"A marvelous book, at once comprehensive and highly readable, a fascinating analysis of doomsday cults and apocalyptic anxiety." --Michael Owen Jones, University of California, Los Angeles "The End of the World As We Know It makes accessible to both scholars and general readers the amazing panorama of millenarian scenarios abounding in America at the end of the millennium." --Robert S. Ellwood, University of Southern California "Will stand for some time as the best survey and analysis of the meaning and place of apocalypticism and millennialism in American culture." --Religion and Literature "Fascinating and] intelligent . . . should be required reading." --Psychotronic From religious tomes to current folk prophesies, recorded history reveals a plethora of narratives predicting or showcasing the end of the world. The incident at Waco, the subway bombing by the Japanese cult Aum Supreme Truth, and the tragedy at Jonestown are just a few examples of such apocalyptic scenarios. And these are not isolated incidents; millions of Americans today believe the end of the world is inevitable, either by a divinely ordained plan, nuclear catastrophe, extraterrestrial invasion, or gradual environmental decay, Examining the doomsday scenarios and apocalyptic predictions of visionaries, televangelists, survivalists, and various other endtimes enthusiasts, as well as popular culture, film, music, fashion, and humor, Daniel Wojcik sheds new light on America's fascination with worldly destruction and transformation. He explores the origins of contemporary apocalyptic beliefs and compares religious and secular apocalyptic speculation, showing us the routes our belief systems have traveled over the centuries to arrive at the dawn of a new millennium. Included in his sweeping examination are premillennial prophecy traditions, prophecies associated with visions of the Virgin Mary, secular ideas about nuclear apocalypse, the transformation of apocalyptic prophecy in the post-Cold War era, and emerging apocalyptic ideas associated with UFOs and extraterrestrials. Timely, yet of lasting importance, The End of the World as We Know It is a comprehensive cultural and historical portrait of an age-old phenomenon and a fascinating guide to contemporary apocalyptic fever. Daniel Wojcik is Associate Professor of English and Folklore at the University of Oregon and author of Punk and Neo-Tribal Body Art. He received his Ph.D. in Folklore and Mythology from the University of California, Los Angeles.

Storyteller and author Adam Bushnell brings together stories from the rugged coastlines, limestone cliffs, remote moorland, pastoral dales and settled coalfields of County Durham. In this treasure trove of tales you will meet the evil fairies of Weardale, the shape-changing witch from Easington, the Bishop Auckland boar, the Dun Cow from Durham City and many other characters - all as fantastical and powerful as the landscape they inhabit. Retold in an engaging style, and richly illustrated with unique line drawings, these humorous, clever and enchanting folk tales are sure to be enjoyed and shared time and again.

Designed for communication/media educators and graduate students, Teaching Communication and Media Studies is a practical and conceptual guide to teaching university courses in communication and media studies. Relying on her extensive experience instructing graduate students on the ins and outs of teaching, Jan Fernback discusses theoretical and applied topics central to contemporary mediated communication instruction, offering instructors at all levels strategies they can use to create a successful classroom experience. Fernback also considers the logic, design and delivery of courses in communication and media studies, while encouraging readers to reflect on their own strategic pedagogical decisions. Supplemented with interviews of successful communication instructors and sample exercises, this book is a must-have resource for all those teaching communication and media studies courses, regardless of level of experience.

Sir Reginald Fleming Johnston (1874 1938) was a colonial administrator and scholar with a lifelong fascination with China who was appointed tutor to the young Puyi (1906 1967), who became emperor at the age of two. Johnston was highly favoured by the emperor, receiving several imperial titles and residing in the Forbidden City. His account of his time as Puyi's tutor, Twilight in the Forbidden City, also reissued in this series, was dramatised in the film The Last Emperor. Previously, Johnston had served in a variety of colonial service positions, including three years as commissioner of the British-held territory of Weihaiwai. This book, first published in 1910, is Johnston's examination of Weihaiwei, which he considered to be a microcosm of Chinese life. Writing with obvious affection, Johnston outlines the history, culture, festivals and local folklore of Weihaiwei and explores what the future could hold for the city.

The author discusses the tragi-comic aspect of Chola kingship in relation to other Indian expressions of comedy, such as the Vidiisaka of Sanskrit drama, folk tales of the jester Tenali Rama, and clowns of the South Indian shadow-puppet theaters. The symbolism of the king emerges as part of a wider range of major symbolic figures--Brahmins, courtesans, and the tragic" bandits and warrior-heroes.

Originally published in 1989.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book examines magic's generally maleficent effect on humans from ancient Egypt through the Middle Ages, including tales from classical mythology, Jewish, Christian, and Muslim cultures. It shows that certain magical motifs lived on from age to age, but that it took until the Italian Renaissance for magic tales to become fairy tales.

J.D. Lewis-Williams, one of the leading South African archaeologists and ethnographers, excavates meaning from the complex mythological stories of the San-Bushmen to create a larger theory of how myth is used in culture. He extracts their "nuggets," the far-reaching but often unspoken words and concepts of language and understanding that are opaque to outsiders, to establish a more nuanced theory of the role of these myths in the thought-world and social circumstances of the San. The book -draws from the unique 19th century Bleek/Lloyd archives, more recent ethnographic work, and San rock art;-includes well-known San stories such as The Broken String, Mantis Dreams, and Creation of the Eland;-extrapolates from our understanding of San mythology into a larger model of how people create meaning from myth.

Fairy tales have never known geographical, disciplinary, or cultural borders. In many ways, they provide a model for thinking about storytelling on a transnational level long before comparative literature began transforming itself into world literature. As the simple expression of complex thought, fairy tales have increasingly become the focus of intense scholarly inquiry. In this Companion, international scholars from a range of academic disciplines explore the historical origins, cultural dissemination, and psychological power of fairy stories, and offer model interpretations of tales from a variety of traditions and sources, including Charles Perrault, the Brothers Grimm, and the One Thousand and One Nights. Rather than disenchanting the stories, the essays in this volume broaden our understanding of them and deepen our appreciation of the cultural work they do. A chronology and guide to further reading contribute to the usefulness of the volume for students and scholars.

By analysing the folk stories and personal narratives of a cross-section of Palestinians, Sirhan offers a detailed study of how content and sociolinguistic variables affect a narrator's language use and linguistic behaviour. This book will be of interest to anyone engaged with narrative discourse, gender discourse, Arabic studies and linguistics.

There are some writings that transcend time and tradition and speak to the ever-present heart of the human experience. Simple yet profound, challenging yet compassionate, the Song of Ribhu is one such example of this. In the same tradition as the Bhagavad Gita or the Ashtavakra Gita, the Ribhu Gita, literally the Song of Ribhu represents the highest declaration of Advaita Vedanta, spoken by the enlightened sage Ribhu to his disciple Nidagha on the slopes of Mount Kedara in the Himalayas. Some 2,500 years later, another awakened master, Sri Ramana Maharshi was touched by these same words, considering them to be one of the most sublime expressions of the awakened state that humanity had ever produced. He spoke of it reverently and would even give copies to his devotees to read. The version that follows is a selection, made by Sri Ramana Maharshi himself, of 45 verses that capture the very essence of the Ribhu Gita - an essence that this fresh and masterful modern translation manages to communicate in simple and elegant English, perfectly adapted to the Western reader. The book also contains the story of Ribhu and Nidagha as told by Sri Ramana Maharshi, as well as excerpts from informal talks with his students to further clarify the themes.

Lipsi is a small Greek island in the southeast Aegean Sea. There, the local oral tradition weaves the island's history from the mythical Calypso to this day, relating stories of people from a distant past and of those who are still leaving their mark, until the day they become memories and stories as well. This eternal time of an endless repetition, as perceived by today's inhabitants, is projected onto space making a narrative landscape through material constructions, collective bodily movements, and supernatural apparitions. The result of long-term ethnographic fieldwork, this book refers to the community of Lipsi as an example of the correlations between popular cosmologies, official religion, and the development of a symbolic landscape, along with the formation of collective identities and representations in the context of a "cultural and social experience of the world."

This book shows you how to access the wisdom of the Nakshatras in your personal life and for society. Through it the modern reader can understand the energies of their stars and learn how to utilize these to bring their lives into harmony with the great forces of the universe. This book is must reading not only for any students of astrology but for anyone interested in self-development or spiritual growth.

Despite the homogenization of American life, areas of strong regional consciousness still persist in the United States, and there is a growing interest in regionalism among the public and among academics. In response to that interest ten folklorists here describe and interpret a variety of American regional cultures in the twentieth century. Their book is the first to deal specifically with regional culture and the first to employ the perspective of folklore in the study of regional identity and consciousness. The authors range widely over the United States, from the Eastern Shore to the Pacific Northwest, from the Southern Mountains to the Great Plains. They look at a variety of cultural expressions and practices -- legends, anecdotes, songs, foodways, architecture, and crafts. Tying their work together is a common consideration of how regional culture shapes and is shaped by the consciousness of living in a special place. In exploring this dimension of regional culture the authors consider the influence of natural environment and historical experience on the development of regional culture, the role of ethnicity in regional consciousness, the tensions between insiders and outsiders that stem from a sense of regional identity, and the changes in culture in response to social and economic change. With its focus on cultural manifestations and its folkloristic perspective this book provides a fresh and needed contribution to regional studies. Written in a clear, readable style, it will appeal to general readers interested in American regions and their cultures. At the same time the research and analytical approach make it useful not only to folklorists but to cultural geographers, anthropologists, and other scholars of regional studies.

The divisive and malleable nature of history is at its most palpable in situations of intractable conflict between nations or peoples. In these circumstances, how each party interprets or appropriates historical accounts informs their understanding of the roots of the conflict as well as how they relate to and interact with their adversaries. This book aims to advance our understanding of the significance of history in informing the relationship between parties involved in intractable conflicts through the concept of thick recognition and by exploring its relevance specifically in relation to Israel. It suggests that the recognition of crucial identity elements, such as widely shared understandings of history, might increase the potential for relationship transformation in intractable conflicts. More widely, the book discusses how the Israeli debates over New History can be understood as related to processes of conflict transformation as well as seeking answers to what can be seen as facilitating and inhibiting circumstances for the introduction of new understandings of history in the debates on Israeli New History.

Dr. Raymond Bernard was a pseudonym, and his bizarre book was a 60s classic of weird UFO literature. Said the original back cover copy for the book: Revealed! The Underground World of Supermen Discovered Under the North Pole! Can you explain the following? Why does one find tropical seeds, plants and trees floating in the fresh water of icebergs? Why do millions of tropical birds and animals go farther north in the wintertime? If it is not hollow and warm inside the Earth at the Poles, then why does colored pollen color the Earth for thousands of miles? Why is it warmer at the Poles than 600 to 1000 miles away from them? Why does the north wind in the Arctic get warmer as one sails north beyond 70 latitude? On top of all of, Admiral Byrd supposed made several journeys inside the earth by traveling through the holes in the poles. Could there be anything to Bernards bizarre claims? Chapters include: UFOs and Governmental Secrecy; Admiral Byrds Epoch-Making Discovery; The Hollow Earth; William Reeds Book, Phantom of the Poles; Marshall B. Gardners Book, A Journey to the Earths Interior; Was the North Pole Really Discovered?; The Origin of the Eskimos; The Subterranean Origin of the Flying Saucers; Description of a Theoretical Aerial Expedition into the Polar Opening Leading to the Hollow Interior of the Earth; Agharta, The subterranean World; Flying Saucers, Propulsion and Relativity; more. Heavily illustrated.

'It isn't often that one encounters a sensibility so interested in our world - and so compelling in its powers of attentiveness. Leo Boix's poetry has a wide tilt and scope. It sings the doors open' Ilya Kaminsky, author of Deaf Republic 'They are sailors from another century, stalwart / captured on daguerrotype, casually masculine, tender of heart.' In the middle of the last century, the SS General Pueyrredon from Buenos Aires deposits Leo Boix's paternal grandfather on English soil for the first time. In the two years he spends there, he acquires a taste for his new homeland: from taking his tea white - muy blanco - to plunging into unfamiliar sensual worlds. So begins the poet's own journey, arriving in the United Kingdom as a young queer man. Ballad of a Happy Immigrant tells of the life he makes there: a dazzling collection of what it means to live, love and write between two cultures and traditions. Effortlessly moving between the English imagination and Spanish language, it is a boundless exploration of otherness and home, and the personal transformation that follows between 'loss / and a life / that starts anew.' *A Poetry Book Society Wild Card Choice*

Pull up a chair or gather round the campfire and get ready for thirty creepy tales of ghostly hauntings, eerie happenings, and other strange occurrences in Pennsylvania. Set in the Keystone State's big cites, rural communities, rugged mountains, and vast woodlands, the stories in this entertaining and compelling collection will have readers looking over their shoulders again and again. Pennsylvania's folklore is kept alive in these expert retellings by master storyteller S. E. Schlosser and in artist Paul Hoffman's evocative illustrations. Readers will meet the phantom drummer of Valley Forge, cheer on the ghost who haunts a bowling alley in Allentown, search for the mysterious jail cell handprint in Carbon County, and feel an icy wind on the back of their necks on a warm Pennsylvania evening. Whether read around the campfire on a dark and stormy night or from the backseat of the family van on the way to grandma's, this is a collection to treasure.

'Everything shifts in the Caucasus, blown by some of the strongest winds on earth. Even the ground moves, splintered by fault lines. In early Georgian myths, it is said that when the mountains were young, they had legs - could walk from the edges of the oceans to the deserts, flirting with the low hills, shrouding them with soft clouds of love' - "Griffin", 2001, p.2. But what about those aspects of life which remain relatively constant - the traditional practices of the people, the practices that are reflected in their folktales and their folklore? It is these constants that this study concentrates on. Find out about the land with which the earliest folklore of Europe is connected - the land where Noah's Ark is said to have settled, the land of the Argonauts and of Prometheus.

Behind every myth, fairy tale and legend hidden within the art, song and structures of ancient times is an encoded layer of wisdom, science and truth passed down throughout history. This book will examine how information went viral long before the internet and served as the foundation for mythology, sacred architecture and symbolic imagery throughout the ancient world.

Since antiquity, the she-wolf has served as the potent symbol of Rome. For more than two thousand years, the legendary animal that rescued Romulus and Remus has been the subject of historical and political accounts, literary treatments in poetry and prose, and visual representations in every medium. In She-Wolf: The Story of a Roman Icon, Cristina Mazzoni examines the evolution of the she-wolf as a symbol in western history, art, and literature, from antiquity to contemporary times. Used, for example, as an icon of Roman imperial power, papal authority, and the distance between the present and the past, the she-wolf has also served as an allegory for greed, good politics, excessive female sexuality, and, most recently, modern, multi-cultural Rome. Mazzoni engagingly analyzes the various role guises of the she-wolf over time in the first comprehensive study in any language on this subject.

The hegemonization of European thought by Greek antiquity was famously questioned by major representatives of the avant-garde. However, this is only one ideological dimension of the extraordinarily intricate politics of the European avant-garde s response to Greek antiquity a dimension that has been overrated in current research on the subject. "Greek Mythologies" interrogates this one-sided methodological approach by exploring in a systematic and cross-disciplinary manner the complex, at times contradictory, responses to ancient Greece in Greek and broader Western European modernism. In this pioneering book, Dimitrios Yatromanolakis investigates the multilayered (often underexplored) ideological, literary, artistic, and epistemological channels through which ancient Greek mythology was received by the avant-garde as cultural capital and discursive paradigm conducive to a radical reassessment of established socioaesthetic structures. Exploring the dynamics of ruination and the reconfiguration of fundamental icons of ancient mythology (for example, Oedipus, Pasiphae, the Minotaur, the Danaids) in Greek surrealism, this book masterfully demonstrates that Greek antiquity, despite its theoretical devaluation by influential modernists, became an integral constituent of avant-garde myth-making. Focusing mainly on highly provocative dialogues between variants of ancient Greek "mythoi" and twentieth-century Greek and other European mechanisms of "mythogenesis, " the book navigates new territories in the field of reception studies."

"Mary Beck's collection of legends from Tlingit and Haida folklore provides an excellent look at not only the mythology but the value and culture of these Southeast Alaska Natives." - Jan O'Meara Homer News Over uncounted generations the Tlingits and Haidas of Southeast Alaska developed a spoken literature as robust and distinctive as their unique graphic art style, and passed it from the old to the young to ensure the continuity of their culture. Even today when the people gather, now under lamplight rather than the flickering glow from the central fire pit, the ancient myths and legends are told and retold, and they still reinforce the unity of the lineage, and clan and the culture. "Mary Beck opens this collection of legends by setting the tradition scene: '...It will be a time of feasting, singing, and dancing, of honoring lineages and of telling ancestral stories.' In this small, beautifully produced volume, enhanced by the wonderful illustrations by Nancy DeWitt, Becks tells nine traditional ancient myths and legends from the oral literature that are authentic for one group or another from this region, including Fog Woman, Volcano Woman, Bear Mother and The Boy Who Fed Eagles." - Bill Hunt Anchorage Daily News

Gloucestershire's stories go back to the days of Sabrina, spirit of the Severn, and the Nine Hags of Gloucester. Tales tell of sky-ships over Bristol, the silk-caped wraith of Dover's Hill, snow foresters on the Cotswolds, and Cirencester's dark-age drama of snake and nipple. They uncover the tragic secrets of Berkeley Castle and the Gaunts' Chapel, a lonely ghost haunting an ancient inn, and twenty-first-century beasts in the Forest of Dean. From the intrigue and romance of town and abbey to the faery magic of the wild, here are thirty of the county's most enchanting tales, brought imaginatively to life by a dynamic local storyteller.

A collection of radical political fairy tales-some in English for the first time-from one of the great female practitioners of the genre Hermynia Zur Muhlen (1883-1951), one of the twentieth century's great political writers, was not seemingly destined for a revolutionary, unconventional literary career. Born in Vienna to an aristocratic Catholic family, Zur Muhlen married an Estonian count. But she rebelled, leaving her upper-class life to be with the Hungarian writer and Communist Stefan Klein, and supporting herself through translations and publications. Altogether, Zur Muhlen wrote thirty novels, mysteries, and story collections, and translated around 150 works, including those of Upton Sinclair, John Galsworthy, and Edna Ferber. A wonderful new addition to the Oddly Modern Fairy Tales series, The Castle of Truth and Other Revolutionary Tales presents English readers with a selection of Zur Muhlen's best political fairy tales, some translated from German for the first time. In contrast to the classical tales of the Brothers Grimm and Hans Christian Andersen, Zur Muhlen's candid, forthright stories focus on social justice and the plight of the working class, with innovative plots intended to raise the political consciousness of readers young and old. For example, in "The Glasses," readers are encouraged to rip off the glasses that deceive them, while in "The Carriage Horse," horses organize a union to resist their working and living conditions. In "The Broom," a young worker learns how to sweep away injustice. With an informative introduction by Jack Zipes and period illustrations by George Grosz, John Heartfield, Heinrich Vogeler, and Karl Holtz, The Castle of Truth and Other Revolutionary Tales revives the legacy of a notable female artist whose literary and political work remains relevant in our own time.