First Published in 1970. Routledge is an imprint of Taylor & Francis, an informa company.

A survey of the motif of the revenant, showing how medieval themes and motifs persist today. The proliferation of books and films about the "undead", those literally returning from the grave, in modern popular culture has been commented on as a recent phenomenon, but it is in fact a storytelling tradition going back more than a millennium. It drew on and was influenced by Christian eschatology, gathered momentum in medieval ecclesiastical chronicles, such as those written by Caesarius of Heisterbach, and then migrated into imaginative literature - famously in John Lydgate's Dance of Death - and art. But why did revenant stories and imagery take such a hold in the Middle Ages? And why has that fascination held on into today's world? This book offers a history of these revenant narratives, demonstrating how modern horror is haunted by past literature and exploring the motif of the risen dead as a focus of cultural anxiety and literary effort. The author examines the long arc of revenant tales from antiquity and the Middle Ages through the Reformation and into modernity, tracing their uncanny similarities and laying bare the rich traditions of narrative, theme, motif, supernatural belief and eschatological fears and preoccupations.

A thoroughly plausible scenario for the poet's interest in affairs long ago and far away.' TIMES LITERARY SUPPLEMENT Persuasive ... exciting. MICHAEL WOOD Where did Beowulf, unique and thrilling example of an Old English epic poem come from? In whose hall did the poem's maker first tell the tale? The poem exists now in just one manuscript, but careful study of the literary and historical associations reveals striking details which lead Dr Newton to claim, as he pieces together the various clues, a specific origin for the poem. Dr Newton suggests that references in Beowulf to the heroes whose names are listed in Anglo-Saxon royal genealogies indicate that such Northern dynastic concerns are most likely to have been fostered in the kingdom of East Anglia. He supports his thesis with evidence drawn from East Anglian archaeology, hagiography and folklore. His argument, detailed and passionate, offers the exciting possibility that he has discovered the lost origins of the poem in the pre-Viking kingdom of 8th-century East Anglia.SAM NEWTON was awarded his Ph.D. for work on Beowulf.

Featuring 11 classic Korean narratives, including myths, folktales, Sino-Korean novels and poetry, through Classic Korean Tales readers can come to know not only the pleasure of reading stories, but also delight in learning about Korea.

Featuring nearly 500 samples of folklore, including stories, artifacts, rituals, and beliefs, New World Witchery is one of the most comprehensive collections of witchcraft and folk magic ever written. This treasure trove of witchery is designed to help you integrate folk traditions into your life and deepen your understanding of magic. Folklore expert Cory Thomas Hutcheson guides you to the crossroads of folk magic, where you ll learn about different practices and try them for yourself. Explore chapters on magical heritage, divination, flying, familiars, magical protection, spirit communication, and more. This in-depth, accessible book also provides brief profiles of significant folk magicians, healers, and seers, so you can both meet the practitioners and experience their craft.

Far from being a static or eroding cultural inheritance from the past, the supernatural has continually been appropriated and updated to accommodate and express social, cultural, economic and environmental anxieties. SHORTLISTED for the 2020 Katharine Briggs Award. Since the Enlightenment, supernatural beliefs and practices have largely been derided as ignorant and un-modern - even anti-modern - and cities, being the ultimate symbol of progress and rationality, have not been thought to harbour magic. Scholars have long assumed that the world of the supernatural withered under the impact of urbanisation; yet, as numerous books, films and T.V. series from Hellboy to Being Human to the Harry Potterfranchise show, contemporary culture remains fascinated by urban-based legends and fantasy. This collection seeks to spur interest in the urban supernatural and argues for its prevalence, importance and vitality by presenting a rich cultural history of the complex relationship between supernatural beliefs and practices, imagination and storytelling, and urbanisation. Grouped around themes of enchantment, anxiety and spectrality, it explores urban supernatural cultures on five continents between the late eighteenth century and the present day. The book advances a ground-breaking exploration of the communal and cultural function of urban supernatural ideas, demonstrating howthey have continually been appropriated and updated to express and accommodate socio-cultural, economic and environmental anxieties and needs. Drawing together a diverse range of academic approaches, with contributions from historians, geographers, anthropologists, folklorists and literary scholars, it makes an important contribution to our understanding of how urban environments, both past and present, inform our imaginations, cultural insecurities and spatial fears. KARL BELL is Reader in Cultural and Social History at the University of Portsmouth. CONTRIBUTORS: Karl Bell, Oliver Betts, Alex Bevan, Tracy Fahey, Deirdre Flynn, Maria del Pilar Blanco, William Pooley, Elena Pryamikova, David J. Puglia, William Redwood, Morag Rose, Alevtina Solovyova, Tom Sykes, Natalya Veselkova, Mikhail Vandyshev, David Waldron, Sharn Waldron, Felicity Wood

Historians of the early modern witch-hunt often begin histories of their field with the theories propounded by Margaret Murray and Montague Summers in the 1920s. They overlook the lasting impact of nineteenth-century scholarship, in particular the contributions by two American historians, Andrew Dickson White (1832-1918) and George Lincoln Burr (1857-1938). Study of their work and scholarly personae contributes to our understanding of the deeply embedded popular understanding of the witch-hunt as representing an irrational past in opposition to an enlightened present. Yet the men's relationship with each other, and with witchcraft sceptics - the heroes of their studies - also demonstrates how their writings were part of a larger war against 'unreason'. This Element thus lays bare the ways scholarly masculinity helped shape witchcraft historiography, a field of study often seen as dominated by feminist scholarship. Such meditation on past practice may foster reflection on contemporary models of history writing.

Where do myths come from? What is their function and what do they mean? In this Very Short Introduction Robert Segal introduces the array of approaches used to understand the study of myth. These approaches hail from disciplines as varied as anthropology, sociology, psychology, literary criticism, philosophy, science, and religious studies. Including ideas from theorists as varied as Sigmund Freud, Claude Levi-Strauss, Albert Camus, and Roland Barthes, Segal uses the famous ancient myth of Adonis to analyse their individual approaches and theories. In this new edition, he not only considers the future study of myth, but also considers the interactions of myth theory with cognitive science, the implications of the myth of Gaia, and the differences between story-telling and myth. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Trying to understand the wonders and mysteries of the natural world has been a human preoccupation since the earliest times. Myriad myths and legends have subsequently evolved to explain the existence and power of our fertile planet. At the same time, the knowledge of which plants to use as essential foods, remedies, and for construction was of obvious importance, not only to learn but also to pass on and remember. It is therefore hardly surprising that from all corners of the globe a wealth of stories, myths and legends about plants has been passed down to us, gathered together in this fascinating volume. Here you will discover sound principles in some of the traditional advice, and wisdom in many of the observations of the plant world. However there are also highly fanciful superstitions, intriguing tales and amusing anecdotes, which any plant lover will truly relish. Discover which trees are believed to have healing powers? How, in legend, the white rose turn red? Why the lily is a symbol of purity? Any why is it considered unlucky to bring some flowers indoors?

Stories of Southwestern pioneers including camels in Arizona, Dutchman's gold. Sharlot Hall, Louisa Wetherill and the Navajos, and many more.

'She sees, coming up a second time, Earth from the ocean, eternally green; the waterfalls plunge, an eagle soars above them, over the mountain hunting fish.' After the terrible conflagration of Ragnarok, the earth rises serenely again from the ocean, and life is renewed. The Poetic Edda begins with The Seeress's Prophecy which recounts the creation of the world, and looks forward to its destruction and rebirth. In this great collection of Norse-Icelandic mythological and heroic poetry, the exploits of gods and humans are related. The one-eyed Odin, red-bearded Thor, Loki the trickster, the lovely goddesses and the giants who are their enemies walk beside the heroic Helgi, Sigurd the Dragon-Slayer, Brynhild the shield-maiden, and the implacable Gudrun. New in this revised translation are the quest-poem The Lay of Svipdag and The Waking of Angantyr, in which a girl faces down her dead father to retrieve his sword. Comic, tragic, instructive, grandiose, witty and profound, the poems of the Edda have influenced artists from Wagner to Tolkien and a new generation of video-game and film makers. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The strix was a persistent feature of the folklore of the Roman world and subsequently that of the Latin West and the Greek East. She was a woman that flew by night, either in an owl-like form or in the form of a projected soul, in order to penetrate homes by surreptitious means and thereby devour, blight or steal the new-born babies within them. The motif-set of the ideal narrative of a strix attack - the 'strix-paradigm' - is reconstructed from Ovid, Petronius, John Damascene and other sources, and the paradigm's impact is traced upon the typically gruesome representation of witches in Latin literature. The concept of the strix is contextualised against the longue-duree notion of the child-killing demon, which is found already in the ancient Near East, and shown to retain a currency still as informing the projection of the vampire in Victorian fiction.

In all cultures and at all times, humans have been telling stories about who they were, what the world and human life is about. To the insider, myths may contain Truth (with a capital 'T'), revelation and the 'history of ourselves'; whereas to the outsider it may be considered anything from folly and pre-logical mentality, to neurotic, infantile and 'wishful thinking'. Such judgements aside, myths tell us about human creativity, the impact of narrativity on human ways of understanding, on cultural epistemologies and the many ways of 'world making'. These issues also spark considerations concerning the linguistic and philosophical notions of meaning and truth and the peculiarities of religious language. The controversial issue of myth has been studied from many different angles. In this volume the contributions are edited according to their theoretical perspectives: 1. philosophical, 2. psychological, 3. sociological, 4. semiological and 5. cognitivist, all with introduction by the editor. This volume will be an indispensable tool for anyone with a serious interest in this field of study.

Does a hulking, hairy, 800-pound, nine-foot-tall, elusive primate roam the woods and forests throughout North America - and the world? Audio- recordings exist purporting to be the creatures' eerie chatter and bone-chilling screaming. Whether called Sasquatch, Yeti, Bigfoot or something else , bipedal primates appear in folklore, legends and eyewitness accounts in every state of the union and many places around the world. The fascination with the man-beast is stronger than ever in today's pop culture.

This anthology gathers a broad selection of Russian folktales, legends, and anecdotes, and includes helpful features that make them more accessible and engaging for English-language readers. Editor Jack V. Haney has selected some of the best tales from his seven-volume "Complete Russian Folktale" collection and added examples of anecdotes and the long 'serial tales' told in the far north.The 114 tales included here represent every genre found in the Russian tradition. They date from the eighteenth through the twentieth centuries and come from all geographic regions of the Russian-speaking world. The collection is enhanced by a detailed introduction to the folktale and its types, brief introductions to each grouping of tales, head notes with interesting background for individual tales, and a glossary explaining Russian terms.

In Folk Tales on the Settle-Carlisle Railway, join the driver and fireman on the footplate of a locomotive. Stand behind a range of levers in a signal box or be one of a gang working on the permanent way, sweating in the summer heat or shivering after a heavy snowfall. Maintenance men in Blea Moor tunnel needed patience and good lungs; the tunnel might be thick with locomotive smoke or draped with icicles. On the Settle-Carlisle journey, we are thrilled by a slowly changing landscape, glancing at Pen-y-ghent, which crouches like a lion above Ribblesdale. Further north, we admire the broad acres of the Eden Valley, which lie between the Northern Pennines and the gaunt fells of the Lake District. An afternoon passenger train that took in the line from Garsdale to Hawes was named Bonnyface; when it turned up, workers smiled as they were about to go home. The Garsdale tank house was used for dances and an adjacent wheel-less carriage was the refreshment room.

Giuseppe Pitre, a nineteenth-century Sicilian physician, gathered an enormous wealth of folk and fairy tales as he traveled and treated the poor throughout Palermo. He also received tales from friends and scholars throughout the island of Sicily. A dedicated folklorist, whose significance ranks alongside the Brothers Grimm, he published a 25-volume collection of Sicilian folk tales, legends, songs, and customs between 1871 and 1914. Though first published in their original Sicilian dialect, these tales have never before been translated, collected, and published in English until now.

This historic two-volume set collects 300 and 100 variants of his most entertaining and most important folk and fairy tales, along with lively, vivid illustrations by Carmelo Lettere. In stark contrast to the more literary ambitions of the Grimms' tales, Pitre's possess a charming, earthy quality that reflect the customs, beliefs, and superstitions of the common people more clearly than any other European folklore collection of the nineteenth century.

Edited, translated, and with a critical introduction by world-renowned folk and fairy tale experts Jack Zipes and Joseph Russo, this collection will firmly establish Pitre's importance as a folklorist.

Welcome to the world of Fairy Tales, Millennial style...

Inside you'll find Sleeping Beauty waking up Woke, the Billy Goats Gruff getting trolled, and three little pigs explaining that - realistically - a house of straw is really the only way a first time buyer can get on the housing market.

Goldilocks discovers a darling little Porridge pop-up, the Pied Piper shifts his content strategy to attract more followers, and Hansel and Gretel meet a witch whose house is built of Avocado Toast.

What are ancient texts saying to us when they describe Alexander the Great's romantic relationship with his wife Barsine, or comment on his homosexual relationship with Hephaestion? What did it mean when the ancient writers told that Alexander had been sired by a thunderbolt or by a gigantic snake? What did it mean when they represented his mother Olympias as a witch? These questions and others are addressed in Alexander the Great: Myth and Sexuality. In this book, Daniel Ogden discusses the mythologizing of procreation and sex in the ancient traditions surrounding Alexander. From the author's Introduction: 'A quick review of [...] chapter titles will suggest that the first half [...] answers the title's promise of 'myth' and the second half that of 'sexuality', but in fact the entire volume is devoted to what may be termed 'myth' of one sort or another. Its central and unifying subject is the mythologizing of procreation and sex in the traditions surrounding the figure of Alexander the Great: accordingly, it comprises both treatments of the narratives spun around his own siring and birth on the one hand, and treatments of the narratives spun around the king's own procreative and sexual career on the other. A significant amount of this mythologizing [...] took root in Alexander's own age. The remainder of it is the product of subsequent tradition, a tradition that was evidently in vigorous development already within a few years of Alexander's death.'

"The Complete Russian Folktale" makes available to English readers a rich folk tradition that has not been easily accessible or well known in the West. Compared to other European traditions, the East Slavs have an extremely large number of tale types. Using the Russian version of the Aarne-Thompson index to folktale types, and drawing on both archival and written sources dating back to the early sixteenth century, J.V. Haney has assembled and translated examples of the full range of tales. Nearly all of these tales will appear here in translation for the first time. Volume 6 presents tales classified 850-999, which describe the travails of young people who are seeking happiness and love. They portray acts of fate, prophecy, and even divine justice, in a village context of social misery, folk tradition, the aggravations of family life, and the heartaches of the lovelorn. J.V. Haney's extensive introduction and annotations explain the structure of the tales, their place in the A-T system and in folklore studies, and the specifics of their Russian provenance.

Meet the monsters in our midst, from bigfoot to Mothman and beyond! Welcome to the United States of Cryptids, where mysterious monsters lurk in the dark forests, deep lakes, and sticky swamps of all fifty states. From the infamous Jersey Devil to the obscure Snallygaster, travel writer and chronicler of the strange J. W. Ocker uncovers the bizarre stories of these creatures and investigates the ways in which communities embrace and celebrate their local cryptids. Readers will learn about: Batsquatch of Washington, a winged bigfoot that is said to have emerged from the eruption of Mount Saint Helens Nain Rouge of Michigan, a fierce red goblin that has been spotted before every major city disaster in Detroit Flatwoods Monster of West Virginia, a robotic extraterrestrial that crash-landed in rural Appalachia Lizard Man of South Carolina, a reptilian mutant that attacked a teenager in the summer of 1988 Glocester Ghoul of Rhode Island, a fire-breathing dragon that guards a hoard of pirate treasure And many more! Whether you believe in bigfoot or not, this fully illustrated compendium is a fun, frightening, fascinating tour through American folklore and history, exploring the stories we tell about monsters and what those stories say about us.

This is the concluding installment of a splendid multi-volume work that makes available to English readers a rich folktale tradition that has not been easily accessible or well-known in the West. Compared to other European traditions, the East Slavs have an extremely large number of tale types. Using the Aarne-Thompson index to folktale types, and drawing on both archival and written sources dating back to the early sixteenth century, J.V. Haney has assembled and translated examples of the full range of tales. Nearly all of these tales appear here in translation for the first time. The tales in this volume center on the so-called fool, the village simpleton. However, Ivan, the Russian everyman, turns out to have far more sense than his would-be oppressors. The greedy priests and landlords and dim-witted demons who try to take advantage of him are easily outsmarted. In the end it is they who are shown to be the fools as Ivan outwits or outlasts them. In these unequal contests lies the pleasure of the tales.

East Yorkshire is ripe with tales of fairy gold and illusive characters. The county's folklore is engrained in every port, cliff and bridge, passed on through whispered accounts of witches long dead, legends of strange creatures or the bawdy tales of adventuring heroes. Filey Brigg was once a dragon, the people of Skinningrove held a merman captive, and Eskdale's Beggar's Bridge holds a love story in its history. By night a mysterious traveller stalked Bowes Moor, with a shrivelled Hand of Glory in his grasp ... These engaging stories, brought to life with charming illustrations, will be enjoyed by readers time and again.

The dragon myth appears in numerous languages. The author of this work presents the Celtic version of the classic myth in a translation which reflects the spirit and beauty of the original Gaelic. The volume also includes The Geste of Fraoch and The Death of Fraoch, The Three Ways and The Fisherman in the original Gaelic.