This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

African cults and religions enrich all aspects of Cuba's social, cultural and everyday life, and encompass all ethnic and social groups. Politics, art, and civil events such as weddings, funerals, festivals and carnivals all possess distinctly Afro-Cuban characteristics. Miguel Barnet provides a concise guide to the various traditions and branches of Afro-Cuban religions. He distinguishes between the two most important cult forms - the Regla de Ocha (Santeria), which promotes worship of the Oshira (gods), and the traditional oracles that originated in the old Yoruba city of lle-lfe', which promote a more animistic worldview. Africans who were brought to Cuba as slaves had to recreate their old traditions in their new Caribbean context. As their African heritage collided with Catholicism and with Native American and European traditions, certain African gods and traditions became more prominent while others lost their significance in the new Afro-Cuban culture. This book, the first systematic overview of the syncretization of the gods of African origin with Catholic saints, introduces the reader to a little-known side of Cuban culture.

This book reassesses Hardy's fiction in the light of his prolonged engagement with the folklore and traditions of rural England. Drawing on wide research, it demonstrates the pivotal role played in the novels by such customs and beliefs as 'overlooking', hag-riding, skimmington-riding, sympathetic magic, mumming, bonfire nights, May Day celebrations, Midsummer divination, and the 'Portland Custom'. This study shows how such traditions were lived out in practice in village life, and how they were represented in written texts - in literature, newspapers, county histories, folklore books, the work of the Folklore Society, archival documents, and letters. It explores tensions between Hardy's repeated insistence on the authenticity of his accounts and his engagement with contemporary anthropologists and folklorists, and reveals how his efforts to resist their 'excellently neat' categories of culture open up wider questions about the nature of belief, progress, and social change.

A little-known lecture by Levi-Strauss is the inspiration for this work. In this lecture, he intuitively suggested that in medieval Europe there once existed a set of myths, centred on the grail, which are structurally the opposite of the goatsucker myths that he famously analyzed in his mythologiques series. This work uses Levi-Strauss' inspirational lecture as a launchpad for an exploration of a group of related medieval Welsh myths, two of which have been briefly considered previously by Levi-Strauss himself. The root of the methodological approach this book employs throughout is the Structuralism of Claude Levi-Strauss; however, it has been modified to incorporate the suggestions of later neo-Structuralists. This analysis tool is applied to a group of myths, which have become conveniently--if somewhat erroneously--known as the Mabinogion. The name Mabinogion appears as part of a colophon at the end of one of the myth of Pwyll and it was later adopted first by Pugh (1835), and then by Lady Charlotte Guest (1838) as a title for their now famous translations of Welsh mythology. Consequently, the title has stuck to describe the material that is contained within their translations and, while it is a somewhat inaccurate way to describe the myths, it has the virtues of being both a succinct and widely recognised signifier. The term has come to signify eight myths, or perhaps more accurately eight groups of myths, which are all present in the late fourteenth-century manuscript Llyfr Coch Hergest (The Red Book of Hergest), and all but one of which can be found in the slightly earlier Llyfr Gwyn Rhydderch (The White Book of Rhydderch). As such, the Mabinogion is the key collection of medieval Welsh mythology and an important source for early Arthurian material. Although Structuralism and the Mabinogion have attracted a good deal of attention from the academic world, there has been never been a sustained attempt to follow Levi-Strauss' intuitive insights with a methodical Structuralist analysis of this material. In the year of Levi-Strauss' centenary celebrations, this work is the first sustained attempt to follow his intuitive suggestions about several Mabinogion myths with a detailed Structuralist analysis of the Mabinogion. This work is therefore a unique anthropological presentation and analysis of the Mabinogion, which argues for a radical, new interpretation of these myths in light of the existence of a central system of interlocking symbols that has the Grail at its heart. Through the analysis, the book reveals a logical organizational principle that underlies a body of material that has previously been viewed as disparate and confusing. This underlying structure is demonstrated to be, as Levi-Strauss suggested it may, the opposite of that which Levi-Strauss himself uncovered in the Americas. The revelation of this new form of underlying structure leads to a rethinking of some important aspects of Structuralism, including the Canonical formula, at the same time as acting as a tribute to the farsightedness of Levi-Strauss. This book makes important contributions to the fields of Arthurian studies, anthropology, Celtic studies, cultural studies, medieval studies, mythology and religious studies.

In Greek mythology the beautiful Narcissus glimpsed his own reflection in the waters of a spring and fell in love. But his was an impossible passion and, filled with despair, he pined away. Over the years the myth has inspired painters, writers, and film directors, as well as philosophers and psychoanalysts. The tragic story of Narcissus, in love with himself, and of Echo, the nymph in love with him, lies at the heart of this collection of essays exploring the origins of the myth and some of its many cultural manifestations and meanings relating to the self and the self's relationship to the other. Through their discussion of the myth and its ramifications, the contributors to this volume broaden our understanding of one of the fundamental myths of Western culture.

Lieve Spaas is Research Professor of Arts and Culture, Faculty of Arts and Social Sciences, Kingston University and has worked in social anthropology, French literature, and francophone film.

Here lies entombed the renowned King Arthur in the island of Avalon. - Inscription found at Glastonbury in the late 12th century King Arthur most probably never existed and - even if he did - we know precious little about him, and yet he is one of the most famous Britons, while Excalibur and Camelot are perhaps the world's best known sword and castle. So, what's the truth behind King Arthur? How did the legends take hold? And why have they endured for so long? Long before the Marvel Universe there was the universe of Arthurian romance, and King Arthur and the Knights of the Round Table examines the fact and the fiction behind Arthur, Lancelot, Merlin, Guinevere, Galahad, among others, as well as the quest for the Holy Grail. Beginning in the 12th century, the book explores what factual basis there is for the tales and how the characters, stories and motifs developed through histories, epic poems and prose tellings. The book also charts the revived interest in Arthurian romance in the 19th century and considers how the tales still hold the popular imagination today. Illustrated with more than 180 colour and black-and-white artworks and photographs and maps, King Arthur and the Knights of the Round Table is an expertly written account of where literature, mythology and history meet.

Originally published in London, 1910. A collection of eleven important early Chinese Folk Lore Tales. The book is rich in the myth and legend of early China. Contents include: The Widow Ho, Kwang-Jui and the God of the River, The Beautiful daughter of Liu-Kung, The Fairy Bonze, The Mysterious Buddhist Robe, The Vengeance of the Goddess, The Wonderful Man, The God of the City, The Tragedy of the Yin Family, Sam-Chung and the Water Demon, The Reward of a benevolent life. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Of all the countless legendary beasts that have been conjured forth from the seemingly limitless capacity of the human imagination, none can remotely compare with the dragon for its sheer diversity of form, its symbolic significance, and its cross-cultural presence. Dragons are everywhere-still glimpsed in the living, breathing beasts around us that inspired and engendered their birth in our far-distant ancestors' dreams, and nightmares; perennially encountered in the myriad of traditional myths and folklore woven into the fabric of every creed and culture around the world; and ever-visible within the innumerable outpourings of artistic creation that have graced and enhanced our species' existence across all temporal, political, social, and geographical boundaries. So from where, and from what, has such widespread-indeed, worldwide-belief in these creatures stemmed? There can be no doubt that a major factor influencing the origin of the dragon is early humanity's observations and interactions with various distinctive and potentially inimical creatures of reality sharing our world. Equally thought-provoking is how and why the dragon has become so intimately associated with our own species. This multi-faceted monster of mythology is more than amply represented visually, for example, by artwork of every conceivable style, age, and category. And the dragon's status in religion, dreams, alchemy, psychology, astrology, literature, movies, and music is as compelling as it is complex. These many diverse but equally captivating themes are all fully explored in this spellbinding book's uniquely comprehensive coverage, and provide ample confirmation that there is no sign whatsoever of waning interest for what must surely be the most vibrant, tenacious, and fascinating creature that has never existed-the dragon.

Europe is a continent weighed down by the shadows of its past, its wars, the traditional enmities, the suspicions of neighbours fuelled by historical memories. This has immediate consequences for the understanding and representation of the past: journalists, politicians, historians often apply simplistic, pre-conceived patterns, i.e., myths, to current events, resulting in distorted and misleading analyses. This volume exposes the way some historical myths, such as Balance of Power, Rapallo, the Special Relationship, the Franco-German Couple, the Peril of Islam, are used to blur, not to clarify our understanding of international affairs, even to manipulate contemporary politics. Cyrill Buffet is Research Fellow at the Centre Marc Bloch, Berlin and Beatrice Heuser is Lecturer in War Studies at King's College, London.