ballad tradition. It illustrates the variety of subject matter, and indicates lines of relationship with other genres of Folklore Studies. A substantial section, containing what are widely acknowledged as the best of all British ballads, the oral ballads of Anna Brown, demonstrates clearly that the ballads are not merely simple or crude poems; in their oral form, they are narrative songs of some complexity and sophistication. This anthology is complementary to Dr Buchan's The Ballad and the Folk.

Scottish folk literature is characterised by a wide range of creative expression: story, song, play and proverb. This anthology, first published in 1984, provides an authoritative introduction to Scottish folk literature, and is unique in that it deals with all the genres intrinsic to Scottish tradition. Its selected texts offer an unusual and diverse enjoyment to the reader, including such forms as wonder tales or Marhcen, classical ballads, riddles, jocular tales, lyric and comic and occupational folksongs, rhymes, historical and supernatural legends, and guisers' plays. The texts chosen cover the main regional traditions of Lowland Scotland, from Galloway to the Shetlands, and span a number of centuries, through both pre- and post-industrial periods, from a sailor's worksong of the sixteenth century to modern urban legends just recently recorded. The book is arranged in four sections, on Folk Narrative, Folksong, Folksay, and Folk Drama, each with an introduction and a bibliographical essay setting the material in context and indicating some of its international links. Folk literature itself is brought into firm focus by discussion and generic example, and the anthology as a whole illuminates substantial areas of Scottish social and cultural life.

'Once upon a time' is the English translation of the title of this collection of twenty-eight Pidgin tales from Cameroon in West Africa, first published in 1979. These are richly illustrative of the various folklore genres of the region and are presented in a modified standard orthography, with an English translation facing the original Pidgin text. Notes are provided on each tale with the intention of illuminating some of their unique stylistic and linguistic patterns. The tales are often witty, never protracted, and are pleasurable in their own right. They also provide linguistic and folkloristic material not available elsewhere. In a lengthy introduction, Dr Todd discusses the history of Cameroon and the development and use of Pidgin English there. A simple grammar of Pidgin English is included to aid scholars not already familiar with the language to make full use of the Pidgin texts.

This collection, first published in 1969, presents essays written by twenty of the most eminent scholars from the British Isles and Europe on aspects of folk life studies. The essays are written in honour of Dr Iorwerth C. Peate, Curator of the Welsh Folk Museum and doyen of folk life studies in Britain, to mark his retirement as the first President of the Society for Folk Life Studies. In the present book all the various aspects of folk life, from linguistics to sociology, from architecture to agrarian history, are covered, reflecting the wide interests of Dr Peate and his valuable contribution to the development of the study of traditional life in Britain.

The central tale studied in Turandot's Sisters, first published in 1993, is The Princess Who Can Not Solve the Riddle, AT 851. Other wisdom tales are surveyed to show that they are separate from the riddle tales in material and in spirit. Customs and beliefs concerning riddling and riddle contests are examined to see what motifs from the tales are taken from reality, leaving the rest to be either fantasy motifs or stylistic traits. The central tale AT 851 is analysed in detail to exhibit its obligatory and optional elements, a wealth of possibilities that enables it to adapt to a range of moods and to express a variety of ideas.

This monumental book, first published in 1992, represents a major contribution to Sephardic and Hispanic studies as well as to comparative folklore scholarship in a worldwide perspective. After many years of fieldwork and extensive archival investigations in Spain, Israel and the United States, the author has brought together and analysed a massive body of primary sources. This is the first collection of Sephardic narratives offered to the English-speaking reader, and constitutes an important addition to the understanding of Sephardic cultural tradition.

Chinese storytelling has survived through more than a millennium into our own time, while similar oral arts have fallen into oblivion in the West. Under the main heading of 'The Eternal Storyteller', in August 1996 the Nordic Institute of Asian Studies hosted an International Workshop on Oral Literature in Modern China. To this meeting, the first of its kind in Europe, five special guests were invited - master tellers from Yangzhou: Wang Xizotang, Li Xintang, Fei Zhengliang, Dai Buzhang and Hui Zhaolong. The volume derived from this meeting includes an introductory article written by John Miles Foley entitled 'A Comparative View on Oral Traditions'. Thereafter, a wide range of topics relating to Chinese oral literature is covered under the headings: 'Historical Lines', 'A Spectrium of Genres', 'Studies of Yangzhou and Suzhou Story- telling' and 'Performances of Yangzhou Storytelling'. However, the present volume does more than include papers derived from the meeting. It is also lavishly illustrated in word and picture from performances by the guest-storytellers. In so doing, the world of Chinese story telling is not just described and analysed - it is also brought to life.

This book will interest clinicians who have wondered what professional practice would be like in the corporate setting and want to learn more about the psychological and organizational dynamics that 'drive' executive behavior. Based on the premise that leadership effectiveness is a function of both leader productivity and health, this book reviews the latest information and research data and offers case studies to illustrate specific strategies for maximizing executive health. Len Sperry has been consulting to executives and organizations for 30 years and has written numerous articles and several books on executives and workplace dynamics.

J.D. Lewis-Williams, one of the leading South African archaeologists and ethnographers, excavates meaning from the complex mythological stories of the San-Bushmen to create a larger theory of how myth is used in culture. He extracts their "nuggets," the far-reaching but often unspoken words and concepts of language and understanding that are opaque to outsiders, to establish a more nuanced theory of the role of these myths in the thought-world and social circumstances of the San. The book -draws from the unique 19th century Bleek/Lloyd archives, more recent ethnographic work, and San rock art;-includes well-known San stories such as The Broken String, Mantis Dreams, and Creation of the Eland;-extrapolates from our understanding of San mythology into a larger model of how people create meaning from myth.

Every Tongue Got to Confess is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s.

The bittersweet and often hilarious tales -- which range from longer narratives about God, the Devil, white folk, and mistaken identity to witty one-liners -- reveal attitudes about faith, love, family, slavery, race, and community. Together, this collection of nearly 500 folktales weaves a vibrant tapestry that celebrates African American life in the rural South and represents a major part of Zora Neale Hurston's literary legacy.

Over a hundred years ago, the citizens of F- did something rather bad. And local school teacher Catherine Evans has made writing the definitive account of what happened when Ilsbeth Clark drowned in the well her life's work. The town's people may not want their past raked up, but Catherine is determined to shine a light upon that shameful event. For Ilsbeth was an innocent, after all. She was shunned and ostracised by rumour-mongers and ill-wishers and someone has to speak up for her. And who better than Catherine, who has herself felt the sting and hurt of such whisperings? But then a childhood friend returns to F -. Elena is a successful author whose book, The Whispers Inside: A Reawakening of the Soul, has earned her a certain celebrity. In search of a new subject, she takes an interest in the story of Ilsbeth Clark and announces her intention to write a book about the long-dead woman, focusing on the natural magic she believes she possessed. And Elena has everything Catherine has not, like a platform and connections and no one seems to care that Elena's book will be pure speculation, tainting Ilsbeth's memory rather than preserving it. Catherine is determined that something must be done and plots to blunt her rival's pen. However she had not allowed for the fact that the past might not be so dead after all - that something is reaching out from the well, disturbing her reality. Before summer's over, one woman will be dead, the other accused of murder . . . but is she really guilty, or are there other forces at work? And who was Ilsbeth Clark, really? An innocent? A witch? Or something else entirely?

This book, first published in 1990, summarizes and evaluates the contribution of Martin Buber as a theorist of myth. Buber provides explicit guidelines for understanding and evaluating myths. He describes reality as twofold: people live either in a world of things, to which they relate as a subject controlling its objects, or in a world of self-conscious others, with whom one relates as fellow subjects. Human beings require both types of reality, but also a means of moving from one to the other. Buber understands myths as one such means by which people pass from I-It reality to I-You meeting. In studying myths, he focuses on the myths in the traditions he knows best, but offers his advice and interpretation of mythology and scholarship about mythology generally.

Formulaic phraseology presents the epitome of words worn and weathered by trial and the tests of time. Scholarship on weathered words is exceptionally diverse and interdisciplinary. This volume focuses on verbal art, which makes Oral-Formulaic Theory (OFT) a major point of reference. Yet weathered words are but a part of OFT, and OFT is only a part of scholarship on weathered words. Each of the eighteen essays gathered here brings particular aspects of formulaic language into focus. No volume on such a diverse topic can be all-encompassing, but the essays highlight aspects of the phenomenon that may be eclipsed elsewhere: they diverge not only in style, but sometimes even in how they choose to define "formula." As such, they offer overlapping frames that complement one another both in their convergences and their contrasts. While they view formulaicity from multifarious angles, they unite in a Picasso of perspectives on which the reader can reflect and draw insight.

This collection, first published in 1992, offers critical-interpretive essays on various aspects of the work of Joseph Campbell (1904-1987), one of a very few international experts on myth. Joseph Campbell examines myths and mythologies from a comparative point of view, and he stresses those similarities among myths the world over as they suggest an existing, transcendent unity of all humankind. His interpretations foster an openness, even a generous appreciation of, all myths; and he attempts to generate a broad, sympathetic understanding of the role of these 'stories' in human history, in our present-day lives, and in the possibilities of our future.

Global TikTok baking sensation The Hebridean Baker is back, serving up a fresh selection of exciting new recipes, charming stories and breathtaking photography from the Hebridean Islands.

The landscapes, stories, history and culture of the Outer Hebrides of Scotland are what make their islands unique. In this book, he's sharing recipes filled with tradition, Scottish flavours and local ingredients that you will love to make in your kitchen - from hearty dishes and comforting desserts to delicious cakes and perfect biscuits to dunk in your tea!

The book is jam-packed with the stories behind the recipes; some found in his much-loved old cookbooks, others he's persuaded friends and family to share, as well as lots of new recipes which put a twist on a classic dish.

So, get the oven on and choose your first recipe!

This book, first published in 1994, sets 'repertoire against raconteur' in order to explore one of the world's largest collections of folk literature. The author's findings, and his creative and synthetic methodologies, enhance greatly our understanding of the world of the legend, and especially the basic question of 'Who tells what to whom in the form of a legend and why?' This work is an in-depth exploration of rural Denmark, and provides us with an excellent vantage point from which to understand legends in their cultural contexts and within the lives of their tellers.

In this book, first published in 1970, Ruth L. Tongue has collected a number of county folk tales recorded by her from childhood onwards, from old people, village children and farm round-the-fire sessions. Many of the beliefs embodied in the gipsy and witchcraft tales are still in practice today among the travelling people and locally 'gifted' healers. The tales reveal a good deal of fairy lore, some tree lore, including ghostly trees like Crooker, and the 'uncanny' Black Dog makes his appearance in more than one tale. The collection includes several of the long fireside tales which would be told on succeeding evenings on winter nights round the kitchen fire, and rhozzums from various localities.

In this book, first published in 1990, Edgard Sienaert and Richard Whitaker offer the first English translation of Marcel Jousse's crucially important work, Le style oral. As the translators observe, this study fired the imagination of contemporary intellectuals in Paris soon after its publication and influenced the work of many. In this book, Jousse provides a thorough and detailed theoretical account of the compositional style of oral, as opposed to literate, authors, showing that the antithetical, balancing, formulaic quality of that style is deeply rooted in the psychological and even physiological nature of mankind.

Yanagita Kunio almost singlehandedly initiated the serious study of folklore in Japan. Even modern Japanese folklorists who may disagree with his approach or his methods must take his body of work as a point of departure for their own. This book, first published in 1990, puts Yanagita's career within a historical framework and context, full of detail about Japanese political and literary trends which influenced or were influenced by the folklore scholarship of Yanagita.

Enid Porter spent many years collecting and recording from Cambridgeshire people the folk beliefs and customs held and observed in the country, both past and present. The subjects covered in the book, first published in 1969, range from the folklore of courtship, marriage, birth and death, of trees and plants and the whole world of nature to traditional Cambridgeshire food and drink; from ghosts and witchcraft and the cure of disease to charity and land-letting customs. The traditional occupations of the county, as well as the dress worn by the workers in the various crafts and the tools and implements they used, are also recorded, and there are accounts of various Cambridgeshire sports and pastimes. There is a section on University customs, ranging from the ancient procedure observed at examinations and degree ceremonies, through College Stamps and Mock Funerals, to the appointment made formerly of a Christmas Lord in the Colleges. Miss Porter spent most of her life in Cambridge and her mother's family have lived there since the sixteenth century, so she includes information based on her own observations and on those of members of her family. The Fenland material has largely been provided by W. H. Barrett, well known through his collections of Fen Tales.

Haunted Heritage is a fascinating scholarly examination of the dynamics of ghost or paranormal tourism. Michele Hanks explores how this phenomenon is a powerful site for the re-articulation and re-configuring of ideas of heritage, epistemic authority, nation, and belonging. Drawing on long-term ethnographic fieldwork, Hanks delves into the anthropological, sociological, political, historical, and cultural factors that drive this burgeoning business. Using York, England, said to be "the most haunted city in the world," as the base for her research, Hanks focuses on three forms of ghost tourism: ghost walks, commercial ghost hunts, and non-profit ghost hunts and paranormal investigations, comparing the experience of York with other sites of ghost tourism globally. This book will appeal to scholars interested in tourism, heritage, the paranormal, visual cultural, British studies, or popular religion.

Haunted Heritage is a fascinating scholarly examination of the dynamics of ghost or paranormal tourism. Michele Hanks explores how this phenomenon is a powerful site for the re-articulation and re-configuring of ideas of heritage, epistemic authority, nation, and belonging. Drawing on long-term ethnographic fieldwork, Hanks delves into the anthropological, sociological, political, historical, and cultural factors that drive this burgeoning business. Using York, England, said to be "the most haunted city in the world," as the base for her research, Hanks focuses on three forms of ghost tourism: ghost walks, commercial ghost hunts, and non-profit ghost hunts and paranormal investigations, comparing the experience of York with other sites of ghost tourism globally. This book will appeal to scholars interested in tourism, heritage, the paranormal, visual cultural, British studies, or popular religion.