|
Books > Humanities > Religion & beliefs > Myths & mythology
Originally published in 1870. Author: George W. Cox, M.A. Language:
English Keywords: Religion / Mythology / Folklore Many of the
earliest books, particularly those dating back to the 1900s and
before, are now extremely scarce and increasingly expensive.
Obscure Press are republishing these classic works in affordable,
high quality, modern editions, using the original text and artwork.
The first and only comprehensive biographical dictionary devoted to
mythological women. Divinities, humans, female monsters and
animals, hermaphrodites, and transsexuals are all here. Women of
Classical Mythology offers unprecedented access to information on
women largely neglected in reference works on Greek and Roman myth
and gives a fresh look at the better-known figures. Each of the
2,600 entries places its subject both in the overall context of
classical myth, and in the frame of reference of her better-known
counterparts. For each figure there is a description of her
particular contribution to folklore, and a list of the various
poems, tragedies, epics, and other types of stories in which she
plays a central role. In addition, the handy special index, "The
Men in Their Lives," allows readers to locate a particular woman
known primarily through her relations. The female characters in
classical mythology often provide clues to genealogical,
chronological, and historical puzzles. This book will be welcomed
by classical scholars for the insights and relationships it
reveals. Over 2,500 A-Z entries detail the woman's contribution and
places her in context with male associates Includes a special index
titled "The Men in Their Lives" which makes it simple to locate a
figure through her relations such as Theseus' mother or Achilles'
wife Cross references and end-of-entry citations allow readers to
go from most entries directly to the classical sources
Few thorough ethnographic studies on Central Indian tribal
communities exist, and the elaborate discussion on the cultural
meanings of Indian food systems ignores these societies altogether.
Food epitomizes the social for the Gadaba of Odisha. Feeding,
sharing, and devouring refer to locally distinguished ritual
domains, to different types of social relationships and alimentary
ritual processes. In investigating the complex paths of ritual
practices, this study aims to understand the interrelated fields of
cosmology, social order, and economy of an Indian highland
community.
This English-English Dictionary will completely fulfil the academic
and writing requirements of students, aspirants of competitive
examinations, researchers, scholars, translators, educationists,
and writers. This dictionary is unique in the sense that the 'Words
or Terms' have been drawn from literature, science, geography,
commerce & business etc to give it a touch of completeness.
'Words or Terms' come complete with grammatical details, syntax,
and meaning and a sentence to improve writing or speaking. 'Words
or Terms' have been serialized in alphabetical order, i.e., A-Z for
ease in making searches. To the extent possible, Terms used in
common parlance have only been included, avoiding less frequent
ones. In the Appendices section, body parts, common ailments,
apparel, cereals, fruit & vegetables, herbs & spices,
household items and other useful information have been included for
added utility. This dictionary will be found useful by student
community besides others such as, educationists, writers,
translators, aspirants of competitive exams.
From Alice Hemming, the bestselling author of The Midnight Unicorn,
comes an exciting unicorn fairytale in the Dark Unicorns series. If
you thought you'd heard every fairy tale, then think again... Long
ago, a cruel winter plagued the land and people started to
mysteriously disappear. A girl called Violet heard all the stories
and the rumours that an evil unicorn was behind it all. Years
later, when a terrible winter descends once more. Violet's True
Love, Nicolas, goes missing. Realising that the old stories must be
true, Violet embarks on a risky journey to the far North, not only
leaving behind her home but her family and wealth too. The journey
will push her to her limits, yet she will also find help,
friendship and comfort in the most unlikely places. And one thing
is for sure: Nicolas is out there and he needs Violet's help. But
how long will he survive in the bitter cold of winter? Enchanting
dark fairy tales with magical unicorns, fearsome villains and
inspiring heroines Perfect for fans of Skandar and the Unicorn
Thief Great for people who love fairy tales, Disney and unicorns
DARK UNICORNS - COLLECT THEM ALL! The Midnight Unicorn Paperback
eBook The Darkest Unicorn Paperback eBook The Cursed Unicorn
Paperback eBook The Blazing Unicorn Paperback eBook The Frozen
Unicorn Paperback eBook
This is an engaging account of the world of the Vikings and their
gods. As the Vikings began to migrate overseas as raiders or
settlers in the late eighth century, there is evidence that this
new way of life, centred on warfare, commerce and exploration,
brought with it a warrior ethos that gradually became codified in
the Viking myths, notably in the cult of Odin, the god of war,
magic and poetry, and chief god in the Norse pantheon. The twelfth
and thirteenth centuries, when most of Scandinavia had long since
been converted to Christianity, form perhaps the most important era
in the history of Norse mythology: only at this point were the
myths of Thor, Freyr and Odin first recorded in written form. Using
archaeological sources to take us further back in time than any
written document, the accounts of foreign writers like the Roman
historian Tacitus, and the most important repository of stories of
the gods, old Norse poetry and the Edda, Christopher Abram leads
the reader into the lost world of the Norse gods.
Through her childhood reminiscences, Zinaida Longortova brings to
life a remote region in far-northern Russia. Extrapolating the
folklore and mythology of the Khanty people from her experiences -
set around the simple story of a wounded elk calf - the author
explores the bonds between humans and nature. Yet whilst this is a
novella about a little known indigenous group, the narrative
succeeds in harnessing powerful emotions which speak to us all. A
timeless story, at once both joyful and melancholy, Blue River is a
beguiling tale for all age groups.
THE ELDER EDDAS OF SAEMUND SIGFUSSON. Translated from the Original
Old Norse Text into English BY BENJAMIN THORPE. Originally
published in 1906. PHOTOGRAPHS: Frontispiece Gunnar ( Guother).
Page Siegfried Awakens Brynhild ' 159 Death of Atli 247 A Feast in
Valhalla 331 ' s Rune Song 44 Lay of Hymir 48 Lay of Thrym, or the
Hammer Recovered 53 Lay of the Dwarf Alvis 57 Lay of Harbard . . .
. 63 Journey, or Lay of Skirmr 71 Lay of Rig 78 s Compotation, or
Loki's Altercation 84 Lay of Fiolsvith 95 Lay of Hyndla 103
Incantation of Groa 109 Song of the Sun Ill Lay of Volund 121 Lay
of Helgi Harvard's Son 137 First Lay of Helgi Hundingcide 137
Second Lay of Helgi Hundingcide 144 > tli's End 155 Lay of
Sigurd, or Gnpir's Prophecy 157 Lay of Fafnir 172. Contents
include: Gudrun's Incitement 248 The Lay of Hamdir 351 THE YOUNGER
EDDAS OF STURLESON. The Deluding of Gylfi 256 Of the Primordial
State of the Universe 259 Origin of the Frost-Giants 260 Of the Cow
Audhumla, and Birth of Odin 262 The Making of Heaven and Earth 263
Creation of Man and Woman 265 Night and Day, Sun and Moon 266
Wolves that Pursue the Sun and Moon _. 267 The Way that Leads to
Heaven 268 The Golden Age 269 Origin of the Dwarfs, and Norns of
Destiny 270 The Ash Yggdrasill and Mimer's Well 271 The Norns that
Tend Yggdrasill 273 The Wind and the Seasons 275 Thor and His
Hammer - 277 Balder and Njord 278 Njord and His Wife Skadi 279 The
God Frey and Goddess Freyja 280 Tyr and Other Gods 281 Hodur the
Blind, Assassin of Baldur 283 Loki and His Progeny 284 Binding the
Wolf Fenrir 285 The Goddesses and their Attributes 289 Frey, and
Gerda the Beautiful 291 The Joys of Valhalla 293 The Wonderful
Horse Sleipnir 297 The Ship Adapted to Sail on Sea or Land 299
Thor's Adventures in the Land of Giants 300 The Death of Baldur 315
Baldur in the Abode of the Dead 319 Loki's Capture and Punishment
321 Destruction of the Universe 323 Restoration of the Universe 327
How Loki Carried Away Iduna 329 The Origin of Poetry 331 Odin
Beguiles the Daughter of Baugi 333 Glossary 335.
Over the past two decades, a steady stream of recordings, videos,
feature films, festivals, and concerts has presented the music of
Balkan Gypsies, or Roma, to Western audiences, who have greeted
them with exceptional enthusiasm. Yet, as author Carol Silverman
notes, "Roma are revered as musicians and reviled as people." In
this book, Silverman introduces readers to the people and cultures
who produce this music, offering a sensitive and incisive analysis
of how Romani musicians address the challenges of discrimination.
Focusing on southeastern Europe then moving to the diaspora, her
book examines the music within Romani communities, the lives and
careers of outstanding musicians, and the marketing of music in the
electronic media and "world music" concert circuit. Silverman
touches on the way that the Roma exemplify many qualities-
adaptability, cultural hybridity, transnationalism-that are taken
to characterize late modern experience. Rather than just
celebrating these qualities, she presents the musicians as
complicated, pragmatic individuals who work creatively within the
many constraints that inform their lives. As both a performer and
presenter on the world music circuit, Silverman has worked
extensively with Romani communities for more than two decades both
in their home countries and in the diaspora. At a time when the
political and economic plight of European Roma and the popularity
of their music are objects of international attention, Silverman's
book is incredibly timely.
In his captivating study of faith and class, John Hayes examines
the ways folk religion in the early twentieth century allowed the
South's poor - both white and black - to listen, borrow, and learn
from each other about what it meant to live as Christians in a
world of severe struggle. Beneath the well-documented religious
forms of the New South, people caught in the region's poverty
crafted a distinct folk Christianity that spoke from the margins of
capitalist development, giving voice to modern phenomena like
alienation and disenchantment. Through haunting songs of Death,
mystical tales of conversion, grassroots sacramental displays, and
an ethic of neighborliness, impoverished folk Christians looked for
the sacred in their midst and affirmed the value of this life in
this world. From Tom Watson and W. E. B. Du Bois over a century ago
to political commentators today, many have ruminated on how despite
material commonalities, the poor of the South have been perennially
divided by racism. Through his excavation of a folk Christianity of
the poor, which fused strands of African and European tradition
into a new synthesis, John Hayes recovers a historically contingent
moment of interracial exchange generated in hardship.
Text extracted from opening pages of book: THE ELDER EDDA AND
ANCIENT SCANDINAVIAN DRAMA CAMBRIDGE UNIVERSITY PRESS C. F. CLAY,
MANAGER LONDON: FETTER LANE, E. G. 4 NEW YORK: THE MACMILLAN CO.
BOMBAY \ CALCUTTA LMACMILLAN AND co., Lm MADRAS j TORONTO: THE
MACMILLAN CO. OF CANADA, LTD. TOKYO: MARUZEN-KABUSHIKI-KAISHA ALL
RIGHTS RESERVED Fig. i. Plate from a helmet found at Vcntlel in
Uppland. Fig. 2. Bronze plate from Torsluncla, Oland, Sweden. Fig.
j. Bronze plate from Torshmda, Olund, Sweden, AND ANCIENT
SCANDINAVIAN DRAMA BY BERTHA S. PHILLPOTTS, O. B. E., Lirr. D.
Formerly Pfeiflfer Student of Girton College, Cambridge Late Lady
Carlisle Research Fellow, Somerville College, Oxford Principal of
Westfield College ( University of London) Author of Kindred and
Clan CAMBRIDGE AT THE UNIVERSITY PRESS 1920 PREFACE THIS book was
begun in the spring of 1914, and only two chapters were unwritten
in March 1916. In adding these two chapters in 1920 I have
endeavoured to bring the rest of the book up to date, but the
occupations of the intervening years left little time to keep
abreast of the advances of scholarship, and the endeavour has not
been wholly successful. My task has not been lightened by the loss
of a note-book and some pages of the MS. through causes connected
with the war, and I am conscious that there is much to apologise
for. But it seemed better to publish the book as it is, with all
its imperfections, than to wait for the uncertain hour when I could
attempt an elaborate revision and expansion. My aim is simply to
place before scholars a theory of the dramatic origin of the older
Eddie poems. I shall be satisfied if I have made clear the grounds
which have forced me to formulatethe theory: should there be any
truth in it, others, better fitted than I, will work it out in all
its many bearings on history, religion and literature. The
dedication intimates that this book is my gift to Somer villc
College, In a more fundamental sense it is the gift of Somerville
College to me. It is the product of my tenure of the Lady Carlisle
Research Fellowship, and the central idea of the book occurred to
me while I was trying to present a rational picture of early
Scandinavian literature to the College Literary and Philosophical
Society. The idea struck root in favourable soil Miss Pope, Tutor
in Modern Languages at Somerville, was working at a theory of the
genesis of the Old French epic: Pro fessor Gilbert Murray,
Vice-President of the College, was always ready to stimulate and
illumine discussion on the relation of epic and drama: Miss Spens
of Lady Margaret Hall was writing her book on Shakespeare's
indebtedness to folk-drama, Moreover I think that the air of Oxford
was friendly to the growth of a theory viii PREFACE like mine, and
gave me courage to act on the belief that a clear understanding of
the form of primitive Scandinavian literature was an essential
preliminary to an understanding of primitive Scandinavian history.
It was only after I had written the first part of the book an
attempt to solve a literary problem on purely literary lines that I
was able to realise the significance of the heroic poems of the
Edda as a source for Scandinavian history and religion from the
sixth century onwards. Since the theories put forward have a direct
bearing on the problem of Greek tragedy, and may also be of
interest to mediaevalists, I have assumed that some of my readers
maybe unacquainted with Old Norse, and have accordingly given my
quotations in English, adding the original in the notes wherever
there is any doubt as to the reading. I had originally planned to
give translations of the more important poems in an appendix, but
joyfully abandoned the project on finding that there is some hope
that the poet and scholar who has made Greek tragedy live in
English dress may do a similar service to the heroic poems of the
Edda. In the meantime readers may be referred to the trans lations
in Vigfiisson and Powell's Corpus Poetmim Borc
Baring-Gould's eye-opening history of lycanthropy - the werewolf
curse - delves deep into the lore, unearthing various historical
cases, several of which date back to Ancient or Medieval times. The
concept of a human transforming into a wolf has ancient origins,
with several Greek and Roman authors such as Virgil, Ovid,
Herodotus and Pliny raising the concept in their poetry and other
writings. Rumors of sorcery that could induce a human to change was
attributed to magicians in far off places such as Scythia, and such
beliefs were widely held. Later, the Norse civilization's mythology
introduced lycanthropy and other kinds of transformation. Humans as
wolves, bears, birds and other beasts were said to appear in the
northern wilds; the Norse God Odin took the form of a bird on
regular occasions. Berserker warriors would clad themselves in wolf
skins; Bj rn, son of Ulfheoin, was famed for his ability to shift
between human and wolf forms.
By analysing the folk stories and personal narratives of a
cross-section of Palestinians, Sirhan offers a detailed study of
how content and sociolinguistic variables affect a narrator's
language use and linguistic behaviour. This book will be of
interest to anyone engaged with narrative discourse, gender
discourse, Arabic studies and linguistics.
Gathered here are gems galore, which, while revealing much as to
the Chinese national psyche, highlight particular traits and
characteristics that span the globe. We all know Chairman Mau's
infamous 'It doesn't matter what colour the cat, as long as it
catches mice', but most of us would only recognize an approximate
English equivalent of 'A mighty dragon cannot crush a local snake'
or, 'A Phoenix might come out of a crow's nest'. The beasts and
birds of legend and folklore provide the inimitable Kathryn Lamb's
pen with a feast of hilarious subjects, not least a certain
revolution at one ill-fated dinner party...
|
|